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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAEF5B it is the complementary color #5510A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAEF5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAEF5B shade: #AFEF56, #C0FF69, #D1FF7C, #E2FF8F and #F3FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAEF5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAEF5B shade: #AAEF5B, #99DD48, #88CB35, #77B922 and #66A70F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAEF5B shade: #AAEE5C, #D2EE5C, #EEE45C, #EEBC5C and #EE955C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAEF5B shade: #AAEE5C, #83EE5C, #5CEE5D, #5CEE84 and #5CEEAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAEF5B shade matches the following richer shades: #AAEE5C and #ABFD4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAEF5B shade: #AAEE5C, #A9E06B, #A8D279, #A7C387 and #A6B596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAEF5B shade: #EEE25C, #D4EE5C, #ADEE5C, #86EE5C and #5FEE5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAEF5B shade: #83E216, #97EB37, #AAEE5C, #BEF282 and #D1F6A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAEF5B shade: #AAEF5B, #5CEEBB and #EE5CE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAEF5B shade: #AAEF5B, #5CADEE and #EE5CAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAEF5B shade: #AAEF5B, #5CEEBB, #9E5CEE and #EE5C8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAEF5B shade: #AAEF5B, #5CEEE7, #9E5CEE and #EE5C63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 62 / 6

HEX #AAEF5B

RGB 170 239 91

HSL 87.97, 0.82%, 0.65%

LAB 87.5, -44.31, 62.88

 

Complementary color

CMYK 48 / 90 / 0 / 36

HEX #5510A4

RGB 85 16 164

HSL 267.97, 0.82%, 0.35%

LAB 26.68, 56.93, -64.09

 

CMYK 27 / 0 / 64 / 6

HEX #AFEF56

RGB 175 239 86

HSL 85.1, 0.83%, 0.64%

LAB 87.74, -42.91, 65.24

 

CMYK 25 / 0 / 59 / 0

HEX #C0FF69

RGB 192 255 105

HSL 85.2, 1%, 0.71%

LAB 93.34, -42.26, 63.86

 

CMYK 18 / 0 / 51 / 0

HEX #D1FF7C

RGB 209 255 124

HSL 81.07, 1%, 0.74%

LAB 94.54, -34.39, 57.19

 

CMYK 11 / 0 / 44 / 0

HEX #E2FF8F

RGB 226 255 143

HSL 75.54, 1%, 0.78%

LAB 95.86, -26.19, 50.23

 

CMYK 5 / 0 / 36 / 0

HEX #F3FFA2

RGB 243 255 162

HSL 67.74, 1%, 0.82%

LAB 97.3, -17.78, 43.14

 

CMYK 29 / 0 / 62 / 6

HEX #AAEF5B

RGB 170 239 91

HSL 87.97, 0.82%, 0.65%

LAB 87.5, -44.31, 62.88

 

CMYK 31 / 0 / 67 / 13

HEX #99DD48

RGB 153 221 72

HSL 87.38, 0.69%, 0.57%

LAB 81.27, -44.05, 63.51

 

CMYK 33 / 0 / 74 / 20

HEX #88CB35

RGB 136 203 53

HSL 86.8, 0.59%, 0.5%

LAB 74.95, -43.65, 63.73

 

CMYK 36 / 0 / 82 / 27

HEX #77B922

RGB 119 185 34

HSL 86.23, 0.69%, 0.43%

LAB 68.56, -43.07, 63.23

 

CMYK 39 / 0 / 91 / 35

HEX #66A70F

RGB 102 167 15

HSL 85.66, 0.84%, 0.36%

LAB 62.08, -42.24, 61.52

 

CMYK 29 / 0 / 61 / 7

HEX #AAEE5C

RGB 170 238 92

HSL 87.95, 0.81%, 0.65%

LAB 87.23, -43.79, 62.17

 

CMYK 12 / 0 / 61 / 7

HEX #D2EE5C

RGB 210 238 92

HSL 71.51, 0.81%, 0.65%

LAB 89.68, -28.81, 65.56

 

