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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB2F91 it is the complementary color #54D06E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB2F91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB2F91 shade: #B02F8C, #C1419F, #D253B2, #E365C5 and #F477D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB2F91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB2F91 shade: #AB2F91, #9A1D7E, #890B6B, #780058 and #670045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB2F91 shade: #AC2F91, #AC2F70, #AC2F4E and #AC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB2F91 shade: #AC2F91, #A42FAC, #822FAC, #612FAC and #3F2FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB2F91 shade matches the following richer shades: #AC2F91, #BD1D9C and #CF0BA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB2F91 shade: #AC2F91, #9A4087, #88527D, #766473 and #657668

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB2F91 shade: #822FAC, #A32FAC, #AC2F93, #AC2F71 and #AC2F50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB2F91 shade: #6B1D5B, #8B2676, #AC2F91, #C93BAB and #D25BB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB2F91 shade: #AB2F91, #AC612F and #2FAC93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB2F91 shade: #AB2F91, #93AC2F and #2F93AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB2F91 shade: #AB2F91, #AC612F, #2FAC48 and #2F7AAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB2F91 shade: #AB2F91, #AC862F, #2FAC48 and #2F54AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 15 / 33

HEX #AB2F91

RGB 171 47 145

HSL 312.58, 0.57%, 0.43%

LAB 42.36, 59.67, -26.62

 

Complementary color

CMYK 60 / 0 / 47 / 18

HEX #54D06E

RGB 84 208 110

HSL 132.58, 0.57%, 0.57%

LAB 74.9, -55.11, 38.47

 

CMYK 0 / 73 / 20 / 31

HEX #B02F8C

RGB 176 47 140

HSL 316.74, 0.58%, 0.44%

LAB 43, 60.2, -22.52

 

CMYK 0 / 66 / 18 / 24

HEX #C1419F

RGB 193 65 159

HSL 315.94, 0.51%, 0.51%

LAB 49.03, 60.65, -24.37

 

CMYK 0 / 60 / 15 / 18

HEX #D253B2

RGB 210 83 178

HSL 315.12, 0.59%, 0.57%

LAB 55.18, 60.59, -25.8

 

CMYK 0 / 56 / 13 / 11

HEX #E365C5

RGB 227 101 197

HSL 314.29, 0.69%, 0.64%

LAB 61.37, 60.24, -26.95

 

CMYK 0 / 51 / 11 / 4

HEX #F477D8

RGB 244 119 216

HSL 313.44, 0.85%, 0.71%

LAB 67.56, 59.72, -27.89

 

CMYK 0 / 73 / 15 / 33

HEX #AB2F91

RGB 171 47 145

HSL 312.58, 0.57%, 0.43%

LAB 42.36, 59.67, -26.62

 

CMYK 0 / 81 / 18 / 40

HEX #9A1D7E

RGB 154 29 126

HSL 313.44, 0.68%, 0.36%

LAB 36.47, 58.45, -24.35

 

CMYK 0 / 92 / 22 / 46

HEX #890B6B

RGB 137 11 107

HSL 314.29, 0.85%, 0.29%

LAB 30.92, 55.95, -21.22

 

CMYK 0 / 100 / 27 / 53

HEX #780058

RGB 120 0 88

HSL 316, 1%, 0.24%

LAB 25.86, 51.69, -16.97

 

CMYK 0 / 100 / 33 / 60

HEX #670045

RGB 103 0 69

HSL 319.81, 1%, 0.2%

LAB 21.26, 45.62, -11.52

 

CMYK 0 / 73 / 16 / 33

HEX #AC2F91

RGB 172 47 145

HSL 312.96, 0.57%, 0.43%

LAB 42.53, 59.91, -26.34

 

CMYK 0 / 73 / 35 / 33

HEX #AC2F70

RGB 172 47 112

HSL 328.8, 0.57%, 0.43%

LAB 41.17, 55.61, -8.13

 

CMYK 0 / 73 / 55 / 33

HEX #AC2F4E

RGB 172 47 78

HSL 345.12, 0.57%, 0.43%

LAB 40.17, 52.3, 11.78

 

CMYK 0 / 73 / 73 / 33

HEX #AC2F2F

RGB 172 47 47

HSL 0, 0.57%, 0.43%

LAB 39.6, 50.35, 30.28

 

CMYK 0 / 73 / 16 / 33

HEX #AC2F91

RGB 172 47 145

HSL 312.96, 0.57%, 0.43%

LAB 42.53, 59.91, -26.34

 

CMYK 5 / 73 / 0 / 33

HEX #A42FAC

RGB 164 47 172

HSL 296.16, 0.57%, 0.43%

LAB 42.62, 62.36, -42.49

 

CMYK 24 / 73 / 0 / 33

HEX #822FAC

RGB 130 47 172

HSL 279.84, 0.57%, 0.43%

LAB 37.4, 55.17, -51.14

 

CMYK 44 / 73 / 0 / 33

HEX #612FAC

RGB 97 47 172

HSL 264, 0.57%, 0.43%

LAB 33.03, 48.83, -58.44

 

CMYK 63 / 73 / 0 / 33

HEX #3F2FAC

RGB 63 47 172

HSL 247.68, 0.57%, 0.43%

LAB 29.58, 43.53, -64.22

 

