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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB2ABB it is the complementary color #54D544. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB2ABB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB2ABB shade: #B02AB6, #C13CC9, #D24EDC, #E360EF and #F472FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB2ABB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB2ABB shade: #AB2ABB, #9A18A8, #890695, #780082 and #67006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB2ABB shade: #AB2ABB, #BB2AA4, #BB2A7D, #BB2A56 and #BB2A2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB2ABB shade: #AB2ABB, #842ABB, #5D2ABB, #362ABB and #2A2ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB2ABB shade matches the following richer shades: #AB2ABB, #B917CD and #C805E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB2ABB shade: #AB2ABB, #9C3DA8, #8E4F95, #7F6283 and #717470

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB2ABB shade: #5D2ABB, #832ABB, #AA2ABB, #BB2AA5 and #BB2A7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB2ABB shade: #6D1B77, #8C2299, #AB2ABB, #C23CD2 and #CC5DDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB2ABB shade: #AB2ABB, #BB362A and #2ABB70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB2ABB shade: #AB2ABB, #BBAA2A and #2ABBAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB2ABB shade: #AB2ABB, #BB362A, #3BBB2A and #2AAEBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB2ABB shade: #AB2ABB, #BB612A, #3BBB2A and #2A83BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 78 / 0 / 27

HEX #AB2ABB

RGB 171 42 187

HSL 293.38, 0.63%, 0.45%

LAB 44.09, 68, -48.92

 

Complementary color

CMYK 61 / 0 / 68 / 16

HEX #54D544

RGB 84 213 68

HSL 113.38, 0.63%, 0.55%

LAB 76, -61.92, 58.66

 

CMYK 3 / 77 / 0 / 29

HEX #B02AB6

RGB 176 42 182

HSL 297.43, 0.63%, 0.44%

LAB 44.61, 68.15, -45.11

 

CMYK 4 / 70 / 0 / 21

HEX #C13CC9

RGB 193 60 201

HSL 296.6, 0.57%, 0.51%

LAB 50.44, 69.1, -46.72

 

CMYK 5 / 65 / 0 / 14

HEX #D24EDC

RGB 210 78 220

HSL 295.77, 0.67%, 0.58%

LAB 56.4, 69.42, -47.93

 

CMYK 5 / 60 / 0 / 6

HEX #E360EF

RGB 227 96 239

HSL 294.97, 0.82%, 0.66%

LAB 62.45, 69.33, -48.84

 

CMYK 4 / 55 / 0 / 0

HEX #F472FF

RGB 244 114 255

HSL 295.32, 1%, 0.72%

LAB 68.38, 68.47, -48.15

 

CMYK 9 / 78 / 0 / 27

HEX #AB2ABB

RGB 171 42 187

HSL 293.38, 0.63%, 0.45%

LAB 44.09, 68, -48.92

 

CMYK 8 / 86 / 0 / 34

HEX #9A18A8

RGB 154 24 168

HSL 294.17, 0.75%, 0.38%

LAB 38.46, 66.17, -46.85

 

CMYK 8 / 96 / 0 / 42

HEX #890695

RGB 137 6 149

HSL 294.97, 0.92%, 0.3%

LAB 33.18, 63, -44

 

CMYK 8 / 100 / 0 / 49

HEX #780082

RGB 120 0 130

HSL 295.38, 1%, 0.25%

LAB 28.39, 57.91, -40.07

 

CMYK 7 / 100 / 0 / 56

HEX #67006F

RGB 103 0 111

HSL 295.68, 1%, 0.22%

LAB 23.77, 51.83, -35.56

 

CMYK 9 / 78 / 0 / 27

HEX #AB2ABB

RGB 171 42 187

HSL 293.38, 0.63%, 0.45%

LAB 44.09, 68, -48.92

 

CMYK 0 / 78 / 12 / 27

HEX #BB2AA4

RGB 187 42 164

HSL 309.52, 0.63%, 0.45%

LAB 45.5, 67.7, -32.93

 

