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Color name
HEX #AAE425

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAE425 it is the complementary color #551BDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAE425. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAE425 shade: #AFE420, #C0F633, #D1FF46, #E2FF59 and #F3FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAE425. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAE425 shade: #AAE425, #99D212, #88C000, #77AE00 and #669C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAE425 shade: #AAE425, #DDE425, #E4B725, #E48325 and #E45025

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAE425 shade: #AAE425, #76E425, #43E425, #25E43A and #25E46E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAE425 shade matches the following richer shades: #AAE425 and #B1F711

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAE425 shade: #AAE425, #A2D038, #9ABC4C, #92A860 and #8A9474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAE425 shade: #E4B725, #DDE425, #AAE425, #77E425 and #44E425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAE425 shade: #77A214, #92C718, #AAE425, #B8E849 and #C6ED6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAE425 shade: #AAE425, #25E484 and #D025E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAE425 shade: #AAE425, #25AAE4 and #E425AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAE425 shade: #AAE425, #25E484, #5E25E4 and #E42584

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAE425 shade: #AAE425, #25E4BD, #5E25E4 and #E4254B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 84 / 11

HEX #AAE425

RGB 170 228 37

HSL 78.22, 0.78%, 0.52%

LAB 84.05, -42.56, 77.2

 

Complementary color

CMYK 61 / 88 / 0 / 15

HEX #551BDA

RGB 85 27 218

HSL 258.22, 0.78%, 0.48%

LAB 33.51, 67.14, -84.7

 

CMYK 23 / 0 / 86 / 11

HEX #AFE420

RGB 175 228 32

HSL 76.22, 0.78%, 0.51%

LAB 84.33, -40.8, 78.59

 

CMYK 22 / 0 / 79 / 4

HEX #C0F633

RGB 192 246 51

HSL 76.62, 0.92%, 0.58%

LAB 90.49, -41.6, 79.96

 

CMYK 18 / 0 / 73 / 0

HEX #D1FF46

RGB 209 255 70

HSL 74.92, 1%, 0.64%

LAB 94.11, -38.27, 78.13

 

CMYK 11 / 0 / 65 / 0

HEX #E2FF59

RGB 226 255 89

HSL 70.48, 1%, 0.67%

LAB 95.33, -30.67, 73.04

 

CMYK 5 / 0 / 58 / 0

HEX #F3FF6C

RGB 243 255 108

HSL 64.9, 1%, 0.71%

LAB 96.68, -22.77, 67.24

 

CMYK 25 / 0 / 84 / 11

HEX #AAE425

RGB 170 228 37

HSL 78.22, 0.78%, 0.52%

LAB 84.05, -42.56, 77.2

 

CMYK 27 / 0 / 91 / 18

HEX #99D212

RGB 153 210 18

HSL 77.81, 0.84%, 0.45%

LAB 77.82, -41.66, 75.05

 

CMYK 29 / 0 / 100 / 25

HEX #88C000

RGB 136 192 0

HSL 77.5, 1%, 0.38%

LAB 71.51, -40.58, 71.69

 

CMYK 32 / 0 / 100 / 32

HEX #77AE00

RGB 119 174 0

HSL 78.97, 1%, 0.34%

LAB 65.12, -39.22, 66.37

 

CMYK 35 / 0 / 100 / 39

HEX #669C00

RGB 102 156 0

HSL 80.77, 1%, 0.31%

LAB 58.6, -37.84, 60.95

 

CMYK 25 / 0 / 84 / 11

HEX #AAE425

RGB 170 228 37

HSL 78.22, 0.78%, 0.52%

LAB 84.05, -42.56, 77.2

 

CMYK 3 / 0 / 84 / 11

HEX #DDE425

RGB 221 228 37

HSL 62.2, 0.78%, 0.52%

LAB 87.48, -22.2, 81.47

 

