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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB16B0 it is the complementary color #54E94F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB16B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB16B0 shade: #B016AB, #C128BE, #D23AD1, #E34CE4 and #F45EF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB16B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB16B0 shade: #AB16B0, #9A049D, #89008A, #780077 and #670064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB16B0 shade: #AB15B1, #B1158C, #B11562, #B11538 and #B11515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB16B0 shade: #AB15B1, #8215B1, #5815B1, #2E15B1 and #1515B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB16B0 shade matches the following richer shades: #AB15B1 and #BB05C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB16B0 shade: #AB15B1, #9C25A0, #8D3690, #7E4680 and #6F5670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB16B0 shade: #5915B1, #8215B1, #AB15B1, #B1158C and #B11563

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB16B0 shade: #640C67, #88118C, #AB15B1, #CF1AD5 and #E033E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB16B0 shade: #AB16B0, #B12F15 and #15B16D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB16B0 shade: #AB16B0, #B1AB15 and #15B1AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB16B0 shade: #AB16B0, #B12F15, #1BB115 and #1597B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB16B0 shade: #AB16B0, #B15E15, #1BB115 and #1568B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 88 / 0 / 31

HEX #AB16B0

RGB 171 22 176

HSL 298.05, 0.78%, 0.39%

LAB 41.79, 70.9, -46.12

 

Complementary color

CMYK 64 / 0 / 66 / 9

HEX #54E94F

RGB 84 233 79

HSL 118.05, 0.78%, 0.61%

LAB 82.23, -67.76, 61.01

 

CMYK 0 / 88 / 3 / 31

HEX #B016AB

RGB 176 22 171

HSL 301.95, 0.78%, 0.39%

LAB 42.38, 71.04, -42.16

 

CMYK 0 / 79 / 2 / 24

HEX #C128BE

RGB 193 40 190

HSL 301.18, 0.66%, 0.46%

LAB 47.72, 73.36, -44.67

 

CMYK 0 / 72 / 0 / 18

HEX #D23AD1

RGB 210 58 209

HSL 300.39, 0.63%, 0.53%

LAB 53.31, 74.69, -46.58

 

CMYK 0 / 67 / 0 / 11

HEX #E34CE4

RGB 227 76 228

HSL 299.61, 0.74%, 0.6%

LAB 59.07, 75.34, -48.05

 

CMYK 1 / 62 / 0 / 3

HEX #F45EF7

RGB 244 94 247

HSL 298.82, 0.91%, 0.67%

LAB 64.93, 75.52, -49.2

 

CMYK 3 / 88 / 0 / 31

HEX #AB16B0

RGB 171 22 176

HSL 298.05, 0.78%, 0.39%

LAB 41.79, 70.9, -46.12

 

CMYK 2 / 97 / 0 / 38

HEX #9A049D

RGB 154 4 157

HSL 298.82, 0.95%, 0.32%

LAB 36.73, 67.4, -43.01

 

CMYK 1 / 100 / 0 / 46

HEX #89008A

RGB 137 0 138

HSL 299.57, 1%, 0.27%

LAB 32.15, 62.07, -38.85

 

CMYK 0 / 100 / 1 / 53

HEX #780077

RGB 120 0 119

HSL 300.5, 1%, 0.24%

LAB 27.64, 56.11, -34.31

 

CMYK 0 / 100 / 3 / 60

HEX #670064

RGB 103 0 100

HSL 301.75, 1%, 0.2%

LAB 23.01, 50, -29.62

 

CMYK 3 / 88 / 0 / 31

HEX #AB15B1

RGB 171 21 177

HSL 297.69, 0.79%, 0.39%

LAB 41.8, 71.23, -46.7

 

CMYK 0 / 88 / 21 / 31

HEX #B1158C

RGB 177 21 140

HSL 314.23, 0.79%, 0.39%

LAB 40.86, 67.1, -25.83

 

