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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAD1D4 it is the complementary color #552E2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAD1D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAD1D4 shade: #AFD1CF, #C0E3E2, #D1F5F5, #E2FFFF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAD1D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAD1D4 shade: #AAD1D4, #99BFC1, #88ADAE, #779B9B and #668988

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAD1D4 shade: #AAD1D4, #AAC5D4, #AABAD4, #AAAFD4 and #B0AAD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAD1D4 shade: #AAD1D4, #AAC5D4, #AABAD4, #AAAFD4 and #AAAAD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAD1D4 shade matches the following richer shades: #AAD1D4, #9FDADE, #95E2E8, #8BEBF3 and #80F4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAD1D4 shade: #AAD1D4, #B4C8C9, #BEBFBF, #C9B6B5 and #D3ADAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAD1D4 shade: #AAD4C0, #AAD4CB, #AAD1D4, #AAC6D4 and #AABBD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAD1D4 shade: #73B3B8, #8EC2C6, #AAD1D4, #C5E0E2 and #E1EEEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAD1D4 shade: #AAD1D4, #B5AAD4 and #D4C6AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAD1D4 shade: #AAD1D4, #D4AAD1 and #D1D4AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAD1D4 shade: #AAD1D4, #B5AAD4, #D4ADAA and #C9D4AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAD1D4 shade: #AAD1D4, #C2AAD4, #D4ADAA and #BCD4AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 1 / 0 / 17

HEX #AAD1D4

RGB 170 209 212

HSL 184.29, 0.33%, 0.75%

LAB 81.24, -12.13, -5.75

 

Complementary color

CMYK 0 / 46 / 49 / 67

HEX #552E2B

RGB 85 46 43

HSL 4.29, 0.33%, 0.25%

LAB 23.87, 17.47, 9.72

 

CMYK 16 / 0 / 1 / 18

HEX #AFD1CF

RGB 175 209 207

HSL 176.47, 0.27%, 0.75%

LAB 81.41, -11.62, -2.78

 

CMYK 15 / 0 / 0 / 11

HEX #C0E3E2

RGB 192 227 226

HSL 178.29, 0.38%, 0.82%

LAB 87.79, -11.58, -3.35

 

CMYK 15 / 0 / 0 / 4

HEX #D1F5F5

RGB 209 245 245

HSL 180, 0.64%, 0.89%

LAB 94.08, -11.56, -3.9

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 20 / 1 / 0 / 17

HEX #AAD1D4

RGB 170 209 212

HSL 184.29, 0.33%, 0.75%

LAB 81.24, -12.13, -5.75

 

CMYK 21 / 1 / 0 / 24

HEX #99BFC1

RGB 153 191 193

HSL 183, 0.24%, 0.68%

LAB 74.75, -12.18, -5.2

 

CMYK 22 / 1 / 0 / 32

HEX #88ADAE

RGB 136 173 174

HSL 181.58, 0.19%, 0.61%

LAB 68.15, -12.24, -4.64

 

CMYK 23 / 0 / 0 / 39

HEX #779B9B

RGB 119 155 155

HSL 180, 0.15%, 0.54%

LAB 61.42, -12.31, -4.06

 

CMYK 26 / 0 / 1 / 46

HEX #668988

RGB 102 137 136

HSL 178.29, 0.15%, 0.47%

LAB 54.55, -12.4, -3.46

 

CMYK 20 / 1 / 0 / 17

HEX #AAD1D4

RGB 170 209 212

HSL 184.29, 0.33%, 0.75%

LAB 81.24, -12.13, -5.75

 

CMYK 20 / 7 / 0 / 17

HEX #AAC5D4

RGB 170 197 212

HSL 201.43, 0.33%, 0.75%

LAB 78.01, -5.87, -10.53

 

CMYK 20 / 12 / 0 / 17

HEX #AABAD4

RGB 170 186 212

HSL 217.14, 0.33%, 0.75%

LAB 75.09, 0, -14.91

 

CMYK 20 / 17 / 0 / 17

HEX #AAAFD4

RGB 170 175 212

HSL 232.86, 0.33%, 0.75%

LAB 72.2, 6, -19.27

 