CMYK 0 / 20 / 84 / 11

HEX #E4B725

RGB 228 183 37

HSL 45.86, 0.78%, 0.52%

LAB 76.37, 3.48, 72.46

 

CMYK 0 / 43 / 84 / 11

HEX #E48325

RGB 228 131 37

HSL 29.53, 0.78%, 0.52%

LAB 64.05, 31.05, 62.07

 

CMYK 0 / 65 / 84 / 11

HEX #E45025

RGB 228 80 37

HSL 13.51, 0.78%, 0.52%

LAB 54.41, 55.56, 53.76

 

CMYK 25 / 0 / 84 / 11

HEX #AAE425

RGB 170 228 37

HSL 78.22, 0.78%, 0.52%

LAB 84.05, -42.56, 77.2

 

CMYK 48 / 0 / 84 / 11

HEX #76E425

RGB 118 228 37

HSL 94.55, 0.78%, 0.52%

LAB 81.55, -60.23, 74.05

 

CMYK 71 / 0 / 84 / 11

HEX #43E425

RGB 67 228 37

HSL 110.58, 0.78%, 0.52%

LAB 80.07, -72.21, 72.18

 

CMYK 84 / 0 / 75 / 11

HEX #25E43A

RGB 37 228 58

HSL 126.6, 0.78%, 0.52%

LAB 79.72, -74.93, 65.79

 

CMYK 84 / 0 / 52 / 11

HEX #25E46E

RGB 37 228 110

HSL 142.93, 0.78%, 0.52%

LAB 80.18, -69.22, 44.84

 

CMYK 25 / 0 / 84 / 11

HEX #AAE425

RGB 170 228 37

HSL 78.22, 0.78%, 0.52%

LAB 84.05, -42.56, 77.2

 

CMYK 28 / 0 / 93 / 3

HEX #B1F711

RGB 177 247 17

HSL 78.26, 0.93%, 0.52%

LAB 89.82, -48.5, 85.32

 

CMYK 25 / 0 / 84 / 11

HEX #AAE425

RGB 170 228 37

HSL 78.22, 0.78%, 0.52%

LAB 84.05, -42.56, 77.2

 

CMYK 22 / 0 / 73 / 18

HEX #A2D038

RGB 162 208 56

HSL 78.16, 0.62%, 0.52%

LAB 77.92, -35.94, 66.11

 

CMYK 18 / 0 / 60 / 26

HEX #9ABC4C

RGB 154 188 76

HSL 78.21, 0.46%, 0.52%

LAB 71.8, -28.39, 51.68

 

CMYK 13 / 0 / 43 / 34

HEX #92A860

RGB 146 168 96

HSL 78.33, 0.29%, 0.52%

LAB 65.72, -19.67, 34.61

 

CMYK 7 / 0 / 22 / 42

HEX #8A9474

RGB 138 148 116

HSL 78.75, 0.13%, 0.52%

LAB 59.75, -9.49, 15.75

 

CMYK 0 / 20 / 84 / 11

HEX #E4B725

RGB 228 183 37

HSL 45.86, 0.78%, 0.52%

LAB 76.37, 3.48, 72.46

 

CMYK 3 / 0 / 84 / 11

HEX #DDE425

RGB 221 228 37

HSL 62.2, 0.78%, 0.52%

LAB 87.48, -22.2, 81.47

 

CMYK 25 / 0 / 84 / 11

HEX #AAE425

RGB 170 228 37

HSL 78.22, 0.78%, 0.52%

LAB 84.05, -42.56, 77.2

 

CMYK 48 / 0 / 84 / 11

HEX #77E425

RGB 119 228 37

HSL 94.24, 0.78%, 0.52%

LAB 81.59, -59.94, 74.1

 

CMYK 70 / 0 / 84 / 11

HEX #44E425

RGB 68 228 37

HSL 110.26, 0.78%, 0.52%

LAB 80.09, -72.03, 72.2

 

