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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AACD2D it is the complementary color #5532D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AACD2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AACD2D shade: #AFCD28, #C0DF3B, #D1F14E, #E2FF61 and #F3FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AACD2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AACD2D shade: #AACD2D, #99BB1A, #88A907, #779700 and #668500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AACD2D shade: #A9CC2C, #CCC42C, #CC992C, #CC6E2C and #CC432C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AACD2D shade: #A9CC2C, #7ECC2C, #53CC2C, #2CCC31 and #2CCC5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AACD2D shade matches the following richer shades: #A9CC2C, #B5E118 and #C0F504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AACD2D shade: #A9CC2C, #9EB841, #93A455, #879069 and #7C7C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AACD2D shade: #CC9A2C, #CCC42C, #AACC2C, #7FCC2C and #54CC2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AACD2D shade: #71891E, #8DAB25, #A9CC2C, #B8D74B and #C6DF6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AACD2D shade: #AACD2D, #2CCC6F and #AF2CCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AACD2D shade: #AACD2D, #2CAACC and #CC2CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AACD2D shade: #AACD2D, #2CCC6F, #4F2CCC and #CC2C8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AACD2D shade: #AACD2D, #2CCC9F, #4F2CCC and #CC2C5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 78 / 20

HEX #AACD2D

RGB 170 205 45

HSL 73.13, 0.64%, 0.49%

LAB 77.52, -31.92, 69.39

 

Complementary color

CMYK 60 / 76 / 0 / 18

HEX #5532D2

RGB 85 50 210

HSL 253.13, 0.64%, 0.51%

LAB 35.72, 56.09, -76.42

 

CMYK 15 / 0 / 80 / 20

HEX #AFCD28

RGB 175 205 40

HSL 70.91, 0.67%, 0.48%

LAB 77.83, -30.09, 71.18

 

CMYK 14 / 0 / 74 / 13

HEX #C0DF3B

RGB 192 223 59

HSL 71.34, 0.72%, 0.55%

LAB 84.12, -30.87, 71.75

 

CMYK 13 / 0 / 68 / 5

HEX #D1F14E

RGB 209 241 78

HSL 71.78, 0.85%, 0.63%

LAB 90.33, -31.49, 71.65

 

CMYK 11 / 0 / 62 / 0

HEX #E2FF61

RGB 226 255 97

HSL 71.01, 1%, 0.69%

LAB 95.39, -30.16, 70

 

CMYK 5 / 0 / 55 / 0

HEX #F3FF74

RGB 243 255 116

HSL 65.18, 1%, 0.73%

LAB 96.75, -22.18, 63.9

 

CMYK 17 / 0 / 78 / 20

HEX #AACD2D

RGB 170 205 45

HSL 73.13, 0.64%, 0.49%

LAB 77.52, -31.92, 69.39

 

CMYK 18 / 0 / 86 / 27

HEX #99BB1A

RGB 153 187 26

HSL 72.67, 0.76%, 0.42%

LAB 71.14, -31.07, 68.18

 

CMYK 20 / 0 / 96 / 34

HEX #88A907

RGB 136 169 7

HSL 72.22, 0.92%, 0.35%

LAB 64.66, -30, 65.57

 

CMYK 21 / 0 / 100 / 41

HEX #779700

RGB 119 151 0

HSL 72.72, 1%, 0.3%

LAB 58.09, -28.68, 61.01

 

CMYK 23 / 0 / 100 / 48

HEX #668500

RGB 102 133 0

HSL 73.98, 1%, 0.26%

LAB 51.38, -27.22, 55.42

 

CMYK 17 / 0 / 78 / 20

HEX #A9CC2C

RGB 169 204 44

HSL 73.13, 0.65%, 0.49%

LAB 77.16, -31.9, 69.33

 

CMYK 0 / 4 / 78 / 20

HEX #CCC42C

RGB 204 196 44

HSL 57, 0.65%, 0.49%

LAB 77.58, -13.38, 70.69

 