CMYK 17 / 20 / 0 / 17

HEX #B0AAD4

RGB 176 170 212

HSL 248.57, 0.33%, 0.75%

LAB 71.37, 10.66, -20.48

 

CMYK 20 / 1 / 0 / 17

HEX #AAD1D4

RGB 170 209 212

HSL 184.29, 0.33%, 0.75%

LAB 81.24, -12.13, -5.75

 

CMYK 20 / 7 / 0 / 17

HEX #AAC5D4

RGB 170 197 212

HSL 201.43, 0.33%, 0.75%

LAB 78.01, -5.87, -10.53

 

CMYK 20 / 12 / 0 / 17

HEX #AABAD4

RGB 170 186 212

HSL 217.14, 0.33%, 0.75%

LAB 75.09, 0, -14.91

 

CMYK 20 / 17 / 0 / 17

HEX #AAAFD4

RGB 170 175 212

HSL 232.86, 0.33%, 0.75%

LAB 72.2, 6, -19.27

 

CMYK 20 / 20 / 0 / 17

HEX #AAAAD4

RGB 170 170 212

HSL 240, 0.33%, 0.75%

LAB 70.9, 8.76, -21.24

 

CMYK 20 / 1 / 0 / 17

HEX #AAD1D4

RGB 170 209 212

HSL 184.29, 0.33%, 0.75%

LAB 81.24, -12.13, -5.75

 

CMYK 28 / 2 / 0 / 13

HEX #9FDADE

RGB 159 218 222

HSL 183.81, 0.49%, 0.75%

LAB 83.33, -17.76, -8.04

 

CMYK 36 / 3 / 0 / 9

HEX #95E2E8

RGB 149 226 232

HSL 184.34, 0.64%, 0.75%

LAB 85.31, -22.15, -10.46

 

CMYK 43 / 3 / 0 / 5

HEX #8BEBF3

RGB 139 235 243

HSL 184.62, 0.81%, 0.75%

LAB 87.67, -26.35, -12.77

 

CMYK 49 / 4 / 0 / 1

HEX #80F4FD

RGB 128 244 253

HSL 184.32, 0.97%, 0.75%

LAB 90.04, -30.57, -14.5

 

CMYK 20 / 1 / 0 / 17

HEX #AAD1D4

RGB 170 209 212

HSL 184.29, 0.33%, 0.75%

LAB 81.24, -12.13, -5.75

 

CMYK 10 / 0 / 0 / 21

HEX #B4C8C9

RGB 180 200 201

HSL 182.86, 0.16%, 0.75%

LAB 79.17, -6.55, -2.81

 

CMYK 1 / 0 / 0 / 25

HEX #BEBFBF

RGB 190 191 191

HSL 180, 0.01%, 0.75%

LAB 77.26, -0.34, -0.13

 

CMYK 0 / 9 / 10 / 21

HEX #C9B6B5

RGB 201 182 181

HSL 3, 0.16%, 0.75%

LAB 75.58, 6.59, 2.96

 

CMYK 0 / 18 / 19 / 17

HEX #D3ADAB

RGB 211 173 171

HSL 3, 0.31%, 0.75%

LAB 73.98, 13.49, 6.23

 

CMYK 20 / 0 / 9 / 17

HEX #AAD4C0

RGB 170 212 192

HSL 151.43, 0.33%, 0.75%

LAB 81.53, -17.75, 5.36

 

CMYK 20 / 0 / 4 / 17

HEX #AAD4CB

RGB 170 212 203

HSL 167.14, 0.33%, 0.75%

LAB 81.81, -15.55, -0.1

 

CMYK 20 / 1 / 0 / 17

HEX #AAD1D4

RGB 170 209 212

HSL 184.29, 0.33%, 0.75%

LAB 81.24, -12.13, -5.75

 

CMYK 20 / 7 / 0 / 17

HEX #AAC6D4

RGB 170 198 212

HSL 200, 0.33%, 0.75%

LAB 78.28, -6.4, -10.13

 