CMYK 0 / 88 / 45 / 31

HEX #B11562

RGB 177 21 98

HSL 330.38, 0.79%, 0.39%

LAB 39.18, 62.51, -2.18

 

CMYK 0 / 88 / 68 / 31

HEX #B11538

RGB 177 21 56

HSL 346.54, 0.79%, 0.39%

LAB 38.14, 59.55, 23.21

 

CMYK 0 / 88 / 88 / 31

HEX #B11515

RGB 177 21 21

HSL 0, 0.79%, 0.39%

LAB 37.73, 58.35, 43.14

 

CMYK 3 / 88 / 0 / 31

HEX #AB15B1

RGB 171 21 177

HSL 297.69, 0.79%, 0.39%

LAB 41.8, 71.23, -46.7

 

CMYK 27 / 88 / 0 / 31

HEX #8215B1

RGB 130 21 177

HSL 281.92, 0.79%, 0.39%

LAB 34.92, 64.49, -58.16

 

CMYK 50 / 88 / 0 / 31

HEX #5815B1

RGB 88 21 177

HSL 265.77, 0.79%, 0.39%

LAB 28.86, 59.03, -68.31

 

CMYK 74 / 88 / 0 / 31

HEX #2E15B1

RGB 46 21 177

HSL 249.62, 0.79%, 0.39%

LAB 24.61, 55.6, -75.49

 

CMYK 88 / 88 / 0 / 31

HEX #1515B1

RGB 21 21 177

HSL 240, 0.79%, 0.39%

LAB 23.24, 54.59, -77.81

 

CMYK 3 / 88 / 0 / 31

HEX #AB15B1

RGB 171 21 177

HSL 297.69, 0.79%, 0.39%

LAB 41.8, 71.23, -46.7

 

CMYK 3 / 97 / 0 / 24

HEX #BB05C1

RGB 187 5 193

HSL 298.09, 0.95%, 0.39%

LAB 44.97, 78.27, -50.87

 

CMYK 3 / 88 / 0 / 31

HEX #AB15B1

RGB 171 21 177

HSL 297.69, 0.79%, 0.39%

LAB 41.8, 71.23, -46.7

 

CMYK 2 / 77 / 0 / 37

HEX #9C25A0

RGB 156 37 160

HSL 298.05, 0.62%, 0.39%

LAB 39.46, 61.85, -40.43

 

CMYK 2 / 63 / 0 / 44

HEX #8D3690

RGB 141 54 144

HSL 298, 0.45%, 0.39%

LAB 38.4, 49.08, -32.57

 

CMYK 2 / 45 / 0 / 50

HEX #7E4680

RGB 126 70 128

HSL 297.93, 0.29%, 0.39%

LAB 38.51, 33.39, -22.76

 

CMYK 1 / 23 / 0 / 56

HEX #6F5670

RGB 111 86 112

HSL 297.69, 0.13%, 0.39%

LAB 39.92, 15.29, -10.89

 

CMYK 50 / 88 / 0 / 31

HEX #5915B1

RGB 89 21 177

HSL 266.15, 0.79%, 0.39%

LAB 28.99, 59.14, -68.1

 

CMYK 27 / 88 / 0 / 31

HEX #8215B1

RGB 130 21 177

HSL 281.92, 0.79%, 0.39%

LAB 34.92, 64.49, -58.16

 

CMYK 3 / 88 / 0 / 31

HEX #AB15B1

RGB 171 21 177

HSL 297.69, 0.79%, 0.39%

LAB 41.8, 71.23, -46.7

 

CMYK 0 / 88 / 21 / 31

HEX #B1158C

RGB 177 21 140

HSL 314.23, 0.79%, 0.39%

LAB 40.86, 67.1, -25.83

 

CMYK 0 / 88 / 44 / 31

HEX #B11563

RGB 177 21 99

HSL 330, 0.79%, 0.39%

LAB 39.21, 62.6, -2.77

 

