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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAE78D it is the complementary color #551872. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAE78D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAE78D shade: #AFE788, #C0F99B, #D1FFAE, #E2FFC1 and #F3FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAE78D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAE78D shade: #AAE78D, #99D57A, #88C367, #77B154 and #669F41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAE78D shade: #AAE68D, #C2E68D, #DAE68D, #E6DB8D and #E6C38D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAE78D shade: #AAE68D, #92E68D, #8DE6A0, #8DE6B8 and #8DE6D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAE78D shade matches the following richer shades: #AAE68D, #A6F282 and #A2FD77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAE78D shade: #AAE68D, #AEDB98, #B2D0A3, #B6C5AE and #BABAB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAE78D shade: #DAE68D, #C3E68D, #ABE68D, #93E68D and #8DE69F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAE78D shade: #77D849, #90DF6B, #AAE68D, #C3EEAF and #DDF5D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAE78D shade: #AAE78D, #8DE6DA and #E68DCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAE78D shade: #AAE78D, #8DABE6 and #E68DAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAE78D shade: #AAE78D, #8DE6DA, #C98DE6 and #E68D99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAE78D shade: #AAE78D, #8DD7E6, #C98DE6 and #E69C8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 39 / 9

HEX #AAE78D

RGB 170 231 141

HSL 100.67, 0.65%, 0.73%

LAB 85.82, -35.34, 37.74

 

Complementary color

CMYK 25 / 79 / 0 / 55

HEX #551872

RGB 85 24 114

HSL 280.67, 0.65%, 0.27%

LAB 23, 42.59, -38.91

 

CMYK 24 / 0 / 41 / 9

HEX #AFE788

RGB 175 231 136

HSL 95.37, 0.66%, 0.72%

LAB 86.03, -34.28, 40.55

 

CMYK 23 / 0 / 38 / 2

HEX #C0F99B

RGB 192 249 155

HSL 96.38, 0.89%, 0.79%

LAB 92.28, -34.17, 39.42

 

CMYK 18 / 0 / 32 / 0

HEX #D1FFAE

RGB 209 255 174

HSL 94.07, 1%, 0.84%

LAB 95.22, -28.5, 34.05

 

CMYK 11 / 0 / 24 / 0

HEX #E2FFC1

RGB 226 255 193

HSL 88.06, 1%, 0.88%

LAB 96.63, -19.88, 26.59

 

CMYK 5 / 0 / 17 / 0

HEX #F3FFD4

RGB 243 255 212

HSL 76.74, 1%, 0.92%

LAB 98.16, -11.11, 19.25

 

CMYK 26 / 0 / 39 / 9

HEX #AAE78D

RGB 170 231 141

HSL 100.67, 0.65%, 0.73%

LAB 85.82, -35.34, 37.74

 

CMYK 28 / 0 / 43 / 16

HEX #99D57A

RGB 153 213 122

HSL 99.56, 0.52%, 0.66%

LAB 79.48, -35.48, 38.9

 

CMYK 30 / 0 / 47 / 24

HEX #88C367

RGB 136 195 103

HSL 98.48, 0.43%, 0.58%

LAB 73.05, -35.59, 40.09

 

CMYK 33 / 0 / 53 / 31

HEX #77B154

RGB 119 177 84

HSL 97.42, 0.37%, 0.51%

LAB 66.52, -35.65, 41.28

 

CMYK 36 / 0 / 59 / 38

HEX #669F41

RGB 102 159 65

HSL 96.38, 0.42%, 0.44%

LAB 59.89, -35.63, 42.41

 

CMYK 26 / 0 / 39 / 10

HEX #AAE68D

RGB 170 230 141

HSL 100.45, 0.64%, 0.73%

LAB 85.54, -34.88, 37.38

 

CMYK 16 / 0 / 39 / 10

HEX #C2E68D

RGB 194 230 141

HSL 84.27, 0.64%, 0.73%

LAB 86.99, -26.38, 39.54

 

