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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAD874 it is the complementary color #55278B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAD874. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAD874 shade: #AFD86F, #C0EA82, #D1FC95, #E2FFA8 and #F3FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAD874. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAD874 shade: #AAD874, #99C661, #88B44E, #77A23B and #669028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAD874 shade: #A9D773, #C4D773, #D7CF73, #D7B473 and #D79973

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAD874 shade: #A9D773, #8ED773, #73D773, #73D78E and #73D7A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAD874 shade matches the following richer shades: #A9D773, #AAE665 and #ACF456

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAD874 shade: #A9D773, #A8C982, #A7BA90, #A6AC9F and #A59DAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAD874 shade: #D7CF73, #C5D773, #AAD773, #90D773 and #75D773

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAD874 shade: #82C236, #96CE53, #A9D773, #BDE093 and #D1E9B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAD874 shade: #AAD874, #73D7B4 and #D773D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAD874 shade: #AAD874, #73AAD7 and #D773AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAD874 shade: #AAD874, #73D7B4, #A073D7 and #D77396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAD874 shade: #AAD874, #73D7D2, #A073D7 and #D77378

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 46 / 15

HEX #AAD874

RGB 170 216 116

HSL 87.6, 0.56%, 0.65%

LAB 81.25, -31.54, 44.29

 

Complementary color

CMYK 39 / 72 / 0 / 45

HEX #55278B

RGB 85 39 139

HSL 267.6, 0.56%, 0.35%

LAB 27.43, 41.83, -47.53

 

CMYK 19 / 0 / 49 / 15

HEX #AFD86F

RGB 175 216 111

HSL 83.43, 0.57%, 0.64%

LAB 81.5, -30.24, 47.08

 

CMYK 18 / 0 / 44 / 8

HEX #C0EA82

RGB 192 234 130

HSL 84.23, 0.71%, 0.71%

LAB 87.81, -30.31, 45.95

 

CMYK 17 / 0 / 41 / 1

HEX #D1FC95

RGB 209 252 149

HSL 85.05, 0.94%, 0.79%

LAB 94.03, -30.33, 44.82

 

CMYK 11 / 0 / 34 / 0

HEX #E2FFA8

RGB 226 255 168

HSL 80, 1%, 0.83%

LAB 96.21, -23.29, 38.54

 

CMYK 5 / 0 / 27 / 0

HEX #F3FFBB

RGB 243 255 187

HSL 70.59, 1%, 0.87%

LAB 97.7, -14.69, 31.26

 

CMYK 21 / 0 / 46 / 15

HEX #AAD874

RGB 170 216 116

HSL 87.6, 0.56%, 0.65%

LAB 81.25, -31.54, 44.29

 

CMYK 23 / 0 / 51 / 22

HEX #99C661

RGB 153 198 97

HSL 86.73, 0.47%, 0.58%

LAB 74.84, -31.51, 45.43

 

CMYK 24 / 0 / 57 / 29

HEX #88B44E

RGB 136 180 78

HSL 85.88, 0.4%, 0.51%

LAB 68.33, -31.41, 46.53

 

CMYK 27 / 0 / 64 / 36

HEX #77A23B

RGB 119 162 59

HSL 85.05, 0.47%, 0.43%

LAB 61.72, -31.22, 47.47

 

CMYK 29 / 0 / 72 / 44

HEX #669028

RGB 102 144 40

HSL 84.23, 0.57%, 0.36%

LAB 54.99, -30.88, 48.04

 

CMYK 21 / 0 / 47 / 16

HEX #A9D773

RGB 169 215 115

HSL 87.6, 0.56%, 0.65%

LAB 80.89, -31.56, 44.32

 

CMYK 9 / 0 / 47 / 16

HEX #C4D773

RGB 196 215 115

HSL 71.4, 0.56%, 0.65%

LAB 82.69, -21.32, 46.93

 

