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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAC31D it is the complementary color #553CE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAC31D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAC31D shade: #AFC318, #C0D52B, #D1E73E, #E2F951 and #F3FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAC31D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAC31D shade: #AAC31D, #99B10A, #889F00, #778D00 and #667B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAC31D shade: #AAC31D, #C3AF1D, #C3821D, #C3551D and #C3291D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAC31D shade: #AAC31D, #7DC31D, #50C31D, #23C31D and #1DC343

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAC31D shade matches the following richer shades: #AAC31D and #B6D50B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAC31D shade: #AAC31D, #9DB12F, #909E41, #848C53 and #777A65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAC31D shade: #C3831D, #C3AF1D, #AAC31D, #7EC31D and #51C31D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAC31D shade: #6B7B12, #8A9F17, #AAC31D, #C3DF2A and #CDE44E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAC31D shade: #AAC31D, #1DC357 and #991DC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAC31D shade: #AAC31D, #1DAAC3 and #C31DAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAC31D shade: #AAC31D, #1DC357, #361DC3 and #C31D89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAC31D shade: #AAC31D, #1DC389, #361DC3 and #C31D57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 85 / 24

HEX #AAC31D

RGB 170 195 29

HSL 69.04, 0.74%, 0.44%

LAB 74.61, -27.76, 70.92

 

Complementary color

CMYK 62 / 73 / 0 / 11

HEX #553CE2

RGB 85 60 226

HSL 249.04, 0.74%, 0.56%

LAB 38.99, 55.78, -80.23

 

CMYK 10 / 0 / 88 / 24

HEX #AFC318

RGB 175 195 24

HSL 67.02, 0.78%, 0.43%

LAB 74.96, -25.8, 72.36

 

CMYK 10 / 0 / 80 / 16

HEX #C0D52B

RGB 192 213 43

HSL 67.41, 0.67%, 0.5%

LAB 81.27, -26.81, 73.88

 

CMYK 10 / 0 / 73 / 9

HEX #D1E73E

RGB 209 231 62

HSL 67.81, 0.78%, 0.57%

LAB 87.51, -27.65, 74.41

 

CMYK 9 / 0 / 67 / 2

HEX #E2F951

RGB 226 249 81

HSL 68.21, 0.93%, 0.65%

LAB 93.67, -28.35, 74.31

 

CMYK 5 / 0 / 61 / 0

HEX #F3FF64

RGB 243 255 100

HSL 64.65, 1%, 0.7%

LAB 96.61, -23.32, 70.46

 

CMYK 13 / 0 / 85 / 24

HEX #AAC31D

RGB 170 195 29

HSL 69.04, 0.74%, 0.44%

LAB 74.61, -27.76, 70.92

 

CMYK 14 / 0 / 94 / 31

HEX #99B10A

RGB 153 177 10

HSL 68.62, 0.89%, 0.37%

LAB 68.2, -26.64, 68.45

 

CMYK 14 / 0 / 100 / 38

HEX #889F00

RGB 136 159 0

HSL 68.68, 1%, 0.31%

LAB 61.68, -25.29, 64.24

 

CMYK 16 / 0 / 100 / 45

HEX #778D00

RGB 119 141 0

HSL 69.36, 1%, 0.28%

LAB 55.04, -23.78, 58.71

 

CMYK 17 / 0 / 100 / 52

HEX #667B00

RGB 102 123 0

HSL 70.24, 1%, 0.24%

LAB 48.25, -22.24, 53.05

 

CMYK 13 / 0 / 85 / 24

HEX #AAC31D

RGB 170 195 29

HSL 69.04, 0.74%, 0.44%

LAB 74.61, -27.76, 70.92

 

CMYK 0 / 10 / 85 / 24

HEX #C3AF1D

RGB 195 175 29

HSL 52.77, 0.74%, 0.44%

LAB 71.11, -6.96, 68.83

 

