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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AADC70 it is the complementary color #55238F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AADC70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AADC70 shade: #AFDC6B, #C0EE7E, #D1FF91, #E2FFA4 and #F3FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AADC70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AADC70 shade: #AADC70, #99CA5D, #88B84A, #77A637 and #669424

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AADC70 shade: #A9DC6F, #C7DC6F, #DCD36F, #DCB66F and #DC996F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AADC70 shade: #A9DC6F, #8CDC6F, #6FDC6F, #6FDC8C and #6FDCAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AADC70 shade matches the following richer shades: #A9DC6F, #AAEA60 and #ABF952

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AADC70 shade: #A9DC6F, #A8CD7D, #A7BF8C, #A6B09A and #A5A2A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AADC70 shade: #DCD36F, #C8DC6F, #ABDC6F, #8EDC6F and #71DC6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AADC70 shade: #82C830, #96D44E, #A9DC6F, #BDE490 and #D1ECB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AADC70 shade: #AADC70, #6FDCB6 and #DC6FD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AADC70 shade: #AADC70, #6FABDC and #DC6FAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AADC70 shade: #AADC70, #6FDCB6, #A06FDC and #DC6F95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AADC70 shade: #AADC70, #6FDCD6, #A06FDC and #DC6F74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 49 / 14

HEX #AADC70

RGB 170 220 112

HSL 87.78, 0.61%, 0.65%

LAB 82.33, -33.85, 47.54

 

Complementary color

CMYK 41 / 76 / 0 / 44

HEX #55238F

RGB 85 35 143

HSL 267.78, 0.61%, 0.35%

LAB 27.06, 44.82, -50.6

 

CMYK 20 / 0 / 51 / 14

HEX #AFDC6B

RGB 175 220 107

HSL 83.89, 0.62%, 0.64%

LAB 82.57, -32.53, 50.27

 

CMYK 19 / 0 / 47 / 7

HEX #C0EE7E

RGB 192 238 126

HSL 84.64, 0.77%, 0.71%

LAB 88.86, -32.61, 49.16

 

CMYK 18 / 0 / 43 / 0

HEX #D1FF91

RGB 209 255 145

HSL 85.09, 1%, 0.78%

LAB 94.79, -32.18, 47.7

 

CMYK 11 / 0 / 36 / 0

HEX #E2FFA4

RGB 226 255 164

HSL 79.12, 1%, 0.82%

LAB 96.15, -23.79, 40.44

 

CMYK 5 / 0 / 28 / 0

HEX #F3FFB7

RGB 243 255 183

HSL 70, 1%, 0.86%

LAB 97.63, -15.21, 33.18

 

CMYK 23 / 0 / 49 / 14

HEX #AADC70

RGB 170 220 112

HSL 87.78, 0.61%, 0.65%

LAB 82.33, -33.85, 47.54

 

CMYK 24 / 0 / 54 / 21

HEX #99CA5D

RGB 153 202 93

HSL 86.97, 0.51%, 0.58%

LAB 75.95, -33.79, 48.65

 

CMYK 26 / 0 / 60 / 28

HEX #88B84A

RGB 136 184 74

HSL 86.18, 0.44%, 0.51%

LAB 69.48, -33.65, 49.66

 

CMYK 28 / 0 / 67 / 35

HEX #77A637

RGB 119 166 55

HSL 85.41, 0.5%, 0.43%

LAB 62.9, -33.41, 50.45

 

CMYK 31 / 0 / 76 / 42

HEX #669424

RGB 102 148 36

HSL 84.64, 0.61%, 0.36%

LAB 56.22, -33, 50.75

 

CMYK 23 / 0 / 50 / 14

HEX #A9DC6F

RGB 169 220 111

HSL 88.07, 0.61%, 0.65%

LAB 82.25, -34.32, 47.91

 

CMYK 10 / 0 / 50 / 14

HEX #C7DC6F

RGB 199 220 111

HSL 71.56, 0.61%, 0.65%

LAB 84.21, -22.97, 50.73

 

