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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAE59B it is the complementary color #551A64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAE59B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAE59B shade: #AFE596, #C0F7A9, #D1FFBC, #E2FFCF and #F3FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAE59B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAE59B shade: #AAE59B, #99D388, #88C175, #77AF62 and #669D4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAE59B shade: #A8E499, #BDE499, #D1E499, #E4E399 and #E4CF99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAE59B shade: #A8E499, #99E49E, #99E4B2, #99E4C7 and #99E4DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAE59B shade matches the following richer shades: #A8E499, #A2EF8F and #9CF985

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAE59B shade: #A8E499, #AFDAA3, #B5D0AE, #BBC5B8 and #C1BBC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAE59B shade: #D2E499, #BDE499, #A9E499, #99E49D and #99E4B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAE59B shade: #71D358, #8DDC78, #A8E499, #C4EDBA and #E0F5DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAE59B shade: #AAE59B, #99E4E3 and #E499C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAE59B shade: #AAE59B, #99A9E4 and #E499A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAE59B shade: #AAE59B, #99E4E3, #D499E4 and #E4999A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAE59B shade: #AAE59B, #99CFE4, #D499E4 and #E4AE99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 32 / 10

HEX #AAE59B

RGB 170 229 155

HSL 107.84, 0.59%, 0.75%

LAB 85.48, -32.41, 30.22

 

Complementary color

CMYK 15 / 74 / 0 / 61

HEX #551A64

RGB 85 26 100

HSL 287.84, 0.59%, 0.25%

LAB 22.27, 38.64, -30.99

 

CMYK 24 / 0 / 34 / 10

HEX #AFE596

RGB 175 229 150

HSL 101.01, 0.6%, 0.74%

LAB 85.68, -31.45, 33.09

 

CMYK 22 / 0 / 32 / 3

HEX #C0F7A9

RGB 192 247 169

HSL 102.31, 0.83%, 0.82%

LAB 91.95, -31.3, 32.01

 

CMYK 18 / 0 / 26 / 0

HEX #D1FFBC

RGB 209 255 188

HSL 101.19, 1%, 0.87%

LAB 95.46, -26.47, 27.34

 

CMYK 11 / 0 / 19 / 0

HEX #E2FFCF

RGB 226 255 207

HSL 96.25, 1%, 0.91%

LAB 96.9, -17.75, 19.85

 

CMYK 5 / 0 / 11 / 0

HEX #F3FFE2

RGB 243 255 226

HSL 84.83, 1%, 0.94%

LAB 98.46, -8.91, 12.51

 

CMYK 26 / 0 / 32 / 10

HEX #AAE59B

RGB 170 229 155

HSL 107.84, 0.59%, 0.75%

LAB 85.48, -32.41, 30.22

 

CMYK 27 / 0 / 36 / 17

HEX #99D388

RGB 153 211 136

HSL 106.4, 0.46%, 0.68%

LAB 79.12, -32.6, 31.33

 

CMYK 30 / 0 / 39 / 24

HEX #88C175

RGB 136 193 117

HSL 105, 0.38%, 0.61%

LAB 72.67, -32.78, 32.5

 

CMYK 32 / 0 / 44 / 31

HEX #77AF62

RGB 119 175 98

HSL 103.64, 0.32%, 0.54%

LAB 66.11, -32.95, 33.71

 

CMYK 35 / 0 / 50 / 38

HEX #669D4F

RGB 102 157 79

HSL 102.31, 0.33%, 0.46%

LAB 59.44, -33.08, 34.96

 

CMYK 26 / 0 / 33 / 11

HEX #A8E499

RGB 168 228 153

HSL 108, 0.58%, 0.75%

LAB 85.05, -32.91, 30.66

 

CMYK 17 / 0 / 33 / 11

HEX #BDE499

RGB 189 228 153

HSL 91.2, 0.58%, 0.75%

LAB 86.31, -25.65, 32.55

 