CMYK 20 / 12 / 0 / 17

HEX #AABBD4

RGB 170 187 212

HSL 215.71, 0.33%, 0.75%

LAB 75.35, -0.54, -14.52

 

CMYK 38 / 3 / 0 / 28

HEX #73B3B8

RGB 115 179 184

HSL 184.35, 0.33%, 0.59%

LAB 69, -19.12, -9.04

 

CMYK 28 / 2 / 0 / 22

HEX #8EC2C6

RGB 142 194 198

HSL 184.29, 0.33%, 0.67%

LAB 75.08, -15.92, -7.5

 

CMYK 20 / 1 / 0 / 17

HEX #AAD1D4

RGB 170 209 212

HSL 184.29, 0.33%, 0.75%

LAB 81.24, -12.13, -5.75

 

CMYK 13 / 1 / 0 / 11

HEX #C5E0E2

RGB 197 224 226

HSL 184.14, 0.33%, 0.83%

LAB 87.33, -8.48, -4

 

CMYK 6 / 0 / 0 / 6

HEX #E1EEEF

RGB 225 238 239

HSL 184.29, 0.3%, 0.91%

LAB 93.18, -4.1, -1.98

 

CMYK 20 / 1 / 0 / 17

HEX #AAD1D4

RGB 170 209 212

HSL 184.29, 0.33%, 0.75%

LAB 81.24, -12.13, -5.75

 

CMYK 15 / 20 / 0 / 17

HEX #B5AAD4

RGB 181 170 212

HSL 255.71, 0.33%, 0.75%

LAB 71.78, 12.26, -19.84

 

CMYK 0 / 7 / 20 / 17

HEX #D4C6AA

RGB 212 198 170

HSL 40, 0.33%, 0.75%

LAB 80.34, 0.38, 15.81

 

CMYK 20 / 1 / 0 / 17

HEX #AAD1D4

RGB 170 209 212

HSL 184.29, 0.33%, 0.75%

LAB 81.24, -12.13, -5.75

 

CMYK 0 / 20 / 1 / 17

HEX #D4AAD1

RGB 212 170 209

HSL 304.29, 0.33%, 0.75%

LAB 74.41, 21.92, -13.94

 

CMYK 1 / 0 / 20 / 17

HEX #D1D4AA

RGB 209 212 170

HSL 64.29, 0.33%, 0.75%

LAB 83.73, -7.98, 20.49

 

CMYK 20 / 1 / 0 / 17

HEX #AAD1D4

RGB 170 209 212

HSL 184.29, 0.33%, 0.75%

LAB 81.24, -12.13, -5.75

 

CMYK 15 / 20 / 0 / 17

HEX #B5AAD4

RGB 181 170 212

HSL 255.71, 0.33%, 0.75%

LAB 71.78, 12.26, -19.84

 

CMYK 0 / 18 / 20 / 17

HEX #D4ADAA

RGB 212 173 170

HSL 4.29, 0.33%, 0.75%

LAB 74.05, 13.71, 6.89

 

CMYK 5 / 0 / 20 / 17

HEX #C9D4AA

RGB 201 212 170

HSL 75.71, 0.33%, 0.75%

LAB 83.13, -10.91, 19.57

 

CMYK 20 / 1 / 0 / 17

HEX #AAD1D4

RGB 170 209 212

HSL 184.29, 0.33%, 0.75%

LAB 81.24, -12.13, -5.75

 

CMYK 8 / 20 / 0 / 17

HEX #C2AAD4

RGB 194 170 212

HSL 274.29, 0.33%, 0.75%

LAB 72.87, 16.49, -18.07

 

CMYK 0 / 18 / 20 / 17

HEX #D4ADAA

RGB 212 173 170

HSL 4.29, 0.33%, 0.75%

LAB 74.05, 13.71, 6.89

 

CMYK 11 / 0 / 20 / 17

HEX #BCD4AA

RGB 188 212 170

HSL 94.29, 0.33%, 0.75%

LAB 82.21, -15.58, 18.14

 

Description

Color code: HEX #AAD1D4 | qconv.com Color code: HEX #AAD1D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 209 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 209 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 1 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 1% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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