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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB29B6 it is the complementary color #54D649. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB29B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB29B6 shade: #B029B1, #C13BC4, #D24DD7, #E35FEA and #F471FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB29B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB29B6 shade: #AB29B6, #9A17A3, #890590, #78007D and #67006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB29B6 shade: #AB29B6, #B6299B, #B62975, #B6294F and #B62929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB29B6 shade: #AB29B6, #8529B6, #5F29B6, #3929B6 and #2929B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB29B6 shade matches the following richer shades: #AB29B6, #BB17C9 and #CA05DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB29B6 shade: #AB29B6, #9C3BA4, #8D4D92, #7D5F80 and #6E726E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB29B6 shade: #5F29B6, #8529B6, #AB29B6, #B6299C and #B62977

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB29B6 shade: #6C1A73, #8C2195, #AB29B6, #C537D1 and #CF59D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB29B6 shade: #AB29B6, #B63A29 and #29B672

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB29B6 shade: #AB29B6, #B6AB29 and #29B6AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB29B6 shade: #AB29B6, #B63A29, #35B629 and #29A6B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB29B6 shade: #AB29B6, #B66429, #35B629 and #297BB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 77 / 0 / 29

HEX #AB29B6

RGB 171 41 182

HSL 295.32, 0.63%, 0.44%

LAB 43.68, 67.44, -46.63

 

Complementary color

CMYK 61 / 0 / 66 / 16

HEX #54D649

RGB 84 214 73

HSL 115.32, 0.63%, 0.56%

LAB 76.35, -61.82, 57.05

 

CMYK 1 / 77 / 0 / 31

HEX #B029B1

RGB 176 41 177

HSL 299.56, 0.62%, 0.43%

LAB 44.22, 67.62, -42.79

 

CMYK 2 / 70 / 0 / 23

HEX #C13BC4

RGB 193 59 196

HSL 298.69, 0.54%, 0.5%

LAB 50.04, 68.61, -44.47

 

CMYK 2 / 64 / 0 / 16

HEX #D24DD7

RGB 210 77 215

HSL 297.83, 0.63%, 0.57%

LAB 56, 68.96, -45.73

 

CMYK 3 / 59 / 0 / 8

HEX #E35FEA

RGB 227 95 234

HSL 296.98, 0.77%, 0.65%

LAB 62.05, 68.89, -46.7

 

CMYK 4 / 55 / 0 / 1

HEX #F471FD

RGB 244 113 253

HSL 296.14, 0.97%, 0.72%

LAB 68.12, 68.57, -47.46

 

CMYK 6 / 77 / 0 / 29

HEX #AB29B6

RGB 171 41 182

HSL 295.32, 0.63%, 0.44%

LAB 43.68, 67.44, -46.63

 

CMYK 6 / 86 / 0 / 36

HEX #9A17A3

RGB 154 23 163

HSL 296.14, 0.75%, 0.36%

LAB 38.07, 65.54, -44.48

 

CMYK 5 / 97 / 0 / 44

HEX #890590

RGB 137 5 144

HSL 296.98, 0.93%, 0.29%

LAB 32.79, 62.31, -41.55

 

CMYK 4 / 100 / 0 / 51

HEX #78007D

RGB 120 0 125

HSL 297.6, 1%, 0.25%

LAB 28.04, 57.08, -37.48

 

CMYK 3 / 100 / 0 / 58

HEX #67006A

RGB 103 0 106

HSL 298.3, 1%, 0.21%

LAB 23.42, 50.98, -32.89

 

CMYK 6 / 77 / 0 / 29

HEX #AB29B6

RGB 171 41 182

HSL 295.32, 0.63%, 0.44%

LAB 43.68, 67.44, -46.63

 

CMYK 0 / 77 / 15 / 29

HEX #B6299B

RGB 182 41 155

HSL 311.49, 0.63%, 0.44%

LAB 44.09, 65.59, -29.82

 