CMYK 0 / 33 / 85 / 24

HEX #C3821D

RGB 195 130 29

HSL 36.51, 0.74%, 0.44%

LAB 59.58, 17.34, 59.25

 

CMYK 0 / 56 / 85 / 24

HEX #C3551D

RGB 195 85 29

HSL 20.24, 0.74%, 0.44%

LAB 49.72, 41.19, 50.93

 

CMYK 0 / 79 / 85 / 24

HEX #C3291D

RGB 195 41 29

HSL 4.34, 0.74%, 0.44%

LAB 43.18, 58.84, 45.3

 

CMYK 13 / 0 / 85 / 24

HEX #AAC31D

RGB 170 195 29

HSL 69.04, 0.74%, 0.44%

LAB 74.61, -27.76, 70.92

 

CMYK 36 / 0 / 85 / 24

HEX #7DC31D

RGB 125 195 29

HSL 85.3, 0.74%, 0.44%

LAB 71.88, -45.33, 67.51

 

CMYK 59 / 0 / 85 / 24

HEX #50C31D

RGB 80 195 29

HSL 101.57, 0.74%, 0.44%

LAB 70.05, -59.14, 65.21

 

CMYK 82 / 0 / 85 / 24

HEX #23C31D

RGB 35 195 29

HSL 117.83, 0.74%, 0.44%

LAB 69.09, -67.28, 63.99

 

CMYK 85 / 0 / 66 / 24

HEX #1DC343

RGB 29 195 67

HSL 133.73, 0.74%, 0.44%

LAB 69.25, -65.03, 51.46

 

CMYK 13 / 0 / 85 / 24

HEX #AAC31D

RGB 170 195 29

HSL 69.04, 0.74%, 0.44%

LAB 74.61, -27.76, 70.92

 

CMYK 15 / 0 / 95 / 16

HEX #B6D50B

RGB 182 213 11

HSL 69.21, 0.9%, 0.44%

LAB 80.49, -31.64, 78.76

 

CMYK 13 / 0 / 85 / 24

HEX #AAC31D

RGB 170 195 29

HSL 69.04, 0.74%, 0.44%

LAB 74.61, -27.76, 70.92

 

CMYK 11 / 0 / 73 / 31

HEX #9DB12F

RGB 157 177 47

HSL 69.23, 0.58%, 0.44%

LAB 68.62, -23.78, 60.11

 

CMYK 9 / 0 / 59 / 38

HEX #909E41

RGB 144 158 65

HSL 69.03, 0.42%, 0.44%

LAB 62.31, -18.54, 45.88

 

CMYK 6 / 0 / 41 / 45

HEX #848C53

RGB 132 140 83

HSL 68.42, 0.26%, 0.44%

LAB 56.37, -12.32, 29.45

 

CMYK 2 / 0 / 17 / 52

HEX #777A65

RGB 119 122 101

HSL 68.57, 0.09%, 0.44%

LAB 50.43, -5.08, 11.14

 

CMYK 0 / 33 / 85 / 24

HEX #C3831D

RGB 195 131 29

HSL 36.87, 0.74%, 0.44%

LAB 59.82, 16.79, 59.46

 

CMYK 0 / 10 / 85 / 24

HEX #C3AF1D

RGB 195 175 29

HSL 52.77, 0.74%, 0.44%

LAB 71.11, -6.96, 68.83

 

CMYK 13 / 0 / 85 / 24

HEX #AAC31D

RGB 170 195 29

HSL 69.04, 0.74%, 0.44%

LAB 74.61, -27.76, 70.92

 

CMYK 35 / 0 / 85 / 24

HEX #7EC31D

RGB 126 195 29

HSL 84.94, 0.74%, 0.44%

LAB 71.93, -44.97, 67.57

 

CMYK 58 / 0 / 85 / 24

HEX #51C31D

RGB 81 195 29

HSL 101.2, 0.74%, 0.44%

LAB 70.08, -58.88, 65.24

 

