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Color name
HEX #AB1049

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB1049 it is the complementary color #54EFB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB1049. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB1049 shade: #B01044, #C12257, #D2346A, #E3467D and #F45890

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB1049. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB1049 shade: #AB1049, #9A0036, #890023, #780010 and #670000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB1049 shade: #AC1049, #AC101F and #AC1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB1049 shade: #AC1049, #AC1073, #AC109E, #9010AC and #6610AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB1049 shade matches the following richer shades: #AC1049 and #BB0045

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB1049 shade: #AC1049, #9D1F4D, #8E2E51, #7E3D55 and #6F4D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB1049 shade: #AC109F, #AC1075, #AC104C, #AC1022 and #AC2710

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB1049 shade: #610929, #860C39, #AC1049, #D21359 and #EA246D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB1049 shade: #AB1049, #AC8F10 and #108AAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB1049 shade: #AB1049, #4CAC10 and #104CAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB1049 shade: #AB1049, #AC8F10, #10AC70 and #102CAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB1049 shade: #AB1049, #9AAC10, #10AC70 and #2210AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 57 / 33

HEX #AB1049

RGB 171 16 73

HSL 337.94, 0.83%, 0.37%

LAB 36.95, 59.88, 10.49

 

Complementary color

CMYK 65 / 0 / 24 / 6

HEX #54EFB6

RGB 84 239 182

HSL 157.94, 0.83%, 0.63%

LAB 85.5, -53.77, 15.8

 

CMYK 0 / 91 / 61 / 31

HEX #B01044

RGB 176 16 68

HSL 340.5, 0.83%, 0.38%

LAB 37.87, 60.82, 15.15

 

CMYK 0 / 82 / 55 / 24

HEX #C12257

RGB 193 34 87

HSL 340, 0.7%, 0.45%

LAB 43.02, 62.89, 10.69

 

CMYK 0 / 75 / 50 / 18

HEX #D2346A

RGB 210 52 106

HSL 339.49, 0.64%, 0.51%

LAB 48.51, 63.91, 7.13

 

CMYK 0 / 69 / 45 / 11

HEX #E3467D

RGB 227 70 125

HSL 338.98, 0.74%, 0.58%

LAB 54.23, 64.23, 4.25

 

CMYK 0 / 64 / 41 / 4

HEX #F45890

RGB 244 88 144

HSL 338.46, 0.88%, 0.65%

LAB 60.09, 64.1, 1.9

 

CMYK 0 / 91 / 57 / 33

HEX #AB1049

RGB 171 16 73

HSL 337.94, 0.83%, 0.37%

LAB 36.95, 59.88, 10.49

 

CMYK 0 / 100 / 65 / 40

HEX #9A0036

RGB 154 0 54

HSL 338.96, 1%, 0.3%

LAB 32.12, 56.62, 15.76

 

CMYK 0 / 100 / 74 / 46

HEX #890023

RGB 137 0 35

HSL 344.67, 1%, 0.27%

LAB 27.95, 51.37, 22.31

 

CMYK 0 / 100 / 87 / 53

HEX #780010

RGB 120 0 16

HSL 352, 1%, 0.24%

LAB 23.77, 46.21, 28.76

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 91 / 58 / 33

HEX #AC1049

RGB 172 16 73

HSL 338.08, 0.83%, 0.37%

LAB 37.16, 60.13, 10.81

 

CMYK 0 / 91 / 82 / 33

HEX #AC101F

RGB 172 16 31

HSL 354.23, 0.83%, 0.37%

LAB 36.44, 58.11, 36.27

 

CMYK 0 / 91 / 91 / 33

HEX #AC1010

RGB 172 16 16

HSL 0, 0.83%, 0.37%

LAB 36.33, 57.77, 43.92

 

CMYK 0 / 91 / 58 / 33

HEX #AC1049

RGB 172 16 73

HSL 338.08, 0.83%, 0.37%

LAB 37.16, 60.13, 10.81

 

CMYK 0 / 91 / 33 / 33

HEX #AC1073

RGB 172 16 115

HSL 321.92, 0.83%, 0.37%

LAB 38.51, 63.87, -14.03

 

CMYK 0 / 91 / 8 / 33

HEX #AC109E

RGB 172 16 158

HSL 305.38, 0.83%, 0.37%

LAB 40.59, 69.32, -37.26

 

CMYK 16 / 91 / 0 / 33

HEX #9010AC

RGB 144 16 172

HSL 289.23, 0.83%, 0.37%

LAB 36.51, 66.68, -52.47

 

CMYK 41 / 91 / 0 / 33

HEX #6610AC

RGB 102 16 172

HSL 273.08, 0.83%, 0.37%

LAB 29.85, 60.73, -63.63

 

CMYK 0 / 91 / 58 / 33

HEX #AC1049

RGB 172 16 73

HSL 338.08, 0.83%, 0.37%

LAB 37.16, 60.13, 10.81

 

CMYK 0 / 100 / 63 / 27

HEX #BB0045

RGB 187 0 69

HSL 337.86, 1%, 0.37%

LAB 39.57, 65.44, 17.19

 

CMYK 0 / 91 / 58 / 33

HEX #AC1049

RGB 172 16 73

HSL 338.08, 0.83%, 0.37%

LAB 37.16, 60.13, 10.81

 

CMYK 0 / 80 / 51 / 38

HEX #9D1F4D

RGB 157 31 77

HSL 338.1, 0.67%, 0.37%

LAB 35.37, 53.12, 5.26

 

