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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAF76E it is the complementary color #550891. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAF76E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAF76E shade: #AFF769, #C0FF7C, #D1FF8F, #E2FFA2 and #F3FFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAF76E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAF76E shade: #AAF76E, #99E55B, #88D348, #77C135 and #66AF22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAF76E shade: #A9F76D, #CFF76D, #F4F76D, #F7D56D and #F7B06D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAF76E shade: #A9F76D, #84F76D, #6DF77B, #6DF7A0 and #6DF7C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAF76E shade matches the following richer shades: #A9F76D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAF76E shade: #A9F76D, #ABEA7A, #ADDE86, #AED292 and #B0C59F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAF76E shade: #F5F76D, #D0F76D, #ABF76D, #86F76D and #6DF779

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAF76E shade: #7CF31F, #93F546, #A9F76D, #C0F994 and #D7FBBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAF76E shade: #AAF76E, #6DF7D4 and #F76DE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAF76E shade: #AAF76E, #6DABF7 and #F76DAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAF76E shade: #AAF76E, #6DF7D4, #B96DF7 and #F76D90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAF76E shade: #AAF76E, #6DF0F7, #B96DF7 and #F7746D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 55 / 3

HEX #AAF76E

RGB 170 247 110

HSL 93.72, 0.9%, 0.7%

LAB 89.95, -46.03, 57.51

 

Complementary color

CMYK 41 / 94 / 0 / 43

HEX #550891

RGB 85 8 145

HSL 273.72, 0.9%, 0.3%

LAB 24.16, 54.32, -56.59

 

CMYK 29 / 0 / 57 / 3

HEX #AFF769

RGB 175 247 105

HSL 90.42, 0.9%, 0.69%

LAB 90.16, -44.79, 60.02

 

CMYK 25 / 0 / 51 / 0

HEX #C0FF7C

RGB 192 255 124

HSL 88.85, 1%, 0.74%

LAB 93.53, -40.5, 55.74

 

CMYK 18 / 0 / 44 / 0

HEX #D1FF8F

RGB 209 255 143

HSL 84.64, 1%, 0.78%

LAB 94.76, -32.41, 48.62

 

CMYK 11 / 0 / 36 / 0

HEX #E2FFA2

RGB 226 255 162

HSL 78.71, 1%, 0.82%

LAB 96.12, -24.04, 41.38

 

CMYK 5 / 0 / 29 / 0

HEX #F3FFB5

RGB 243 255 181

HSL 69.73, 1%, 0.85%

LAB 97.6, -15.47, 34.13

 

CMYK 31 / 0 / 55 / 3

HEX #AAF76E

RGB 170 247 110

HSL 93.72, 0.9%, 0.7%

LAB 89.95, -46.03, 57.51

 

CMYK 33 / 0 / 60 / 10

HEX #99E55B

RGB 153 229 91

HSL 93.04, 0.73%, 0.63%

LAB 83.74, -45.94, 58.47

 

CMYK 36 / 0 / 66 / 17

HEX #88D348

RGB 136 211 72

HSL 92.37, 0.61%, 0.55%

LAB 77.45, -45.75, 59.23

 

CMYK 38 / 0 / 73 / 24

HEX #77C135

RGB 119 193 53

HSL 91.71, 0.57%, 0.48%

LAB 71.09, -45.41, 59.63

 

CMYK 42 / 0 / 81 / 31

HEX #66AF22

RGB 102 175 34

HSL 91.06, 0.67%, 0.41%

LAB 64.64, -44.86, 59.36

 

CMYK 32 / 0 / 56 / 3

HEX #A9F76D

RGB 169 247 109

HSL 93.91, 0.9%, 0.7%

LAB 89.89, -46.47, 57.87

 

CMYK 16 / 0 / 56 / 3

HEX #CFF76D

RGB 207 247 109

HSL 77.39, 0.9%, 0.7%

LAB 92.08, -32.82, 60.97

 

CMYK 1 / 0 / 56 / 3

HEX #F4F76D

RGB 244 247 109

HSL 61.3, 0.9%, 0.7%

LAB 94.68, -18.48, 64.6

 

CMYK 0 / 14 / 56 / 3

HEX #F7D56D

RGB 247 213 109

HSL 45.22, 0.9%, 0.7%

LAB 86.24, -0.37, 55.02

 

CMYK 0 / 29 / 56 / 3

HEX #F7B06D

RGB 247 176 109

HSL 29.13, 0.9%, 0.7%

LAB 77.24, 18.88, 44.28

 

CMYK 32 / 0 / 56 / 3

HEX #A9F76D

RGB 169 247 109

HSL 93.91, 0.9%, 0.7%

LAB 89.89, -46.47, 57.87

 

CMYK 47 / 0 / 56 / 3

HEX #84F76D

RGB 132 247 109

HSL 110, 0.9%, 0.7%

LAB 88.22, -58, 55.51

 

CMYK 56 / 0 / 50 / 3

HEX #6DF77B

RGB 109 247 123

HSL 126.09, 0.9%, 0.7%

LAB 87.58, -62.22, 48.15

 

CMYK 56 / 0 / 35 / 3

HEX #6DF7A0

RGB 109 247 160

HSL 142.17, 0.9%, 0.7%

LAB 88.12, -56.47, 30.76

 

CMYK 56 / 0 / 20 / 3

HEX #6DF7C5

RGB 109 247 197

HSL 158.26, 0.9%, 0.7%

LAB 88.83, -49.18, 12.81

 

CMYK 32 / 0 / 56 / 3

HEX #A9F76D

RGB 169 247 109

HSL 93.91, 0.9%, 0.7%

LAB 89.89, -46.47, 57.87

 