CMYK 0 / 25 / 78 / 20

HEX #CC992C

RGB 204 153 44

HSL 40.88, 0.65%, 0.49%

LAB 66.37, 9.22, 60.56

 

CMYK 0 / 46 / 78 / 20

HEX #CC6E2C

RGB 204 110 44

HSL 24.75, 0.65%, 0.49%

LAB 56.26, 32.46, 51.02

 

CMYK 0 / 67 / 78 / 20

HEX #CC432C

RGB 204 67 44

HSL 8.63, 0.65%, 0.49%

LAB 48.3, 52.99, 43.14

 

CMYK 17 / 0 / 78 / 20

HEX #A9CC2C

RGB 169 204 44

HSL 73.13, 0.65%, 0.49%

LAB 77.16, -31.9, 69.33

 

CMYK 38 / 0 / 78 / 20

HEX #7ECC2C

RGB 126 204 44

HSL 89.25, 0.65%, 0.49%

LAB 74.7, -48.07, 66.16

 

CMYK 59 / 0 / 78 / 20

HEX #53CC2C

RGB 83 204 44

HSL 105.38, 0.65%, 0.49%

LAB 73.03, -60.78, 63.99

 

CMYK 78 / 0 / 76 / 20

HEX #2CCC31

RGB 44 204 49

HSL 121.88, 0.65%, 0.49%

LAB 72.19, -67.72, 61.32

 

CMYK 78 / 0 / 55 / 20

HEX #2CCC5C

RGB 44 204 92

HSL 138, 0.65%, 0.49%

LAB 72.56, -63.23, 44.11

 

CMYK 17 / 0 / 78 / 20

HEX #A9CC2C

RGB 169 204 44

HSL 73.13, 0.65%, 0.49%

LAB 77.16, -31.9, 69.33

 

CMYK 20 / 0 / 89 / 12

HEX #B5E118

RGB 181 225 24

HSL 73.13, 0.81%, 0.49%

LAB 83.83, -37.32, 79.73

 

CMYK 22 / 0 / 98 / 4

HEX #C0F504

RGB 192 245 4

HSL 73.2, 0.97%, 0.49%

LAB 90.1, -42.16, 87

 

CMYK 17 / 0 / 78 / 20

HEX #A9CC2C

RGB 169 204 44

HSL 73.13, 0.65%, 0.49%

LAB 77.16, -31.9, 69.33

 

CMYK 14 / 0 / 65 / 28

HEX #9EB841

RGB 158 184 65

HSL 73.11, 0.48%, 0.49%

LAB 70.82, -25.7, 55.44

 

CMYK 10 / 0 / 48 / 36

HEX #93A455

RGB 147 164 85

HSL 72.91, 0.32%, 0.49%

LAB 64.49, -18.47, 38.75

 

CMYK 6 / 0 / 27 / 44

HEX #879069

RGB 135 144 105

HSL 73.85, 0.16%, 0.49%

LAB 58.15, -10.23, 19.69

 

CMYK 1 / 1 / 0 / 51

HEX #7C7C7D

RGB 124 124 125

HSL 240, 0%, 0.49%

LAB 52.04, 0.2, -0.55

 

CMYK 0 / 25 / 78 / 20

HEX #CC9A2C

RGB 204 154 44

HSL 41.25, 0.65%, 0.49%

LAB 66.62, 8.67, 60.79

 

CMYK 0 / 4 / 78 / 20

HEX #CCC42C

RGB 204 196 44

HSL 57, 0.65%, 0.49%

LAB 77.58, -13.38, 70.69

 

CMYK 17 / 0 / 78 / 20

HEX #AACC2C

RGB 170 204 44

HSL 72.75, 0.65%, 0.49%

LAB 77.23, -31.5, 69.41

 

CMYK 38 / 0 / 78 / 20

HEX #7FCC2C

RGB 127 204 44

HSL 88.88, 0.65%, 0.49%

LAB 74.75, -47.73, 66.22

 

CMYK 59 / 0 / 78 / 20

HEX #54CC2C

RGB 84 204 44

HSL 105, 0.65%, 0.49%

LAB 73.06, -60.53, 64.03

 

