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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAFD34 it is the complementary color #5502CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAFD34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAFD34 shade: #AFFD2F, #C0FF42, #D1FF55, #E2FF68 and #F3FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAFD34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAFD34 shade: #AAFD34, #99EB21, #88D90E, #77C700 and #66B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAFD34 shade: #AAFC35, #E0FC35, #FCE335, #FCAD35 and #FC7735

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAFD34 shade: #AAFC35, #74FC35, #3EFC35, #35FC61 and #35FC97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAFD34 shade matches the following richer shades: #AAFC35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAFD34 shade: #AAFC35, #A7EC45, #A4DB56, #A1CB66 and #9EBA77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAFD34 shade: #FCE235, #E2FC35, #ACFC35, #77FC35 and #42FC35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAFD34 shade: #82DD02, #99FC0C, #AAFC35, #BBFD5D and #CCFD86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAFD34 shade: #AAFD34, #35FCAC and #FC35FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAFD34 shade: #AAFD34, #35ACFC and #FC35AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAFD34 shade: #AAFD34, #35FCAC, #8535FC and #FC3585

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAFD34 shade: #AAFD34, #35FCE8, #8535FC and #FC3549

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 79 / 1

HEX #AAFD34

RGB 170 253 52

HSL 84.78, 0.98%, 0.6%

LAB 91.25, -52.52, 79.94

 

Complementary color

CMYK 58 / 99 / 0 / 20

HEX #5502CB

RGB 85 2 203

HSL 264.78, 0.98%, 0.4%

LAB 30.12, 68.65, -81.61

 

CMYK 31 / 0 / 81 / 1

HEX #AFFD2F

RGB 175 253 47

HSL 82.72, 0.98%, 0.59%

LAB 91.49, -50.96, 81.49

 

CMYK 25 / 0 / 74 / 0

HEX #C0FF42

RGB 192 255 66

HSL 80, 1%, 0.63%

LAB 93.07, -44.85, 78.05

 

CMYK 18 / 0 / 67 / 0

HEX #D1FF55

RGB 209 255 85

HSL 76.24, 1%, 0.67%

LAB 94.2, -37.44, 73.02

 

CMYK 11 / 0 / 59 / 0

HEX #E2FF68

RGB 226 255 104

HSL 71.52, 1%, 0.7%

LAB 95.45, -29.67, 67.21

 

CMYK 5 / 0 / 52 / 0

HEX #F3FF7B

RGB 243 255 123

HSL 65.45, 1%, 0.74%

LAB 96.82, -21.62, 60.89

 

CMYK 33 / 0 / 79 / 1

HEX #AAFD34

RGB 170 253 52

HSL 84.78, 0.98%, 0.6%

LAB 91.25, -52.52, 79.94

 

CMYK 35 / 0 / 86 / 8

HEX #99EB21

RGB 153 235 33

HSL 84.36, 0.83%, 0.53%

LAB 85.15, -51.79, 78.6

 

CMYK 37 / 0 / 94 / 15

HEX #88D90E

RGB 136 217 14

HSL 83.94, 0.88%, 0.45%

LAB 78.98, -50.85, 76.11

 

CMYK 40 / 0 / 100 / 22

HEX #77C700

RGB 119 199 0

HSL 84.12, 1%, 0.39%

LAB 72.74, -49.68, 72.26

 

CMYK 44 / 0 / 100 / 29

HEX #66B500

RGB 102 181 0

HSL 86.19, 1%, 0.35%

LAB 66.42, -48.26, 67.01

 

CMYK 33 / 0 / 79 / 1

HEX #AAFC35

RGB 170 252 53

HSL 84.72, 0.97%, 0.6%

LAB 90.97, -52.07, 79.42

 

CMYK 11 / 0 / 79 / 1

HEX #E0FC35

RGB 224 252 53

HSL 68.44, 0.97%, 0.6%

LAB 94.19, -31.78, 83.52

 

CMYK 0 / 10 / 79 / 1

HEX #FCE335

RGB 252 227 53

HSL 52.46, 0.97%, 0.6%

LAB 89.81, -8.32, 80.49

 

CMYK 0 / 31 / 79 / 1

HEX #FCAD35

RGB 252 173 53

HSL 36.18, 0.97%, 0.6%

LAB 76.58, 19.44, 68.66

 

CMYK 0 / 53 / 79 / 1

HEX #FC7735

RGB 252 119 53

HSL 19.9, 0.97%, 0.6%

LAB 65.08, 46.99, 57.95

 

CMYK 33 / 0 / 79 / 1

HEX #AAFC35

RGB 170 252 53

HSL 84.72, 0.97%, 0.6%

LAB 90.97, -52.07, 79.42

 

CMYK 54 / 0 / 79 / 1

HEX #74FC35

RGB 116 252 53

HSL 101.01, 0.97%, 0.6%

LAB 88.73, -68.61, 76.53

 

CMYK 75 / 0 / 79 / 1

HEX #3EFC35

RGB 62 252 53

HSL 117.29, 0.97%, 0.6%

LAB 87.44, -79.33, 74.86

 

CMYK 79 / 0 / 62 / 1

HEX #35FC61

RGB 53 252 97

HSL 133.27, 0.97%, 0.6%

LAB 87.6, -76.81, 59.45

 

CMYK 79 / 0 / 40 / 1

HEX #35FC97

RGB 53 252 151

HSL 149.55, 0.97%, 0.6%

LAB 88.26, -68.98, 35.24

 

CMYK 33 / 0 / 79 / 1

HEX #AAFC35

RGB 170 252 53

HSL 84.72, 0.97%, 0.6%

LAB 90.97, -52.07, 79.42

 

