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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAB0ED it is the complementary color #554F12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAB0ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAB0ED shade: #AFB0E8, #C0C2FB, #D1D4FF, #E2E6FF and #F3F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAB0ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAB0ED shade: #AAB0ED, #999EDA, #888CC7, #777AB4 and #6668A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAB0ED shade: #AAB0ED, #B6AAED, #C8AAED, #DAAAED and #ECAAED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAB0ED shade: #AAB0ED and #AAAAED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAB0ED shade matches the following richer shades: #AAB0ED, #A2AAF5 and #9AA3FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAB0ED shade: #AAB0ED, #B3B7E4, #BBBEDC, #C3C5D4 and #CBCBCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAB0ED shade: #AAD4ED, #AAC3ED, #AAB1ED, #B5AAED and #C7AAED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAB0ED shade: #6671DE, #8891E5, #AAB0ED, #CCD0F4 and #EEF0FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAB0ED shade: #AAB0ED, #EDAAE6 and #CCEDAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAB0ED shade: #AAB0ED, #EDAAB1 and #B1EDAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAB0ED shade: #AAB0ED, #EDAAE6, #EDE6AA and #AAEDB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAB0ED shade: #AAB0ED, #EDAAD2, #EDE6AA and #AAEDC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 26 / 0 / 7

HEX #AAB0ED

RGB 170 176 237

HSL 234.63, 0.65%, 0.8%

LAB 73.36, 11.31, -31.13

 

Complementary color

CMYK 0 / 7 / 79 / 67

HEX #554F12

RGB 85 79 18

HSL 54.63, 0.65%, 0.2%

LAB 33.06, -5.44, 34.78

 

CMYK 25 / 24 / 0 / 9

HEX #AFB0E8

RGB 175 176 232

HSL 238.95, 0.55%, 0.8%

LAB 73.54, 11.59, -28.1

 

CMYK 24 / 23 / 0 / 2

HEX #C0C2FB

RGB 192 194 251

HSL 237.97, 0.88%, 0.87%

LAB 80.04, 11.2, -28.26

 

CMYK 18 / 17 / 0 / 0

HEX #D1D4FF

RGB 209 212 255

HSL 236.09, 1%, 0.91%

LAB 85.94, 7.56, -21.29

 

CMYK 11 / 10 / 0 / 0

HEX #E2E6FF

RGB 226 230 255

HSL 231.72, 1%, 0.94%

LAB 91.68, 3.41, -12.54

 

CMYK 5 / 3 / 0 / 0

HEX #F3F8FF

RGB 243 248 255

HSL 215, 1%, 0.98%

LAB 97.39, -0.37, -3.93

 

CMYK 28 / 26 / 0 / 7

HEX #AAB0ED

RGB 170 176 237

HSL 234.63, 0.65%, 0.8%

LAB 73.36, 11.31, -31.13

 

CMYK 30 / 28 / 0 / 15

HEX #999EDA

RGB 153 158 218

HSL 235.38, 0.47%, 0.73%

LAB 66.74, 11.77, -31.05

 

CMYK 32 / 30 / 0 / 22

HEX #888CC7

RGB 136 140 199

HSL 236.19, 0.36%, 0.66%

LAB 59.99, 12.28, -31

 

CMYK 34 / 32 / 0 / 29

HEX #777AB4

RGB 119 122 180

HSL 237.05, 0.29%, 0.59%

LAB 53.1, 12.86, -31

 

CMYK 37 / 35 / 0 / 37

HEX #6668A1

RGB 102 104 161

HSL 237.97, 0.24%, 0.52%

LAB 46.04, 13.54, -31.05

 

CMYK 28 / 26 / 0 / 7

HEX #AAB0ED

RGB 170 176 237

HSL 234.63, 0.65%, 0.8%

LAB 73.36, 11.31, -31.13

 

CMYK 23 / 28 / 0 / 7

HEX #B6AAED

RGB 182 170 237

HSL 250.75, 0.65%, 0.8%

LAB 72.77, 18.18, -31.97

 

CMYK 16 / 28 / 0 / 7

HEX #C8AAED

RGB 200 170 237

HSL 266.87, 0.65%, 0.8%

LAB 74.28, 23.64, -29.5

 

CMYK 8 / 28 / 0 / 7

HEX #DAAAED

RGB 218 170 237

HSL 282.99, 0.65%, 0.8%

LAB 75.93, 29.25, -26.84

 

CMYK 0 / 28 / 0 / 7

HEX #ECAAED

RGB 236 170 237

HSL 299.1, 0.65%, 0.8%

LAB 77.7, 34.96, -23.98

 

CMYK 28 / 26 / 0 / 7

HEX #AAB0ED

RGB 170 176 237

HSL 234.63, 0.65%, 0.8%

LAB 73.36, 11.31, -31.13

 

CMYK 28 / 28 / 0 / 7

HEX #AAAAED

RGB 170 170 237

HSL 240, 0.65%, 0.8%

LAB 71.83, 14.65, -33.48

 

CMYK 28 / 26 / 0 / 7

HEX #AAB0ED

RGB 170 176 237

HSL 234.63, 0.65%, 0.8%

LAB 73.36, 11.31, -31.13

 

CMYK 34 / 31 / 0 / 4

HEX #A2AAF5

RGB 162 170 245

HSL 234.22, 0.81%, 0.8%

LAB 71.57, 14.41, -38.28

 

CMYK 39 / 36 / 0 / 1

HEX #9AA3FD

RGB 154 163 253

HSL 234.55, 0.96%, 0.8%

LAB 69.58, 18.36, -45.78

 

CMYK 28 / 26 / 0 / 7

HEX #AAB0ED

RGB 170 176 237

HSL 234.63, 0.65%, 0.8%

LAB 73.36, 11.31, -31.13

 

