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Color name
HEX #AADD69

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AADD69 it is the complementary color #552296. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AADD69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AADD69 shade: #AFDD64, #C0EF77, #D1FF8A, #E2FF9D and #F3FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AADD69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AADD69 shade: #AADD69, #99CB56, #88B943, #77A730 and #66951D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AADD69 shade: #AADD69, #C9DD69, #DDD169, #DDB269 and #DD9369

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AADD69 shade: #AADD69, #8ADD69, #6BDD69, #69DD86 and #69DDA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AADD69 shade matches the following richer shades: #AADD69, #ABEB5A and #ADFA4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AADD69 shade: #AADD69, #A8CE78, #A6BF87, #A4B095 and #A3A1A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AADD69 shade: #DDD169, #C9DD69, #AADD69, #8CDD69 and #6DDD69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AADD69 shade: #83C62D, #97D547, #AADD69, #BDE48A and #D0ECAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AADD69 shade: #AADD69, #69DDB2 and #DD69D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AADD69 shade: #AADD69, #69AADD and #DD69AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AADD69 shade: #AADD69, #69DDB2, #9B69DD and #DD6993

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AADD69 shade: #AADD69, #69DDD5, #9B69DD and #DD6971

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 52 / 13

HEX #AADD69

RGB 170 221 105

HSL 86.38, 0.63%, 0.64%

LAB 82.53, -35.04, 51.07

 

Complementary color

CMYK 43 / 77 / 0 / 41

HEX #552296

RGB 85 34 150

HSL 266.38, 0.63%, 0.36%

LAB 27.51, 47.1, -54.18

 

CMYK 21 / 0 / 55 / 13

HEX #AFDD64

RGB 175 221 100

HSL 82.81, 0.64%, 0.63%

LAB 82.78, -33.67, 53.74

 

CMYK 20 / 0 / 50 / 6

HEX #C0EF77

RGB 192 239 119

HSL 83.5, 0.79%, 0.7%

LAB 89.05, -33.8, 52.68

 

CMYK 18 / 0 / 46 / 0

HEX #D1FF8A

RGB 209 255 138

HSL 83.59, 1%, 0.77%

LAB 94.7, -32.96, 50.91

 

CMYK 11 / 0 / 38 / 0

HEX #E2FF9D

RGB 226 255 157

HSL 77.76, 1%, 0.81%

LAB 96.05, -24.63, 43.73

 

CMYK 5 / 0 / 31 / 0

HEX #F3FFB0

RGB 243 255 176

HSL 69.11, 1%, 0.85%

LAB 97.51, -16.11, 36.51

 

CMYK 23 / 0 / 52 / 13

HEX #AADD69

RGB 170 221 105

HSL 86.38, 0.63%, 0.64%

LAB 82.53, -35.04, 51.07

 

CMYK 25 / 0 / 58 / 20

HEX #99CB56

RGB 153 203 86

HSL 85.64, 0.53%, 0.57%

LAB 76.16, -34.92, 52.11

 

CMYK 26 / 0 / 64 / 27

HEX #88B943

RGB 136 185 67

HSL 84.92, 0.47%, 0.49%

LAB 69.71, -34.71, 52.98

 

CMYK 29 / 0 / 71 / 35

HEX #77A730

RGB 119 167 48

HSL 84.2, 0.55%, 0.42%

LAB 63.15, -34.38, 53.51

 

CMYK 32 / 0 / 81 / 42

HEX #66951D

RGB 102 149 29

HSL 83.5, 0.67%, 0.35%

LAB 56.49, -33.84, 53.34

 

CMYK 23 / 0 / 52 / 13

HEX #AADD69

RGB 170 221 105

HSL 86.38, 0.63%, 0.64%

LAB 82.53, -35.04, 51.07

 

CMYK 9 / 0 / 52 / 13

HEX #C9DD69

RGB 201 221 105

HSL 70.34, 0.63%, 0.64%

LAB 84.56, -23.22, 53.97

 