CMYK 0 / 4 / 50 / 14

HEX #DCD36F

RGB 220 211 111

HSL 55.05, 0.61%, 0.65%

LAB 83.42, -10.16, 50.17

 

CMYK 0 / 17 / 50 / 14

HEX #DCB66F

RGB 220 182 111

HSL 39.08, 0.61%, 0.65%

LAB 75.96, 4.85, 41.07

 

CMYK 0 / 30 / 50 / 14

HEX #DC996F

RGB 220 153 111

HSL 23.12, 0.61%, 0.65%

LAB 68.86, 20.37, 32.07

 

CMYK 23 / 0 / 50 / 14

HEX #A9DC6F

RGB 169 220 111

HSL 88.07, 0.61%, 0.65%

LAB 82.25, -34.32, 47.91

 

CMYK 36 / 0 / 50 / 14

HEX #8CDC6F

RGB 140 220 111

HSL 104.04, 0.61%, 0.65%

LAB 80.69, -44.34, 45.65

 

CMYK 50 / 0 / 50 / 14

HEX #6FDC6F

RGB 111 220 111

HSL 120, 0.61%, 0.65%

LAB 79.45, -52.98, 43.85

 

CMYK 50 / 0 / 36 / 14

HEX #6FDC8C

RGB 111 220 140

HSL 135.96, 0.61%, 0.65%

LAB 79.87, -48.56, 29.93

 

CMYK 50 / 0 / 23 / 14

HEX #6FDCAA

RGB 111 220 170

HSL 152.48, 0.61%, 0.65%

LAB 80.44, -42.87, 15.08

 

CMYK 23 / 0 / 50 / 14

HEX #A9DC6F

RGB 169 220 111

HSL 88.07, 0.61%, 0.65%

LAB 82.25, -34.32, 47.91

 

CMYK 27 / 0 / 59 / 8

HEX #AAEA60

RGB 170 234 96

HSL 87.83, 0.77%, 0.65%

LAB 86.12, -41.71, 59.25

 

CMYK 31 / 0 / 67 / 2

HEX #ABF952

RGB 171 249 82

HSL 88.02, 0.93%, 0.65%

LAB 90.33, -48.87, 69.45

 

CMYK 23 / 0 / 50 / 14

HEX #A9DC6F

RGB 169 220 111

HSL 88.07, 0.61%, 0.65%

LAB 82.25, -34.32, 47.91

 

CMYK 18 / 0 / 39 / 20

HEX #A8CD7D

RGB 168 205 125

HSL 87.75, 0.44%, 0.65%

LAB 78.15, -25.95, 35.87

 

CMYK 13 / 0 / 27 / 25

HEX #A7BF8C

RGB 167 191 140

HSL 88.24, 0.28%, 0.65%

LAB 74.43, -17.27, 23.1

 

CMYK 6 / 0 / 13 / 31

HEX #A6B09A

RGB 166 176 154

HSL 87.27, 0.12%, 0.65%

LAB 70.52, -7.57, 10.08

 

CMYK 2 / 4 / 0 / 34

HEX #A5A2A9

RGB 165 162 169

HSL 265.71, 0.04%, 0.65%

LAB 67.05, 2.42, -3.25

 

CMYK 0 / 4 / 50 / 14

HEX #DCD36F

RGB 220 211 111

HSL 55.05, 0.61%, 0.65%

LAB 83.42, -10.16, 50.17

 

CMYK 9 / 0 / 50 / 14

HEX #C8DC6F

RGB 200 220 111

HSL 71.01, 0.61%, 0.65%

LAB 84.28, -22.58, 50.84

 

CMYK 22 / 0 / 50 / 14

HEX #ABDC6F

RGB 171 220 111

HSL 86.97, 0.61%, 0.65%

LAB 82.37, -33.59, 48.09

 

CMYK 35 / 0 / 50 / 14

HEX #8EDC6F

RGB 142 220 111

HSL 102.94, 0.61%, 0.65%

LAB 80.79, -43.68, 45.79

 

