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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAC1A9 it is the complementary color #553E56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAC1A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAC1A9 shade: #AFC1A4, #C0D3B7, #D1E5CA, #E2F7DD and #F3FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAC1A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAC1A9 shade: #AAC1A9, #99AF96, #889D83, #778B70 and #66795D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAC1A9 shade: #AAC0A9, #B0C0A9, #B6C0A9, #BDC0A9 and #C0BEA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAC1A9 shade: #AAC0A9, #A9C0AE, #A9C0B4, #A9C0BB and #A9C0C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAC1A9 shade matches the following richer shades: #AAC0A9, #9FCC9D, #94D891, #89E485 and #7EF079

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAC1A9 shade: #AAC0A9, #B5B4B5, #C0A8C1, #CB9CCD and #D691D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAC1A9 shade: #B7C0A9, #B0C0A9, #AAC0A9, #A9C0AE and #A9C0B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAC1A9 shade: #7A9E79, #92AF91, #AAC0A9, #C1D2C1 and #D9E3D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAC1A9 shade: #AAC1A9, #A9BDC0 and #C0A9B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAC1A9 shade: #AAC1A9, #A9AAC0 and #C0A9AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAC1A9 shade: #AAC1A9, #A9BDC0, #BFA9C0 and #C0ACA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAC1A9 shade: #AAC1A9, #A9B6C0, #BFA9C0 and #C0B3A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 12 / 24

HEX #AAC1A9

RGB 170 193 169

HSL 117.5, 0.16%, 0.71%

LAB 75.79, -12.39, 9.46

 

Complementary color

CMYK 1 / 28 / 0 / 66

HEX #553E56

RGB 85 62 86

HSL 297.5, 0.16%, 0.29%

LAB 29.53, 14.79, -10.49

 

CMYK 9 / 0 / 15 / 24

HEX #AFC1A4

RGB 175 193 164

HSL 97.24, 0.19%, 0.7%

LAB 76.03, -11.5, 12.54

 

CMYK 9 / 0 / 13 / 17

HEX #C0D3B7

RGB 192 211 183

HSL 100.71, 0.24%, 0.77%

LAB 82.49, -11.5, 11.71

 

CMYK 9 / 0 / 12 / 10

HEX #D1E5CA

RGB 209 229 202

HSL 104.44, 0.34%, 0.85%

LAB 88.86, -11.5, 10.92

 

CMYK 9 / 0 / 11 / 3

HEX #E2F7DD

RGB 226 247 221

HSL 108.46, 0.62%, 0.92%

LAB 95.12, -11.51, 10.16

 

CMYK 5 / 0 / 6 / 0

HEX #F3FFF0

RGB 243 255 240

HSL 108, 1%, 0.97%

LAB 98.78, -6.57, 5.8

 

CMYK 12 / 0 / 12 / 24

HEX #AAC1A9

RGB 170 193 169

HSL 117.5, 0.16%, 0.71%

LAB 75.79, -12.39, 9.46

 

CMYK 13 / 0 / 14 / 31

HEX #99AF96

RGB 153 175 150

HSL 112.8, 0.14%, 0.64%

LAB 69.21, -12.44, 10.28

 

CMYK 13 / 0 / 17 / 38

HEX #889D83

RGB 136 157 131

HSL 108.46, 0.12%, 0.56%

LAB 62.5, -12.5, 11.15

 

CMYK 14 / 0 / 19 / 45

HEX #778B70

RGB 119 139 112

HSL 104.44, 0.11%, 0.49%

LAB 55.64, -12.57, 12.08

 

CMYK 16 / 0 / 23 / 53

HEX #66795D

RGB 102 121 93

HSL 100.71, 0.13%, 0.42%

LAB 48.62, -12.66, 13.09

 

CMYK 11 / 0 / 12 / 25

HEX #AAC0A9

RGB 170 192 169

HSL 117.39, 0.15%, 0.71%

LAB 75.52, -11.87, 9.07

 

CMYK 8 / 0 / 12 / 25

HEX #B0C0A9

RGB 176 192 169

HSL 101.74, 0.15%, 0.71%

LAB 75.94, -9.76, 9.73

 