CMYK 0 / 5 / 52 / 13

HEX #DDD169

RGB 221 209 105

HSL 53.79, 0.63%, 0.64%

LAB 82.91, -9.25, 52.43

 

CMYK 0 / 19 / 52 / 13

HEX #DDB269

RGB 221 178 105

HSL 37.76, 0.63%, 0.64%

LAB 74.97, 6.85, 42.91

 

CMYK 0 / 33 / 52 / 13

HEX #DD9369

RGB 221 147 105

HSL 21.72, 0.63%, 0.64%

LAB 67.47, 23.46, 33.54

 

CMYK 23 / 0 / 52 / 13

HEX #AADD69

RGB 170 221 105

HSL 86.38, 0.63%, 0.64%

LAB 82.53, -35.04, 51.07

 

CMYK 38 / 0 / 52 / 13

HEX #8ADD69

RGB 138 221 105

HSL 102.93, 0.63%, 0.64%

LAB 80.81, -46.12, 48.62

 

CMYK 52 / 0 / 52 / 13

HEX #6BDD69

RGB 107 221 105

HSL 118.97, 0.63%, 0.64%

LAB 79.53, -55.22, 46.77

 

CMYK 52 / 0 / 39 / 13

HEX #69DD86

RGB 105 221 134

HSL 135, 0.63%, 0.64%

LAB 79.86, -51.48, 32.93

 

CMYK 52 / 0 / 25 / 13

HEX #69DDA5

RGB 105 221 165

HSL 151.03, 0.63%, 0.64%

LAB 80.42, -45.75, 17.65

 

CMYK 23 / 0 / 52 / 13

HEX #AADD69

RGB 170 221 105

HSL 86.38, 0.63%, 0.64%

LAB 82.53, -35.04, 51.07

 

CMYK 27 / 0 / 62 / 8

HEX #ABEB5A

RGB 171 235 90

HSL 86.48, 0.78%, 0.64%

LAB 86.41, -42.29, 62.12

 

CMYK 31 / 0 / 70 / 2

HEX #ADFA4B

RGB 173 250 75

HSL 86.4, 0.95%, 0.64%

LAB 90.67, -49.05, 72.37

 

CMYK 23 / 0 / 52 / 13

HEX #AADD69

RGB 170 221 105

HSL 86.38, 0.63%, 0.64%

LAB 82.53, -35.04, 51.07

 

CMYK 18 / 0 / 42 / 19

HEX #A8CE78

RGB 168 206 120

HSL 86.51, 0.47%, 0.64%

LAB 78.36, -27.06, 38.66

 

CMYK 13 / 0 / 29 / 25

HEX #A6BF87

RGB 166 191 135

HSL 86.79, 0.3%, 0.64%

LAB 74.27, -18.39, 25.52

 

CMYK 7 / 0 / 15 / 31

HEX #A4B095

RGB 164 176 149

HSL 86.67, 0.15%, 0.64%

LAB 70.26, -9.16, 12.42

 

CMYK 1 / 2 / 0 / 36

HEX #A3A1A4

RGB 163 161 164

HSL 280, 0.02%, 0.64%

LAB 66.49, 1.29, -1.31

 

CMYK 0 / 5 / 52 / 13

HEX #DDD169

RGB 221 209 105

HSL 53.79, 0.63%, 0.64%

LAB 82.91, -9.25, 52.43

 

CMYK 9 / 0 / 52 / 13

HEX #C9DD69

RGB 201 221 105

HSL 70.34, 0.63%, 0.64%

LAB 84.56, -23.22, 53.97

 

CMYK 23 / 0 / 52 / 13

HEX #AADD69

RGB 170 221 105

HSL 86.38, 0.63%, 0.64%

LAB 82.53, -35.04, 51.07

 

CMYK 37 / 0 / 52 / 13

HEX #8CDD69

RGB 140 221 105

HSL 101.9, 0.63%, 0.64%

LAB 80.91, -45.47, 48.75

 

