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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAB9DE it is the complementary color #554621. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAB9DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAB9DE shade: #AFB9D9, #C0CBEC, #D1DDFF, #E2EFFF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAB9DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAB9DE shade: #AAB9DE, #99A7CB, #8895B8, #7783A5 and #667192

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAB9DE shade: #AAB9DE, #AAABDE, #B7AADE, #C5AADE and #D3AADE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAB9DE shade: #AAB9DE, #AAABDE and #AAAADE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAB9DE shade matches the following richer shades: #AAB9DE, #A1B5E7, #97B1F1 and #8EADFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAB9DE shade: #AAB9DE, #B4BDD4, #BDC1CB, #C7C5C1 and #D0C9B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAB9DE shade: #AAD5DE, #AAC7DE, #AABADE, #AAACDE and #B6AADE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAB9DE shade: #6F88C7, #8CA0D2, #AAB9DE, #C8D1E9 and #E5EAF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAB9DE shade: #AAB9DE, #D8AADE and #CEDEAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAB9DE shade: #AAB9DE, #DEAABA and #BADEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAB9DE shade: #AAB9DE, #D8AADE, #DECEAA and #AFDEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAB9DE shade: #AAB9DE, #DEAAD3, #DECEAA and #AADEB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

Complementary color

CMYK 0 / 18 / 61 / 67

HEX #554621

RGB 85 70 33

HSL 42.69, 0.44%, 0.23%

LAB 30.45, 1.17, 24.4

 

CMYK 19 / 15 / 0 / 15

HEX #AFB9D9

RGB 175 185 217

HSL 225.71, 0.36%, 0.77%

LAB 75.34, 3.22, -17.21

 

CMYK 19 / 14 / 0 / 7

HEX #C0CBEC

RGB 192 203 236

HSL 225, 0.54%, 0.84%

LAB 81.82, 3.01, -17.54

 

CMYK 18 / 13 / 0 / 0

HEX #D1DDFF

RGB 209 221 255

HSL 224.35, 1%, 0.91%

LAB 88.2, 2.81, -17.87

 

CMYK 11 / 6 / 0 / 0

HEX #E2EFFF

RGB 226 239 255

HSL 213.1, 1%, 0.94%

LAB 93.94, -1.22, -9.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

CMYK 25 / 18 / 0 / 20

HEX #99A7CB

RGB 153 167 203

HSL 223.2, 0.32%, 0.7%

LAB 68.55, 3.05, -19.98

 

CMYK 26 / 19 / 0 / 28

HEX #8895B8

RGB 136 149 184

HSL 223.75, 0.25%, 0.63%

LAB 61.82, 3.31, -19.74

 

CMYK 28 / 21 / 0 / 35

HEX #7783A5

RGB 119 131 165

HSL 224.35, 0.2%, 0.56%

LAB 54.94, 3.6, -19.51

 

CMYK 30 / 23 / 0 / 43

HEX #667192

RGB 102 113 146

HSL 225, 0.18%, 0.49%

LAB 47.89, 3.93, -19.32

 

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

CMYK 23 / 23 / 0 / 13

HEX #AAABDE

RGB 170 171 222

HSL 238.85, 0.44%, 0.77%

LAB 71.52, 10.51, -25.78

 

CMYK 18 / 23 / 0 / 13

HEX #B7AADE

RGB 183 170 222

HSL 255, 0.44%, 0.77%

LAB 72.29, 15.08, -24.51

 

CMYK 11 / 23 / 0 / 13

HEX #C5AADE

RGB 197 170 222

HSL 271.15, 0.44%, 0.77%

LAB 73.48, 19.52, -22.59

 

CMYK 5 / 23 / 0 / 13

HEX #D3AADE

RGB 211 170 222

HSL 287.31, 0.44%, 0.77%

LAB 74.74, 24.06, -20.55

 

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

CMYK 23 / 23 / 0 / 13

HEX #AAABDE

RGB 170 171 222

HSL 238.85, 0.44%, 0.77%

LAB 71.52, 10.51, -25.78

 

CMYK 23 / 23 / 0 / 13

HEX #AAAADE

RGB 170 170 222

HSL 240, 0.44%, 0.77%

LAB 71.26, 11.06, -26.18

 

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

CMYK 30 / 22 / 0 / 9

HEX #A1B5E7

RGB 161 181 231

HSL 222.86, 0.59%, 0.77%

LAB 73.8, 4.48, -27.24

 

CMYK 37 / 27 / 0 / 5

HEX #97B1F1

RGB 151 177 241

HSL 222.67, 0.76%, 0.77%

LAB 72.48, 6.48, -34.76

 

CMYK 43 / 31 / 0 / 2

HEX #8EADFA

RGB 142 173 250

HSL 222.78, 0.92%, 0.77%

LAB 71.24, 8.85, -41.61

 