CMYK 0 / 78 / 33 / 27

HEX #BB2A7D

RGB 187 42 125

HSL 325.66, 0.63%, 0.45%

LAB 43.8, 62.69, -11.95

 

CMYK 0 / 78 / 54 / 27

HEX #BB2A56

RGB 187 42 86

HSL 341.79, 0.63%, 0.45%

LAB 42.6, 58.99, 10.56

 

CMYK 0 / 78 / 75 / 27

HEX #BB2A2F

RGB 187 42 47

HSL 357.93, 0.63%, 0.45%

LAB 41.89, 56.72, 33.67

 

CMYK 9 / 78 / 0 / 27

HEX #AB2ABB

RGB 171 42 187

HSL 293.38, 0.63%, 0.45%

LAB 44.09, 68, -48.92

 

CMYK 29 / 78 / 0 / 27

HEX #842ABB

RGB 132 42 187

HSL 277.24, 0.63%, 0.45%

LAB 38.11, 60.72, -58.88

 

CMYK 50 / 78 / 0 / 27

HEX #5D2ABB

RGB 93 42 187

HSL 261.1, 0.63%, 0.45%

LAB 33.07, 54.48, -67.31

 

CMYK 71 / 78 / 0 / 27

HEX #362ABB

RGB 54 42 187

HSL 244.97, 0.63%, 0.45%

LAB 29.48, 49.95, -73.35

 

CMYK 78 / 78 / 0 / 27

HEX #2A2ABB

RGB 42 42 187

HSL 240, 0.63%, 0.45%

LAB 28.74, 48.99, -74.61

 

CMYK 9 / 78 / 0 / 27

HEX #AB2ABB

RGB 171 42 187

HSL 293.38, 0.63%, 0.45%

LAB 44.09, 68, -48.92

 

CMYK 10 / 89 / 0 / 20

HEX #B917CD

RGB 185 23 205

HSL 293.41, 0.8%, 0.45%

LAB 46.09, 77.78, -56.06

 

CMYK 11 / 98 / 0 / 12

HEX #C805E0

RGB 200 5 224

HSL 293.42, 0.96%, 0.45%

LAB 49.22, 85.06, -61.79

 

CMYK 9 / 78 / 0 / 27

HEX #AB2ABB

RGB 171 42 187

HSL 293.38, 0.63%, 0.45%

LAB 44.09, 68, -48.92

 

CMYK 7 / 64 / 0 / 34

HEX #9C3DA8

RGB 156 61 168

HSL 293.27, 0.47%, 0.45%

LAB 43.11, 54.27, -39.41

 

CMYK 5 / 47 / 0 / 42

HEX #8E4F95

RGB 142 79 149

HSL 294, 0.31%, 0.45%

LAB 43.53, 37.69, -27.54

 

CMYK 3 / 25 / 0 / 49

HEX #7F6283

RGB 127 98 131

HSL 292.73, 0.14%, 0.45%

LAB 45.48, 17.92, -13.87

 

CMYK 3 / 0 / 3 / 55

HEX #717470

RGB 113 116 112

HSL 105, 0.02%, 0.45%

LAB 48.48, -1.95, 1.8

 

CMYK 50 / 78 / 0 / 27

HEX #5D2ABB

RGB 93 42 187

HSL 261.1, 0.63%, 0.45%

LAB 33.07, 54.48, -67.31

 

CMYK 30 / 78 / 0 / 27

HEX #832ABB

RGB 131 42 187

HSL 276.83, 0.63%, 0.45%

LAB 37.97, 60.55, -59.11

 

CMYK 9 / 78 / 0 / 27

HEX #AA2ABB

RGB 170 42 187

HSL 292.97, 0.63%, 0.45%

LAB 43.93, 67.81, -49.19

 

CMYK 0 / 78 / 12 / 27

HEX #BB2AA5

RGB 187 42 165

HSL 309.1, 0.63%, 0.45%

LAB 45.55, 67.85, -33.45

 

