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Color name
HEX #AB28EB

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB28EB it is the complementary color #54D714. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB28EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB28EB shade: #B028E6, #C13AF9, #D24CFF, #E35EFF and #F470FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB28EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB28EB shade: #AB28EB, #9A16D8, #8904C5, #7800B2 and #67009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB28EB shade: #AB28EB, #DF28EB, #EB28C1, #EB288D and #EB2858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB28EB shade: #AB28EB, #7628EB, #4228EB and #2828EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB28EB shade matches the following richer shades: #AB28EB and #B115FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB28EB shade: #AB28EB, #A43BD8, #9E4EC5, #9761B2 and #91749F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB28EB shade: #4228EB, #7628EB, #AA28EB, #DE28EB and #EB28C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB28EB shade: #7B10B0, #9613D6, #AB28EB, #B94EEE and #C873F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB28EB shade: #AB28EB, #EB2842 and #28EB5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB28EB shade: #AB28EB, #EBAA28 and #28EBAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB28EB shade: #AB28EB, #EB2842, #69EB28 and #28EBD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB28EB shade: #AB28EB, #EB4828, #69EB28 and #28CAEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 83 / 0 / 8

HEX #AB28EB

RGB 171 40 235

HSL 280.31, 0.83%, 0.54%

LAB 47.2, 77.39, -71.51

 

Complementary color

CMYK 61 / 0 / 91 / 16

HEX #54D714

RGB 84 215 20

HSL 100.31, 0.83%, 0.46%

LAB 76.4, -65.24, 72.39

 

CMYK 23 / 83 / 0 / 10

HEX #B028E6

RGB 176 40 230

HSL 282.95, 0.79%, 0.53%

LAB 47.57, 77.21, -68.04

 

CMYK 22 / 77 / 0 / 2

HEX #C13AF9

RGB 193 58 249

HSL 282.41, 0.94%, 0.6%

LAB 53.17, 78.42, -69.53

 

CMYK 18 / 70 / 0 / 0

HEX #D24CFF

RGB 210 76 255

HSL 284.92, 1%, 0.65%

LAB 58.12, 76.49, -64.75

 

CMYK 11 / 63 / 0 / 0

HEX #E35EFF

RGB 227 94 255

HSL 289.57, 1%, 0.68%

LAB 62.97, 73.02, -56.85

 

CMYK 4 / 56 / 0 / 0

HEX #F470FF

RGB 244 112 255

HSL 295.38, 1%, 0.72%

LAB 68.05, 69.36, -48.66

 

CMYK 27 / 83 / 0 / 8

HEX #AB28EB

RGB 171 40 235

HSL 280.31, 0.83%, 0.54%

LAB 47.2, 77.39, -71.51

 

CMYK 29 / 90 / 0 / 15

HEX #9A16D8

RGB 154 22 216

HSL 280.82, 0.82%, 0.47%

LAB 41.85, 75.27, -69.51

 

CMYK 30 / 98 / 0 / 23

HEX #8904C5

RGB 137 4 197

HSL 281.35, 0.96%, 0.39%

LAB 36.81, 71.92, -66.83

 

CMYK 33 / 100 / 0 / 30

HEX #7800B2

RGB 120 0 178

HSL 280.45, 1%, 0.35%

LAB 32.27, 66.74, -63.14

 

CMYK 35 / 100 / 0 / 38

HEX #67009F

RGB 103 0 159

HSL 278.87, 1%, 0.31%

LAB 27.81, 60.96, -59.1

 

CMYK 27 / 83 / 0 / 8

HEX #AB28EB

RGB 171 40 235

HSL 280.31, 0.83%, 0.54%

LAB 47.2, 77.39, -71.51

 

CMYK 5 / 83 / 0 / 8

HEX #DF28EB

RGB 223 40 235

HSL 296.31, 0.83%, 0.54%

LAB 55.28, 85.84, -58.05

 

CMYK 0 / 83 / 18 / 8

HEX #EB28C1

RGB 235 40 193

HSL 312.92, 0.83%, 0.54%

LAB 55.1, 82.19, -34.28

 

CMYK 0 / 83 / 40 / 8

HEX #EB288D

RGB 235 40 141

HSL 328.92, 0.83%, 0.54%

LAB 53.06, 76.47, -6.85

 

CMYK 0 / 83 / 63 / 8

HEX #EB2858

RGB 235 40 88

HSL 345.23, 0.83%, 0.54%

LAB 51.71, 72.52, 23.22

 

CMYK 27 / 83 / 0 / 8

HEX #AB28EB

RGB 171 40 235

HSL 280.31, 0.83%, 0.54%

LAB 47.2, 77.39, -71.51

 

CMYK 50 / 83 / 0 / 8

HEX #7628EB

RGB 118 40 235

HSL 264, 0.83%, 0.54%

LAB 40.19, 70.38, -83.26

 

CMYK 72 / 83 / 0 / 8

HEX #4228EB

RGB 66 40 235

HSL 248, 0.83%, 0.54%

LAB 35.35, 65.81, -91.43

 

CMYK 83 / 83 / 0 / 8

HEX #2828EB

RGB 40 40 235

HSL 240, 0.83%, 0.54%

LAB 33.91, 64.5, -93.85

 

CMYK 27 / 83 / 0 / 8

HEX #AB28EB

RGB 171 40 235

HSL 280.31, 0.83%, 0.54%

LAB 47.2, 77.39, -71.51

 

CMYK 30 / 92 / 0 / 0

HEX #B115FE

RGB 177 21 254

HSL 280.17, 0.99%, 0.54%

LAB 48.31, 85.53, -80.33

 

