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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AACCDE it is the complementary color #553321. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AACCDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AACCDE shade: #AFCCD9, #C0DEEC, #D1F0FF, #E2FFFF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AACCDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AACCDE shade: #AACCDE, #99BACB, #88A8B8, #7796A5 and #668492

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AACCDE shade: #AACCDE, #AABEDE, #AAB0DE, #B2AADE and #C0AADE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AACCDE shade: #AACCDE, #AABEDE, #AAB0DE and #AAAADE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AACCDE shade matches the following richer shades: #AACCDE, #A1CFE7, #97D2F1 and #8ED5FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AACCDE shade: #AACCDE, #B4C9D4, #BDC6CB, #C7C3C1 and #D0C0B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AACCDE shade: #AADED3, #AADADE, #AACCDE, #AABFDE and #AAB1DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AACCDE shade: #6FA8C7, #8CBAD2, #AACCDE, #C8DEE9 and #E5EFF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AACCDE shade: #AACCDE, #C6AADE and #DEDAAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AACCDE shade: #AACCDE, #DEAACC and #CCDEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AACCDE shade: #AACCDE, #C6AADE, #DEBBAA and #C2DEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AACCDE shade: #AACCDE, #D5AADE, #DEBBAA and #B3DEAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

Complementary color

CMYK 0 / 40 / 61 / 67

HEX #553321

RGB 85 51 33

HSL 20.77, 0.44%, 0.23%

LAB 24.98, 13.23, 17.75

 

CMYK 19 / 6 / 0 / 15

HEX #AFCCD9

RGB 175 204 217

HSL 198.57, 0.36%, 0.77%

LAB 80.35, -6.91, -9.7

 

CMYK 19 / 6 / 0 / 7

HEX #C0DEEC

RGB 192 222 236

HSL 199.09, 0.54%, 0.84%

LAB 86.75, -6.95, -10.15

 

CMYK 18 / 6 / 0 / 0

HEX #D1F0FF

RGB 209 240 255

HSL 199.57, 1%, 0.91%

LAB 93.06, -7, -10.61

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

CMYK 25 / 8 / 0 / 20

HEX #99BACB

RGB 153 186 203

HSL 200.4, 0.32%, 0.7%

LAB 73.68, -7.29, -12.25

 

CMYK 26 / 9 / 0 / 28

HEX #88A8B8

RGB 136 168 184

HSL 200, 0.25%, 0.63%

LAB 67.05, -7.24, -11.83

 

CMYK 28 / 9 / 0 / 35

HEX #7796A5

RGB 119 150 165

HSL 199.57, 0.2%, 0.56%

LAB 60.29, -7.2, -11.41

 

CMYK 30 / 10 / 0 / 43

HEX #668492

RGB 102 132 146

HSL 199.09, 0.18%, 0.49%

LAB 53.39, -7.15, -10.98

 

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

CMYK 23 / 14 / 0 / 13

HEX #AABEDE

RGB 170 190 222

HSL 216.92, 0.44%, 0.77%

LAB 76.46, 0.1, -18.26

 

CMYK 23 / 21 / 0 / 13

HEX #AAB0DE

RGB 170 176 222

HSL 233.08, 0.44%, 0.77%

LAB 72.81, 7.74, -23.81

 

CMYK 20 / 23 / 0 / 13

HEX #B2AADE

RGB 178 170 222

HSL 249.23, 0.44%, 0.77%

LAB 71.89, 13.52, -25.17

 

CMYK 14 / 23 / 0 / 13

HEX #C0AADE

RGB 192 170 222

HSL 265.38, 0.44%, 0.77%

LAB 73.04, 17.92, -23.29

 

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

CMYK 23 / 14 / 0 / 13

HEX #AABEDE

RGB 170 190 222

HSL 216.92, 0.44%, 0.77%

LAB 76.46, 0.1, -18.26

 

CMYK 23 / 21 / 0 / 13

HEX #AAB0DE

RGB 170 176 222

HSL 233.08, 0.44%, 0.77%

LAB 72.81, 7.74, -23.81

 

CMYK 23 / 23 / 0 / 13

HEX #AAAADE

RGB 170 170 222

HSL 240, 0.44%, 0.77%

LAB 71.26, 11.06, -26.18

 

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

CMYK 30 / 10 / 0 / 9

HEX #A1CFE7

RGB 161 207 231

HSL 200.57, 0.59%, 0.77%

LAB 80.72, -9.46, -16.72

 

CMYK 37 / 13 / 0 / 5

HEX #97D2F1

RGB 151 210 241

HSL 200.67, 0.76%, 0.77%

LAB 81.3, -11.3, -21.23

 

CMYK 43 / 15 / 0 / 2

HEX #8ED5FA

RGB 142 213 250

HSL 200.56, 0.92%, 0.77%

LAB 81.97, -12.81, -25.05

 

