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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAC276 it is the complementary color #553D89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAC276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAC276 shade: #AFC271, #C0D484, #D1E697, #E2F8AA and #F3FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAC276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAC276 shade: #AAC276, #99B063, #889E50, #778C3D and #667A2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAC276 shade: #A9C175, #BDC175, #C1B075, #C19C75 and #C18775

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAC276 shade: #A9C175, #95C175, #80C175, #75C17F and #75C193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAC276 shade matches the following richer shades: #A9C175, #AFD165, #B5E155 and #BBF145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAC276 shade: #A9C175, #A3B185, #9DA195, #9791A6 and #9180B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAC276 shade: #C1AF75, #BEC175, #AAC175, #96C175 and #82C175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAC276 shade: #829D46, #97B459, #A9C175, #BBCE92 and #CCDAAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAC276 shade: #AAC276, #75C19B and #B975C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAC276 shade: #AAC276, #75AAC1 and #C175AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAC276 shade: #AAC276, #75C19B, #8C75C1 and #C1759B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAC276 shade: #AAC276, #75C1B2, #8C75C1 and #C17584

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 39 / 24

HEX #AAC276

RGB 170 194 118

HSL 78.95, 0.38%, 0.61%

LAB 75.1, -20.69, 35.55

 

Complementary color

CMYK 38 / 55 / 0 / 46

HEX #553D89

RGB 85 61 137

HSL 258.95, 0.38%, 0.39%

LAB 31.98, 28.7, -38.94

 

CMYK 10 / 0 / 42 / 24

HEX #AFC271

RGB 175 194 113

HSL 74.07, 0.4%, 0.6%

LAB 75.38, -19.35, 38.53

 

CMYK 9 / 0 / 38 / 17

HEX #C0D484

RGB 192 212 132

HSL 75, 0.48%, 0.67%

LAB 81.82, -19.49, 37.36

 

CMYK 9 / 0 / 34 / 10

HEX #D1E697

RGB 209 230 151

HSL 75.95, 0.61%, 0.75%

LAB 88.15, -19.59, 36.24

 

CMYK 9 / 0 / 31 / 3

HEX #E2F8AA

RGB 226 248 170

HSL 76.92, 0.85%, 0.82%

LAB 94.4, -19.68, 35.16

 

CMYK 5 / 0 / 26 / 0

HEX #F3FFBD

RGB 243 255 189

HSL 70.91, 1%, 0.87%

LAB 97.73, -14.42, 30.3

 

CMYK 12 / 0 / 39 / 24

HEX #AAC276

RGB 170 194 118

HSL 78.95, 0.38%, 0.61%

LAB 75.1, -20.69, 35.55

 

CMYK 13 / 0 / 44 / 31

HEX #99B063

RGB 153 176 99

HSL 77.92, 0.33%, 0.54%

LAB 68.55, -20.59, 36.73

 

CMYK 14 / 0 / 49 / 38

HEX #889E50

RGB 136 158 80

HSL 76.92, 0.33%, 0.47%

LAB 61.88, -20.43, 37.93

 

CMYK 15 / 0 / 56 / 45

HEX #778C3D

RGB 119 140 61

HSL 75.95, 0.39%, 0.39%

LAB 55.09, -20.2, 39.09

 

CMYK 16 / 0 / 66 / 52

HEX #667A2A

RGB 102 122 42

HSL 75, 0.49%, 0.32%

LAB 48.15, -19.83, 40.06

 

CMYK 12 / 0 / 39 / 24

HEX #A9C175

RGB 169 193 117

HSL 78.95, 0.38%, 0.61%

LAB 74.74, -20.7, 35.58

 

CMYK 2 / 0 / 39 / 24

HEX #BDC175

RGB 189 193 117

HSL 63.16, 0.38%, 0.61%

LAB 76.22, -12.86, 37.77

 

CMYK 0 / 9 / 39 / 24

HEX #C1B075

RGB 193 176 117

HSL 46.58, 0.38%, 0.61%

LAB 72.01, -2.39, 32.43

 