CMYK 51 / 0 / 52 / 13

HEX #6DDD69

RGB 109 221 105

HSL 117.93, 0.63%, 0.64%

LAB 79.6, -54.69, 46.87

 

CMYK 34 / 0 / 77 / 22

HEX #83C62D

RGB 131 198 45

HSL 86.27, 0.63%, 0.48%

LAB 73.16, -43.76, 64.51

 

CMYK 29 / 0 / 67 / 16

HEX #97D547

RGB 151 213 71

HSL 86.2, 0.63%, 0.56%

LAB 78.82, -41.37, 61.31

 

CMYK 23 / 0 / 52 / 13

HEX #AADD69

RGB 170 221 105

HSL 86.38, 0.63%, 0.64%

LAB 82.53, -35.04, 51.07

 

CMYK 17 / 0 / 39 / 11

HEX #BDE48A

RGB 189 228 138

HSL 86, 0.63%, 0.72%

LAB 86.08, -27.62, 39.79

 

CMYK 12 / 0 / 27 / 7

HEX #D0ECAC

RGB 208 236 172

HSL 86.25, 0.63%, 0.8%

LAB 90.04, -20.05, 28.08

 

CMYK 23 / 0 / 52 / 13

HEX #AADD69

RGB 170 221 105

HSL 86.38, 0.63%, 0.64%

LAB 82.53, -35.04, 51.07

 

CMYK 52 / 0 / 19 / 13

HEX #69DDB2

RGB 105 221 178

HSL 157.76, 0.63%, 0.64%

LAB 80.7, -43, 11.19

 

CMYK 0 / 52 / 2 / 13

HEX #DD69D9

RGB 221 105 217

HSL 302.07, 0.63%, 0.64%

LAB 62.07, 59.98, -37.21

 

CMYK 23 / 0 / 52 / 13

HEX #AADD69

RGB 170 221 105

HSL 86.38, 0.63%, 0.64%

LAB 82.53, -35.04, 51.07

 

CMYK 52 / 23 / 0 / 13

HEX #69AADD

RGB 105 170 221

HSL 206.38, 0.63%, 0.64%

LAB 67.26, -6.55, -32.13

 

CMYK 0 / 52 / 23 / 13

HEX #DD69AA

RGB 221 105 170

HSL 326.38, 0.63%, 0.64%

LAB 60.23, 52.65, -13.33

 

CMYK 23 / 0 / 52 / 13

HEX #AADD69

RGB 170 221 105

HSL 86.38, 0.63%, 0.64%

LAB 82.53, -35.04, 51.07

 

CMYK 52 / 0 / 19 / 13

HEX #69DDB2

RGB 105 221 178

HSL 157.76, 0.63%, 0.64%

LAB 80.7, -43, 11.19

 

CMYK 30 / 52 / 0 / 13

HEX #9B69DD

RGB 155 105 221

HSL 265.86, 0.63%, 0.64%

LAB 54.34, 43.28, -52.2

 

CMYK 0 / 52 / 33 / 13

HEX #DD6993

RGB 221 105 147

HSL 338.28, 0.63%, 0.64%

LAB 59.51, 49.65, -1.12

 

CMYK 23 / 0 / 52 / 13

HEX #AADD69

RGB 170 221 105

HSL 86.38, 0.63%, 0.64%

LAB 82.53, -35.04, 51.07

 

CMYK 52 / 0 / 4 / 13

HEX #69DDD5

RGB 105 221 213

HSL 175.86, 0.63%, 0.64%

LAB 81.58, -34.7, -6.12

 

CMYK 30 / 52 / 0 / 13

HEX #9B69DD

RGB 155 105 221

HSL 265.86, 0.63%, 0.64%

LAB 54.34, 43.28, -52.2

 

CMYK 0 / 52 / 49 / 13

HEX #DD6971

RGB 221 105 113

HSL 355.86, 0.63%, 0.64%

LAB 58.67, 46.03, 17.41

 

Description

Color code: HEX #AADD69 | qconv.com Color code: HEX #AADD69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 221 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 221 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 52 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 52% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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