CMYK 0 / 4 / 47 / 16

HEX #D7CF73

RGB 215 207 115

HSL 55.2, 0.56%, 0.65%

LAB 82.01, -9.78, 46.44

 

CMYK 0 / 16 / 47 / 16

HEX #D7B473

RGB 215 180 115

HSL 39, 0.56%, 0.65%

LAB 75.03, 4.24, 37.76

 

CMYK 0 / 29 / 47 / 16

HEX #D79973

RGB 215 153 115

HSL 22.8, 0.56%, 0.65%

LAB 68.36, 18.74, 29.16

 

CMYK 21 / 0 / 47 / 16

HEX #A9D773

RGB 169 215 115

HSL 87.6, 0.56%, 0.65%

LAB 80.89, -31.56, 44.32

 

CMYK 34 / 0 / 47 / 16

HEX #8ED773

RGB 142 215 115

HSL 103.8, 0.56%, 0.65%

LAB 79.38, -41.01, 42.11

 

CMYK 47 / 0 / 47 / 16

HEX #73D773

RGB 115 215 115

HSL 120, 0.56%, 0.65%

LAB 78.16, -49.31, 40.32

 

CMYK 47 / 0 / 34 / 16

HEX #73D78E

RGB 115 215 142

HSL 136.2, 0.56%, 0.65%

LAB 78.58, -45.05, 27.19

 

CMYK 47 / 0 / 21 / 16

HEX #73D7A9

RGB 115 215 169

HSL 152.4, 0.56%, 0.65%

LAB 79.1, -39.88, 13.75

 

CMYK 21 / 0 / 47 / 16

HEX #A9D773

RGB 169 215 115

HSL 87.6, 0.56%, 0.65%

LAB 80.89, -31.56, 44.32

 

CMYK 26 / 0 / 56 / 10

HEX #AAE665

RGB 170 230 101

HSL 87.91, 0.72%, 0.65%

LAB 85.04, -39.49, 55.82

 

CMYK 30 / 0 / 65 / 4

HEX #ACF456

RGB 172 244 86

HSL 87.34, 0.88%, 0.65%

LAB 88.99, -46.13, 66.53

 

CMYK 21 / 0 / 47 / 16

HEX #A9D773

RGB 169 215 115

HSL 87.6, 0.56%, 0.65%

LAB 80.89, -31.56, 44.32

 

CMYK 16 / 0 / 35 / 21

HEX #A8C982

RGB 168 201 130

HSL 87.89, 0.4%, 0.65%

LAB 77.11, -23.33, 31.94

 

CMYK 10 / 0 / 23 / 27

HEX #A7BA90

RGB 167 186 144

HSL 87.14, 0.23%, 0.65%

LAB 73.12, -14.09, 19.17

 

CMYK 3 / 0 / 8 / 33

HEX #A6AC9F

RGB 166 172 159

HSL 87.69, 0.07%, 0.65%

LAB 69.55, -4.54, 5.94

 

CMYK 5 / 9 / 0 / 32

HEX #A59DAD

RGB 165 157 173

HSL 270, 0.09%, 0.65%

LAB 65.85, 5.98, -7.26

 

CMYK 0 / 4 / 47 / 16

HEX #D7CF73

RGB 215 207 115

HSL 55.2, 0.56%, 0.65%

LAB 82.01, -9.78, 46.44

 

CMYK 8 / 0 / 47 / 16

HEX #C5D773

RGB 197 215 115

HSL 70.8, 0.56%, 0.65%

LAB 82.76, -20.93, 47.04

 

CMYK 21 / 0 / 47 / 16

HEX #AAD773

RGB 170 215 115

HSL 87, 0.56%, 0.65%

LAB 80.95, -31.19, 44.41

 

CMYK 33 / 0 / 47 / 16

HEX #90D773

RGB 144 215 115

HSL 102.6, 0.56%, 0.65%

LAB 79.48, -40.34, 42.26

 