CMYK 18 / 0 / 78 / 46

HEX #71891E

RGB 113 137 30

HSL 73.46, 0.64%, 0.33%

LAB 53.49, -23.5, 50.48

 

CMYK 18 / 0 / 78 / 33

HEX #8DAB25

RGB 141 171 37

HSL 73.43, 0.64%, 0.41%

LAB 65.69, -28.02, 60.24

 

CMYK 17 / 0 / 78 / 20

HEX #A9CC2C

RGB 169 204 44

HSL 73.13, 0.65%, 0.49%

LAB 77.16, -31.9, 69.33

 

CMYK 14 / 0 / 65 / 16

HEX #B8D74B

RGB 184 215 75

HSL 73.29, 0.64%, 0.57%

LAB 81.46, -29.4, 63.12

 

CMYK 11 / 0 / 51 / 13

HEX #C6DF6D

RGB 198 223 109

HSL 73.16, 0.64%, 0.65%

LAB 84.94, -25, 52.51

 

CMYK 17 / 0 / 78 / 20

HEX #AACD2D

RGB 170 205 45

HSL 73.13, 0.64%, 0.49%

LAB 77.52, -31.92, 69.39

 

CMYK 78 / 0 / 46 / 20

HEX #2CCC6F

RGB 44 204 111

HSL 145.13, 0.65%, 0.49%

LAB 72.81, -60.3, 35.12

 

CMYK 14 / 78 / 0 / 20

HEX #AF2CCC

RGB 175 44 204

HSL 289.13, 0.65%, 0.49%

LAB 46.01, 71.17, -55.7

 

CMYK 17 / 0 / 78 / 20

HEX #AACD2D

RGB 170 205 45

HSL 73.13, 0.64%, 0.49%

LAB 77.52, -31.92, 69.39

 

CMYK 78 / 17 / 0 / 20

HEX #2CAACC

RGB 44 170 204

HSL 192.75, 0.65%, 0.49%

LAB 64.68, -21.89, -26.88

 

CMYK 0 / 78 / 17 / 20

HEX #CC2CAA

RGB 204 44 170

HSL 312.75, 0.65%, 0.49%

LAB 48.93, 71.74, -30.89

 

CMYK 17 / 0 / 78 / 20

HEX #AACD2D

RGB 170 205 45

HSL 73.13, 0.64%, 0.49%

LAB 77.52, -31.92, 69.39

 

CMYK 78 / 0 / 46 / 20

HEX #2CCC6F

RGB 44 204 111

HSL 145.13, 0.65%, 0.49%

LAB 72.81, -60.3, 35.12

 

CMYK 61 / 78 / 0 / 20

HEX #4F2CCC

RGB 79 44 204

HSL 253.13, 0.65%, 0.49%

LAB 33.61, 56.5, -76.44

 

CMYK 0 / 78 / 32 / 20

HEX #CC2C8A

RGB 204 44 138

HSL 324.75, 0.65%, 0.49%

LAB 47.59, 67.81, -13.84

 

CMYK 17 / 0 / 78 / 20

HEX #AACD2D

RGB 170 205 45

HSL 73.13, 0.64%, 0.49%

LAB 77.52, -31.92, 69.39

 

CMYK 78 / 0 / 22 / 20

HEX #2CCC9F

RGB 44 204 159

HSL 163.13, 0.65%, 0.49%

LAB 73.69, -50.42, 11.16

 

CMYK 61 / 78 / 0 / 20

HEX #4F2CCC

RGB 79 44 204

HSL 253.13, 0.65%, 0.49%

LAB 33.61, 56.5, -76.44

 

CMYK 0 / 78 / 56 / 20

HEX #CC2C5A

RGB 204 44 90

HSL 342.75, 0.65%, 0.49%

LAB 46.15, 63.42, 13.48

 

Description

Color code: HEX #AACD2D | qconv.com Color code: HEX #AACD2D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 205 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 205 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 78 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 78% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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