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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB00D4 it is the complementary color #54FF2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB00D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB00D4 shade: #B000CF, #C112E2, #D224F5, #E336FF and #F448FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB00D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB00D4 shade: #AB00D4, #9A00C1, #8900AE, #78009B and #670088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB00D4 shade: #AC00D6, #D600C5, #D6008C, #D60052 and #D60018

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB00D4 shade: #AC00D6, #7300D6, #3900D6 and #0000D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB00D4 shade matches the following richer shades: #AC00D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB00D4 shade: #AC00D6, #A211C4, #9722B3, #8C33A2 and #824590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB00D4 shade: #3900D6, #7200D6, #AB00D6, #D600C7 and #D6008E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB00D4 shade: #6A0083, #8B00AC, #AC00D6, #CD00FF and #D529FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB00D4 shade: #AB00D4, #D60000 and #00D655

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB00D4 shade: #AB00D4, #D6AB00 and #00D6AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB00D4 shade: #AB00D4, #D60000, #2AD600 and #00D6D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB00D4 shade: #AB00D4, #D64000, #2AD600 and #0095D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 100 / 0 / 17

HEX #AB00D4

RGB 171 0 212

HSL 288.4, 1%, 0.42%

LAB 43.38, 79.42, -64.6

 

Complementary color

CMYK 67 / 0 / 83 / 0

HEX #54FF2B

RGB 84 255 43

HSL 108.4, 1%, 0.58%

LAB 88.72, -77.16, 78.69

 

CMYK 15 / 100 / 0 / 19

HEX #B000CF

RGB 176 0 207

HSL 291.01, 1%, 0.41%

LAB 43.85, 79.28, -60.91

 

CMYK 15 / 92 / 0 / 11

HEX #C112E2

RGB 193 18 226

HSL 290.48, 0.85%, 0.48%

LAB 48.59, 83.16, -64

 

CMYK 14 / 85 / 0 / 4

HEX #D224F5

RGB 210 36 245

HSL 289.95, 0.91%, 0.55%

LAB 53.55, 86.08, -66.55

 

CMYK 11 / 79 / 0 / 0

HEX #E336FF

RGB 227 54 255

HSL 291.64, 1%, 0.61%

LAB 58.22, 86.53, -64.46

 

CMYK 4 / 72 / 0 / 0

HEX #F448FF

RGB 244 72 255

HSL 296.39, 1%, 0.64%

LAB 62.58, 84.59, -57.33

 

CMYK 19 / 100 / 0 / 17

HEX #AB00D4

RGB 171 0 212

HSL 288.4, 1%, 0.42%

LAB 43.38, 79.42, -64.6

 

CMYK 20 / 100 / 0 / 24

HEX #9A00C1

RGB 154 0 193

HSL 287.88, 1%, 0.38%

LAB 39.11, 73.84, -60.63

 

CMYK 21 / 100 / 0 / 32

HEX #8900AE

RGB 137 0 174

HSL 287.24, 1%, 0.34%

LAB 34.75, 68.15, -56.59

 

CMYK 23 / 100 / 0 / 39

HEX #78009B

RGB 120 0 155

HSL 286.45, 1%, 0.3%

LAB 30.3, 62.34, -52.47

 

CMYK 24 / 100 / 0 / 47

HEX #670088

RGB 103 0 136

HSL 285.44, 1%, 0.27%

LAB 25.75, 56.39, -48.27

 

CMYK 20 / 100 / 0 / 16

HEX #AC00D6

RGB 172 0 214

HSL 288.22, 1%, 0.42%

LAB 43.69, 79.9, -65.24

 

CMYK 0 / 100 / 8 / 16

HEX #D600C5

RGB 214 0 197

HSL 304.77, 1%, 0.42%

LAB 49.89, 83.71, -45.06

 

CMYK 0 / 100 / 35 / 16

HEX #D6008C

RGB 214 0 140

HSL 320.75, 1%, 0.42%

LAB 47.22, 77, -15.43

 

CMYK 0 / 100 / 62 / 16

HEX #D60052

RGB 214 0 82

HSL 337.01, 1%, 0.42%

LAB 45.5, 72.48, 17.91

 

CMYK 0 / 100 / 89 / 16

HEX #D60018

RGB 214 0 24

HSL 353.27, 1%, 0.42%

LAB 44.75, 70.44, 50.55

 

CMYK 20 / 100 / 0 / 16

HEX #AC00D6

RGB 172 0 214

HSL 288.22, 1%, 0.42%

LAB 43.69, 79.9, -65.24

 

CMYK 46 / 100 / 0 / 16

HEX #7300D6

RGB 115 0 214

HSL 272.24, 1%, 0.42%

LAB 35, 73.58, -79.81

 

CMYK 73 / 100 / 0 / 16

HEX #3900D6

RGB 57 0 214

HSL 255.98, 1%, 0.42%

LAB 28.71, 70.25, -90.45

 

CMYK 100 / 100 / 0 / 16

HEX #0000D6

RGB 0 0 214

HSL 240, 1%, 0.42%

LAB 26.32, 69.38, -94.5

 

CMYK 20 / 100 / 0 / 16

HEX #AC00D6

RGB 172 0 214

HSL 288.22, 1%, 0.42%

LAB 43.69, 79.9, -65.24

 

CMYK 20 / 100 / 0 / 16

HEX #AC00D6

RGB 172 0 214

HSL 288.22, 1%, 0.42%

LAB 43.69, 79.9, -65.24

 

