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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAD9B0 it is the complementary color #55264F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAD9B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAD9B0 shade: #AFD9AB, #C0EBBE, #D1FDD1, #E2FFE4 and #F3FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAD9B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAD9B0 shade: #AAD9B0, #99C79D, #88B58A, #77A377 and #669164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAD9B0 shade: #AAD9B0, #B1D9AA, #BDD9AA, #CAD9AA and #D6D9AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAD9B0 shade: #AAD9B0, #AAD9BD, #AAD9C9, #AAD9D6 and #AACFD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAD9B0 shade matches the following richer shades: #AAD9B0, #A0E2A9, #96ECA1 and #8CF69A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAD9B0 shade: #AAD9B0, #B4CFB7, #BEC5BF, #C8BBC6 and #D2B1CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAD9B0 shade: #BDD9AA, #B1D9AA, #AAD9AF, #AAD9BC and #AAD9C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAD9B0 shade: #71BF7B, #8ECC96, #AAD9B0, #C7E5CA and #E3F2E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAD9B0 shade: #AAD9B0, #AACAD9 and #D9AAB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAD9B0 shade: #AAD9B0, #AFAAD9 and #D9AFAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAD9B0 shade: #AAD9B0, #AACAD9, #D9AAD3 and #D9B9AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAD9B0 shade: #AAD9B0, #AABCD9, #D9AAD3 and #D9C7AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

Complementary color

CMYK 0 / 55 / 7 / 67

HEX #55264F

RGB 85 38 79

HSL 307.66, 0.38%, 0.24%

LAB 23.28, 28.12, -15.48

 

CMYK 19 / 0 / 21 / 15

HEX #AFD9AB

RGB 175 217 171

HSL 114.78, 0.38%, 0.76%

LAB 82.74, -22.41, 18.24

 

CMYK 18 / 0 / 19 / 8

HEX #C0EBBE

RGB 192 235 190

HSL 117.33, 0.53%, 0.83%

LAB 89.08, -22.27, 17.33

 

CMYK 17 / 0 / 17 / 1

HEX #D1FDD1

RGB 209 253 209

HSL 120, 0.92%, 0.91%

LAB 95.33, -22.14, 16.48

 

CMYK 11 / 0 / 11 / 0

HEX #E2FFE4

RGB 226 255 228

HSL 124.14, 1%, 0.94%

LAB 97.35, -14.26, 9.74

 

CMYK 5 / 0 / 3 / 0

HEX #F3FFF7

RGB 243 255 247

HSL 140, 1%, 0.98%

LAB 98.94, -5.34, 2.45

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

CMYK 23 / 0 / 21 / 22

HEX #99C79D

RGB 153 199 157

HSL 125.22, 0.29%, 0.69%

LAB 76.1, -23.41, 16.19

 

CMYK 25 / 0 / 24 / 29

HEX #88B58A

RGB 136 181 138

HSL 122.67, 0.23%, 0.62%

LAB 69.55, -23.61, 17.16

 

CMYK 27 / 0 / 27 / 36

HEX #77A377

RGB 119 163 119

HSL 120, 0.19%, 0.55%

LAB 62.88, -23.84, 18.19

 

CMYK 30 / 0 / 31 / 43

HEX #669164

RGB 102 145 100

HSL 117.33, 0.18%, 0.48%

LAB 56.08, -24.08, 19.31

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

CMYK 18 / 0 / 22 / 15

HEX #B1D9AA

RGB 177 217 170

HSL 111.06, 0.38%, 0.76%

LAB 82.85, -21.9, 18.93

 

CMYK 13 / 0 / 22 / 15

HEX #BDD9AA

RGB 189 217 170

HSL 95.74, 0.38%, 0.76%

LAB 83.62, -17.73, 20.12

 

CMYK 7 / 0 / 22 / 15

HEX #CAD9AA

RGB 202 217 170

HSL 79.15, 0.38%, 0.76%

LAB 84.53, -13.08, 21.51

 

CMYK 1 / 0 / 22 / 15

HEX #D6D9AA

RGB 214 217 170

HSL 63.83, 0.38%, 0.76%

LAB 85.42, -8.69, 22.88

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

CMYK 22 / 0 / 13 / 15

HEX #AAD9BD

RGB 170 217 189

HSL 144.26, 0.38%, 0.76%

LAB 82.83, -20.83, 8.82

 

CMYK 22 / 0 / 7 / 15

HEX #AAD9C9

RGB 170 217 201

HSL 159.57, 0.38%, 0.76%

LAB 83.12, -18.48, 2.87

 

CMYK 22 / 0 / 1 / 15

HEX #AAD9D6

RGB 170 217 214

HSL 176.17, 0.38%, 0.76%

LAB 83.46, -15.79, -3.54

 

CMYK 22 / 5 / 0 / 15

HEX #AACFD9

RGB 170 207 217

HSL 192.77, 0.38%, 0.76%

LAB 80.84, -10.01, -9.01

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

CMYK 29 / 0 / 25 / 11

HEX #A0E2A9

RGB 160 226 169

HSL 128.18, 0.53%, 0.76%

LAB 84.34, -32, 21.37

 