CMYK 0 / 78 / 33 / 27

HEX #BB2A7E

RGB 187 42 126

HSL 325.24, 0.63%, 0.45%

LAB 43.84, 62.81, -12.5

 

CMYK 8 / 77 / 0 / 53

HEX #6D1B77

RGB 109 27 119

HSL 293.48, 0.63%, 0.29%

LAB 27.76, 47.66, -34.24

 

CMYK 8 / 78 / 0 / 40

HEX #8C2299

RGB 140 34 153

HSL 293.45, 0.64%, 0.37%

LAB 36.02, 58.24, -41.84

 

CMYK 9 / 78 / 0 / 27

HEX #AB2ABB

RGB 171 42 187

HSL 293.38, 0.63%, 0.45%

LAB 44.09, 68, -48.92

 

CMYK 8 / 71 / 0 / 18

HEX #C23CD2

RGB 194 60 210

HSL 293.6, 0.63%, 0.53%

LAB 51.1, 70.85, -50.83

 

CMYK 6 / 57 / 0 / 15

HEX #CC5DDA

RGB 204 93 218

HSL 293.28, 0.63%, 0.61%

LAB 57.78, 61.22, -44.68

 

CMYK 9 / 78 / 0 / 27

HEX #AB2ABB

RGB 171 42 187

HSL 293.38, 0.63%, 0.45%

LAB 44.09, 68, -48.92

 

CMYK 0 / 71 / 78 / 27

HEX #BB362A

RGB 187 54 42

HSL 4.97, 0.63%, 0.45%

LAB 43.32, 52.39, 38.08

 

CMYK 78 / 0 / 40 / 27

HEX #2ABB70

RGB 42 187 112

HSL 148.97, 0.63%, 0.45%

LAB 67.43, -54.25, 27.62

 

CMYK 9 / 78 / 0 / 27

HEX #AB2ABB

RGB 171 42 187

HSL 293.38, 0.63%, 0.45%

LAB 44.09, 68, -48.92

 

CMYK 0 / 9 / 78 / 27

HEX #BBAA2A

RGB 187 170 42

HSL 52.97, 0.63%, 0.45%

LAB 69.1, -7.45, 63.12

 

CMYK 78 / 0 / 9 / 27

HEX #2ABBAA

RGB 42 187 170

HSL 172.97, 0.63%, 0.45%

LAB 68.7, -40.61, -2.02

 

CMYK 9 / 78 / 0 / 27

HEX #AB2ABB

RGB 171 42 187

HSL 293.38, 0.63%, 0.45%

LAB 44.09, 68, -48.92

 

CMYK 0 / 71 / 78 / 27

HEX #BB362A

RGB 187 54 42

HSL 4.97, 0.63%, 0.45%

LAB 43.32, 52.39, 38.08

 

CMYK 68 / 0 / 78 / 27

HEX #3BBB2A

RGB 59 187 42

HSL 112.97, 0.63%, 0.45%

LAB 67, -60.42, 58.62

 

CMYK 78 / 7 / 0 / 27

HEX #2AAEBB

RGB 42 174 187

HSL 185.38, 0.63%, 0.45%

LAB 65.24, -29.56, -16.58

 

CMYK 9 / 78 / 0 / 27

HEX #AB2ABB

RGB 171 42 187

HSL 293.38, 0.63%, 0.45%

LAB 44.09, 68, -48.92

 

CMYK 0 / 48 / 78 / 27

HEX #BB612A

RGB 187 97 42

HSL 22.76, 0.63%, 0.45%

LAB 51.01, 32.3, 45.96

 

CMYK 68 / 0 / 78 / 27

HEX #3BBB2A

RGB 59 187 42

HSL 112.97, 0.63%, 0.45%

LAB 67, -60.42, 58.62

 

CMYK 78 / 30 / 0 / 27

HEX #2A83BB

RGB 42 131 187

HSL 203.17, 0.63%, 0.45%

LAB 52.19, -6.57, -36.72

 

Description

Color code: HEX #AB2ABB | qconv.com Color code: HEX #AB2ABB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 42 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 42 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 78 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 78% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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