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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAC6D3 it is the complementary color #55392C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAC6D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAC6D3 shade: #AFC6CE, #C0D8E1, #D1EAF4, #E2FCFF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAC6D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAC6D3 shade: #AAC6D3, #99B4C0, #88A2AD, #77909A and #667E87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAC6D3 shade: #AAC6D3, #AABBD3, #AAB0D3, #AFAAD3 and #BAAAD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAC6D3 shade: #AAC6D3, #AABBD3, #AAB0D3 and #AAAAD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAC6D3 shade matches the following richer shades: #AAC6D3, #A0CADD, #96CEE8, #8BD2F2 and #81D5FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAC6D3 shade: #AAC6D3, #B5C2C9, #BFBFBF, #C9BBB4 and #D4B7AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAC6D3 shade: #AAD3CA, #AAD1D3, #AAC6D3, #AABBD3 and #AAB0D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAC6D3 shade: #74A2B7, #8FB4C5, #AAC6D3, #C6D8E1 and #E1EBEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAC6D3 shade: #AAC6D3, #BFAAD3 and #D3D0AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAC6D3 shade: #AAC6D3, #D3AAC6 and #C6D3AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAC6D3 shade: #AAC6D3, #BFAAD3, #D3B7AA and #BED3AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAC6D3 shade: #AAC6D3, #CCAAD3, #D3B7AA and #B2D3AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 6 / 0 / 17

HEX #AAC6D3

RGB 170 198 211

HSL 199.02, 0.32%, 0.75%

LAB 78.25, -6.62, -9.64

 

Complementary color

CMYK 0 / 33 / 48 / 67

HEX #55392C

RGB 85 57 44

HSL 19.02, 0.32%, 0.25%

LAB 26.85, 10.61, 13.09

 

CMYK 15 / 4 / 0 / 19

HEX #AFC6CE

RGB 175 198 206

HSL 195.48, 0.24%, 0.75%

LAB 78.44, -6.1, -6.63

 

CMYK 15 / 4 / 0 / 12

HEX #C0D8E1

RGB 192 216 225

HSL 196.36, 0.35%, 0.82%

LAB 84.87, -6.15, -7.13

 

CMYK 14 / 4 / 0 / 4

HEX #D1EAF4

RGB 209 234 244

HSL 197.14, 0.61%, 0.89%

LAB 91.2, -6.19, -7.63

 

CMYK 11 / 1 / 0 / 0

HEX #E2FCFF

RGB 226 252 255

HSL 186.21, 1%, 0.94%

LAB 97.23, -7.81, -4.31

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 19 / 6 / 0 / 17

HEX #AAC6D3

RGB 170 198 211

HSL 199.02, 0.32%, 0.75%

LAB 78.25, -6.62, -9.64

 

CMYK 20 / 6 / 0 / 25

HEX #99B4C0

RGB 153 180 192

HSL 198.46, 0.24%, 0.68%

LAB 71.7, -6.58, -9.18

 

CMYK 21 / 6 / 0 / 32

HEX #88A2AD

RGB 136 162 173

HSL 197.84, 0.18%, 0.61%

LAB 65.04, -6.54, -8.71

 

CMYK 23 / 6 / 0 / 40

HEX #77909A

RGB 119 144 154

HSL 197.14, 0.15%, 0.54%

LAB 58.23, -6.51, -8.23

 

CMYK 24 / 7 / 0 / 47

HEX #667E87

RGB 102 126 135

HSL 196.36, 0.14%, 0.46%

LAB 51.26, -6.49, -7.75

 

CMYK 19 / 6 / 0 / 17

HEX #AAC6D3

RGB 170 198 211

HSL 199.02, 0.32%, 0.75%

LAB 78.25, -6.62, -9.64

 

CMYK 19 / 11 / 0 / 17

HEX #AABBD3

RGB 170 187 211

HSL 215.12, 0.32%, 0.75%

LAB 75.32, -0.76, -14.02

 

CMYK 19 / 17 / 0 / 17

HEX #AAB0D3

RGB 170 176 211

HSL 231.22, 0.32%, 0.75%

LAB 72.43, 5.22, -18.38

 

