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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAC283 it is the complementary color #553D7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAC283. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAC283 shade: #AFC27E, #C0D491, #D1E6A4, #E2F8B7 and #F3FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAC283. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAC283 shade: #AAC283, #99B070, #889E5D, #778C4A and #667A37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAC283 shade: #AAC283, #BBC283, #C2B883, #C2A783 and #C29683

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAC283 shade: #AAC283, #99C283, #88C283, #83C28F and #83C2A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAC283 shade matches the following richer shades: #AAC283, #AED175, #B1E066, #B5EE57 and #B8FD48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAC283 shade: #AAC283, #A7B392, #A3A4A1, #A095B0 and #9C86BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAC283 shade: #C2B883, #BCC283, #ABC283, #9AC283 and #8AC283

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAC283 shade: #83A350, #97B468, #AAC283, #BDD09F and #D0DDBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAC283 shade: #AAC283, #83C2A7 and #C083C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAC283 shade: #AAC283, #83ABC2 and #C283AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAC283 shade: #AAC283, #83C2A7, #9A83C2 and #C2839F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAC283 shade: #AAC283, #83C2BA, #9A83C2 and #C2838C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 32 / 24

HEX #AAC283

RGB 170 194 131

HSL 82.86, 0.34%, 0.64%

LAB 75.31, -18.98, 29.07

 

Complementary color

CMYK 31 / 51 / 0 / 51

HEX #553D7C

RGB 85 61 124

HSL 262.86, 0.34%, 0.36%

LAB 31.17, 25.02, -32.15

 

CMYK 10 / 0 / 35 / 24

HEX #AFC27E

RGB 175 194 126

HSL 76.76, 0.36%, 0.63%

LAB 75.58, -17.75, 32.1

 

CMYK 9 / 0 / 32 / 17

HEX #C0D491

RGB 192 212 145

HSL 77.91, 0.44%, 0.7%

LAB 82.02, -17.83, 30.99

 

CMYK 9 / 0 / 29 / 10

HEX #D1E6A4

RGB 209 230 164

HSL 79.09, 0.57%, 0.77%

LAB 88.37, -17.88, 29.93

 

CMYK 9 / 0 / 26 / 3

HEX #E2F8B7

RGB 226 248 183

HSL 80.31, 0.82%, 0.85%

LAB 94.62, -17.92, 28.91

 

CMYK 5 / 0 / 21 / 0

HEX #F3FFCA

RGB 243 255 202

HSL 73.58, 1%, 0.9%

LAB 97.97, -12.6, 24.06

 

CMYK 12 / 0 / 32 / 24

HEX #AAC283

RGB 170 194 131

HSL 82.86, 0.34%, 0.64%

LAB 75.31, -18.98, 29.07

 

CMYK 13 / 0 / 36 / 31

HEX #99B070

RGB 153 176 112

HSL 81.56, 0.29%, 0.56%

LAB 68.75, -18.95, 30.21

 

CMYK 14 / 0 / 41 / 38

HEX #889E5D

RGB 136 158 93

HSL 80.31, 0.26%, 0.49%

LAB 62.06, -18.9, 31.4

 

CMYK 15 / 0 / 47 / 45

HEX #778C4A

RGB 119 140 74

HSL 79.09, 0.31%, 0.42%

LAB 55.25, -18.8, 32.64

 

CMYK 16 / 0 / 55 / 52

HEX #667A37

RGB 102 122 55

HSL 77.91, 0.38%, 0.35%

LAB 48.28, -18.63, 33.86

 

CMYK 12 / 0 / 32 / 24

HEX #AAC283

RGB 170 194 131

HSL 82.86, 0.34%, 0.64%

LAB 75.31, -18.98, 29.07

 

CMYK 4 / 0 / 32 / 24

HEX #BBC283

RGB 187 194 131

HSL 66.67, 0.34%, 0.64%

LAB 76.55, -12.48, 30.94

 

CMYK 0 / 5 / 32 / 24

HEX #C2B883

RGB 194 184 131

HSL 50.48, 0.34%, 0.64%

LAB 74.44, -4.54, 28.25

 