CMYK 21 / 20 / 0 / 11

HEX #B3B7E4

RGB 179 183 228

HSL 235.1, 0.48%, 0.8%

LAB 75.48, 8.03, -22.93

 

CMYK 15 / 14 / 0 / 14

HEX #BBBEDC

RGB 187 190 220

HSL 234.55, 0.32%, 0.8%

LAB 77.61, 4.97, -15.32

 

CMYK 8 / 7 / 0 / 17

HEX #C3C5D4

RGB 195 197 212

HSL 232.94, 0.17%, 0.8%

LAB 79.78, 2.19, -7.72

 

CMYK 0 / 0 / 0 / 20

HEX #CBCBCC

RGB 203 203 204

HSL 240, 0.01%, 0.8%

LAB 81.71, 0.19, -0.51

 

CMYK 28 / 11 / 0 / 7

HEX #AAD4ED

RGB 170 212 237

HSL 202.39, 0.65%, 0.8%

LAB 82.78, -8.09, -16.77

 

CMYK 28 / 18 / 0 / 7

HEX #AAC3ED

RGB 170 195 237

HSL 217.61, 0.65%, 0.8%

LAB 78.28, 0.92, -23.58

 

CMYK 28 / 25 / 0 / 7

HEX #AAB1ED

RGB 170 177 237

HSL 233.73, 0.65%, 0.8%

LAB 73.61, 10.76, -30.73

 

CMYK 24 / 28 / 0 / 7

HEX #B5AAED

RGB 181 170 237

HSL 249.85, 0.65%, 0.8%

LAB 72.69, 17.88, -32.1

 

CMYK 16 / 28 / 0 / 7

HEX #C7AAED

RGB 199 170 237

HSL 265.97, 0.65%, 0.8%

LAB 74.19, 23.33, -29.65

 

CMYK 54 / 49 / 0 / 13

HEX #6671DE

RGB 102 113 222

HSL 234.5, 0.65%, 0.64%

LAB 51.73, 26.55, -57.18

 

CMYK 41 / 37 / 0 / 10

HEX #8891E5

RGB 136 145 229

HSL 234.19, 0.64%, 0.72%

LAB 62.63, 17.49, -43.64

 

CMYK 28 / 26 / 0 / 7

HEX #AAB0ED

RGB 170 176 237

HSL 234.63, 0.65%, 0.8%

LAB 73.36, 11.31, -31.13

 

CMYK 16 / 15 / 0 / 4

HEX #CCD0F4

RGB 204 208 244

HSL 234, 0.65%, 0.88%

LAB 84.22, 5.79, -18.11

 

CMYK 5 / 4 / 0 / 2

HEX #EEF0FB

RGB 238 240 251

HSL 230.77, 0.62%, 0.96%

LAB 94.93, 1.34, -5.53

 

CMYK 28 / 26 / 0 / 7

HEX #AAB0ED

RGB 170 176 237

HSL 234.63, 0.65%, 0.8%

LAB 73.36, 11.31, -31.13

 

CMYK 0 / 28 / 3 / 7

HEX #EDAAE6

RGB 237 170 230

HSL 306.27, 0.65%, 0.8%

LAB 77.56, 34.02, -20.39

 

CMYK 14 / 0 / 28 / 7

HEX #CCEDAA

RGB 204 237 170

HSL 89.55, 0.65%, 0.8%

LAB 90, -22.25, 29.01

 

CMYK 28 / 26 / 0 / 7

HEX #AAB0ED

RGB 170 176 237

HSL 234.63, 0.65%, 0.8%

LAB 73.36, 11.31, -31.13

 

CMYK 0 / 28 / 25 / 7

HEX #EDAAB1

RGB 237 170 177

HSL 353.73, 0.65%, 0.8%

LAB 76.03, 25.57, 6.22

 

CMYK 25 / 0 / 28 / 7

HEX #B1EDAA

RGB 177 237 170

HSL 113.73, 0.65%, 0.8%

LAB 88.36, -31.49, 26.51

 

CMYK 28 / 26 / 0 / 7

HEX #AAB0ED

RGB 170 176 237

HSL 234.63, 0.65%, 0.8%

LAB 73.36, 11.31, -31.13

 

CMYK 0 / 28 / 3 / 7

HEX #EDAAE6

RGB 237 170 230

HSL 306.27, 0.65%, 0.8%

LAB 77.56, 34.02, -20.39

 

CMYK 0 / 3 / 28 / 7

HEX #EDE6AA

RGB 237 230 170

HSL 53.73, 0.65%, 0.8%

LAB 90.55, -6.72, 30.16

 

CMYK 28 / 0 / 25 / 7

HEX #AAEDB1

RGB 170 237 177

HSL 126.27, 0.65%, 0.8%

LAB 88.11, -32.59, 22.51

 

CMYK 28 / 26 / 0 / 7

HEX #AAB0ED

RGB 170 176 237

HSL 234.63, 0.65%, 0.8%

LAB 73.36, 11.31, -31.13

 

CMYK 0 / 28 / 11 / 7

HEX #EDAAD2

RGB 237 170 210

HSL 324.18, 0.65%, 0.8%

LAB 76.92, 30.59, -10.47

 

CMYK 0 / 3 / 28 / 7

HEX #EDE6AA

RGB 237 230 170

HSL 53.73, 0.65%, 0.8%

LAB 90.55, -6.72, 30.16

 

CMYK 28 / 0 / 17 / 7

HEX #AAEDC5

RGB 170 237 197

HSL 144.18, 0.65%, 0.8%

LAB 88.52, -29.01, 12.72

 

Description

Color code: HEX #AAB0ED | qconv.com Color code: HEX #AAB0ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 176 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 176 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 26 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 26% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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