CMYK 5 / 0 / 39 / 10

HEX #DAE68D

RGB 218 230 141

HSL 68.09, 0.64%, 0.73%

LAB 88.65, -17.4, 42

 

CMYK 0 / 5 / 39 / 10

HEX #E6DB8D

RGB 230 219 141

HSL 52.58, 0.64%, 0.73%

LAB 86.71, -7.27, 39.7

 

CMYK 0 / 15 / 39 / 10

HEX #E6C38D

RGB 230 195 141

HSL 36.4, 0.64%, 0.73%

LAB 80.61, 5.1, 31.76

 

CMYK 26 / 0 / 39 / 10

HEX #AAE68D

RGB 170 230 141

HSL 100.45, 0.64%, 0.73%

LAB 85.54, -34.88, 37.38

 

CMYK 37 / 0 / 39 / 10

HEX #92E68D

RGB 146 230 141

HSL 116.63, 0.64%, 0.73%

LAB 84.29, -42.71, 35.52

 

CMYK 39 / 0 / 30 / 10

HEX #8DE6A0

RGB 141 230 160

HSL 132.81, 0.64%, 0.73%

LAB 84.38, -41.16, 25.92

 

CMYK 39 / 0 / 20 / 10

HEX #8DE6B8

RGB 141 230 184

HSL 148.99, 0.64%, 0.73%

LAB 84.85, -36.72, 14.11

 

CMYK 39 / 0 / 9 / 10

HEX #8DE6D1

RGB 141 230 209

HSL 165.84, 0.64%, 0.73%

LAB 85.43, -31.47, 1.82

 

CMYK 26 / 0 / 39 / 10

HEX #AAE68D

RGB 170 230 141

HSL 100.45, 0.64%, 0.73%

LAB 85.54, -34.88, 37.38

 

CMYK 31 / 0 / 46 / 5

HEX #A6F282

RGB 166 242 130

HSL 100.71, 0.81%, 0.73%

LAB 88.55, -43.02, 46.55

 

CMYK 36 / 0 / 53 / 1

HEX #A2FD77

RGB 162 253 119

HSL 100.75, 0.97%, 0.73%

LAB 91.35, -50.27, 55.04

 

CMYK 26 / 0 / 39 / 10

HEX #AAE68D

RGB 170 230 141

HSL 100.45, 0.64%, 0.73%

LAB 85.54, -34.88, 37.38

 

CMYK 21 / 0 / 31 / 14

HEX #AEDB98

RGB 174 219 152

HSL 100.3, 0.48%, 0.73%

LAB 82.88, -26.76, 28.31

 

CMYK 14 / 0 / 22 / 18

HEX #B2D0A3

RGB 178 208 163

HSL 100, 0.32%, 0.73%

LAB 80.3, -18.24, 19.09

 

CMYK 8 / 0 / 12 / 23

HEX #B6C5AE

RGB 182 197 174

HSL 99.13, 0.17%, 0.73%

LAB 77.84, -9.36, 9.79

 

CMYK 0 / 0 / 1 / 27

HEX #BABAB9

RGB 186 186 185

HSL 60, 0.01%, 0.73%

LAB 75.49, -0.18, 0.5

 

CMYK 5 / 0 / 39 / 10

HEX #DAE68D

RGB 218 230 141

HSL 68.09, 0.64%, 0.73%

LAB 88.65, -17.4, 42

 

CMYK 15 / 0 / 39 / 10

HEX #C3E68D

RGB 195 230 141

HSL 83.6, 0.64%, 0.73%

LAB 87.06, -26.01, 39.64

 

CMYK 26 / 0 / 39 / 10

HEX #ABE68D

RGB 171 230 141

HSL 99.78, 0.64%, 0.73%

LAB 85.59, -34.54, 37.46

 

CMYK 36 / 0 / 39 / 10

HEX #93E68D

RGB 147 230 141

HSL 115.96, 0.64%, 0.73%

LAB 84.34, -42.4, 35.59

 

CMYK 39 / 0 / 31 / 10

HEX #8DE69F

RGB 141 230 159

HSL 132.13, 0.64%, 0.73%

LAB 84.36, -41.34, 26.41

 