CMYK 27 / 0 / 88 / 36

HEX #77A214

RGB 119 162 20

HSL 78.17, 0.78%, 0.36%

LAB 61.49, -33.42, 60.46

 

CMYK 27 / 0 / 88 / 22

HEX #92C718

RGB 146 199 24

HSL 78.17, 0.78%, 0.44%

LAB 74.2, -39.38, 70.96

 

CMYK 25 / 0 / 84 / 11

HEX #AAE425

RGB 170 228 37

HSL 78.22, 0.78%, 0.52%

LAB 84.05, -42.56, 77.2

 

CMYK 21 / 0 / 69 / 9

HEX #B8E849

RGB 184 232 73

HSL 78.11, 0.78%, 0.6%

LAB 86.2, -37.35, 68.77

 

CMYK 16 / 0 / 54 / 7

HEX #C6ED6E

RGB 198 237 110

HSL 78.43, 0.78%, 0.68%

LAB 88.78, -31.51, 56.57

 

CMYK 25 / 0 / 84 / 11

HEX #AAE425

RGB 170 228 37

HSL 78.22, 0.78%, 0.52%

LAB 84.05, -42.56, 77.2

 

CMYK 84 / 0 / 42 / 11

HEX #25E484

RGB 37 228 132

HSL 149.84, 0.78%, 0.52%

LAB 80.49, -65.64, 34.48

 

CMYK 9 / 84 / 0 / 11

HEX #D025E4

RGB 208 37 228

HSL 293.72, 0.78%, 0.52%

LAB 52.21, 82.78, -59.16

 

CMYK 25 / 0 / 84 / 11

HEX #AAE425

RGB 170 228 37

HSL 78.22, 0.78%, 0.52%

LAB 84.05, -42.56, 77.2

 

CMYK 84 / 25 / 0 / 11

HEX #25AAE4

RGB 37 170 228

HSL 198.22, 0.78%, 0.52%

LAB 65.55, -14.35, -38.79

 

CMYK 0 / 84 / 25 / 11

HEX #E425AA

RGB 228 37 170

HSL 318.22, 0.78%, 0.52%

LAB 52.64, 78.55, -24.8

 

CMYK 25 / 0 / 84 / 11

HEX #AAE425

RGB 170 228 37

HSL 78.22, 0.78%, 0.52%

LAB 84.05, -42.56, 77.2

 

CMYK 84 / 0 / 42 / 11

HEX #25E484

RGB 37 228 132

HSL 149.84, 0.78%, 0.52%

LAB 80.49, -65.64, 34.48

 

CMYK 59 / 84 / 0 / 11

HEX #5E25E4

RGB 94 37 228

HSL 257.91, 0.78%, 0.52%

LAB 36.56, 67.22, -85.36

 

CMYK 0 / 84 / 42 / 11

HEX #E42584

RGB 228 37 132

HSL 330.16, 0.78%, 0.52%

LAB 51.25, 74.63, -4.28

 

CMYK 25 / 0 / 84 / 11

HEX #AAE425

RGB 170 228 37

HSL 78.22, 0.78%, 0.52%

LAB 84.05, -42.56, 77.2

 

CMYK 84 / 0 / 17 / 11

HEX #25E4BD

RGB 37 228 189

HSL 167.75, 0.78%, 0.52%

LAB 81.6, -53.33, 6.47

 

CMYK 59 / 84 / 0 / 11

HEX #5E25E4

RGB 94 37 228

HSL 257.91, 0.78%, 0.52%

LAB 36.56, 67.22, -85.36

 

CMYK 0 / 84 / 67 / 11

HEX #E4254B

RGB 228 37 75

HSL 348.06, 0.78%, 0.52%

LAB 49.89, 70.68, 28.44

 

Description

Color code: HEX #AAE425 | qconv.com Color code: HEX #AAE425 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 228 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 228 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 84 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 84% 11% C M Y K

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Provide designers and agencies with accurate color values.

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