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Color name
HEX #AB252A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB252A it is the complementary color #54DAD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB252A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB252A shade: #B02525, #C13738, #D2494B, #E35B5E and #F46D71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB252A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB252A shade: #AB252A, #9A1317, #890104, #780000 and #670000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB252A shade: #AB252A and #AB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB252A shade: #AB252A, #AB254E, #AB2572, #AB2596 and #9B25AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB252A shade matches the following richer shades: #AB252A, #BC141A and #CD030B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB252A shade: #AB252A, #9A363A, #894749, #785859 and #676969

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB252A shade: #AB2573, #AB2550, #AB252C, #AB4225 and #AB6625

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB252A shade: #671619, #891E22, #AB252A, #CD2D33 and #D74B51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB252A shade: #AB252A, #97AB25 and #2561AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB252A shade: #AB252A, #2CAB25 and #252CAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB252A shade: #AB252A, #97AB25, #25ABA4 and #3925AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB252A shade: #AB252A, #6FAB25, #25ABA4 and #6125AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 75 / 33

HEX #AB252A

RGB 171 37 42

HSL 357.76, 0.64%, 0.41%

LAB 38.11, 53.24, 31.52

 

Complementary color

CMYK 61 / 0 / 2 / 15

HEX #54DAD5

RGB 84 218 213

HSL 177.76, 0.64%, 0.59%

LAB 80.08, -37.17, -8.4

 

CMYK 0 / 79 / 79 / 31

HEX #B02525

RGB 176 37 37

HSL 0, 0.65%, 0.42%

LAB 39.05, 54.56, 35.76

 

CMYK 0 / 72 / 71 / 24

HEX #C13738

RGB 193 55 56

HSL 359.57, 0.56%, 0.49%

LAB 44.74, 54.54, 31.96

 

CMYK 0 / 65 / 64 / 18

HEX #D2494B

RGB 210 73 75

HSL 359.12, 0.6%, 0.55%

LAB 50.66, 53.99, 28.7

 

CMYK 0 / 60 / 59 / 11

HEX #E35B5E

RGB 227 91 94

HSL 358.68, 0.71%, 0.62%

LAB 56.7, 53.14, 25.95

 

CMYK 0 / 55 / 54 / 4

HEX #F46D71

RGB 244 109 113

HSL 358.22, 0.86%, 0.69%

LAB 62.81, 52.16, 23.61

 

CMYK 0 / 78 / 75 / 33

HEX #AB252A

RGB 171 37 42

HSL 357.76, 0.64%, 0.41%

LAB 38.11, 53.24, 31.52

 

CMYK 0 / 88 / 85 / 40

HEX #9A1317

RGB 154 19 23

HSL 358.22, 0.78%, 0.34%

LAB 32.7, 52.35, 35.85

 

CMYK 0 / 99 / 97 / 46

HEX #890104

RGB 137 1 4

HSL 358.68, 0.99%, 0.27%

LAB 27.71, 50.37, 39.16

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 78 / 75 / 33

HEX #AB252A

RGB 171 37 42

HSL 357.76, 0.64%, 0.41%

LAB 38.11, 53.24, 31.52

 

CMYK 0 / 78 / 78 / 33

HEX #AB2525

RGB 171 37 37

HSL 0, 0.64%, 0.41%

LAB 38.05, 53.05, 34.4

 

CMYK 0 / 78 / 75 / 33

HEX #AB252A

RGB 171 37 42

HSL 357.76, 0.64%, 0.41%

LAB 38.11, 53.24, 31.52

 

CMYK 0 / 78 / 54 / 33

HEX #AB254E

RGB 171 37 78

HSL 341.64, 0.64%, 0.41%

LAB 38.78, 55.37, 9.82

 

CMYK 0 / 78 / 33 / 33

HEX #AB2572

RGB 171 37 114

HSL 325.52, 0.64%, 0.41%

LAB 39.91, 58.84, -11.3

 

CMYK 0 / 78 / 12 / 33

HEX #AB2596

RGB 171 37 150

HSL 309.4, 0.64%, 0.41%

LAB 41.51, 63.53, -30.99

 

CMYK 9 / 78 / 0 / 33

HEX #9B25AB

RGB 155 37 171

HSL 292.84, 0.64%, 0.41%

LAB 39.97, 63.55, -46.22

 

CMYK 0 / 78 / 75 / 33

HEX #AB252A

RGB 171 37 42

HSL 357.76, 0.64%, 0.41%

LAB 38.11, 53.24, 31.52

 

CMYK 0 / 89 / 86 / 26

HEX #BC141A

RGB 188 20 26

HSL 357.86, 0.81%, 0.41%

LAB 40.03, 61.62, 43.51

 

CMYK 0 / 99 / 95 / 20

HEX #CD030B

RGB 205 3 11

HSL 357.62, 0.97%, 0.41%

LAB 42.87, 67.77, 53.47

 

CMYK 0 / 78 / 75 / 33

HEX #AB252A

RGB 171 37 42

HSL 357.76, 0.64%, 0.41%

LAB 38.11, 53.24, 31.52

 

CMYK 0 / 65 / 62 / 40

HEX #9A363A

RGB 154 54 58

HSL 357.6, 0.48%, 0.41%

LAB 37.51, 42.01, 20.23

 