CMYK 0 / 19 / 39 / 24

HEX #C19C75

RGB 193 156 117

HSL 30.79, 0.38%, 0.61%

LAB 66.82, 8.39, 25.62

 

CMYK 0 / 30 / 39 / 24

HEX #C18775

RGB 193 135 117

HSL 14.21, 0.38%, 0.61%

LAB 61.61, 19.94, 18.58

 

CMYK 12 / 0 / 39 / 24

HEX #A9C175

RGB 169 193 117

HSL 78.95, 0.38%, 0.61%

LAB 74.74, -20.7, 35.58

 

CMYK 23 / 0 / 39 / 24

HEX #95C175

RGB 149 193 117

HSL 94.74, 0.38%, 0.61%

LAB 73.42, -28.18, 33.63

 

CMYK 34 / 0 / 39 / 24

HEX #80C175

RGB 128 193 117

HSL 111.32, 0.38%, 0.61%

LAB 72.24, -35.48, 31.86

 

CMYK 39 / 0 / 34 / 24

HEX #75C17F

RGB 117 193 127

HSL 127.89, 0.38%, 0.61%

LAB 71.86, -37.39, 26.03

 

CMYK 39 / 0 / 24 / 24

HEX #75C193

RGB 117 193 147

HSL 143.68, 0.38%, 0.61%

LAB 72.25, -33.73, 15.89

 

CMYK 12 / 0 / 39 / 24

HEX #A9C175

RGB 169 193 117

HSL 78.95, 0.38%, 0.61%

LAB 74.74, -20.7, 35.58

 

CMYK 16 / 0 / 52 / 18

HEX #AFD165

RGB 175 209 101

HSL 78.89, 0.54%, 0.61%

LAB 79.42, -27.95, 49.33

 

CMYK 20 / 0 / 62 / 12

HEX #B5E155

RGB 181 225 85

HSL 78.86, 0.7%, 0.61%

LAB 84.14, -34.51, 61.87

 

CMYK 22 / 0 / 71 / 5

HEX #BBF145

RGB 187 241 69

HSL 78.84, 0.86%, 0.61%

LAB 88.88, -40.46, 72.92

 

CMYK 12 / 0 / 39 / 24

HEX #A9C175

RGB 169 193 117

HSL 78.95, 0.38%, 0.61%

LAB 74.74, -20.7, 35.58

 

CMYK 8 / 0 / 25 / 31

HEX #A3B185

RGB 163 177 133

HSL 79.09, 0.22%, 0.61%

LAB 70.12, -12.63, 20.94

 

CMYK 2 / 0 / 7 / 37

HEX #9DA195

RGB 157 161 149

HSL 80, 0.06%, 0.61%

LAB 65.61, -3.68, 5.74

 

CMYK 9 / 13 / 0 / 35

HEX #9791A6

RGB 151 145 166

HSL 257.14, 0.11%, 0.61%

LAB 61.29, 6.4, -10.23

 

CMYK 20 / 30 / 0 / 29

HEX #9180B6

RGB 145 128 182

HSL 258.89, 0.27%, 0.61%

LAB 56.91, 17.77, -26.06

 

CMYK 0 / 9 / 39 / 24

HEX #C1AF75

RGB 193 175 117

HSL 45.79, 0.38%, 0.61%

LAB 71.75, -1.86, 32.09

 

CMYK 2 / 0 / 39 / 24

HEX #BEC175

RGB 190 193 117

HSL 62.37, 0.38%, 0.61%

LAB 76.3, -12.46, 37.89

 

CMYK 12 / 0 / 39 / 24

HEX #AAC175

RGB 170 193 117

HSL 78.16, 0.38%, 0.61%

LAB 74.81, -20.31, 35.68

 

CMYK 22 / 0 / 39 / 24

HEX #96C175

RGB 150 193 117

HSL 93.95, 0.38%, 0.61%

LAB 73.49, -27.82, 33.72

 