CMYK 8 / 0 / 33 / 11

HEX #D1E499

RGB 209 228 153

HSL 75.2, 0.58%, 0.75%

LAB 87.65, -18.36, 34.57

 

CMYK 0 / 0 / 33 / 11

HEX #E4E399

RGB 228 227 153

HSL 59.2, 0.58%, 0.75%

LAB 88.8, -10.71, 36.34

 

CMYK 0 / 9 / 33 / 11

HEX #E4CF99

RGB 228 207 153

HSL 43.2, 0.58%, 0.75%

LAB 83.66, -0.53, 29.54

 

CMYK 26 / 0 / 33 / 11

HEX #A8E499

RGB 168 228 153

HSL 108, 0.58%, 0.75%

LAB 85.05, -32.91, 30.66

 

CMYK 33 / 0 / 31 / 11

HEX #99E49E

RGB 153 228 158

HSL 124, 0.58%, 0.75%

LAB 84.34, -36.98, 27

 

CMYK 33 / 0 / 22 / 11

HEX #99E4B2

RGB 153 228 178

HSL 140, 0.58%, 0.75%

LAB 84.73, -33.48, 17.16

 

CMYK 33 / 0 / 13 / 11

HEX #99E4C7

RGB 153 228 199

HSL 156.8, 0.58%, 0.75%

LAB 85.19, -29.37, 6.8

 

CMYK 33 / 0 / 4 / 11

HEX #99E4DB

RGB 153 228 219

HSL 172.8, 0.58%, 0.75%

LAB 85.69, -25.07, -3

 

CMYK 26 / 0 / 33 / 11

HEX #A8E499

RGB 168 228 153

HSL 108, 0.58%, 0.75%

LAB 85.05, -32.91, 30.66

 

CMYK 32 / 0 / 40 / 6

HEX #A2EF8F

RGB 162 239 143

HSL 108.13, 0.75%, 0.75%

LAB 87.68, -41.32, 39.07

 

CMYK 37 / 0 / 47 / 2

HEX #9CF985

RGB 156 249 133

HSL 108.1, 0.91%, 0.75%

LAB 90.1, -48.85, 46.94

 

CMYK 26 / 0 / 33 / 11

HEX #A8E499

RGB 168 228 153

HSL 108, 0.58%, 0.75%

LAB 85.05, -32.91, 30.66

 

CMYK 20 / 0 / 25 / 15

HEX #AFDAA3

RGB 175 218 163

HSL 106.91, 0.43%, 0.75%

LAB 82.86, -24.22, 22.59

 

CMYK 13 / 0 / 16 / 18

HEX #B5D0AE

RGB 181 208 174

HSL 107.65, 0.27%, 0.75%

LAB 80.73, -15.35, 13.89

 

CMYK 5 / 0 / 7 / 23

HEX #BBC5B8

RGB 187 197 184

HSL 106.15, 0.1%, 0.75%

LAB 78.44, -5.83, 5.32

 

CMYK 1 / 4 / 0 / 24

HEX #C1BBC2

RGB 193 187 194

HSL 291.43, 0.05%, 0.75%

LAB 76.54, 3.39, -2.79

 

CMYK 8 / 0 / 33 / 11

HEX #D2E499

RGB 210 228 153

HSL 74.4, 0.58%, 0.75%

LAB 87.72, -17.99, 34.68

 

CMYK 17 / 0 / 33 / 11

HEX #BDE499

RGB 189 228 153

HSL 91.2, 0.58%, 0.75%

LAB 86.31, -25.65, 32.55

 

CMYK 26 / 0 / 33 / 11

HEX #A9E499

RGB 169 228 153

HSL 107.2, 0.58%, 0.75%

LAB 85.11, -32.58, 30.74

 

CMYK 33 / 0 / 31 / 11

HEX #99E49D

RGB 153 228 157

HSL 123.2, 0.58%, 0.75%

LAB 84.33, -37.15, 27.49

 

CMYK 33 / 0 / 22 / 11

HEX #99E4B1

RGB 153 228 177

HSL 139.2, 0.58%, 0.75%

LAB 84.71, -33.66, 17.65

 