CMYK 13 / 0 / 85 / 52

HEX #6B7B12

RGB 107 123 18

HSL 69.14, 0.74%, 0.28%

LAB 48.68, -19.5, 49.67

 

CMYK 13 / 0 / 86 / 38

HEX #8A9F17

RGB 138 159 23

HSL 69.26, 0.75%, 0.36%

LAB 61.88, -23.95, 60.62

 

CMYK 13 / 0 / 85 / 24

HEX #AAC31D

RGB 170 195 29

HSL 69.04, 0.74%, 0.44%

LAB 74.61, -27.76, 70.92

 

CMYK 13 / 0 / 81 / 13

HEX #C3DF2A

RGB 195 223 42

HSL 69.28, 0.74%, 0.52%

LAB 84.25, -30.34, 76.82

 

CMYK 10 / 0 / 66 / 11

HEX #CDE44E

RGB 205 228 78

HSL 69.2, 0.74%, 0.6%

LAB 86.51, -26.99, 67.66

 

CMYK 13 / 0 / 85 / 24

HEX #AAC31D

RGB 170 195 29

HSL 69.04, 0.74%, 0.44%

LAB 74.61, -27.76, 70.92

 

CMYK 85 / 0 / 55 / 24

HEX #1DC357

RGB 29 195 87

HSL 140.96, 0.74%, 0.44%

LAB 69.45, -62.55, 42.71

 

CMYK 22 / 85 / 0 / 24

HEX #991DC3

RGB 153 29 195

HSL 284.82, 0.74%, 0.44%

LAB 40.56, 69.7, -59.45

 

CMYK 13 / 0 / 85 / 24

HEX #AAC31D

RGB 170 195 29

HSL 69.04, 0.74%, 0.44%

LAB 74.61, -27.76, 70.92

 

CMYK 85 / 13 / 0 / 24

HEX #1DAAC3

RGB 29 170 195

HSL 189.04, 0.74%, 0.44%

LAB 64.12, -26.14, -22.75

 

CMYK 0 / 85 / 13 / 24

HEX #C31DAA

RGB 195 29 170

HSL 309.04, 0.74%, 0.44%

LAB 46.15, 73.28, -35.37

 

CMYK 13 / 0 / 85 / 24

HEX #AAC31D

RGB 170 195 29

HSL 69.04, 0.74%, 0.44%

LAB 74.61, -27.76, 70.92

 

CMYK 85 / 0 / 55 / 24

HEX #1DC357

RGB 29 195 87

HSL 140.96, 0.74%, 0.44%

LAB 69.45, -62.55, 42.71

 

CMYK 72 / 85 / 0 / 24

HEX #361DC3

RGB 54 29 195

HSL 249.04, 0.74%, 0.44%

LAB 28.39, 58.18, -79.89

 

CMYK 0 / 85 / 30 / 24

HEX #C31D89

RGB 195 29 137

HSL 320.96, 0.74%, 0.44%

LAB 44.64, 69.15, -17.88

 

CMYK 13 / 0 / 85 / 24

HEX #AAC31D

RGB 170 195 29

HSL 69.04, 0.74%, 0.44%

LAB 74.61, -27.76, 70.92

 

CMYK 85 / 0 / 30 / 24

HEX #1DC389

RGB 29 195 137

HSL 159.04, 0.74%, 0.44%

LAB 70.24, -53.37, 18.11

 

CMYK 72 / 85 / 0 / 24

HEX #361DC3

RGB 54 29 195

HSL 249.04, 0.74%, 0.44%

LAB 28.39, 58.18, -79.89

 

CMYK 0 / 85 / 55 / 24

HEX #C31D57

RGB 195 29 87

HSL 339.04, 0.74%, 0.44%

LAB 43.02, 64.54, 10.75

 

Description

Color code: HEX #AAC31D | qconv.com Color code: HEX #AAC31D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 195 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 195 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 85 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 85% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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