CMYK 17 / 19 / 0 / 17

HEX #AFAAD3

RGB 175 170 211

HSL 247.32, 0.32%, 0.75%

LAB 71.26, 10.12, -20.12

 

CMYK 12 / 19 / 0 / 17

HEX #BAAAD3

RGB 186 170 211

HSL 263.41, 0.32%, 0.75%

LAB 72.16, 13.66, -18.67

 

CMYK 19 / 6 / 0 / 17

HEX #AAC6D3

RGB 170 198 211

HSL 199.02, 0.32%, 0.75%

LAB 78.25, -6.62, -9.64

 

CMYK 19 / 11 / 0 / 17

HEX #AABBD3

RGB 170 187 211

HSL 215.12, 0.32%, 0.75%

LAB 75.32, -0.76, -14.02

 

CMYK 19 / 17 / 0 / 17

HEX #AAB0D3

RGB 170 176 211

HSL 231.22, 0.32%, 0.75%

LAB 72.43, 5.22, -18.38

 

CMYK 19 / 19 / 0 / 17

HEX #AAAAD3

RGB 170 170 211

HSL 240, 0.32%, 0.75%

LAB 70.87, 8.53, -20.74

 

CMYK 19 / 6 / 0 / 17

HEX #AAC6D3

RGB 170 198 211

HSL 199.02, 0.32%, 0.75%

LAB 78.25, -6.62, -9.64

 

CMYK 28 / 9 / 0 / 13

HEX #A0CADD

RGB 160 202 221

HSL 198.69, 0.47%, 0.75%

LAB 79, -9.49, -13.96

 

CMYK 35 / 11 / 0 / 9

HEX #96CEE8

RGB 150 206 232

HSL 199.02, 0.64%, 0.75%

LAB 79.87, -11.73, -18.6

 

CMYK 43 / 13 / 0 / 5

HEX #8BD2F2

RGB 139 210 242

HSL 198.64, 0.8%, 0.75%

LAB 80.73, -14.09, -22.69

 

CMYK 49 / 15 / 0 / 1

HEX #81D5FC

RGB 129 213 252

HSL 199.02, 0.95%, 0.75%

LAB 81.45, -15.28, -26.96

 

CMYK 19 / 6 / 0 / 17

HEX #AAC6D3

RGB 170 198 211

HSL 199.02, 0.32%, 0.75%

LAB 78.25, -6.62, -9.64

 

CMYK 10 / 3 / 0 / 21

HEX #B5C2C9

RGB 181 194 201

HSL 201, 0.16%, 0.75%

LAB 77.65, -3.06, -5.04

 

CMYK 0 / 0 / 0 / 25

HEX #BFBFBF

RGB 191 191 191

HSL 0, 0%, 0.75%

LAB 77.34, 0, -0.01

 

CMYK 0 / 7 / 10 / 21

HEX #C9BBB4

RGB 201 187 180

HSL 20, 0.16%, 0.75%

LAB 76.83, 3.75, 5.31

 

CMYK 0 / 14 / 20 / 17

HEX #D4B7AA

RGB 212 183 170

HSL 18.57, 0.33%, 0.75%

LAB 76.54, 8.34, 10.44

 

CMYK 19 / 0 / 4 / 17

HEX #AAD3CA

RGB 170 211 202

HSL 166.83, 0.32%, 0.75%

LAB 81.51, -15.25, -0

 

CMYK 19 / 1 / 0 / 17

HEX #AAD1D3

RGB 170 209 211

HSL 182.93, 0.32%, 0.75%

LAB 81.21, -12.34, -5.25

 

CMYK 19 / 6 / 0 / 17

HEX #AAC6D3

RGB 170 198 211

HSL 199.02, 0.32%, 0.75%

LAB 78.25, -6.62, -9.64

 

CMYK 19 / 11 / 0 / 17

HEX #AABBD3

RGB 170 187 211

HSL 215.12, 0.32%, 0.75%

LAB 75.32, -0.76, -14.02

 

CMYK 19 / 17 / 0 / 17

HEX #AAB0D3

RGB 170 176 211

HSL 231.22, 0.32%, 0.75%

LAB 72.43, 5.22, -18.38

 