CMYK 17 / 91 / 0 / 23

HEX #A211C4

RGB 162 17 196

HSL 288.6, 0.84%, 0.42%

LAB 41.32, 73.55, -58.72

 

CMYK 16 / 81 / 0 / 30

HEX #9722B3

RGB 151 34 179

HSL 288.41, 0.68%, 0.42%

LAB 39.54, 65.1, -51.69

 

CMYK 14 / 69 / 0 / 36

HEX #8C33A2

RGB 140 51 162

HSL 288.11, 0.52%, 0.42%

LAB 38.81, 53.6, -42.81

 

CMYK 10 / 52 / 0 / 44

HEX #824590

RGB 130 69 144

HSL 288.8, 0.35%, 0.42%

LAB 39.61, 38.49, -30.78

 

CMYK 73 / 100 / 0 / 16

HEX #3900D6

RGB 57 0 214

HSL 255.98, 1%, 0.42%

LAB 28.71, 70.25, -90.45

 

CMYK 47 / 100 / 0 / 16

HEX #7200D6

RGB 114 0 214

HSL 271.96, 1%, 0.42%

LAB 34.87, 73.49, -80.04

 

CMYK 20 / 100 / 0 / 16

HEX #AB00D6

RGB 171 0 214

HSL 287.94, 1%, 0.42%

LAB 43.53, 79.77, -65.51

 

CMYK 0 / 100 / 7 / 16

HEX #D600C7

RGB 214 0 199

HSL 304.21, 1%, 0.42%

LAB 50, 83.98, -46.05

 

CMYK 0 / 100 / 34 / 16

HEX #D6008E

RGB 214 0 142

HSL 320.19, 1%, 0.42%

LAB 47.3, 77.2, -16.53

 

CMYK 19 / 100 / 0 / 49

HEX #6A0083

RGB 106 0 131

HSL 288.55, 1%, 0.26%

LAB 25.87, 55.88, -44.9

 

CMYK 19 / 100 / 0 / 33

HEX #8B00AC

RGB 139 0 172

HSL 288.49, 1%, 0.34%

LAB 34.94, 68.07, -55.07

 

CMYK 20 / 100 / 0 / 16

HEX #AC00D6

RGB 172 0 214

HSL 288.22, 1%, 0.42%

LAB 43.69, 79.9, -65.24

 

CMYK 20 / 100 / 0 / 0

HEX #CD00FF

RGB 205 0 255

HSL 288.24, 1%, 0.5%

LAB 52.06, 91.14, -74.58

 

CMYK 16 / 84 / 0 / 0

HEX #D529FF

RGB 213 41 255

HSL 288.22, 1%, 0.58%

LAB 55.02, 87.24, -69.72

 

CMYK 19 / 100 / 0 / 17

HEX #AB00D4

RGB 171 0 212

HSL 288.4, 1%, 0.42%

LAB 43.38, 79.42, -64.6

 

CMYK 0 / 100 / 100 / 16

HEX #D60000

RGB 214 0 0

HSL 0, 1%, 0.42%

LAB 44.65, 70.18, 58.89

 

CMYK 100 / 0 / 60 / 16

HEX #00D655

RGB 0 214 85

HSL 143.83, 1%, 0.42%

LAB 75.29, -70.25, 50.45

 

CMYK 19 / 100 / 0 / 17

HEX #AB00D4

RGB 171 0 212

HSL 288.4, 1%, 0.42%

LAB 43.38, 79.42, -64.6

 

CMYK 0 / 20 / 100 / 16

HEX #D6AB00

RGB 214 171 0

HSL 47.94, 1%, 0.42%

LAB 71.84, 3.1, 74.7

 

CMYK 100 / 0 / 20 / 16

HEX #00D6AB

RGB 0 214 171

HSL 167.94, 1%, 0.42%

LAB 76.7, -53.93, 8.97

 

CMYK 19 / 100 / 0 / 17

HEX #AB00D4

RGB 171 0 212

HSL 288.4, 1%, 0.42%

LAB 43.38, 79.42, -64.6

 

CMYK 0 / 100 / 100 / 16

HEX #D60000

RGB 214 0 0

HSL 0, 1%, 0.42%

LAB 44.65, 70.18, 58.89

 

CMYK 80 / 0 / 100 / 16

HEX #2AD600

RGB 42 214 0

HSL 108.22, 1%, 0.42%

LAB 75.19, -72.71, 73.25

 

CMYK 100 / 0 / 0 / 16

HEX #00D6D6

RGB 0 214 214

HSL 180, 1%, 0.42%

LAB 77.84, -42.12, -12.39

 

CMYK 19 / 100 / 0 / 17

HEX #AB00D4

RGB 171 0 212

HSL 288.4, 1%, 0.42%

LAB 43.38, 79.42, -64.6

 

CMYK 0 / 70 / 100 / 16

HEX #D64000

RGB 214 64 0

HSL 17.94, 1%, 0.42%

LAB 49.45, 56.66, 60.89

 

CMYK 80 / 0 / 100 / 16

HEX #2AD600

RGB 42 214 0

HSL 108.22, 1%, 0.42%

LAB 75.19, -72.71, 73.25

 

CMYK 100 / 30 / 0 / 16

HEX #0095D6

RGB 0 149 214

HSL 198.22, 1%, 0.42%

LAB 58.37, -9.49, -42.31

 

Description

Color code: HEX #AB00D4 | qconv.com Color code: HEX #AB00D4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, none green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 0 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 100 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 100% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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