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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAE849 it is the complementary color #5517B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAE849. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAE849 shade: #AFE844, #C0FA57, #D1FF6A, #E2FF7D and #F3FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAE849. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAE849 shade: #AAE849, #99D636, #88C423, #77B210 and #66A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAE849 shade: #AAE849, #D5E849, #E8D049, #E8A549 and #E87A49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAE849 shade: #AAE849, #7FE849, #54E849, #49E869 and #49E894

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAE849 shade matches the following richer shades: #AAE849 and #AEF938

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAE849 shade: #AAE849, #A6D859, #A3C76A, #9FB77A and #9BA68B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAE849 shade: #E8D049, #D5E849, #ABE849, #81E849 and #56E849

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAE849 shade: #82C618, #99E424, #AAE849, #BBED6E and #CCF192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAE849 shade: #AAE849, #49E8A6 and #E549E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAE849 shade: #AAE849, #49ABE8 and #E849AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAE849 shade: #AAE849, #49E8A6, #8649E8 and #E8498B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAE849 shade: #AAE849, #49E8D5, #8649E8 and #E8495C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 69 / 9

HEX #AAE849

RGB 170 232 73

HSL 83.4, 0.78%, 0.6%

LAB 85.37, -42.58, 67.66

 

Complementary color

CMYK 53 / 87 / 0 / 29

HEX #5517B6

RGB 85 23 182

HSL 263.4, 0.78%, 0.4%

LAB 29.21, 59.36, -70.73

 

CMYK 25 / 0 / 71 / 9

HEX #AFE844

RGB 175 232 68

HSL 80.85, 0.78%, 0.59%

LAB 85.63, -41.04, 69.81

 

CMYK 23 / 0 / 65 / 2

HEX #C0FA57

RGB 192 250 87

HSL 81.35, 0.94%, 0.66%

LAB 91.8, -41.44, 69.46

 

CMYK 18 / 0 / 58 / 0

HEX #D1FF6A

RGB 209 255 106

HSL 78.52, 1%, 0.71%

LAB 94.36, -35.96, 64.86

 

CMYK 11 / 0 / 51 / 0

HEX #E2FF7D

RGB 226 255 125

HSL 73.38, 1%, 0.75%

LAB 95.65, -27.95, 58.32

 

CMYK 5 / 0 / 44 / 0

HEX #F3FF90

RGB 243 255 144

HSL 66.49, 1%, 0.78%

LAB 97.06, -19.7, 51.5

 

CMYK 27 / 0 / 69 / 9

HEX #AAE849

RGB 170 232 73

HSL 83.4, 0.78%, 0.6%

LAB 85.37, -42.58, 67.66

 

CMYK 29 / 0 / 75 / 16

HEX #99D636

RGB 153 214 54

HSL 82.88, 0.66%, 0.53%

LAB 79.12, -42.13, 67.74

 

CMYK 31 / 0 / 82 / 23

HEX #88C423

RGB 136 196 35

HSL 82.36, 0.7%, 0.45%

LAB 72.78, -41.51, 67.09

 

CMYK 33 / 0 / 91 / 30

HEX #77B210

RGB 119 178 16

HSL 81.85, 0.84%, 0.38%

LAB 66.37, -40.67, 65.25

 

CMYK 36 / 0 / 100 / 37

HEX #66A000

RGB 102 160 0

HSL 81.75, 1%, 0.31%

LAB 59.86, -39.58, 61.92

 

CMYK 27 / 0 / 69 / 9

HEX #AAE849

RGB 170 232 73

HSL 83.4, 0.78%, 0.6%

LAB 85.37, -42.58, 67.66

 

CMYK 8 / 0 / 69 / 9

HEX #D5E849

RGB 213 232 73

HSL 67.17, 0.78%, 0.6%

LAB 88.13, -25.97, 71.35

 