CMYK 36 / 0 / 32 / 7

HEX #96ECA1

RGB 150 236 161

HSL 127.67, 0.69%, 0.76%

LAB 86.53, -41, 28.39

 

CMYK 43 / 0 / 37 / 4

HEX #8CF69A

RGB 140 246 154

HSL 127.92, 0.85%, 0.76%

LAB 88.84, -49.33, 34.93

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

CMYK 13 / 0 / 12 / 19

HEX #B4CFB7

RGB 180 207 183

HSL 126.67, 0.22%, 0.76%

LAB 80.6, -13.6, 8.9

 

CMYK 4 / 0 / 3 / 23

HEX #BEC5BF

RGB 190 197 191

HSL 128.57, 0.06%, 0.76%

LAB 78.83, -3.52, 2.16

 

CMYK 0 / 7 / 1 / 22

HEX #C8BBC6

RGB 200 187 198

HSL 309.23, 0.11%, 0.76%

LAB 77.22, 6.56, -3.89

 

CMYK 0 / 16 / 2 / 18

HEX #D2B1CD

RGB 210 177 205

HSL 309.09, 0.27%, 0.76%

LAB 75.79, 16.7, -9.71

 

CMYK 13 / 0 / 22 / 15

HEX #BDD9AA

RGB 189 217 170

HSL 95.74, 0.38%, 0.76%

LAB 83.62, -17.73, 20.12

 

CMYK 18 / 0 / 22 / 15

HEX #B1D9AA

RGB 177 217 170

HSL 111.06, 0.38%, 0.76%

LAB 82.85, -21.9, 18.93

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9AF

RGB 170 217 175

HSL 126.38, 0.38%, 0.76%

LAB 82.52, -23.4, 15.78

 

CMYK 22 / 0 / 13 / 15

HEX #AAD9BC

RGB 170 217 188

HSL 142.98, 0.38%, 0.76%

LAB 82.81, -21.02, 9.32

 

CMYK 22 / 0 / 8 / 15

HEX #AAD9C8

RGB 170 217 200

HSL 158.3, 0.38%, 0.76%

LAB 83.09, -18.68, 3.37

 

CMYK 41 / 0 / 36 / 25

HEX #71BF7B

RGB 113 191 123

HSL 127.69, 0.38%, 0.6%

LAB 71.01, -38.38, 26.97

 

CMYK 30 / 0 / 26 / 20

HEX #8ECC96

RGB 142 204 150

HSL 127.74, 0.38%, 0.68%

LAB 76.76, -30.68, 20.74

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

CMYK 13 / 0 / 12 / 10

HEX #C7E5CA

RGB 199 229 202

HSL 126, 0.37%, 0.84%

LAB 88.18, -14.89, 9.87

 

CMYK 6 / 0 / 5 / 5

HEX #E3F2E5

RGB 227 242 229

HSL 128, 0.37%, 0.92%

LAB 94.09, -7.28, 4.56

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

CMYK 22 / 7 / 0 / 15

HEX #AACAD9

RGB 170 202 217

HSL 199.15, 0.38%, 0.76%

LAB 79.5, -7.4, -11.01

 

CMYK 0 / 22 / 16 / 15

HEX #D9AAB7

RGB 217 170 183

HSL 343.4, 0.38%, 0.76%

LAB 74.14, 19.19, -0.05

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

CMYK 19 / 22 / 0 / 15

HEX #AFAAD9

RGB 175 170 217

HSL 246.38, 0.38%, 0.76%

LAB 71.47, 11.46, -23.09

 

CMYK 0 / 19 / 22 / 15

HEX #D9AFAA

RGB 217 175 170

HSL 6.38, 0.38%, 0.76%

LAB 75.02, 14.49, 8.34

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

CMYK 22 / 7 / 0 / 15

HEX #AACAD9

RGB 170 202 217

HSL 199.15, 0.38%, 0.76%

LAB 79.5, -7.4, -11.01

 

CMYK 0 / 22 / 3 / 15

HEX #D9AAD3

RGB 217 170 211

HSL 307.66, 0.38%, 0.76%

LAB 74.95, 23.98, -14.18

 

CMYK 0 / 15 / 22 / 15

HEX #D9B9AA

RGB 217 185 170

HSL 19.15, 0.38%, 0.76%

LAB 77.49, 9.13, 11.85

 

CMYK 22 / 0 / 19 / 15

HEX #AAD9B0

RGB 170 217 176

HSL 127.66, 0.38%, 0.76%

LAB 82.54, -23.22, 15.28

 

CMYK 22 / 13 / 0 / 15

HEX #AABCD9

RGB 170 188 217

HSL 217.02, 0.38%, 0.76%

LAB 75.78, 0.04, -16.59

 

CMYK 0 / 22 / 3 / 15

HEX #D9AAD3

RGB 217 170 211

HSL 307.66, 0.38%, 0.76%

LAB 74.95, 23.98, -14.18

 

CMYK 0 / 8 / 22 / 15

HEX #D9C7AA

RGB 217 199 170

HSL 37.02, 0.38%, 0.76%

LAB 81.02, 1.73, 16.81

 

Description

Color code: HEX #AAD9B0 | qconv.com Color code: HEX #AAD9B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 217 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 217 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 19 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 19% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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