CMYK 33 / 0 / 79 / 1

HEX #AAFC35

RGB 170 252 53

HSL 84.72, 0.97%, 0.6%

LAB 90.97, -52.07, 79.42

 

CMYK 29 / 0 / 71 / 7

HEX #A7EC45

RGB 167 236 69

HSL 84.79, 0.81%, 0.6%

LAB 86.32, -45.65, 70.01

 

CMYK 25 / 0 / 61 / 14

HEX #A4DB56

RGB 164 219 86

HSL 84.81, 0.65%, 0.6%

LAB 81.42, -38.09, 58.18

 

CMYK 21 / 0 / 50 / 20

HEX #A1CB66

RGB 161 203 102

HSL 84.95, 0.49%, 0.6%

LAB 76.83, -30.33, 45.54

 

CMYK 15 / 0 / 36 / 27

HEX #9EBA77

RGB 158 186 119

HSL 85.07, 0.33%, 0.6%

LAB 72.04, -21.14, 30.9

 

CMYK 0 / 10 / 79 / 1

HEX #FCE235

RGB 252 226 53

HSL 52.16, 0.97%, 0.6%

LAB 89.55, -7.82, 80.26

 

CMYK 10 / 0 / 79 / 1

HEX #E2FC35

RGB 226 252 53

HSL 67.84, 0.97%, 0.6%

LAB 94.33, -30.99, 83.7

 

CMYK 32 / 0 / 79 / 1

HEX #ACFC35

RGB 172 252 53

HSL 84.12, 0.97%, 0.6%

LAB 91.08, -51.37, 79.55

 

CMYK 53 / 0 / 79 / 1

HEX #77FC35

RGB 119 252 53

HSL 100.1, 0.97%, 0.6%

LAB 88.83, -67.83, 76.66

 

CMYK 74 / 0 / 79 / 1

HEX #42FC35

RGB 66 252 53

HSL 116.08, 0.97%, 0.6%

LAB 87.5, -78.76, 74.95

 

CMYK 41 / 0 / 99 / 13

HEX #82DD02

RGB 130 221 2

HSL 84.93, 0.98%, 0.44%

LAB 79.88, -54.63, 77.84

 

CMYK 39 / 0 / 95 / 1

HEX #99FC0C

RGB 153 252 12

HSL 84.75, 0.98%, 0.52%

LAB 90.05, -58.92, 85.47

 

CMYK 33 / 0 / 79 / 1

HEX #AAFC35

RGB 170 252 53

HSL 84.72, 0.97%, 0.6%

LAB 90.97, -52.07, 79.42

 

CMYK 26 / 0 / 63 / 1

HEX #BBFD5D

RGB 187 253 93

HSL 84.75, 0.98%, 0.68%

LAB 92.4, -44.14, 67.66

 

CMYK 19 / 0 / 47 / 1

HEX #CCFD86

RGB 204 253 134

HSL 84.71, 0.97%, 0.76%

LAB 93.8, -34.28, 51.62

 

CMYK 33 / 0 / 79 / 1

HEX #AAFD34

RGB 170 253 52

HSL 84.78, 0.98%, 0.6%

LAB 91.25, -52.52, 79.94

 

CMYK 79 / 0 / 32 / 1

HEX #35FCAC

RGB 53 252 172

HSL 155.88, 0.97%, 0.6%

LAB 88.62, -64.95, 25.17

 

CMYK 0 / 79 / 0 / 1

HEX #FC35FC

RGB 252 53 252

HSL 300, 0.97%, 0.6%

LAB 61.89, 90.78, -56.71

 

CMYK 33 / 0 / 79 / 1

HEX #AAFD34

RGB 170 253 52

HSL 84.78, 0.98%, 0.6%

LAB 91.25, -52.52, 79.94

 

CMYK 79 / 32 / 0 / 1

HEX #35ACFC

RGB 53 172 252

HSL 204.12, 0.97%, 0.6%

LAB 67.49, -5.68, -48.82

 

CMYK 0 / 79 / 32 / 1

HEX #FC35AC

RGB 252 53 172

HSL 324.12, 0.97%, 0.6%

LAB 58.25, 80.52, -17.02

 

CMYK 33 / 0 / 79 / 1

HEX #AAFD34

RGB 170 253 52

HSL 84.78, 0.98%, 0.6%

LAB 91.25, -52.52, 79.94

 

CMYK 79 / 0 / 32 / 1

HEX #35FCAC

RGB 53 252 172

HSL 155.88, 0.97%, 0.6%

LAB 88.62, -64.95, 25.17

 

CMYK 47 / 79 / 0 / 1

HEX #8535FC

RGB 133 53 252

HSL 264.12, 0.97%, 0.6%

LAB 45.03, 71.68, -84.81

 

CMYK 0 / 79 / 47 / 1

HEX #FC3585

RGB 252 53 133

HSL 335.88, 0.97%, 0.6%

LAB 57.01, 76.86, 4.08

 

CMYK 33 / 0 / 79 / 1

HEX #AAFD34

RGB 170 253 52

HSL 84.78, 0.98%, 0.6%

LAB 91.25, -52.52, 79.94

 

CMYK 79 / 0 / 8 / 1

HEX #35FCE8

RGB 53 252 232

HSL 173.97, 0.97%, 0.6%

LAB 89.95, -50.81, -3.88

 

CMYK 47 / 79 / 0 / 1

HEX #8535FC

RGB 133 53 252

HSL 264.12, 0.97%, 0.6%

LAB 45.03, 71.68, -84.81

 

CMYK 0 / 79 / 71 / 1

HEX #FC3549

RGB 252 53 73

HSL 353.97, 0.97%, 0.6%

LAB 55.81, 73.18, 37.88

 

Description

Color code: HEX #AAFD34 | qconv.com Color code: HEX #AAFD34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 253 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 253 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 79 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 79% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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