CMYK 46 / 0 / 58 / 17

HEX #71D358

RGB 113 211 88

HSL 107.8, 0.58%, 0.59%

LAB 76.56, -51.62, 51.14

 

CMYK 36 / 0 / 45 / 14

HEX #8DDC78

RGB 141 220 120

HSL 107.4, 0.59%, 0.67%

LAB 80.85, -42.87, 41.5

 

CMYK 26 / 0 / 33 / 11

HEX #A8E499

RGB 168 228 153

HSL 108, 0.58%, 0.75%

LAB 85.05, -32.91, 30.66

 

CMYK 17 / 0 / 22 / 7

HEX #C4EDBA

RGB 196 237 186

HSL 108.24, 0.59%, 0.83%

LAB 89.79, -22.56, 20.43

 

CMYK 9 / 0 / 11 / 4

HEX #E0F5DB

RGB 224 245 219

HSL 108.46, 0.57%, 0.91%

LAB 94.43, -11.53, 10.18

 

CMYK 26 / 0 / 32 / 10

HEX #AAE59B

RGB 170 229 155

HSL 107.84, 0.59%, 0.75%

LAB 85.48, -32.41, 30.22

 

CMYK 33 / 0 / 0 / 11

HEX #99E4E3

RGB 153 228 227

HSL 179.2, 0.58%, 0.75%

LAB 85.91, -23.25, -6.9

 

CMYK 0 / 33 / 12 / 11

HEX #E499C8

RGB 228 153 200

HSL 322.4, 0.58%, 0.75%

LAB 71.86, 34.94, -12.67

 

CMYK 26 / 0 / 32 / 10

HEX #AAE59B

RGB 170 229 155

HSL 107.84, 0.59%, 0.75%

LAB 85.48, -32.41, 30.22

 

CMYK 33 / 26 / 0 / 11

HEX #99A9E4

RGB 153 169 228

HSL 227.2, 0.58%, 0.75%

LAB 70, 8.11, -31.5

 

CMYK 0 / 33 / 26 / 11

HEX #E499A9

RGB 228 153 169

HSL 347.2, 0.58%, 0.75%

LAB 70.97, 30.23, 3.2

 

CMYK 26 / 0 / 32 / 10

HEX #AAE59B

RGB 170 229 155

HSL 107.84, 0.59%, 0.75%

LAB 85.48, -32.41, 30.22

 

CMYK 33 / 0 / 0 / 11

HEX #99E4E3

RGB 153 228 227

HSL 179.2, 0.58%, 0.75%

LAB 85.91, -23.25, -6.9

 

CMYK 7 / 33 / 0 / 11

HEX #D499E4

RGB 212 153 228

HSL 287.2, 0.58%, 0.75%

LAB 71.13, 34.79, -29.34

 

CMYK 0 / 33 / 32 / 11

HEX #E4999A

RGB 228 153 154

HSL 359.2, 0.58%, 0.75%

LAB 70.6, 28.23, 11

 

CMYK 26 / 0 / 32 / 10

HEX #AAE59B

RGB 170 229 155

HSL 107.84, 0.59%, 0.75%

LAB 85.48, -32.41, 30.22

 

CMYK 33 / 9 / 0 / 11

HEX #99CFE4

RGB 153 207 228

HSL 196.8, 0.58%, 0.75%

LAB 80.18, -12.41, -15.98

 

CMYK 7 / 33 / 0 / 11

HEX #D499E4

RGB 212 153 228

HSL 287.2, 0.58%, 0.75%

LAB 71.13, 34.79, -29.34

 

CMYK 0 / 24 / 33 / 11

HEX #E4AE99

RGB 228 174 153

HSL 16.8, 0.58%, 0.75%

LAB 75.49, 16.87, 18.41

 

Description

Color code: HEX #AAE59B | qconv.com Color code: HEX #AAE59B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 229 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 229 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 32 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 32% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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