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Color name
HEX #AB1668

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB1668 it is the complementary color #54E997. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB1668. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB1668 shade: #B01663, #C12876, #D23A89, #E34C9C and #F45EAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB1668. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB1668 shade: #AB1668, #9A0455, #890042, #78002F and #67001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB1668 shade: #AB1668, #AB1640, #AB1617 and #AB1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB1668 shade: #AB1668, #AB1690, #9E16AB, #7516AB and #4D16AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB1668 shade matches the following richer shades: #AB1668 and #BB0669

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB1668 shade: #AB1668, #9B2566, #8C3565, #7C4563 and #6C5562

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB1668 shade: #9C16AB, #AB1692, #AB166A, #AB1643 and #AB161B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB1668 shade: #620C3B, #861152, #AB1668, #D01B7E and #E43093

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB1668 shade: #AB1668, #AB7416 and #16A6AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB1668 shade: #AB1668, #6AAB16 and #166AAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB1668 shade: #AB1668, #AB7416, #16AB56 and #164DAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB1668 shade: #AB1668, #ABA116, #16AB56 and #1620AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 39 / 33

HEX #AB1668

RGB 171 22 104

HSL 326.98, 0.77%, 0.38%

LAB 38.25, 61.45, -7.5

 

Complementary color

CMYK 64 / 0 / 35 / 9

HEX #54E997

RGB 84 233 151

HSL 146.98, 0.77%, 0.62%

LAB 83.12, -57.69, 28.51

 

CMYK 0 / 88 / 44 / 31

HEX #B01663

RGB 176 22 99

HSL 330, 0.78%, 0.39%

LAB 39.08, 62.17, -2.99

 

CMYK 0 / 79 / 39 / 24

HEX #C12876

RGB 193 40 118

HSL 329.41, 0.66%, 0.46%

LAB 44.47, 64.03, -6.53

 

CMYK 0 / 72 / 35 / 18

HEX #D23A89

RGB 210 58 137

HSL 328.82, 0.63%, 0.53%

LAB 50.14, 64.95, -9.29

 

CMYK 0 / 67 / 31 / 11

HEX #E34C9C

RGB 227 76 156

HSL 328.21, 0.73%, 0.59%

LAB 55.99, 65.22, -11.49

 

CMYK 0 / 61 / 28 / 4

HEX #F45EAF

RGB 244 94 175

HSL 327.6, 0.87%, 0.66%

LAB 61.94, 65.1, -13.29

 

CMYK 0 / 87 / 39 / 33

HEX #AB1668

RGB 171 22 104

HSL 326.98, 0.77%, 0.38%

LAB 38.25, 61.45, -7.5

 

CMYK 0 / 97 / 45 / 40

HEX #9A0455

RGB 154 4 85

HSL 327.6, 0.95%, 0.31%

LAB 33.16, 58.35, -3.23

 

CMYK 0 / 100 / 52 / 46

HEX #890042

RGB 137 0 66

HSL 331.09, 1%, 0.27%

LAB 28.67, 53.3, 2.38

 

CMYK 0 / 100 / 61 / 53

HEX #78002F

RGB 120 0 47

HSL 336.5, 1%, 0.24%

LAB 24.32, 47.68, 8.68

 

CMYK 0 / 100 / 73 / 60

HEX #67001C

RGB 103 0 28

HSL 343.69, 1%, 0.2%

LAB 19.91, 42.09, 15.45

 

CMYK 0 / 87 / 39 / 33

HEX #AB1668

RGB 171 22 104

HSL 326.98, 0.77%, 0.38%

LAB 38.25, 61.45, -7.5

 

CMYK 0 / 87 / 63 / 33

HEX #AB1640

RGB 171 22 64

HSL 343.09, 0.77%, 0.38%

LAB 37.12, 58.21, 16.53

 

CMYK 0 / 87 / 87 / 33

HEX #AB1617

RGB 171 22 23

HSL 359.6, 0.77%, 0.38%

LAB 36.54, 56.53, 40.64

 

CMYK 0 / 87 / 87 / 33

HEX #AB1616

RGB 171 22 22

HSL 0, 0.77%, 0.38%

LAB 36.54, 56.51, 41.15

 

CMYK 0 / 87 / 39 / 33

HEX #AB1668

RGB 171 22 104

HSL 326.98, 0.77%, 0.38%

LAB 38.25, 61.45, -7.5

 

CMYK 0 / 87 / 16 / 33

HEX #AB1690

RGB 171 22 144

HSL 310.87, 0.77%, 0.38%

LAB 39.99, 66.19, -29.72

 

CMYK 8 / 87 / 0 / 33

HEX #9E16AB

RGB 158 22 171

HSL 294.77, 0.77%, 0.38%

LAB 39.21, 67.79, -47.4

 

CMYK 32 / 87 / 0 / 33

HEX #7516AB

RGB 117 22 171

HSL 278.26, 0.77%, 0.38%

LAB 32.47, 61.11, -58.64

 

CMYK 55 / 87 / 0 / 33

HEX #4D16AB

RGB 77 22 171

HSL 262.15, 0.77%, 0.38%

LAB 26.99, 56.09, -67.84

 

CMYK 0 / 87 / 39 / 33

HEX #AB1668

RGB 171 22 104

HSL 326.98, 0.77%, 0.38%

LAB 38.25, 61.45, -7.5

 

CMYK 0 / 97 / 44 / 27

HEX #BB0669

RGB 187 6 105

HSL 327.18, 0.94%, 0.38%

LAB 40.76, 67.41, -4.06

 

CMYK 0 / 87 / 39 / 33

HEX #AB1668

RGB 171 22 104

HSL 326.98, 0.77%, 0.38%

LAB 38.25, 61.45, -7.5

 