CMYK 27 / 83 / 0 / 8

HEX #AB28EB

RGB 171 40 235

HSL 280.31, 0.83%, 0.54%

LAB 47.2, 77.39, -71.51

 

CMYK 24 / 73 / 0 / 15

HEX #A43BD8

RGB 164 59 216

HSL 280.13, 0.67%, 0.54%

LAB 46.95, 66.32, -61.17

 

CMYK 20 / 60 / 0 / 23

HEX #9E4EC5

RGB 158 78 197

HSL 280.34, 0.51%, 0.54%

LAB 47.94, 52.68, -48.69

 

CMYK 15 / 46 / 0 / 30

HEX #9761B2

RGB 151 97 178

HSL 280, 0.34%, 0.54%

LAB 49.91, 36.58, -34.6

 

CMYK 9 / 27 / 0 / 38

HEX #91749F

RGB 145 116 159

HSL 280.47, 0.18%, 0.54%

LAB 52.96, 19.56, -18.86

 

CMYK 72 / 83 / 0 / 8

HEX #4228EB

RGB 66 40 235

HSL 248, 0.83%, 0.54%

LAB 35.35, 65.81, -91.43

 

CMYK 50 / 83 / 0 / 8

HEX #7628EB

RGB 118 40 235

HSL 264, 0.83%, 0.54%

LAB 40.19, 70.38, -83.26

 

CMYK 28 / 83 / 0 / 8

HEX #AA28EB

RGB 170 40 235

HSL 280, 0.83%, 0.54%

LAB 47.06, 77.24, -71.75

 

CMYK 6 / 83 / 0 / 8

HEX #DE28EB

RGB 222 40 235

HSL 296, 0.83%, 0.54%

LAB 55.12, 85.67, -58.32

 

CMYK 0 / 83 / 17 / 8

HEX #EB28C4

RGB 235 40 196

HSL 312, 0.83%, 0.54%

LAB 55.24, 82.57, -35.8

 

CMYK 30 / 91 / 0 / 31

HEX #7B10B0

RGB 123 16 176

HSL 280.13, 0.83%, 0.38%

LAB 33.38, 64.3, -60.11

 

CMYK 30 / 91 / 0 / 16

HEX #9613D6

RGB 150 19 214

HSL 280.31, 0.84%, 0.46%

LAB 40.9, 74.86, -69.93

 

CMYK 27 / 83 / 0 / 8

HEX #AB28EB

RGB 171 40 235

HSL 280.31, 0.83%, 0.54%

LAB 47.2, 77.39, -71.51

 

CMYK 22 / 67 / 0 / 7

HEX #B94EEE

RGB 185 78 238

HSL 280.13, 0.82%, 0.62%

LAB 53.96, 67.33, -62.16

 

CMYK 17 / 52 / 0 / 5

HEX #C873F2

RGB 200 115 242

HSL 280.16, 0.83%, 0.7%

LAB 62.47, 54.28, -50.69

 

CMYK 27 / 83 / 0 / 8

HEX #AB28EB

RGB 171 40 235

HSL 280.31, 0.83%, 0.54%

LAB 47.2, 77.39, -71.51

 

CMYK 0 / 83 / 72 / 8

HEX #EB2842

RGB 235 40 66

HSL 352, 0.83%, 0.54%

LAB 51.35, 71.47, 35.87

 

CMYK 83 / 0 / 61 / 8

HEX #28EB5C

RGB 40 235 92

HSL 136, 0.83%, 0.54%

LAB 82.19, -73.52, 55.38

 

CMYK 27 / 83 / 0 / 8

HEX #AB28EB

RGB 171 40 235

HSL 280.31, 0.83%, 0.54%

LAB 47.2, 77.39, -71.51

 

CMYK 0 / 28 / 83 / 8

HEX #EBAA28

RGB 235 170 40

HSL 40, 0.83%, 0.54%

LAB 73.91, 13.42, 69.84

 

CMYK 83 / 0 / 28 / 8

HEX #28EBAA

RGB 40 235 170

HSL 160, 0.83%, 0.54%

LAB 83.32, -60.29, 18.87

 

CMYK 27 / 83 / 0 / 8

HEX #AB28EB

RGB 171 40 235

HSL 280.31, 0.83%, 0.54%

LAB 47.2, 77.39, -71.51

 

CMYK 0 / 83 / 72 / 8

HEX #EB2842

RGB 235 40 66

HSL 352, 0.83%, 0.54%

LAB 51.35, 71.47, 35.87

 

CMYK 55 / 0 / 83 / 8

HEX #69EB28

RGB 105 235 40

HSL 100, 0.83%, 0.54%

LAB 83.22, -66.18, 74.67

 

CMYK 83 / 0 / 11 / 8

HEX #28EBD1

RGB 40 235 209

HSL 172, 0.83%, 0.54%

LAB 84.21, -50.83, -0.29

 

CMYK 27 / 83 / 0 / 8

HEX #AB28EB

RGB 171 40 235

HSL 280.31, 0.83%, 0.54%

LAB 47.2, 77.39, -71.51

 

CMYK 0 / 69 / 83 / 8

HEX #EB4828

RGB 235 72 40

HSL 9.85, 0.83%, 0.54%

LAB 54.5, 61.07, 52.96

 

CMYK 55 / 0 / 83 / 8

HEX #69EB28

RGB 105 235 40

HSL 100, 0.83%, 0.54%

LAB 83.22, -66.18, 74.67

 

CMYK 83 / 14 / 0 / 8

HEX #28CAEB

RGB 40 202 235

HSL 190.15, 0.83%, 0.54%

LAB 75.26, -28.3, -27.57

 

Description

Color code: HEX #AB28EB | qconv.com Color code: HEX #AB28EB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 40 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 40 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 83 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 83% 0% 8% C M Y K

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