CMYK 5 / 0 / 12 / 25

HEX #B6C0A9

RGB 182 192 169

HSL 86.09, 0.15%, 0.71%

LAB 76.38, -7.62, 10.41

 

CMYK 2 / 0 / 12 / 25

HEX #BDC0A9

RGB 189 192 169

HSL 67.83, 0.15%, 0.71%

LAB 76.91, -5.09, 11.24

 

CMYK 0 / 1 / 12 / 25

HEX #C0BEA9

RGB 192 190 169

HSL 54.78, 0.15%, 0.71%

LAB 76.62, -2.95, 10.86

 

CMYK 11 / 0 / 12 / 25

HEX #AAC0A9

RGB 170 192 169

HSL 117.39, 0.15%, 0.71%

LAB 75.52, -11.87, 9.07

 

CMYK 12 / 0 / 9 / 25

HEX #A9C0AE

RGB 169 192 174

HSL 133.04, 0.15%, 0.71%

LAB 75.57, -11.3, 6.43

 

CMYK 12 / 0 / 6 / 25

HEX #A9C0B4

RGB 169 192 180

HSL 148.7, 0.15%, 0.71%

LAB 75.72, -10.16, 3.39

 

CMYK 12 / 0 / 3 / 25

HEX #A9C0BB

RGB 169 192 187

HSL 166.96, 0.15%, 0.71%

LAB 75.9, -8.79, -0.14

 

CMYK 12 / 0 / 0 / 25

HEX #A9C0C0

RGB 169 192 192

HSL 180, 0.15%, 0.71%

LAB 76.03, -7.79, -2.65

 

CMYK 11 / 0 / 12 / 25

HEX #AAC0A9

RGB 170 192 169

HSL 117.39, 0.15%, 0.71%

LAB 75.52, -11.87, 9.07

 

CMYK 22 / 0 / 23 / 20

HEX #9FCC9D

RGB 159 204 157

HSL 117.45, 0.32%, 0.71%

LAB 77.87, -23.84, 18.71

 

CMYK 31 / 0 / 33 / 15

HEX #94D891

RGB 148 216 145

HSL 117.46, 0.48%, 0.71%

LAB 80.43, -35.19, 28.39

 

CMYK 40 / 0 / 42 / 11

HEX #89E485

RGB 137 228 133

HSL 117.47, 0.64%, 0.71%

LAB 83.18, -45.77, 37.99

 

CMYK 48 / 0 / 50 / 6

HEX #7EF079

RGB 126 240 121

HSL 117.48, 0.8%, 0.71%

LAB 86.07, -55.5, 47.37

 

CMYK 11 / 0 / 12 / 25

HEX #AAC0A9

RGB 170 192 169

HSL 117.39, 0.15%, 0.71%

LAB 75.52, -11.87, 9.07

 

CMYK 0 / 1 / 0 / 29

HEX #B5B4B5

RGB 181 180 181

HSL 300, 0.01%, 0.71%

LAB 73.42, 0.54, -0.39

 

CMYK 1 / 13 / 0 / 24

HEX #C0A8C1

RGB 192 168 193

HSL 297.6, 0.17%, 0.71%

LAB 71.6, 13.18, -9.57

 

CMYK 1 / 24 / 0 / 20

HEX #CB9CCD

RGB 203 156 205

HSL 297.55, 0.33%, 0.71%

LAB 70.09, 25.8, -18.35

 

CMYK 1 / 33 / 0 / 15

HEX #D691D9

RGB 214 145 217

HSL 297.5, 0.49%, 0.71%

LAB 69.15, 37.61, -26.31

 

CMYK 5 / 0 / 12 / 25

HEX #B7C0A9

RGB 183 192 169

HSL 83.48, 0.15%, 0.71%

LAB 76.46, -7.26, 10.53

 

CMYK 8 / 0 / 12 / 25

HEX #B0C0A9

RGB 176 192 169

HSL 101.74, 0.15%, 0.71%

LAB 75.94, -9.76, 9.73

 

CMYK 11 / 0 / 12 / 25

HEX #AAC0A9

RGB 170 192 169

HSL 117.39, 0.15%, 0.71%

LAB 75.52, -11.87, 9.07

 

CMYK 12 / 0 / 9 / 25

HEX #A9C0AE

RGB 169 192 174

HSL 133.04, 0.15%, 0.71%

LAB 75.57, -11.3, 6.43

 