CMYK 0 / 76 / 34 / 39

HEX #9B2566

RGB 155 37 102

HSL 326.95, 0.61%, 0.38%

LAB 36.46, 53.22, -9.23

 

CMYK 0 / 62 / 28 / 45

HEX #8C3565

RGB 140 53 101

HSL 326.9, 0.45%, 0.38%

LAB 36.1, 42.2, -9.4

 

CMYK 0 / 44 / 20 / 51

HEX #7C4563

RGB 124 69 99

HSL 327.27, 0.28%, 0.38%

LAB 36.82, 27.89, -7.3

 

CMYK 0 / 21 / 9 / 58

HEX #6C5562

RGB 108 85 98

HSL 326.09, 0.12%, 0.38%

LAB 38.84, 11.9, -3.88

 

CMYK 9 / 87 / 0 / 33

HEX #9C16AB

RGB 156 22 171

HSL 293.96, 0.77%, 0.38%

LAB 38.87, 67.43, -47.98

 

CMYK 0 / 87 / 15 / 33

HEX #AB1692

RGB 171 22 146

HSL 310.07, 0.77%, 0.38%

LAB 40.09, 66.47, -30.78

 

CMYK 0 / 87 / 38 / 33

HEX #AB166A

RGB 171 22 106

HSL 326.17, 0.77%, 0.38%

LAB 38.33, 61.65, -8.66

 

CMYK 0 / 87 / 61 / 33

HEX #AB1643

RGB 171 22 67

HSL 341.88, 0.77%, 0.38%

LAB 37.18, 58.4, 14.68

 

CMYK 0 / 87 / 84 / 33

HEX #AB161B

RGB 171 22 27

HSL 357.99, 0.77%, 0.38%

LAB 36.58, 56.63, 38.56

 

CMYK 0 / 88 / 40 / 62

HEX #620C3B

RGB 98 12 59

HSL 327.21, 0.78%, 0.22%

LAB 20.73, 40.29, -5.49

 

CMYK 0 / 87 / 39 / 47

HEX #861152

RGB 134 17 82

HSL 326.67, 0.77%, 0.3%

LAB 29.61, 51.1, -7

 

CMYK 0 / 87 / 39 / 33

HEX #AB1668

RGB 171 22 104

HSL 326.98, 0.77%, 0.38%

LAB 38.25, 61.45, -7.5

 

CMYK 0 / 87 / 39 / 18

HEX #D01B7E

RGB 208 27 126

HSL 327.18, 0.77%, 0.46%

LAB 46.58, 71.34, -7.99

 

CMYK 0 / 79 / 36 / 11

HEX #E43093

RGB 228 48 147

HSL 327, 0.77%, 0.54%

LAB 52.64, 73.53, -11.2

 

CMYK 0 / 87 / 39 / 33

HEX #AB1668

RGB 171 22 104

HSL 326.98, 0.77%, 0.38%

LAB 38.25, 61.45, -7.5

 

CMYK 0 / 32 / 87 / 33

HEX #AB7416

RGB 171 116 22

HSL 37.85, 0.77%, 0.38%

LAB 53.17, 14.24, 54.9

 

CMYK 87 / 3 / 0 / 33

HEX #16A6AB

RGB 22 166 171

HSL 182.01, 0.77%, 0.38%

LAB 61.98, -32.35, -12.59

 

CMYK 0 / 87 / 39 / 33

HEX #AB1668

RGB 171 22 104

HSL 326.98, 0.77%, 0.38%

LAB 38.25, 61.45, -7.5

 

CMYK 38 / 0 / 87 / 33

HEX #6AAB16

RGB 106 171 22

HSL 86.17, 0.77%, 0.38%

LAB 63.55, -42.29, 61.49

 

CMYK 87 / 38 / 0 / 33

HEX #166AAB

RGB 22 106 171

HSL 206.17, 0.77%, 0.38%

LAB 43.39, 0.54, -41.37

 

CMYK 0 / 87 / 39 / 33

HEX #AB1668

RGB 171 22 104

HSL 326.98, 0.77%, 0.38%

LAB 38.25, 61.45, -7.5

 

CMYK 0 / 32 / 87 / 33

HEX #AB7416

RGB 171 116 22

HSL 37.85, 0.77%, 0.38%

LAB 53.17, 14.24, 54.9

 

CMYK 87 / 0 / 50 / 33

HEX #16AB56

RGB 22 171 86

HSL 145.77, 0.77%, 0.38%

LAB 61.63, -55.26, 33.58

 

CMYK 87 / 55 / 0 / 33

HEX #164DAB

RGB 22 77 171

HSL 217.85, 0.77%, 0.38%

LAB 34.84, 19.52, -55.12

 

CMYK 0 / 87 / 39 / 33

HEX #AB1668

RGB 171 22 104

HSL 326.98, 0.77%, 0.38%

LAB 38.25, 61.45, -7.5

 

CMYK 0 / 6 / 87 / 33

HEX #ABA116

RGB 171 161 22

HSL 55.97, 0.77%, 0.38%

LAB 65.13, -10.44, 64.63

 

CMYK 87 / 0 / 50 / 33

HEX #16AB56

RGB 22 171 86

HSL 145.77, 0.77%, 0.38%

LAB 61.63, -55.26, 33.58

 

CMYK 87 / 81 / 0 / 33

HEX #1620AB

RGB 22 32 171

HSL 235.97, 0.77%, 0.38%

LAB 24.14, 47.89, -72.7

 

Description

Color code: HEX #AB1668 | qconv.com Color code: HEX #AB1668 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 22 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 22 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 39 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 39% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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