CMYK 32 / 0 / 56 / 3

HEX #A9F76D

RGB 169 247 109

HSL 93.91, 0.9%, 0.7%

LAB 89.89, -46.47, 57.87

 

CMYK 27 / 0 / 48 / 8

HEX #ABEA7A

RGB 171 234 122

HSL 93.75, 0.73%, 0.7%

LAB 86.46, -38.73, 47.84

 

CMYK 22 / 0 / 40 / 13

HEX #ADDE86

RGB 173 222 134

HSL 93.41, 0.57%, 0.7%

LAB 83.36, -31.06, 38.1

 

CMYK 17 / 0 / 30 / 18

HEX #AED292

RGB 174 210 146

HSL 93.75, 0.42%, 0.7%

LAB 80.27, -23.29, 27.92

 

CMYK 11 / 0 / 19 / 23

HEX #B0C59F

RGB 176 197 159

HSL 93.16, 0.25%, 0.7%

LAB 77.08, -14.04, 16.71

 

CMYK 1 / 0 / 56 / 3

HEX #F5F76D

RGB 245 247 109

HSL 60.87, 0.9%, 0.7%

LAB 94.75, -18.08, 64.71

 

CMYK 16 / 0 / 56 / 3

HEX #D0F76D

RGB 208 247 109

HSL 76.96, 0.9%, 0.7%

LAB 92.15, -32.44, 61.06

 

CMYK 31 / 0 / 56 / 3

HEX #ABF76D

RGB 171 247 109

HSL 93.04, 0.9%, 0.7%

LAB 89.99, -45.79, 58.02

 

CMYK 46 / 0 / 56 / 3

HEX #86F76D

RGB 134 247 109

HSL 109.13, 0.9%, 0.7%

LAB 88.3, -57.43, 55.62

 

CMYK 56 / 0 / 51 / 3

HEX #6DF779

RGB 109 247 121

HSL 125.22, 0.9%, 0.7%

LAB 87.56, -62.48, 49.05

 

CMYK 49 / 0 / 87 / 5

HEX #7CF31F

RGB 124 243 31

HSL 93.68, 0.9%, 0.54%

LAB 86.25, -64.14, 79.41

 

CMYK 40 / 0 / 71 / 4

HEX #93F546

RGB 147 245 70

HSL 93.6, 0.9%, 0.62%

LAB 87.94, -56.07, 70.96

 

CMYK 32 / 0 / 56 / 3

HEX #A9F76D

RGB 169 247 109

HSL 93.91, 0.9%, 0.7%

LAB 89.89, -46.47, 57.87

 

CMYK 23 / 0 / 41 / 2

HEX #C0F994

RGB 192 249 148

HSL 93.86, 0.89%, 0.78%

LAB 92.17, -35.08, 42.72

 

CMYK 14 / 0 / 25 / 2

HEX #D7FBBC

RGB 215 251 188

HSL 94.29, 0.89%, 0.86%

LAB 94.77, -22.51, 26.46

 

CMYK 31 / 0 / 55 / 3

HEX #AAF76E

RGB 170 247 110

HSL 93.72, 0.9%, 0.7%

LAB 89.95, -46.03, 57.51

 

CMYK 56 / 0 / 14 / 3

HEX #6DF7D4

RGB 109 247 212

HSL 164.78, 0.9%, 0.7%

LAB 89.17, -45.83, 5.52

 

CMYK 0 / 56 / 9 / 3

HEX #F76DE2

RGB 247 109 226

HSL 309.13, 0.9%, 0.7%

LAB 66.67, 66.65, -34.8

 

CMYK 31 / 0 / 55 / 3

HEX #AAF76E

RGB 170 247 110

HSL 93.72, 0.9%, 0.7%

LAB 89.95, -46.03, 57.51

 

CMYK 56 / 31 / 0 / 3

HEX #6DABF7

RGB 109 171 247

HSL 213.04, 0.9%, 0.7%

LAB 68.82, 1.64, -43.9

 

CMYK 0 / 56 / 31 / 3

HEX #F76DAB

RGB 247 109 171

HSL 333.04, 0.9%, 0.7%

LAB 64.69, 58.99, -6.85

 

CMYK 31 / 0 / 55 / 3

HEX #AAF76E

RGB 170 247 110

HSL 93.72, 0.9%, 0.7%

LAB 89.95, -46.03, 57.51

 

CMYK 56 / 0 / 14 / 3

HEX #6DF7D4

RGB 109 247 212

HSL 164.78, 0.9%, 0.7%

LAB 89.17, -45.83, 5.52

 

CMYK 25 / 56 / 0 / 3

HEX #B96DF7

RGB 185 109 247

HSL 273.04, 0.9%, 0.7%

LAB 59.86, 54.66, -57.71

 

CMYK 0 / 56 / 42 / 3

HEX #F76D90

RGB 247 109 144

HSL 344.78, 0.9%, 0.7%

LAB 63.94, 55.98, 7.5

 

CMYK 31 / 0 / 55 / 3

HEX #AAF76E

RGB 170 247 110

HSL 93.72, 0.9%, 0.7%

LAB 89.95, -46.03, 57.51

 

CMYK 56 / 3 / 0 / 3

HEX #6DF0F7

RGB 109 240 247

HSL 183.04, 0.9%, 0.7%

LAB 88.11, -33.97, -14.32

 

CMYK 25 / 56 / 0 / 3

HEX #B96DF7

RGB 185 109 247

HSL 273.04, 0.9%, 0.7%

LAB 59.86, 54.66, -57.71

 

CMYK 0 / 53 / 56 / 3

HEX #F7746D

RGB 247 116 109

HSL 3.04, 0.9%, 0.7%

LAB 64.46, 49.6, 28.12

 

Description

Color code: HEX #AAF76E | qconv.com Color code: HEX #AAF76E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 247 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 247 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 55 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 55% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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