CMYK 33 / 0 / 39 / 24

HEX #82C175

RGB 130 193 117

HSL 109.74, 0.38%, 0.61%

LAB 72.34, -34.82, 32.01

 

CMYK 17 / 0 / 55 / 38

HEX #829D46

RGB 130 157 70

HSL 78.62, 0.38%, 0.45%

LAB 61.05, -23.4, 41.8

 

CMYK 16 / 0 / 51 / 29

HEX #97B459

RGB 151 180 89

HSL 79.12, 0.38%, 0.53%

LAB 69.43, -24.47, 42.79

 

CMYK 12 / 0 / 39 / 24

HEX #A9C175

RGB 169 193 117

HSL 78.95, 0.38%, 0.61%

LAB 74.74, -20.7, 35.58

 

CMYK 9 / 0 / 29 / 19

HEX #BBCE92

RGB 187 206 146

HSL 79, 0.38%, 0.69%

LAB 80.06, -16.55, 27.79

 

CMYK 6 / 0 / 20 / 15

HEX #CCDAAE

RGB 204 218 174

HSL 79.09, 0.37%, 0.77%

LAB 85.01, -12.26, 20.12

 

CMYK 12 / 0 / 39 / 24

HEX #AAC276

RGB 170 194 118

HSL 78.95, 0.38%, 0.61%

LAB 75.1, -20.69, 35.55

 

CMYK 39 / 0 / 20 / 24

HEX #75C19B

RGB 117 193 155

HSL 150, 0.38%, 0.61%

LAB 72.42, -32.12, 11.82

 

CMYK 4 / 39 / 0 / 24

HEX #B975C1

RGB 185 117 193

HSL 293.68, 0.38%, 0.61%

LAB 58.87, 39.03, -28.97

 

CMYK 12 / 0 / 39 / 24

HEX #AAC276

RGB 170 194 118

HSL 78.95, 0.38%, 0.61%

LAB 75.1, -20.69, 35.55

 

CMYK 39 / 12 / 0 / 24

HEX #75AAC1

RGB 117 170 193

HSL 198.16, 0.38%, 0.61%

LAB 66.81, -11.53, -17.29

 

CMYK 0 / 39 / 12 / 24

HEX #C175AA

RGB 193 117 170

HSL 318.16, 0.38%, 0.61%

LAB 58.94, 37.44, -15.64

 

CMYK 12 / 0 / 39 / 24

HEX #AAC276

RGB 170 194 118

HSL 78.95, 0.38%, 0.61%

LAB 75.1, -20.69, 35.55

 

CMYK 39 / 0 / 20 / 24

HEX #75C19B

RGB 117 193 155

HSL 150, 0.38%, 0.61%

LAB 72.42, -32.12, 11.82

 

CMYK 27 / 39 / 0 / 24

HEX #8C75C1

RGB 140 117 193

HSL 258.16, 0.38%, 0.61%

LAB 54.18, 25.36, -36.63

 

CMYK 0 / 39 / 20 / 24

HEX #C1759B

RGB 193 117 155

HSL 330, 0.38%, 0.61%

LAB 58.44, 35.01, -7.75

 

CMYK 12 / 0 / 39 / 24

HEX #AAC276

RGB 170 194 118

HSL 78.95, 0.38%, 0.61%

LAB 75.1, -20.69, 35.55

 

CMYK 39 / 0 / 8 / 24

HEX #75C1B2

RGB 117 193 178

HSL 168.16, 0.38%, 0.61%

LAB 72.98, -27.07, 0.13

 

CMYK 27 / 39 / 0 / 24

HEX #8C75C1

RGB 140 117 193

HSL 258.16, 0.38%, 0.61%

LAB 54.18, 25.36, -36.63

 

CMYK 0 / 39 / 32 / 24

HEX #C17584

RGB 193 117 132

HSL 348.16, 0.38%, 0.61%

LAB 57.78, 31.7, 4.6

 

Description

Color code: HEX #AAC276 | qconv.com Color code: HEX #AAC276 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 194 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 194 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 39 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 39% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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