CMYK 46 / 0 / 47 / 16

HEX #75D773

RGB 117 215 115

HSL 118.8, 0.56%, 0.65%

LAB 78.24, -48.74, 40.44

 

CMYK 33 / 0 / 72 / 24

HEX #82C236

RGB 130 194 54

HSL 87.43, 0.56%, 0.49%

LAB 71.96, -41.89, 60.32

 

CMYK 27 / 0 / 60 / 19

HEX #96CE53

RGB 150 206 83

HSL 87.32, 0.56%, 0.57%

LAB 76.83, -37.67, 54.15

 

CMYK 21 / 0 / 47 / 16

HEX #A9D773

RGB 169 215 115

HSL 87.6, 0.56%, 0.65%

LAB 80.89, -31.56, 44.32

 

CMYK 16 / 0 / 34 / 12

HEX #BDE093

RGB 189 224 147

HSL 87.27, 0.55%, 0.73%

LAB 85.12, -24.54, 34.02

 

CMYK 10 / 0 / 23 / 9

HEX #D1E9B4

RGB 209 233 180

HSL 87.17, 0.55%, 0.81%

LAB 89.45, -17.04, 23.19

 

CMYK 21 / 0 / 46 / 15

HEX #AAD874

RGB 170 216 116

HSL 87.6, 0.56%, 0.65%

LAB 81.25, -31.54, 44.29

 

CMYK 47 / 0 / 16 / 16

HEX #73D7B4

RGB 115 215 180

HSL 159, 0.56%, 0.65%

LAB 79.35, -37.53, 8.26

 

CMYK 0 / 47 / 2 / 16

HEX #D773D2

RGB 215 115 210

HSL 303, 0.56%, 0.65%

LAB 62.81, 52.25, -32.18

 

CMYK 21 / 0 / 46 / 15

HEX #AAD874

RGB 170 216 116

HSL 87.6, 0.56%, 0.65%

LAB 81.25, -31.54, 44.29

 

CMYK 47 / 21 / 0 / 16

HEX #73AAD7

RGB 115 170 215

HSL 207, 0.56%, 0.65%

LAB 67.5, -6, -28.41

 

CMYK 0 / 47 / 21 / 16

HEX #D773AA

RGB 215 115 170

HSL 327, 0.56%, 0.65%

LAB 61.32, 45.79, -11.78

 

CMYK 21 / 0 / 46 / 15

HEX #AAD874

RGB 170 216 116

HSL 87.6, 0.56%, 0.65%

LAB 81.25, -31.54, 44.29

 

CMYK 47 / 0 / 16 / 16

HEX #73D7B4

RGB 115 215 180

HSL 159, 0.56%, 0.65%

LAB 79.35, -37.53, 8.26

 

CMYK 26 / 47 / 0 / 16

HEX #A073D7

RGB 160 115 215

HSL 267, 0.56%, 0.65%

LAB 56.72, 37.58, -44.99

 

CMYK 0 / 47 / 30 / 16

HEX #D77396

RGB 215 115 150

HSL 339, 0.56%, 0.65%

LAB 60.7, 43.02, -1.2

 

CMYK 21 / 0 / 46 / 15

HEX #AAD874

RGB 170 216 116

HSL 87.6, 0.56%, 0.65%

LAB 81.25, -31.54, 44.29

 

CMYK 47 / 0 / 2 / 16

HEX #73D7D2

RGB 115 215 210

HSL 177, 0.56%, 0.65%

LAB 80.12, -30.47, -6.63

 

CMYK 26 / 47 / 0 / 16

HEX #A073D7

RGB 160 115 215

HSL 267, 0.56%, 0.65%

LAB 56.72, 37.58, -44.99

 

CMYK 0 / 47 / 44 / 16

HEX #D77378

RGB 215 115 120

HSL 357, 0.56%, 0.65%

LAB 59.95, 39.51, 15.01

 

Description

Color code: HEX #AAD874 | qconv.com Color code: HEX #AAD874 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 216 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 216 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 46 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 46% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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