CMYK 0 / 14 / 32 / 24

HEX #C2A783

RGB 194 167 131

HSL 34.29, 0.34%, 0.64%

LAB 70, 4.53, 22.28

 

CMYK 0 / 23 / 32 / 24

HEX #C29683

RGB 194 150 131

HSL 18.1, 0.34%, 0.64%

LAB 65.69, 13.81, 16.36

 

CMYK 12 / 0 / 32 / 24

HEX #AAC283

RGB 170 194 131

HSL 82.86, 0.34%, 0.64%

LAB 75.31, -18.98, 29.07

 

CMYK 21 / 0 / 32 / 24

HEX #99C283

RGB 153 194 131

HSL 99.05, 0.34%, 0.64%

LAB 74.19, -25.22, 27.38

 

CMYK 30 / 0 / 32 / 24

HEX #88C283

RGB 136 194 131

HSL 115.24, 0.34%, 0.64%

LAB 73.19, -31.11, 25.87

 

CMYK 32 / 0 / 26 / 24

HEX #83C28F

RGB 131 194 143

HSL 131.43, 0.34%, 0.64%

LAB 73.15, -30.69, 19.39

 

CMYK 32 / 0 / 18 / 24

HEX #83C2A0

RGB 131 194 160

HSL 147.62, 0.34%, 0.64%

LAB 73.51, -27.45, 10.75

 

CMYK 12 / 0 / 32 / 24

HEX #AAC283

RGB 170 194 131

HSL 82.86, 0.34%, 0.64%

LAB 75.31, -18.98, 29.07

 

CMYK 17 / 0 / 44 / 18

HEX #AED175

RGB 174 209 117

HSL 82.83, 0.5%, 0.64%

LAB 79.55, -26.62, 41.74

 

CMYK 21 / 0 / 54 / 12

HEX #B1E066

RGB 177 224 102

HSL 83.11, 0.66%, 0.64%

LAB 83.77, -34.12, 54.01

 

CMYK 24 / 0 / 63 / 7

HEX #B5EE57

RGB 181 238 87

HSL 82.65, 0.82%, 0.64%

LAB 87.81, -40.21, 65.02

 

CMYK 27 / 0 / 72 / 1

HEX #B8FD48

RGB 184 253 72

HSL 82.87, 0.98%, 0.64%

LAB 92.09, -46.59, 75.01

 

CMYK 12 / 0 / 32 / 24

HEX #AAC283

RGB 170 194 131

HSL 82.86, 0.34%, 0.64%

LAB 75.31, -18.98, 29.07

 

CMYK 7 / 0 / 18 / 30

HEX #A7B392

RGB 167 179 146

HSL 81.82, 0.18%, 0.64%

LAB 71.24, -10.13, 15.47

 

CMYK 1 / 0 / 2 / 36

HEX #A3A4A1

RGB 163 164 161

HSL 80, 0.02%, 0.64%

LAB 67.21, -0.92, 1.42

 

CMYK 9 / 15 / 0 / 31

HEX #A095B0

RGB 160 149 176

HSL 264.44, 0.15%, 0.64%

LAB 63.43, 9.35, -12.61

 

CMYK 18 / 30 / 0 / 25

HEX #9C86BF

RGB 156 134 191

HSL 263.16, 0.31%, 0.64%

LAB 59.78, 19.89, -26.68

 

CMYK 0 / 5 / 32 / 24

HEX #C2B883

RGB 194 184 131

HSL 50.48, 0.34%, 0.64%

LAB 74.44, -4.54, 28.25

 

CMYK 3 / 0 / 32 / 24

HEX #BCC283

RGB 188 194 131

HSL 65.71, 0.34%, 0.64%

LAB 76.63, -12.09, 31.06

 

CMYK 12 / 0 / 32 / 24

HEX #ABC283

RGB 171 194 131

HSL 81.9, 0.34%, 0.64%

LAB 75.38, -18.6, 29.18

 

CMYK 21 / 0 / 32 / 24

HEX #9AC283

RGB 154 194 131

HSL 98.1, 0.34%, 0.64%

LAB 74.25, -24.86, 27.48

 