CMYK 0 / 10 / 69 / 9

HEX #E8D049

RGB 232 208 73

HSL 50.94, 0.78%, 0.6%

LAB 83.31, -6.32, 67

 

CMYK 0 / 29 / 69 / 9

HEX #E8A549

RGB 232 165 73

HSL 34.72, 0.78%, 0.6%

LAB 72.59, 16.13, 55.87

 

CMYK 0 / 47 / 69 / 9

HEX #E87A49

RGB 232 122 73

HSL 18.49, 0.78%, 0.6%

LAB 62.97, 38.73, 45.3

 

CMYK 27 / 0 / 69 / 9

HEX #AAE849

RGB 170 232 73

HSL 83.4, 0.78%, 0.6%

LAB 85.37, -42.58, 67.66

 

CMYK 45 / 0 / 69 / 9

HEX #7FE849

RGB 127 232 73

HSL 99.62, 0.78%, 0.6%

LAB 83.29, -57.02, 64.86

 

CMYK 64 / 0 / 69 / 9

HEX #54E849

RGB 84 232 73

HSL 115.85, 0.78%, 0.6%

LAB 81.88, -67.96, 62.95

 

CMYK 69 / 0 / 55 / 9

HEX #49E869

RGB 73 232 105

HSL 132.08, 0.78%, 0.6%

LAB 81.92, -66.6, 49.41

 

CMYK 69 / 0 / 36 / 9

HEX #49E894

RGB 73 232 148

HSL 148.3, 0.78%, 0.6%

LAB 82.52, -59.75, 29.18

 

CMYK 27 / 0 / 69 / 9

HEX #AAE849

RGB 170 232 73

HSL 83.4, 0.78%, 0.6%

LAB 85.37, -42.58, 67.66

 

CMYK 30 / 0 / 78 / 2

HEX #AEF938

RGB 174 249 56

HSL 83.32, 0.94%, 0.6%

LAB 90.34, -49.3, 78.09

 

CMYK 27 / 0 / 69 / 9

HEX #AAE849

RGB 170 232 73

HSL 83.4, 0.78%, 0.6%

LAB 85.37, -42.58, 67.66

 

CMYK 23 / 0 / 59 / 15

HEX #A6D859

RGB 166 216 89

HSL 83.62, 0.62%, 0.6%

LAB 80.71, -35.74, 56.13

 

CMYK 18 / 0 / 47 / 22

HEX #A3C76A

RGB 163 199 106

HSL 83.23, 0.45%, 0.6%

LAB 75.87, -27.23, 42.45

 

CMYK 13 / 0 / 33 / 28

HEX #9FB77A

RGB 159 183 122

HSL 83.61, 0.3%, 0.6%

LAB 71.31, -18.84, 28.38

 

CMYK 7 / 0 / 16 / 35

HEX #9BA68B

RGB 155 166 139

HSL 84.44, 0.13%, 0.6%

LAB 66.6, -8.87, 12.68

 

CMYK 0 / 10 / 69 / 9

HEX #E8D049

RGB 232 208 73

HSL 50.94, 0.78%, 0.6%

LAB 83.31, -6.32, 67

 

CMYK 8 / 0 / 69 / 9

HEX #D5E849

RGB 213 232 73

HSL 67.17, 0.78%, 0.6%

LAB 88.13, -25.97, 71.35

 

CMYK 26 / 0 / 69 / 9

HEX #ABE849

RGB 171 232 73

HSL 83.02, 0.78%, 0.6%

LAB 85.43, -42.22, 67.74

 

CMYK 44 / 0 / 69 / 9

HEX #81E849

RGB 129 232 73

HSL 98.87, 0.78%, 0.6%

LAB 83.37, -56.41, 64.97

 

CMYK 63 / 0 / 69 / 9

HEX #56E849

RGB 86 232 73

HSL 115.09, 0.78%, 0.6%

LAB 81.93, -67.54, 63.02

 