CMYK 3 / 88 / 0 / 60

HEX #640C67

RGB 100 12 103

HSL 298.02, 0.79%, 0.23%

LAB 23.51, 47.3, -30.82

 

CMYK 3 / 88 / 0 / 45

HEX #88118C

RGB 136 17 140

HSL 298.05, 0.78%, 0.31%

LAB 32.98, 59.6, -38.78

 

CMYK 3 / 88 / 0 / 31

HEX #AB15B1

RGB 171 21 177

HSL 297.69, 0.79%, 0.39%

LAB 41.8, 71.23, -46.7

 

CMYK 3 / 88 / 0 / 16

HEX #CF1AD5

RGB 207 26 213

HSL 298.07, 0.78%, 0.47%

LAB 50.46, 82.23, -53.44

 

CMYK 2 / 78 / 0 / 10

HEX #E033E5

RGB 224 51 229

HSL 298.31, 0.77%, 0.55%

LAB 55.96, 82.58, -53.58

 

CMYK 3 / 88 / 0 / 31

HEX #AB16B0

RGB 171 22 176

HSL 298.05, 0.78%, 0.39%

LAB 41.79, 70.9, -46.12

 

CMYK 0 / 73 / 88 / 31

HEX #B12F15

RGB 177 47 21

HSL 10, 0.79%, 0.39%

LAB 40.3, 51.12, 45.2

 

CMYK 88 / 0 / 38 / 31

HEX #15B16D

RGB 21 177 109

HSL 153.85, 0.79%, 0.39%

LAB 63.92, -53.22, 24.51

 

CMYK 3 / 88 / 0 / 31

HEX #AB16B0

RGB 171 22 176

HSL 298.05, 0.78%, 0.39%

LAB 41.79, 70.9, -46.12

 

CMYK 0 / 3 / 88 / 31

HEX #B1AB15

RGB 177 171 21

HSL 57.69, 0.79%, 0.39%

LAB 68.41, -13.01, 67.7

 

CMYK 88 / 0 / 3 / 31

HEX #15B1AB

RGB 21 177 171

HSL 177.69, 0.79%, 0.39%

LAB 65.39, -37.53, -7.49

 

CMYK 3 / 88 / 0 / 31

HEX #AB16B0

RGB 171 22 176

HSL 298.05, 0.78%, 0.39%

LAB 41.79, 70.9, -46.12

 

CMYK 0 / 73 / 88 / 31

HEX #B12F15

RGB 177 47 21

HSL 10, 0.79%, 0.39%

LAB 40.3, 51.12, 45.2

 

CMYK 85 / 0 / 88 / 31

HEX #1BB115

RGB 27 177 21

HSL 117.69, 0.79%, 0.39%

LAB 63.12, -63.19, 60.41

 

CMYK 88 / 15 / 0 / 31

HEX #1597B1

RGB 21 151 177

HSL 190, 0.79%, 0.39%

LAB 57.53, -22.99, -22.75

 

CMYK 3 / 88 / 0 / 31

HEX #AB16B0

RGB 171 22 176

HSL 298.05, 0.78%, 0.39%

LAB 41.79, 70.9, -46.12

 

CMYK 0 / 47 / 88 / 31

HEX #B15E15

RGB 177 94 21

HSL 28.08, 0.79%, 0.39%

LAB 48.77, 29.07, 51.97

 

CMYK 85 / 0 / 88 / 31

HEX #1BB115

RGB 27 177 21

HSL 117.69, 0.79%, 0.39%

LAB 63.12, -63.19, 60.41

 

CMYK 88 / 41 / 0 / 31

HEX #1568B1

RGB 21 104 177

HSL 208.08, 0.79%, 0.39%

LAB 43.11, 4.1, -45.33

 

Description

Color code: HEX #AB16B0 | qconv.com Color code: HEX #AB16B0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 22 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 22 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 88 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 88% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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