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

CMYK 15 / 5 / 0 / 17

HEX #B4C9D4

RGB 180 201 212

HSL 200.63, 0.27%, 0.77%

LAB 79.74, -4.82, -7.88

 

CMYK 7 / 2 / 0 / 20

HEX #BDC6CB

RGB 189 198 203

HSL 201.43, 0.12%, 0.77%

LAB 79.34, -2.11, -3.57

 

CMYK 0 / 2 / 3 / 22

HEX #C7C3C1

RGB 199 195 193

HSL 20, 0.05%, 0.77%

LAB 79.05, 1.03, 1.49

 

CMYK 0 / 8 / 12 / 18

HEX #D0C0B8

RGB 208 192 184

HSL 20, 0.2%, 0.77%

LAB 78.79, 4.28, 6.05

 

CMYK 23 / 0 / 5 / 13

HEX #AADED3

RGB 170 222 211

HSL 167.31, 0.44%, 0.77%

LAB 84.74, -18.93, -0.07

 

CMYK 23 / 2 / 0 / 13

HEX #AADADE

RGB 170 218 222

HSL 184.62, 0.44%, 0.77%

LAB 83.95, -14.57, -7.06

 

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

CMYK 23 / 14 / 0 / 13

HEX #AABFDE

RGB 170 191 222

HSL 215.77, 0.44%, 0.77%

LAB 76.73, -0.43, -17.86

 

CMYK 23 / 20 / 0 / 13

HEX #AAB1DE

RGB 170 177 222

HSL 231.92, 0.44%, 0.77%

LAB 73.07, 7.19, -23.42

 

CMYK 44 / 16 / 0 / 22

HEX #6FA8C7

RGB 111 168 199

HSL 201.14, 0.44%, 0.61%

LAB 66.14, -10.38, -21.67

 

CMYK 33 / 11 / 0 / 18

HEX #8CBAD2

RGB 140 186 210

HSL 200.57, 0.44%, 0.69%

LAB 73.12, -9.42, -16.98

 

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

CMYK 14 / 5 / 0 / 9

HEX #C8DEE9

RGB 200 222 233

HSL 200, 0.43%, 0.85%

LAB 87.2, -5.09, -7.86

 

CMYK 7 / 2 / 0 / 4

HEX #E5EFF5

RGB 229 239 245

HSL 202.5, 0.44%, 0.93%

LAB 93.88, -2.19, -4.05

 

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

CMYK 11 / 23 / 0 / 13

HEX #C6AADE

RGB 198 170 222

HSL 272.31, 0.44%, 0.77%

LAB 73.56, 19.84, -22.45

 

CMYK 0 / 2 / 23 / 13

HEX #DEDAAA

RGB 222 218 170

HSL 55.38, 0.44%, 0.77%

LAB 86.29, -6.24, 24.18

 

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

CMYK 0 / 23 / 8 / 13

HEX #DEAACC

RGB 222 170 204

HSL 320.77, 0.44%, 0.77%

LAB 75.23, 24.44, -9.89

 

CMYK 8 / 0 / 23 / 13

HEX #CCDEAA

RGB 204 222 170

HSL 80.77, 0.44%, 0.77%

LAB 86, -14.87, 23.56

 

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

CMYK 11 / 23 / 0 / 13

HEX #C6AADE

RGB 198 170 222

HSL 272.31, 0.44%, 0.77%

LAB 73.56, 19.84, -22.45

 

CMYK 0 / 16 / 23 / 13

HEX #DEBBAA

RGB 222 187 170

HSL 19.62, 0.44%, 0.77%

LAB 78.45, 9.94, 13.27

 

CMYK 13 / 0 / 23 / 13

HEX #C2DEAA

RGB 194 222 170

HSL 92.31, 0.44%, 0.77%

LAB 85.31, -18.45, 22.5

 

CMYK 23 / 8 / 0 / 13

HEX #AACCDE

RGB 170 204 222

HSL 200.77, 0.44%, 0.77%

LAB 80.18, -7.34, -12.66

 

CMYK 4 / 23 / 0 / 13

HEX #D5AADE

RGB 213 170 222

HSL 289.62, 0.44%, 0.77%

LAB 74.93, 24.71, -20.25

 

CMYK 0 / 16 / 23 / 13

HEX #DEBBAA

RGB 222 187 170

HSL 19.62, 0.44%, 0.77%

LAB 78.45, 9.94, 13.27

 

CMYK 19 / 0 / 23 / 13

HEX #B3DEAA

RGB 179 222 170

HSL 109.62, 0.44%, 0.77%

LAB 84.34, -23.66, 21.02

 

Description

Color code: HEX #AACCDE | qconv.com Color code: HEX #AACCDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 204 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 204 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 8 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 8% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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