CMYK 37 / 11 / 0 / 28

HEX #74A2B7

RGB 116 162 183

HSL 198.81, 0.32%, 0.59%

LAB 64.14, -10.1, -15.77

 

CMYK 27 / 9 / 0 / 23

HEX #8FB4C5

RGB 143 180 197

HSL 198.89, 0.32%, 0.67%

LAB 71.22, -8.5, -12.7

 

CMYK 19 / 6 / 0 / 17

HEX #AAC6D3

RGB 170 198 211

HSL 199.02, 0.32%, 0.75%

LAB 78.25, -6.62, -9.64

 

CMYK 12 / 4 / 0 / 12

HEX #C6D8E1

RGB 198 216 225

HSL 200, 0.31%, 0.83%

LAB 85.28, -4.23, -6.48

 

CMYK 6 / 2 / 0 / 6

HEX #E1EBEF

RGB 225 235 239

HSL 197.14, 0.3%, 0.91%

LAB 92.42, -2.57, -3.09

 

CMYK 19 / 6 / 0 / 17

HEX #AAC6D3

RGB 170 198 211

HSL 199.02, 0.32%, 0.75%

LAB 78.25, -6.62, -9.64

 

CMYK 9 / 19 / 0 / 17

HEX #BFAAD3

RGB 191 170 211

HSL 270.73, 0.32%, 0.75%

LAB 72.58, 15.3, -17.99

 

CMYK 0 / 1 / 19 / 17

HEX #D3D0AA

RGB 211 208 170

HSL 55.61, 0.32%, 0.75%

LAB 82.84, -5.19, 19.28

 

CMYK 19 / 6 / 0 / 17

HEX #AAC6D3

RGB 170 198 211

HSL 199.02, 0.32%, 0.75%

LAB 78.25, -6.62, -9.64

 

CMYK 0 / 19 / 6 / 17

HEX #D3AAC6

RGB 211 170 198

HSL 319.02, 0.32%, 0.75%

LAB 73.98, 19.59, -8.58

 

CMYK 6 / 0 / 19 / 17

HEX #C6D3AA

RGB 198 211 170

HSL 79.02, 0.32%, 0.75%

LAB 82.64, -11.49, 18.86

 

CMYK 19 / 6 / 0 / 17

HEX #AAC6D3

RGB 170 198 211

HSL 199.02, 0.32%, 0.75%

LAB 78.25, -6.62, -9.64

 

CMYK 9 / 19 / 0 / 17

HEX #BFAAD3

RGB 191 170 211

HSL 270.73, 0.32%, 0.75%

LAB 72.58, 15.3, -17.99

 

CMYK 0 / 13 / 19 / 17

HEX #D3B7AA

RGB 211 183 170

HSL 19.02, 0.32%, 0.75%

LAB 76.45, 7.96, 10.3

 

CMYK 10 / 0 / 19 / 17

HEX #BED3AA

RGB 190 211 170

HSL 90.73, 0.32%, 0.75%

LAB 82.08, -14.37, 17.98

 

CMYK 19 / 6 / 0 / 17

HEX #AAC6D3

RGB 170 198 211

HSL 199.02, 0.32%, 0.75%

LAB 78.25, -6.62, -9.64

 

CMYK 3 / 19 / 0 / 17

HEX #CCAAD3

RGB 204 170 211

HSL 289.76, 0.32%, 0.75%

LAB 73.73, 19.61, -16.14

 

CMYK 0 / 13 / 19 / 17

HEX #D3B7AA

RGB 211 183 170

HSL 19.02, 0.32%, 0.75%

LAB 76.45, 7.96, 10.3

 

CMYK 16 / 0 / 19 / 17

HEX #B2D3AA

RGB 178 211 170

HSL 108.29, 0.32%, 0.75%

LAB 81.27, -18.58, 16.73

 

Description

Color code: HEX #AAC6D3 | qconv.com Color code: HEX #AAC6D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 198 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 198 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 6 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 6% 0% 17% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - SimpleLTC - Web-base...
Link: http://simpleltc.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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