CMYK 45 / 0 / 66 / 15

HEX #77D849

RGB 119 216 73

HSL 100.7, 0.65%, 0.57%

LAB 78.18, -53.22, 59.37

 

CMYK 35 / 0 / 52 / 13

HEX #90DF6B

RGB 144 223 107

HSL 100.86, 0.64%, 0.65%

LAB 81.71, -44.79, 48.82

 

CMYK 26 / 0 / 39 / 10

HEX #AAE68D

RGB 170 230 141

HSL 100.45, 0.64%, 0.73%

LAB 85.54, -34.88, 37.38

 

CMYK 18 / 0 / 26 / 7

HEX #C3EEAF

RGB 195 238 175

HSL 100.95, 0.65%, 0.81%

LAB 89.79, -25.12, 26.07

 

CMYK 10 / 0 / 15 / 4

HEX #DDF5D1

RGB 221 245 209

HSL 100, 0.64%, 0.89%

LAB 94, -14.22, 14.71

 

CMYK 26 / 0 / 39 / 9

HEX #AAE78D

RGB 170 231 141

HSL 100.67, 0.65%, 0.73%

LAB 85.82, -35.34, 37.74

 

CMYK 39 / 0 / 5 / 10

HEX #8DE6DA

RGB 141 230 218

HSL 171.91, 0.64%, 0.73%

LAB 85.66, -29.44, -2.58

 

CMYK 0 / 39 / 10 / 10

HEX #E68DCF

RGB 230 141 207

HSL 315.51, 0.64%, 0.73%

LAB 69.74, 43.07, -19.72

 

CMYK 26 / 0 / 39 / 9

HEX #AAE78D

RGB 170 231 141

HSL 100.67, 0.65%, 0.73%

LAB 85.82, -35.34, 37.74

 

CMYK 39 / 26 / 0 / 10

HEX #8DABE6

RGB 141 171 230

HSL 219.78, 0.64%, 0.73%

LAB 69.83, 4.23, -32.93

 

CMYK 0 / 39 / 26 / 10

HEX #E68DAB

RGB 230 141 171

HSL 339.78, 0.64%, 0.73%

LAB 68.62, 37.58, -1.31

 

CMYK 26 / 0 / 39 / 9

HEX #AAE78D

RGB 170 231 141

HSL 100.67, 0.65%, 0.73%

LAB 85.82, -35.34, 37.74

 

CMYK 39 / 0 / 5 / 10

HEX #8DE6DA

RGB 141 230 218

HSL 171.91, 0.64%, 0.73%

LAB 85.66, -29.44, -2.58

 

CMYK 13 / 39 / 0 / 10

HEX #C98DE6

RGB 201 141 230

HSL 280.45, 0.64%, 0.73%

LAB 67.41, 38.35, -36.29

 

CMYK 0 / 39 / 33 / 10

HEX #E68D99

RGB 230 141 153

HSL 351.91, 0.64%, 0.73%

LAB 68.15, 35.21, 8.1

 

CMYK 26 / 0 / 39 / 9

HEX #AAE78D

RGB 170 231 141

HSL 100.67, 0.65%, 0.73%

LAB 85.82, -35.34, 37.74

 

CMYK 39 / 7 / 0 / 10

HEX #8DD7E6

RGB 141 215 230

HSL 190.11, 0.64%, 0.73%

LAB 81.83, -19.2, -14.64

 

CMYK 13 / 39 / 0 / 10

HEX #C98DE6

RGB 201 141 230

HSL 280.45, 0.64%, 0.73%

LAB 67.41, 38.35, -36.29

 

CMYK 0 / 32 / 39 / 10

HEX #E69C8D

RGB 230 156 141

HSL 10.11, 0.64%, 0.73%

LAB 71.23, 25.82, 19.1

 

Description

Color code: HEX #AAE78D | qconv.com Color code: HEX #AAE78D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 231 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 231 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 39 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 39% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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