CMYK 0 / 4 / 61 / 7

HEX #EEE45C

RGB 238 228 92

HSL 55.89, 0.81%, 0.65%

LAB 89.13, -12.77, 65.57

 

CMYK 0 / 21 / 61 / 7

HEX #EEBC5C

RGB 238 188 92

HSL 39.45, 0.81%, 0.65%

LAB 78.99, 7.64, 54.39

 

CMYK 0 / 37 / 61 / 7

HEX #EE955C

RGB 238 149 92

HSL 23.42, 0.81%, 0.65%

LAB 69.79, 28.24, 43.69

 

CMYK 29 / 0 / 61 / 7

HEX #AAEE5C

RGB 170 238 92

HSL 87.95, 0.81%, 0.65%

LAB 87.23, -43.79, 62.17

 

CMYK 45 / 0 / 61 / 7

HEX #83EE5C

RGB 131 238 92

HSL 103.97, 0.81%, 0.65%

LAB 85.38, -56.53, 59.6

 

CMYK 61 / 0 / 61 / 7

HEX #5CEE5D

RGB 92 238 93

HSL 120.41, 0.81%, 0.65%

LAB 84.08, -66.4, 57.36

 

CMYK 61 / 0 / 45 / 7

HEX #5CEE84

RGB 92 238 132

HSL 136.44, 0.81%, 0.65%

LAB 84.53, -61.29, 39.9

 

CMYK 61 / 0 / 28 / 7

HEX #5CEEAC

RGB 92 238 172

HSL 152.88, 0.81%, 0.65%

LAB 85.2, -54.07, 20.59

 

CMYK 29 / 0 / 61 / 7

HEX #AAEE5C

RGB 170 238 92

HSL 87.95, 0.81%, 0.65%

LAB 87.23, -43.79, 62.17

 

CMYK 32 / 0 / 69 / 1

HEX #ABFD4E

RGB 171 253 78

HSL 88.11, 0.98%, 0.65%

LAB 91.44, -50.8, 72.06

 

CMYK 29 / 0 / 61 / 7

HEX #AAEE5C

RGB 170 238 92

HSL 87.95, 0.81%, 0.65%

LAB 87.23, -43.79, 62.17

 

CMYK 25 / 0 / 52 / 12

HEX #A9E06B

RGB 169 224 107

HSL 88.21, 0.65%, 0.65%

LAB 83.34, -36.57, 51.1

 

CMYK 20 / 0 / 42 / 18

HEX #A8D279

RGB 168 210 121

HSL 88.31, 0.5%, 0.65%

LAB 79.5, -28.85, 39.61

 

CMYK 14 / 0 / 31 / 24

HEX #A7C387

RGB 167 195 135

HSL 88, 0.33%, 0.65%

LAB 75.45, -20.03, 27.12

 

CMYK 8 / 0 / 17 / 29

HEX #A6B596

RGB 166 181 150

HSL 89.03, 0.17%, 0.65%

LAB 71.8, -10.88, 14.07

 

CMYK 0 / 5 / 61 / 7

HEX #EEE25C

RGB 238 226 92

HSL 55.07, 0.81%, 0.65%

LAB 88.61, -11.78, 65.02

 

CMYK 11 / 0 / 61 / 7

HEX #D4EE5C

RGB 212 238 92

HSL 70.68, 0.81%, 0.65%

LAB 89.82, -28.03, 65.74

 

CMYK 27 / 0 / 61 / 7

HEX #ADEE5C

RGB 173 238 92

HSL 86.71, 0.81%, 0.65%

LAB 87.39, -42.72, 62.39

 

CMYK 44 / 0 / 61 / 7

HEX #86EE5C

RGB 134 238 92

HSL 102.74, 0.81%, 0.65%

LAB 85.5, -55.64, 59.77

 

CMYK 60 / 0 / 61 / 7

HEX #5FEE5C

RGB 95 238 92

HSL 118.77, 0.81%, 0.65%

LAB 84.15, -65.86, 57.89

 

