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Color name
HEX #AAE820

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAE820 it is the complementary color #5517DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAE820. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAE820 shade: #AFE81B, #C0FA2E, #D1FF41, #E2FF54 and #F3FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAE820. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAE820 shade: #AAE820, #99D60D, #88C400, #77B200 and #66A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAE820 shade: #AAE721, #DFE721, #E7BA21, #E78421 and #E74F21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAE820 shade: #AAE721, #74E721, #3FE721, #21E739 and #21E76E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAE820 shade matches the following richer shades: #AAE721 and #B1FB0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAE820 shade: #AAE721, #A2D335, #9BC049, #93AC5C and #8C9870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAE820 shade: #E7B921, #E1E721, #ACE721, #77E721 and #42E721

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAE820 shade: #77A511, #92CA15, #AAE721, #B8EB46 and #C6EF6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAE820 shade: #AAE820, #21E784 and #D321E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAE820 shade: #AAE820, #21ACE7 and #E721AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAE820 shade: #AAE820, #21E784, #5C21E7 and #E72184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAE820 shade: #AAE820, #21E7C0, #5C21E7 and #E72149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 86 / 9

HEX #AAE820

RGB 170 232 32

HSL 78.6, 0.81%, 0.52%

LAB 85.18, -44.43, 79.18

 

Complementary color

CMYK 62 / 90 / 0 / 13

HEX #5517DF

RGB 85 23 223

HSL 258.6, 0.81%, 0.48%

LAB 33.71, 69.47, -87.24

 

CMYK 25 / 0 / 88 / 9

HEX #AFE81B

RGB 175 232 27

HSL 76.68, 0.82%, 0.51%

LAB 85.46, -42.67, 80.42

 

CMYK 23 / 0 / 82 / 2

HEX #C0FA2E

RGB 192 250 46

HSL 77.06, 0.95%, 0.58%

LAB 91.58, -43.52, 82.17

 

CMYK 18 / 0 / 75 / 0

HEX #D1FF41

RGB 209 255 65

HSL 74.53, 1%, 0.63%

LAB 94.08, -38.51, 79.67

 

CMYK 11 / 0 / 67 / 0

HEX #E2FF54

RGB 226 255 84

HSL 70.18, 1%, 0.66%

LAB 95.3, -30.96, 74.87

 

CMYK 5 / 0 / 60 / 0

HEX #F3FF67

RGB 243 255 103

HSL 64.74, 1%, 0.7%

LAB 96.64, -23.12, 69.27

 

CMYK 27 / 0 / 86 / 9

HEX #AAE820

RGB 170 232 32

HSL 78.6, 0.81%, 0.52%

LAB 85.18, -44.43, 79.18

 

CMYK 29 / 0 / 94 / 16

HEX #99D60D

RGB 153 214 13

HSL 78.21, 0.89%, 0.45%

LAB 78.98, -43.48, 76.6

 

CMYK 31 / 0 / 100 / 23

HEX #88C400

RGB 136 196 0

HSL 78.37, 1%, 0.38%

LAB 72.7, -42.31, 72.61

 

CMYK 33 / 0 / 100 / 30

HEX #77B200

RGB 119 178 0

HSL 79.89, 1%, 0.35%

LAB 66.34, -40.96, 67.31

 

CMYK 36 / 0 / 100 / 37

HEX #66A000

RGB 102 160 0

HSL 81.75, 1%, 0.31%

LAB 59.86, -39.58, 61.92

 

CMYK 26 / 0 / 86 / 9

HEX #AAE721

RGB 170 231 33

HSL 78.48, 0.8%, 0.52%

LAB 84.9, -43.98, 78.75

 

CMYK 3 / 0 / 86 / 9

HEX #DFE721

RGB 223 231 33

HSL 62.42, 0.8%, 0.52%

LAB 88.42, -22.9, 83.11

 