CMYK 29 / 0 / 32 / 24

HEX #8AC283

RGB 138 194 131

HSL 113.33, 0.34%, 0.64%

LAB 73.3, -30.44, 26.04

 

CMYK 20 / 0 / 51 / 36

HEX #83A350

RGB 131 163 80

HSL 83.13, 0.34%, 0.48%

LAB 63.01, -24.95, 39.21

 

CMYK 16 / 0 / 42 / 29

HEX #97B468

RGB 151 180 104

HSL 82.89, 0.34%, 0.56%

LAB 69.63, -22.77, 35.49

 

CMYK 12 / 0 / 32 / 24

HEX #AAC283

RGB 170 194 131

HSL 82.86, 0.34%, 0.64%

LAB 75.31, -18.98, 29.07

 

CMYK 9 / 0 / 24 / 18

HEX #BDD09F

RGB 189 208 159

HSL 83.27, 0.34%, 0.72%

LAB 80.98, -14.93, 22.25

 

CMYK 6 / 0 / 15 / 13

HEX #D0DDBB

RGB 208 221 187

HSL 82.94, 0.33%, 0.8%

LAB 86.36, -10.3, 15.23

 

CMYK 12 / 0 / 32 / 24

HEX #AAC283

RGB 170 194 131

HSL 82.86, 0.34%, 0.64%

LAB 75.31, -18.98, 29.07

 

CMYK 32 / 0 / 14 / 24

HEX #83C2A7

RGB 131 194 167

HSL 154.29, 0.34%, 0.64%

LAB 73.67, -26.02, 7.2

 

CMYK 1 / 32 / 0 / 24

HEX #C083C2

RGB 192 131 194

HSL 298.1, 0.34%, 0.64%

LAB 62.79, 33.81, -23.44

 

CMYK 12 / 0 / 32 / 24

HEX #AAC283

RGB 170 194 131

HSL 82.86, 0.34%, 0.64%

LAB 75.31, -18.98, 29.07

 

CMYK 32 / 12 / 0 / 24

HEX #83ABC2

RGB 131 171 194

HSL 201.9, 0.34%, 0.64%

LAB 67.91, -7.92, -16.11

 

CMYK 0 / 32 / 12 / 24

HEX #C283AB

RGB 194 131 171

HSL 321.9, 0.34%, 0.64%

LAB 62.2, 30.33, -11.28

 

CMYK 12 / 0 / 32 / 24

HEX #AAC283

RGB 170 194 131

HSL 82.86, 0.34%, 0.64%

LAB 75.31, -18.98, 29.07

 

CMYK 32 / 0 / 14 / 24

HEX #83C2A7

RGB 131 194 167

HSL 154.29, 0.34%, 0.64%

LAB 73.67, -26.02, 7.2

 

CMYK 21 / 32 / 0 / 24

HEX #9A83C2

RGB 154 131 194

HSL 261.9, 0.34%, 0.64%

LAB 58.97, 21.68, -29.64

 

CMYK 0 / 32 / 18 / 24

HEX #C2839F

RGB 194 131 159

HSL 333.33, 0.34%, 0.64%

LAB 61.83, 28.36, -5

 

CMYK 12 / 0 / 32 / 24

HEX #AAC283

RGB 170 194 131

HSL 82.86, 0.34%, 0.64%

LAB 75.31, -18.98, 29.07

 

CMYK 32 / 0 / 4 / 24

HEX #83C2BA

RGB 131 194 186

HSL 172.38, 0.34%, 0.64%

LAB 74.16, -21.85, -2.41

 

CMYK 21 / 32 / 0 / 24

HEX #9A83C2

RGB 154 131 194

HSL 261.9, 0.34%, 0.64%

LAB 58.97, 21.68, -29.64

 

CMYK 0 / 32 / 28 / 24

HEX #C2838C

RGB 194 131 140

HSL 351.43, 0.34%, 0.64%

LAB 61.3, 25.51, 5.09

 

Description

Color code: HEX #AAC283 | qconv.com Color code: HEX #AAC283 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 194 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 194 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 32 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 32% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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