CMYK 42 / 0 / 90 / 11

HEX #83E216

RGB 131 226 22

HSL 87.94, 0.82%, 0.49%

LAB 81.44, -55.92, 76.98

 

CMYK 36 / 0 / 77 / 8

HEX #97EB37

RGB 151 235 55

HSL 88, 0.82%, 0.57%

LAB 85.13, -51.61, 73.11

 

CMYK 29 / 0 / 61 / 7

HEX #AAEE5C

RGB 170 238 92

HSL 87.95, 0.81%, 0.65%

LAB 87.23, -43.79, 62.17

 

CMYK 21 / 0 / 46 / 5

HEX #BEF282

RGB 190 242 130

HSL 87.86, 0.81%, 0.73%

LAB 89.89, -34.73, 48.5

 

CMYK 15 / 0 / 32 / 4

HEX #D1F6A7

RGB 209 246 167

HSL 88.1, 0.81%, 0.81%

LAB 92.69, -25.22, 34.19

 

CMYK 29 / 0 / 62 / 6

HEX #AAEF5B

RGB 170 239 91

HSL 87.97, 0.82%, 0.65%

LAB 87.5, -44.31, 62.88

 

CMYK 61 / 0 / 21 / 7

HEX #5CEEBB

RGB 92 238 187

HSL 159.04, 0.81%, 0.65%

LAB 85.51, -50.88, 13.24

 

CMYK 0 / 61 / 3 / 7

HEX #EE5CE7

RGB 238 92 231

HSL 302.88, 0.81%, 0.65%

LAB 63.01, 72.29, -43.4

 

CMYK 29 / 0 / 62 / 6

HEX #AAEF5B

RGB 170 239 91

HSL 87.97, 0.82%, 0.65%

LAB 87.5, -44.31, 62.88

 

CMYK 61 / 27 / 0 / 7

HEX #5CADEE

RGB 92 173 238

HSL 206.71, 0.81%, 0.65%

LAB 68.27, -5.56, -39.91

 

CMYK 0 / 61 / 27 / 7

HEX #EE5CAD

RGB 238 92 173

HSL 326.71, 0.81%, 0.65%

LAB 60.65, 63.97, -14.18

 

CMYK 29 / 0 / 62 / 6

HEX #AAEF5B

RGB 170 239 91

HSL 87.97, 0.82%, 0.65%

LAB 87.5, -44.31, 62.88

 

CMYK 61 / 0 / 21 / 7

HEX #5CEEBB

RGB 92 238 187

HSL 159.04, 0.81%, 0.65%

LAB 85.51, -50.88, 13.24

 

CMYK 34 / 61 / 0 / 7

HEX #9E5CEE

RGB 158 92 238

HSL 267.12, 0.81%, 0.65%

LAB 53.05, 55.05, -63.79

 

CMYK 0 / 61 / 40 / 7

HEX #EE5C8F

RGB 238 92 143

HSL 339.04, 0.81%, 0.65%

LAB 59.72, 60.54, 1.82

 

CMYK 29 / 0 / 62 / 6

HEX #AAEF5B

RGB 170 239 91

HSL 87.97, 0.82%, 0.65%

LAB 87.5, -44.31, 62.88

 

CMYK 61 / 0 / 3 / 7

HEX #5CEEE7

RGB 92 238 231

HSL 177.12, 0.81%, 0.65%

LAB 86.6, -40.2, -8.23

 

CMYK 34 / 61 / 0 / 7

HEX #9E5CEE

RGB 158 92 238

HSL 267.12, 0.81%, 0.65%

LAB 53.05, 55.05, -63.79

 

CMYK 0 / 61 / 58 / 7

HEX #EE5C63

RGB 238 92 99

HSL 357.12, 0.81%, 0.65%

LAB 58.73, 56.74, 26.04

 

Description

Color code: HEX #AAEF5B | qconv.com Color code: HEX #AAEF5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 239 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 239 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 62 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 62% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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