CMYK 0 / 19 / 86 / 9

HEX #E7BA21

RGB 231 186 33

HSL 46.36, 0.8%, 0.52%

LAB 77.41, 3.11, 74.45

 

CMYK 0 / 43 / 86 / 9

HEX #E78421

RGB 231 132 33

HSL 30, 0.8%, 0.52%

LAB 64.64, 31.66, 64.06

 

CMYK 0 / 66 / 86 / 9

HEX #E74F21

RGB 231 79 33

HSL 13.94, 0.8%, 0.52%

LAB 54.75, 56.88, 55.95

 

CMYK 26 / 0 / 86 / 9

HEX #AAE721

RGB 170 231 33

HSL 78.48, 0.8%, 0.52%

LAB 84.9, -43.98, 78.75

 

CMYK 50 / 0 / 86 / 9

HEX #74E721

RGB 116 231 33

HSL 94.85, 0.8%, 0.52%

LAB 82.37, -62.05, 75.59

 

CMYK 73 / 0 / 86 / 9

HEX #3FE721

RGB 63 231 33

HSL 110.91, 0.8%, 0.52%

LAB 80.92, -73.93, 73.76

 

CMYK 86 / 0 / 75 / 9

HEX #21E739

RGB 33 231 57

HSL 127.27, 0.8%, 0.52%

LAB 80.61, -76.22, 66.98

 

CMYK 86 / 0 / 52 / 9

HEX #21E76E

RGB 33 231 110

HSL 143.33, 0.8%, 0.52%

LAB 81.07, -70.51, 45.93

 

CMYK 26 / 0 / 86 / 9

HEX #AAE721

RGB 170 231 33

HSL 78.48, 0.8%, 0.52%

LAB 84.9, -43.98, 78.75

 

CMYK 29 / 0 / 95 / 2

HEX #B1FB0D

RGB 177 251 13

HSL 78.66, 0.97%, 0.52%

LAB 90.95, -50.22, 86.6

 

CMYK 26 / 0 / 86 / 9

HEX #AAE721

RGB 170 231 33

HSL 78.48, 0.8%, 0.52%

LAB 84.9, -43.98, 78.75

 

CMYK 23 / 0 / 75 / 17

HEX #A2D335

RGB 162 211 53

HSL 78.61, 0.64%, 0.52%

LAB 78.77, -37.46, 67.92

 

CMYK 19 / 0 / 62 / 25

HEX #9BC049

RGB 155 192 73

HSL 78.66, 0.49%, 0.52%

LAB 72.99, -30.14, 54.32

 

CMYK 15 / 0 / 47 / 33

HEX #93AC5C

RGB 147 172 92

HSL 78.75, 0.33%, 0.52%

LAB 66.89, -21.76, 38.13

 

CMYK 8 / 0 / 26 / 40

HEX #8C9870

RGB 140 152 112

HSL 78, 0.16%, 0.52%

LAB 60.96, -11.5, 19.67

 

CMYK 0 / 20 / 86 / 9

HEX #E7B921

RGB 231 185 33

HSL 46.06, 0.8%, 0.52%

LAB 77.16, 3.63, 74.24

 

CMYK 3 / 0 / 86 / 9

HEX #E1E721

RGB 225 231 33

HSL 61.82, 0.8%, 0.52%

LAB 88.58, -22.07, 83.3

 

CMYK 26 / 0 / 86 / 9

HEX #ACE721

RGB 172 231 33

HSL 77.88, 0.8%, 0.52%

LAB 85.01, -43.23, 78.9

 

CMYK 48 / 0 / 86 / 9

HEX #77E721

RGB 119 231 33

HSL 93.94, 0.8%, 0.52%

LAB 82.48, -61.18, 75.73

 

CMYK 71 / 0 / 86 / 9

HEX #42E721

RGB 66 231 33

HSL 110, 0.8%, 0.52%

LAB 80.97, -73.45, 73.83

 