CMYK 0 / 48 / 47 / 46

HEX #894749

RGB 137 71 73

HSL 358.18, 0.32%, 0.41%

LAB 38.39, 28.2, 11.54

 

CMYK 0 / 27 / 26 / 53

HEX #785859

RGB 120 88 89

HSL 358.13, 0.15%, 0.41%

LAB 40.73, 13.36, 4.59

 

CMYK 2 / 0 / 0 / 59

HEX #676969

RGB 103 105 105

HSL 180, 0.01%, 0.41%

LAB 44.24, -0.77, -0.28

 

CMYK 0 / 78 / 33 / 33

HEX #AB2573

RGB 171 37 115

HSL 325.07, 0.64%, 0.41%

LAB 39.95, 58.95, -11.87

 

CMYK 0 / 78 / 53 / 33

HEX #AB2550

RGB 171 37 80

HSL 340.75, 0.64%, 0.41%

LAB 38.83, 55.53, 8.62

 

CMYK 0 / 78 / 74 / 33

HEX #AB252C

RGB 171 37 44

HSL 356.87, 0.64%, 0.41%

LAB 38.13, 53.32, 30.35

 

CMYK 0 / 61 / 78 / 33

HEX #AB4225

RGB 171 66 37

HSL 12.99, 0.64%, 0.41%

LAB 42.29, 41.5, 38.82

 

CMYK 0 / 40 / 78 / 33

HEX #AB6625

RGB 171 102 37

HSL 29.1, 0.64%, 0.41%

LAB 49.85, 22.59, 46.35

 

CMYK 0 / 79 / 76 / 60

HEX #671619

RGB 103 22 25

HSL 357.78, 0.65%, 0.25%

LAB 22.04, 35.72, 20.1

 

CMYK 0 / 78 / 75 / 46

HEX #891E22

RGB 137 30 34

HSL 357.76, 0.64%, 0.33%

LAB 30.31, 44.57, 25.72

 

CMYK 0 / 78 / 75 / 33

HEX #AB252A

RGB 171 37 42

HSL 357.76, 0.64%, 0.41%

LAB 38.11, 53.24, 31.52

 

CMYK 0 / 78 / 75 / 20

HEX #CD2D33

RGB 205 45 51

HSL 357.75, 0.64%, 0.49%

LAB 45.76, 61.29, 36.64

 

CMYK 0 / 65 / 62 / 16

HEX #D74B51

RGB 215 75 81

HSL 357.43, 0.64%, 0.57%

LAB 51.92, 55.17, 26.95

 

CMYK 0 / 78 / 75 / 33

HEX #AB252A

RGB 171 37 42

HSL 357.76, 0.64%, 0.41%

LAB 38.11, 53.24, 31.52

 

CMYK 12 / 0 / 78 / 33

HEX #97AB25

RGB 151 171 37

HSL 68.96, 0.64%, 0.41%

LAB 66.4, -23.82, 61.15

 

CMYK 78 / 43 / 0 / 33

HEX #2561AB

RGB 37 97 171

HSL 213.13, 0.64%, 0.41%

LAB 41.03, 7.69, -45.11

 

CMYK 0 / 78 / 75 / 33

HEX #AB252A

RGB 171 37 42

HSL 357.76, 0.64%, 0.41%

LAB 38.11, 53.24, 31.52

 

CMYK 74 / 0 / 78 / 33

HEX #2CAB25

RGB 44 171 37

HSL 116.87, 0.64%, 0.41%

LAB 61.48, -58.25, 54.77

 

CMYK 78 / 74 / 0 / 33

HEX #252CAB

RGB 37 44 171

HSL 236.87, 0.64%, 0.41%

LAB 27.12, 42.17, -67.75

 

CMYK 0 / 78 / 75 / 33

HEX #AB252A

RGB 171 37 42

HSL 357.76, 0.64%, 0.41%

LAB 38.11, 53.24, 31.52

 

CMYK 12 / 0 / 78 / 33

HEX #97AB25

RGB 151 171 37

HSL 68.96, 0.64%, 0.41%

LAB 66.4, -23.82, 61.15

 

CMYK 78 / 0 / 4 / 33

HEX #25ABA4

RGB 37 171 164

HSL 176.87, 0.64%, 0.41%

LAB 63.51, -35.59, -6.37

 

CMYK 67 / 78 / 0 / 33

HEX #3925AB

RGB 57 37 171

HSL 248.96, 0.64%, 0.41%

LAB 27.11, 47.83, -67.72

 

CMYK 0 / 78 / 75 / 33

HEX #AB252A

RGB 171 37 42

HSL 357.76, 0.64%, 0.41%

LAB 38.11, 53.24, 31.52

 

CMYK 35 / 0 / 78 / 33

HEX #6FAB25

RGB 111 171 37

HSL 86.87, 0.64%, 0.41%

LAB 63.87, -39.83, 57.89

 

CMYK 78 / 0 / 4 / 33

HEX #25ABA4

RGB 37 171 164

HSL 176.87, 0.64%, 0.41%

LAB 63.51, -35.59, -6.37

 

CMYK 43 / 78 / 0 / 33

HEX #6125AB

RGB 97 37 171

HSL 266.87, 0.64%, 0.41%

LAB 31.36, 53.1, -60.58

 

Description

Color code: HEX #AB252A | qconv.com Color code: HEX #AB252A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 37 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 37 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 75 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 75% 33% C M Y K

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