CMYK 0 / 77 / 36 / 29

HEX #B62975

RGB 182 41 117

HSL 327.66, 0.63%, 0.44%

LAB 42.48, 60.82, -9.09

 

CMYK 0 / 77 / 57 / 29

HEX #B6294F

RGB 182 41 79

HSL 343.83, 0.63%, 0.44%

LAB 41.37, 57.36, 13.1

 

CMYK 0 / 77 / 77 / 29

HEX #B62929

RGB 182 41 41

HSL 0, 0.63%, 0.44%

LAB 40.72, 55.29, 35.6

 

CMYK 6 / 77 / 0 / 29

HEX #AB29B6

RGB 171 41 182

HSL 295.32, 0.63%, 0.44%

LAB 43.68, 67.44, -46.63

 

CMYK 27 / 77 / 0 / 29

HEX #8529B6

RGB 133 41 182

HSL 279.15, 0.63%, 0.44%

LAB 37.75, 60.2, -56.5

 

CMYK 48 / 77 / 0 / 29

HEX #5F29B6

RGB 95 41 182

HSL 262.98, 0.63%, 0.44%

LAB 32.69, 53.9, -64.97

 

CMYK 69 / 77 / 0 / 29

HEX #3929B6

RGB 57 41 182

HSL 246.81, 0.63%, 0.44%

LAB 28.99, 49.19, -71.2

 

CMYK 77 / 77 / 0 / 29

HEX #2929B6

RGB 41 41 182

HSL 240, 0.63%, 0.44%

LAB 27.94, 47.83, -72.96

 

CMYK 6 / 77 / 0 / 29

HEX #AB29B6

RGB 171 41 182

HSL 295.32, 0.63%, 0.44%

LAB 43.68, 67.44, -46.63

 

CMYK 7 / 89 / 0 / 21

HEX #BB17C9

RGB 187 23 201

HSL 295.28, 0.79%, 0.44%

LAB 46.17, 77.46, -53.6

 

CMYK 8 / 98 / 0 / 14

HEX #CA05DB

RGB 202 5 219

HSL 295.23, 0.96%, 0.44%

LAB 49.23, 84.58, -58.9

 

CMYK 6 / 77 / 0 / 29

HEX #AB29B6

RGB 171 41 182

HSL 295.32, 0.63%, 0.44%

LAB 43.68, 67.44, -46.63

 

CMYK 5 / 64 / 0 / 36

HEX #9C3BA4

RGB 156 59 164

HSL 295.43, 0.47%, 0.44%

LAB 42.58, 54.4, -37.88

 

CMYK 3 / 47 / 0 / 43

HEX #8D4D92

RGB 141 77 146

HSL 295.65, 0.31%, 0.44%

LAB 42.83, 37.88, -26.83

 

CMYK 2 / 26 / 0 / 50

HEX #7D5F80

RGB 125 95 128

HSL 294.55, 0.15%, 0.44%

LAB 44.38, 18.36, -13.75

 

CMYK 4 / 0 / 4 / 55

HEX #6E726E

RGB 110 114 110

HSL 120, 0.02%, 0.44%

LAB 47.59, -2.34, 1.68

 

CMYK 48 / 77 / 0 / 29

HEX #5F29B6

RGB 95 41 182

HSL 262.98, 0.63%, 0.44%

LAB 32.69, 53.9, -64.97

 

CMYK 27 / 77 / 0 / 29

HEX #8529B6

RGB 133 41 182

HSL 279.15, 0.63%, 0.44%

LAB 37.75, 60.2, -56.5

 

CMYK 6 / 77 / 0 / 29

HEX #AB29B6

RGB 171 41 182

HSL 295.32, 0.63%, 0.44%

LAB 43.68, 67.44, -46.63

 

CMYK 0 / 77 / 14 / 29

HEX #B6299C

RGB 182 41 156

HSL 311.06, 0.63%, 0.44%

LAB 44.13, 65.73, -30.35

 

CMYK 0 / 77 / 35 / 29

HEX #B62977

RGB 182 41 119

HSL 326.81, 0.63%, 0.44%

LAB 42.56, 61.04, -10.22

 