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

CMYK 15 / 11 / 0 / 17

HEX #B4BDD4

RGB 180 189 212

HSL 223.13, 0.27%, 0.77%

LAB 76.59, 1.56, -12.59

 

CMYK 7 / 5 / 0 / 20

HEX #BDC1CB

RGB 189 193 203

HSL 222.86, 0.12%, 0.77%

LAB 78.03, 0.54, -5.5

 

CMYK 0 / 1 / 3 / 22

HEX #C7C5C1

RGB 199 197 193

HSL 40, 0.05%, 0.77%

LAB 79.57, -0.03, 2.24

 

CMYK 0 / 3 / 12 / 18

HEX #D0C9B8

RGB 208 201 184

HSL 42.5, 0.2%, 0.77%

LAB 81.1, -0.47, 9.35

 

CMYK 23 / 4 / 0 / 13

HEX #AAD5DE

RGB 170 213 222

HSL 190.38, 0.44%, 0.77%

LAB 82.6, -12.01, -9.06

 

CMYK 23 / 10 / 0 / 13

HEX #AAC7DE

RGB 170 199 222

HSL 206.54, 0.44%, 0.77%

LAB 78.85, -4.71, -14.66

 

CMYK 23 / 16 / 0 / 13

HEX #AABADE

RGB 170 186 222

HSL 221.54, 0.44%, 0.77%

LAB 75.41, 2.27, -19.85

 

CMYK 23 / 23 / 0 / 13

HEX #AAACDE

RGB 170 172 222

HSL 237.69, 0.44%, 0.77%

LAB 71.78, 9.95, -25.39

 

CMYK 18 / 23 / 0 / 13

HEX #B6AADE

RGB 182 170 222

HSL 253.85, 0.44%, 0.77%

LAB 72.21, 14.76, -24.65

 

CMYK 44 / 32 / 0 / 22

HEX #6F88C7

RGB 111 136 199

HSL 222.95, 0.44%, 0.61%

LAB 57.18, 7.74, -35.51

 

CMYK 33 / 24 / 0 / 18

HEX #8CA0D2

RGB 140 160 210

HSL 222.86, 0.44%, 0.69%

LAB 66.04, 4.84, -27.78

 

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

CMYK 14 / 10 / 0 / 9

HEX #C8D1E9

RGB 200 209 233

HSL 223.64, 0.43%, 0.85%

LAB 83.84, 1.7, -12.85

 

CMYK 7 / 4 / 0 / 4

HEX #E5EAF5

RGB 229 234 245

HSL 221.25, 0.44%, 0.93%

LAB 92.62, 0.37, -5.9

 

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

CMYK 3 / 23 / 0 / 13

HEX #D8AADE

RGB 216 170 222

HSL 293.08, 0.44%, 0.77%

LAB 75.22, 25.69, -19.79

 

CMYK 7 / 0 / 23 / 13

HEX #CEDEAA

RGB 206 222 170

HSL 78.46, 0.44%, 0.77%

LAB 86.14, -14.14, 23.78

 

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

CMYK 0 / 23 / 16 / 13

HEX #DEAABA

RGB 222 170 186

HSL 341.54, 0.44%, 0.77%

LAB 74.71, 21.47, -0.8

 

CMYK 16 / 0 / 23 / 13

HEX #BADEAA

RGB 186 222 170

HSL 101.54, 0.44%, 0.77%

LAB 84.78, -21.25, 21.7

 

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

CMYK 3 / 23 / 0 / 13

HEX #D8AADE

RGB 216 170 222

HSL 293.08, 0.44%, 0.77%

LAB 75.22, 25.69, -19.79

 

CMYK 0 / 7 / 23 / 13

HEX #DECEAA

RGB 222 206 170

HSL 41.54, 0.44%, 0.77%

LAB 83.22, -0.06, 19.94

 

CMYK 21 / 0 / 23 / 13

HEX #AFDEAA

RGB 175 222 170

HSL 114.23, 0.44%, 0.77%

LAB 84.1, -25.02, 20.64

 

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

CMYK 0 / 23 / 5 / 13

HEX #DEAAD3

RGB 222 170 211

HSL 312.69, 0.44%, 0.77%

LAB 75.44, 25.67, -13.4

 

CMYK 0 / 7 / 23 / 13

HEX #DECEAA

RGB 222 206 170

HSL 41.54, 0.44%, 0.77%

LAB 83.22, -0.06, 19.94

 

CMYK 23 / 0 / 19 / 13

HEX #AADEB4

RGB 170 222 180

HSL 131.54, 0.44%, 0.77%

LAB 84.01, -24.94, 15.24

 

Description

Color code: HEX #AAB9DE | qconv.com Color code: HEX #AAB9DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 185 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 185 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 17 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 17% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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