CMYK 28 / 0 / 90 / 35

HEX #77A511

RGB 119 165 17

HSL 78.65, 0.81%, 0.36%

LAB 62.4, -34.87, 61.81

 

CMYK 28 / 0 / 90 / 21

HEX #92CA15

RGB 146 202 21

HSL 78.56, 0.81%, 0.44%

LAB 75.08, -40.78, 72.21

 

CMYK 26 / 0 / 86 / 9

HEX #AAE721

RGB 170 231 33

HSL 78.48, 0.8%, 0.52%

LAB 84.9, -43.98, 78.75

 

CMYK 22 / 0 / 70 / 8

HEX #B8EB46

RGB 184 235 70

HSL 78.55, 0.8%, 0.6%

LAB 87.02, -38.87, 70.67

 

CMYK 17 / 0 / 55 / 6

HEX #C6EF6C

RGB 198 239 108

HSL 78.78, 0.8%, 0.68%

LAB 89.31, -32.61, 58.08

 

CMYK 27 / 0 / 86 / 9

HEX #AAE820

RGB 170 232 32

HSL 78.6, 0.81%, 0.52%

LAB 85.18, -44.43, 79.18

 

CMYK 86 / 0 / 43 / 9

HEX #21E784

RGB 33 231 132

HSL 150, 0.8%, 0.52%

LAB 81.37, -66.97, 35.62

 

CMYK 9 / 86 / 0 / 9

HEX #D321E7

RGB 211 33 231

HSL 293.94, 0.8%, 0.52%

LAB 52.63, 84.53, -60.17

 

CMYK 27 / 0 / 86 / 9

HEX #AAE820

RGB 170 232 32

HSL 78.6, 0.81%, 0.52%

LAB 85.18, -44.43, 79.18

 

CMYK 86 / 26 / 0 / 9

HEX #21ACE7

RGB 33 172 231

HSL 197.88, 0.8%, 0.52%

LAB 66.21, -14.67, -39.4

 

CMYK 0 / 86 / 26 / 9

HEX #E721AC

RGB 231 33 172

HSL 317.88, 0.8%, 0.52%

LAB 53.01, 80.17, -25.37

 

CMYK 27 / 0 / 86 / 9

HEX #AAE820

RGB 170 232 32

HSL 78.6, 0.81%, 0.52%

LAB 85.18, -44.43, 79.18

 

CMYK 86 / 0 / 43 / 9

HEX #21E784

RGB 33 231 132

HSL 150, 0.8%, 0.52%

LAB 81.37, -66.97, 35.62

 

CMYK 60 / 86 / 0 / 9

HEX #5C21E7

RGB 92 33 231

HSL 257.88, 0.8%, 0.52%

LAB 36.24, 69.13, -87.61

 

CMYK 0 / 86 / 43 / 9

HEX #E72184

RGB 231 33 132

HSL 330, 0.8%, 0.52%

LAB 51.54, 76.11, -3.78

 

CMYK 27 / 0 / 86 / 9

HEX #AAE820

RGB 170 232 32

HSL 78.6, 0.81%, 0.52%

LAB 85.18, -44.43, 79.18

 

CMYK 86 / 0 / 17 / 9

HEX #21E7C0

RGB 33 231 192

HSL 168.18, 0.8%, 0.52%

LAB 82.53, -54.05, 6.22

 

CMYK 60 / 86 / 0 / 9

HEX #5C21E7

RGB 92 33 231

HSL 257.88, 0.8%, 0.52%

LAB 36.24, 69.13, -87.61

 

CMYK 0 / 86 / 68 / 9

HEX #E72149

RGB 231 33 73

HSL 347.88, 0.8%, 0.52%

LAB 50.17, 72.16, 30.12

 

Description

Color code: HEX #AAE820 | qconv.com Color code: HEX #AAE820 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 232 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 232 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 86 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 86% 9% C M Y K

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