CMYK 6 / 77 / 0 / 55

HEX #6C1A73

RGB 108 26 115

HSL 295.28, 0.63%, 0.28%

LAB 27.2, 47.04, -32.59

 

CMYK 6 / 78 / 0 / 42

HEX #8C2195

RGB 140 33 149

HSL 295.34, 0.64%, 0.36%

LAB 35.66, 57.84, -39.98

 

CMYK 6 / 77 / 0 / 29

HEX #AB29B6

RGB 171 41 182

HSL 295.32, 0.63%, 0.44%

LAB 43.68, 67.44, -46.63

 

CMYK 6 / 74 / 0 / 18

HEX #C537D1

RGB 197 55 209

HSL 295.32, 0.63%, 0.52%

LAB 50.93, 72.95, -50.5

 

CMYK 5 / 59 / 0 / 15

HEX #CF59D9

RGB 207 89 217

HSL 295.31, 0.63%, 0.6%

LAB 57.48, 63.59, -44.55

 

CMYK 6 / 77 / 0 / 29

HEX #AB29B6

RGB 171 41 182

HSL 295.32, 0.63%, 0.44%

LAB 43.68, 67.44, -46.63

 

CMYK 0 / 68 / 77 / 29

HEX #B63A29

RGB 182 58 41

HSL 7.23, 0.63%, 0.44%

LAB 42.96, 49.11, 37.97

 

CMYK 77 / 0 / 37 / 29

HEX #29B672

RGB 41 182 114

HSL 151.06, 0.63%, 0.44%

LAB 65.86, -52.12, 24.47

 

CMYK 6 / 77 / 0 / 29

HEX #AB29B6

RGB 171 41 182

HSL 295.32, 0.63%, 0.44%

LAB 43.68, 67.44, -46.63

 

CMYK 0 / 6 / 77 / 29

HEX #B6AB29

RGB 182 171 41

HSL 55.32, 0.63%, 0.44%

LAB 68.92, -10.21, 63.12

 

CMYK 77 / 0 / 6 / 29

HEX #29B6AB

RGB 41 182 171

HSL 175.32, 0.63%, 0.44%

LAB 67.18, -38.19, -4.82

 

CMYK 6 / 77 / 0 / 29

HEX #AB29B6

RGB 171 41 182

HSL 295.32, 0.63%, 0.44%

LAB 43.68, 67.44, -46.63

 

CMYK 0 / 68 / 77 / 29

HEX #B63A29

RGB 182 58 41

HSL 7.23, 0.63%, 0.44%

LAB 42.96, 49.11, 37.97

 

CMYK 71 / 0 / 77 / 29

HEX #35B629

RGB 53 182 41

HSL 114.89, 0.63%, 0.44%

LAB 65.26, -59.98, 57.21

 

CMYK 77 / 9 / 0 / 29

HEX #29A6B6

RGB 41 166 182

HSL 186.81, 0.63%, 0.44%

LAB 62.61, -27.28, -17.78

 

CMYK 6 / 77 / 0 / 29

HEX #AB29B6

RGB 171 41 182

HSL 295.32, 0.63%, 0.44%

LAB 43.68, 67.44, -46.63

 

CMYK 0 / 45 / 77 / 29

HEX #B66429

RGB 182 100 41

HSL 25.11, 0.63%, 0.44%

LAB 50.94, 28.57, 46.12

 

CMYK 71 / 0 / 77 / 29

HEX #35B629

RGB 53 182 41

HSL 114.89, 0.63%, 0.44%

LAB 65.26, -59.98, 57.21

 

CMYK 77 / 32 / 0 / 29

HEX #297BB6

RGB 41 123 182

HSL 205.11, 0.63%, 0.44%

LAB 49.51, -3.8, -38.05

 

Description

Color code: HEX #AB29B6 | qconv.com Color code: HEX #AB29B6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 41 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 41 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 77 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 77% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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