CMYK 0 / 68 / 43 / 44

HEX #8E2E51

RGB 142 46 81

HSL 338.13, 0.51%, 0.37%

LAB 34.6, 43.54, 1.2

 

CMYK 0 / 52 / 33 / 51

HEX #7E3D55

RGB 126 61 85

HSL 337.85, 0.35%, 0.37%

LAB 34.86, 30.99, -1.3

 

CMYK 0 / 31 / 20 / 56

HEX #6F4D59

RGB 111 77 89

HSL 338.82, 0.18%, 0.37%

LAB 36.76, 16.34, -1.29

 

CMYK 0 / 91 / 8 / 33

HEX #AC109F

RGB 172 16 159

HSL 305, 0.83%, 0.37%

LAB 40.65, 69.46, -37.77

 

CMYK 0 / 91 / 32 / 33

HEX #AC1075

RGB 172 16 117

HSL 321.15, 0.83%, 0.37%

LAB 38.6, 64.08, -15.16

 

CMYK 0 / 91 / 56 / 33

HEX #AC104C

RGB 172 16 76

HSL 336.92, 0.83%, 0.37%

LAB 37.23, 60.34, 8.97

 

CMYK 0 / 91 / 80 / 33

HEX #AC1022

RGB 172 16 34

HSL 353.08, 0.83%, 0.37%

LAB 36.47, 58.2, 34.56

 

CMYK 0 / 77 / 91 / 33

HEX #AC2710

RGB 172 39 16

HSL 8.85, 0.83%, 0.37%

LAB 38.3, 52.17, 45.36

 

CMYK 0 / 91 / 58 / 62

HEX #610929

RGB 97 9 41

HSL 338.18, 0.83%, 0.21%

LAB 19.63, 38.98, 5.58

 

CMYK 0 / 91 / 57 / 47

HEX #860C39

RGB 134 12 57

HSL 337.87, 0.84%, 0.29%

LAB 28.45, 49.84, 8.04

 

CMYK 0 / 91 / 58 / 33

HEX #AC1049

RGB 172 16 73

HSL 338.08, 0.83%, 0.37%

LAB 37.16, 60.13, 10.81

 

CMYK 0 / 91 / 58 / 18

HEX #D21359

RGB 210 19 89

HSL 338.01, 0.83%, 0.45%

LAB 45.48, 70.1, 13.37

 

CMYK 0 / 85 / 53 / 8

HEX #EA246D

RGB 234 36 109

HSL 337.88, 0.83%, 0.53%

LAB 51.68, 74.43, 10.41

 

CMYK 0 / 91 / 57 / 33

HEX #AB1049

RGB 171 16 73

HSL 337.94, 0.83%, 0.37%

LAB 36.95, 59.88, 10.49

 

CMYK 0 / 17 / 91 / 33

HEX #AC8F10

RGB 172 143 16

HSL 48.85, 0.83%, 0.37%

LAB 60.3, -0.46, 62.08

 

CMYK 91 / 20 / 0 / 33

HEX #108AAC

RGB 16 138 172

HSL 193.08, 0.83%, 0.37%

LAB 53.24, -18.13, -26.5

 

CMYK 0 / 91 / 57 / 33

HEX #AB1049

RGB 171 16 73

HSL 337.94, 0.83%, 0.37%

LAB 36.95, 59.88, 10.49

 

CMYK 56 / 0 / 91 / 33

HEX #4CAC10

RGB 76 172 16

HSL 96.92, 0.83%, 0.37%

LAB 62.57, -52.48, 61.32

 

CMYK 91 / 56 / 0 / 33

HEX #104CAC

RGB 16 76 172

HSL 216.92, 0.83%, 0.37%

LAB 34.51, 20.22, -56.25

 

CMYK 0 / 91 / 57 / 33

HEX #AB1049

RGB 171 16 73

HSL 337.94, 0.83%, 0.37%

LAB 36.95, 59.88, 10.49

 

CMYK 0 / 17 / 91 / 33

HEX #AC8F10

RGB 172 143 16

HSL 48.85, 0.83%, 0.37%

LAB 60.3, -0.46, 62.08

 

CMYK 91 / 0 / 35 / 33

HEX #10AC70

RGB 16 172 112

HSL 156.92, 0.83%, 0.37%

LAB 62.33, -51.06, 20.74

 

CMYK 91 / 74 / 0 / 33

HEX #102CAC

RGB 16 44 172

HSL 229.23, 0.83%, 0.37%

LAB 26.42, 41.29, -69.53

 

CMYK 0 / 91 / 57 / 33

HEX #AB1049

RGB 171 16 73

HSL 337.94, 0.83%, 0.37%

LAB 36.95, 59.88, 10.49

 

CMYK 10 / 0 / 91 / 33

HEX #9AAC10

RGB 154 172 16

HSL 66.92, 0.83%, 0.37%

LAB 66.83, -23.67, 66.57

 

CMYK 91 / 0 / 35 / 33

HEX #10AC70

RGB 16 172 112

HSL 156.92, 0.83%, 0.37%

LAB 62.33, -51.06, 20.74

 

CMYK 80 / 91 / 0 / 33

HEX #2210AC

RGB 34 16 172

HSL 246.92, 0.83%, 0.37%

LAB 22.62, 55.3, -75.83

 

Description

Color code: HEX #AB1049 | qconv.com Color code: HEX #AB1049 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 16 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 16 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 57 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 57% 33% C M Y K

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Provide designers and agencies with accurate color values.

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