CMYK 12 / 0 / 6 / 25

HEX #A9C0B4

RGB 169 192 180

HSL 148.7, 0.15%, 0.71%

LAB 75.72, -10.16, 3.39

 

CMYK 23 / 0 / 23 / 38

HEX #7A9E79

RGB 122 158 121

HSL 118.38, 0.16%, 0.55%

LAB 61.63, -19.89, 15.38

 

CMYK 17 / 0 / 17 / 31

HEX #92AF91

RGB 146 175 145

HSL 118, 0.16%, 0.63%

LAB 68.62, -15.83, 12.12

 

CMYK 11 / 0 / 12 / 25

HEX #AAC0A9

RGB 170 192 169

HSL 117.39, 0.15%, 0.71%

LAB 75.52, -11.87, 9.07

 

CMYK 8 / 0 / 8 / 18

HEX #C1D2C1

RGB 193 210 193

HSL 120, 0.16%, 0.79%

LAB 82.53, -8.89, 6.46

 

CMYK 4 / 0 / 4 / 11

HEX #D9E3D9

RGB 217 227 217

HSL 120, 0.15%, 0.87%

LAB 89.25, -5.15, 3.71

 

CMYK 12 / 0 / 12 / 24

HEX #AAC1A9

RGB 170 193 169

HSL 117.5, 0.16%, 0.71%

LAB 75.79, -12.39, 9.46

 

CMYK 12 / 2 / 0 / 25

HEX #A9BDC0

RGB 169 189 192

HSL 187.83, 0.15%, 0.71%

LAB 75.22, -6.2, -3.84

 

CMYK 0 / 12 / 7 / 25

HEX #C0A9B3

RGB 192 169 179

HSL 333.91, 0.15%, 0.71%

LAB 71.44, 10.06, -2.07

 

CMYK 12 / 0 / 12 / 24

HEX #AAC1A9

RGB 170 193 169

HSL 117.5, 0.16%, 0.71%

LAB 75.79, -12.39, 9.46

 

CMYK 12 / 11 / 0 / 25

HEX #A9AAC0

RGB 169 170 192

HSL 237.39, 0.15%, 0.71%

LAB 70.17, 4.06, -11.35

 

CMYK 0 / 12 / 11 / 25

HEX #C0A9AA

RGB 192 169 170

HSL 357.39, 0.15%, 0.71%

LAB 71.2, 8.5, 2.54

 

CMYK 12 / 0 / 12 / 24

HEX #AAC1A9

RGB 170 193 169

HSL 117.5, 0.16%, 0.71%

LAB 75.79, -12.39, 9.46

 

CMYK 12 / 2 / 0 / 25

HEX #A9BDC0

RGB 169 189 192

HSL 187.83, 0.15%, 0.71%

LAB 75.22, -6.2, -3.84

 

CMYK 1 / 12 / 0 / 25

HEX #BFA9C0

RGB 191 169 192

HSL 297.39, 0.15%, 0.71%

LAB 71.73, 12.09, -8.83

 

CMYK 0 / 10 / 12 / 25

HEX #C0ACA9

RGB 192 172 169

HSL 7.83, 0.15%, 0.71%

LAB 71.94, 6.7, 4.16

 

CMYK 12 / 0 / 12 / 24

HEX #AAC1A9

RGB 170 193 169

HSL 117.5, 0.16%, 0.71%

LAB 75.79, -12.39, 9.46

 

CMYK 12 / 5 / 0 / 25

HEX #A9B6C0

RGB 169 182 192

HSL 206.09, 0.15%, 0.71%

LAB 73.35, -2.47, -6.61

 

CMYK 1 / 12 / 0 / 25

HEX #BFA9C0

RGB 191 169 192

HSL 297.39, 0.15%, 0.71%

LAB 71.73, 12.09, -8.83

 

CMYK 0 / 7 / 12 / 25

HEX #C0B3A9

RGB 192 179 169

HSL 26.09, 0.15%, 0.71%

LAB 73.75, 2.91, 6.76

 

Description

Color code: HEX #AAC1A9 | qconv.com Color code: HEX #AAC1A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 193 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 193 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 12 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 12% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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