CMYK 34 / 0 / 88 / 22

HEX #82C618

RGB 130 198 24

HSL 83.45, 0.78%, 0.44%

LAB 73.02, -44.94, 69.62

 

CMYK 33 / 0 / 84 / 11

HEX #99E424

RGB 153 228 36

HSL 83.44, 0.78%, 0.52%

LAB 83.12, -48.83, 76.25

 

CMYK 27 / 0 / 69 / 9

HEX #AAE849

RGB 170 232 73

HSL 83.4, 0.78%, 0.6%

LAB 85.37, -42.58, 67.66

 

CMYK 21 / 0 / 54 / 7

HEX #BBED6E

RGB 187 237 110

HSL 83.62, 0.78%, 0.68%

LAB 88.09, -35.61, 55.59

 

CMYK 15 / 0 / 39 / 5

HEX #CCF192

RGB 204 241 146

HSL 83.37, 0.77%, 0.76%

LAB 90.7, -27.34, 41.96

 

CMYK 27 / 0 / 69 / 9

HEX #AAE849

RGB 170 232 73

HSL 83.4, 0.78%, 0.6%

LAB 85.37, -42.58, 67.66

 

CMYK 69 / 0 / 28 / 9

HEX #49E8A6

RGB 73 232 166

HSL 155.09, 0.78%, 0.6%

LAB 82.85, -56.17, 20.37

 

CMYK 1 / 69 / 0 / 9

HEX #E549E8

RGB 229 73 232

HSL 298.87, 0.78%, 0.6%

LAB 59.2, 77.47, -50.06

 

CMYK 27 / 0 / 69 / 9

HEX #AAE849

RGB 170 232 73

HSL 83.4, 0.78%, 0.6%

LAB 85.37, -42.58, 67.66

 

CMYK 69 / 26 / 0 / 9

HEX #49ABE8

RGB 73 171 232

HSL 203.02, 0.78%, 0.6%

LAB 66.8, -9.51, -38.97

 

CMYK 0 / 69 / 26 / 9

HEX #E849AB

RGB 232 73 171

HSL 323.02, 0.78%, 0.6%

LAB 56.94, 69.48, -18.74

 

CMYK 27 / 0 / 69 / 9

HEX #AAE849

RGB 170 232 73

HSL 83.4, 0.78%, 0.6%

LAB 85.37, -42.58, 67.66

 

CMYK 69 / 0 / 28 / 9

HEX #49E8A6

RGB 73 232 166

HSL 155.09, 0.78%, 0.6%

LAB 82.85, -56.17, 20.37

 

CMYK 42 / 69 / 0 / 9

HEX #8649E8

RGB 134 73 232

HSL 263.02, 0.78%, 0.6%

LAB 46.52, 58.28, -71.12

 

CMYK 0 / 69 / 40 / 9

HEX #E8498B

RGB 232 73 139

HSL 335.09, 0.78%, 0.6%

LAB 55.87, 65.9, -1.57

 

CMYK 27 / 0 / 69 / 9

HEX #AAE849

RGB 170 232 73

HSL 83.4, 0.78%, 0.6%

LAB 85.37, -42.58, 67.66

 

CMYK 69 / 0 / 8 / 9

HEX #49E8D5

RGB 73 232 213

HSL 172.83, 0.78%, 0.6%

LAB 83.93, -45.08, -2.74

 

CMYK 42 / 69 / 0 / 9

HEX #8649E8

RGB 134 73 232

HSL 263.02, 0.78%, 0.6%

LAB 46.52, 58.28, -71.12

 

CMYK 0 / 69 / 60 / 9

HEX #E8495C

RGB 232 73 92

HSL 352.83, 0.78%, 0.6%

LAB 54.76, 62.04, 24.73

 

Description

Color code: HEX #AAE849 | qconv.com Color code: HEX #AAE849 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 232 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 232 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 69 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 69% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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