CMYK 49 / 0 / 50 / 14

HEX #71DC6F

RGB 113 220 111

HSL 118.9, 0.61%, 0.65%

LAB 79.53, -52.44, 43.95

 

CMYK 35 / 0 / 76 / 22

HEX #82C830

RGB 130 200 48

HSL 87.63, 0.61%, 0.49%

LAB 73.72, -44.8, 64.08

 

CMYK 29 / 0 / 63 / 17

HEX #96D44E

RGB 150 212 78

HSL 87.76, 0.61%, 0.57%

LAB 78.53, -40.76, 58.16

 

CMYK 23 / 0 / 50 / 14

HEX #A9DC6F

RGB 169 220 111

HSL 88.07, 0.61%, 0.65%

LAB 82.25, -34.32, 47.91

 

CMYK 17 / 0 / 37 / 11

HEX #BDE490

RGB 189 228 144

HSL 87.86, 0.61%, 0.73%

LAB 86.17, -26.86, 36.91

 

CMYK 11 / 0 / 25 / 7

HEX #D1ECB1

RGB 209 236 177

HSL 87.46, 0.61%, 0.81%

LAB 90.19, -18.97, 25.75

 

CMYK 23 / 0 / 49 / 14

HEX #AADC70

RGB 170 220 112

HSL 87.78, 0.61%, 0.65%

LAB 82.33, -33.85, 47.54

 

CMYK 50 / 0 / 17 / 14

HEX #6FDCB6

RGB 111 220 182

HSL 159.08, 0.61%, 0.65%

LAB 80.71, -40.31, 9.11

 

CMYK 0 / 50 / 3 / 14

HEX #DC6FD6

RGB 220 111 214

HSL 303.3, 0.61%, 0.65%

LAB 62.88, 56.34, -34.28

 

CMYK 23 / 0 / 49 / 14

HEX #AADC70

RGB 170 220 112

HSL 87.78, 0.61%, 0.65%

LAB 82.33, -33.85, 47.54

 

CMYK 50 / 22 / 0 / 14

HEX #6FABDC

RGB 111 171 220

HSL 206.97, 0.61%, 0.65%

LAB 67.78, -6.05, -30.75

 

CMYK 0 / 50 / 22 / 14

HEX #DC6FAB

RGB 220 111 171

HSL 326.97, 0.61%, 0.65%

LAB 61.24, 49.55, -12.39

 

CMYK 23 / 0 / 49 / 14

HEX #AADC70

RGB 170 220 112

HSL 87.78, 0.61%, 0.65%

LAB 82.33, -33.85, 47.54

 

CMYK 50 / 0 / 17 / 14

HEX #6FDCB6

RGB 111 220 182

HSL 159.08, 0.61%, 0.65%

LAB 80.71, -40.31, 9.11

 

CMYK 27 / 50 / 0 / 14

HEX #A06FDC

RGB 160 111 220

HSL 266.97, 0.61%, 0.65%

LAB 56.1, 41.01, -48.8

 

CMYK 0 / 50 / 32 / 14

HEX #DC6F95

RGB 220 111 149

HSL 339.08, 0.61%, 0.65%

LAB 60.56, 46.62, -0.75

 

CMYK 23 / 0 / 49 / 14

HEX #AADC70

RGB 170 220 112

HSL 87.78, 0.61%, 0.65%

LAB 82.33, -33.85, 47.54

 

CMYK 50 / 0 / 3 / 14

HEX #6FDCD6

RGB 111 220 214

HSL 176.7, 0.61%, 0.65%

LAB 81.52, -32.73, -6.71

 

CMYK 27 / 50 / 0 / 14

HEX #A06FDC

RGB 160 111 220

HSL 266.97, 0.61%, 0.65%

LAB 56.1, 41.01, -48.8

 

CMYK 0 / 50 / 47 / 14

HEX #DC6F74

RGB 220 111 116

HSL 357.25, 0.61%, 0.65%

LAB 59.75, 42.97, 17.15

 

Description

Color code: HEX #AADC70 | qconv.com Color code: HEX #AADC70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 220 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 220 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 49 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 49% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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