CMYK 0 / 73 / 16 / 33

HEX #AC2F91

RGB 172 47 145

HSL 312.96, 0.57%, 0.43%

LAB 42.53, 59.91, -26.34

 

CMYK 0 / 85 / 17 / 26

HEX #BD1D9C

RGB 189 29 156

HSL 312.38, 0.73%, 0.43%

LAB 44.37, 70.18, -29.88

 

CMYK 0 / 95 / 20 / 19

HEX #CF0BA6

RGB 207 11 166

HSL 312.55, 0.9%, 0.43%

LAB 47.31, 77.58, -31.02

 

CMYK 0 / 73 / 16 / 33

HEX #AC2F91

RGB 172 47 145

HSL 312.96, 0.57%, 0.43%

LAB 42.53, 59.91, -26.34

 

CMYK 0 / 58 / 12 / 40

HEX #9A4087

RGB 154 64 135

HSL 312.67, 0.41%, 0.43%

LAB 41.67, 46.5, -21.83

 

CMYK 0 / 40 / 8 / 47

HEX #88527D

RGB 136 82 125

HSL 312.22, 0.25%, 0.43%

LAB 42.38, 29.35, -14.84

 

CMYK 0 / 15 / 3 / 54

HEX #766473

RGB 118 100 115

HSL 310, 0.08%, 0.43%

LAB 44.52, 10.06, -5.75

 

CMYK 14 / 0 / 12 / 54

HEX #657668

RGB 101 118 104

HSL 130.59, 0.08%, 0.43%

LAB 47.91, -9.27, 5.61

 

CMYK 24 / 73 / 0 / 33

HEX #822FAC

RGB 130 47 172

HSL 279.84, 0.57%, 0.43%

LAB 37.4, 55.17, -51.14

 

CMYK 5 / 73 / 0 / 33

HEX #A32FAC

RGB 163 47 172

HSL 295.68, 0.57%, 0.43%

LAB 42.46, 62.15, -42.76

 

CMYK 0 / 73 / 15 / 33

HEX #AC2F93

RGB 172 47 147

HSL 312, 0.57%, 0.43%

LAB 42.63, 60.2, -27.4

 

CMYK 0 / 73 / 34 / 33

HEX #AC2F71

RGB 172 47 113

HSL 328.32, 0.57%, 0.43%

LAB 41.21, 55.73, -8.7

 

CMYK 0 / 73 / 53 / 33

HEX #AC2F50

RGB 172 47 80

HSL 344.16, 0.57%, 0.43%

LAB 40.22, 52.46, 10.59

 

CMYK 0 / 73 / 15 / 58

HEX #6B1D5B

RGB 107 29 91

HSL 312.31, 0.57%, 0.27%

LAB 26.04, 41.43, -18.86

 

CMYK 0 / 73 / 15 / 45

HEX #8B2676

RGB 139 38 118

HSL 312.48, 0.57%, 0.35%

LAB 34.36, 50.77, -22.83

 

CMYK 0 / 73 / 16 / 33

HEX #AC2F91

RGB 172 47 145

HSL 312.96, 0.57%, 0.43%

LAB 42.53, 59.91, -26.34

 

CMYK 0 / 71 / 15 / 21

HEX #C93BAB

RGB 201 59 171

HSL 312.68, 0.57%, 0.51%

LAB 50.08, 66.6, -29.73

 

CMYK 0 / 57 / 12 / 18

HEX #D25BB9

RGB 210 91 185

HSL 312.61, 0.57%, 0.59%

LAB 56.77, 58.13, -27.39

 

CMYK 0 / 73 / 15 / 33

HEX #AB2F91

RGB 171 47 145

HSL 312.58, 0.57%, 0.43%

LAB 42.36, 59.67, -26.62

 

CMYK 0 / 44 / 73 / 33

HEX #AC612F

RGB 172 97 47

HSL 24, 0.57%, 0.43%

LAB 48.92, 26.26, 40.67

 

CMYK 73 / 0 / 15 / 33

HEX #2FAC93

RGB 47 172 147

HSL 168, 0.57%, 0.43%

LAB 63.52, -39.58, 3.16

 

CMYK 0 / 73 / 15 / 33

HEX #AB2F91

RGB 171 47 145

HSL 312.58, 0.57%, 0.43%

LAB 42.36, 59.67, -26.62

 

CMYK 15 / 0 / 73 / 33

HEX #93AC2F

RGB 147 172 47

HSL 72, 0.57%, 0.43%

LAB 66.45, -25.51, 57.76

 

CMYK 73 / 15 / 0 / 33

HEX #2F93AC

RGB 47 147 172

HSL 192, 0.57%, 0.43%

LAB 56.54, -20.03, -21.38

 

CMYK 0 / 73 / 15 / 33

HEX #AB2F91

RGB 171 47 145

HSL 312.58, 0.57%, 0.43%

LAB 42.36, 59.67, -26.62

 

CMYK 0 / 44 / 73 / 33

HEX #AC612F

RGB 172 97 47

HSL 24, 0.57%, 0.43%

LAB 48.92, 26.26, 40.67

 

CMYK 73 / 0 / 58 / 33

HEX #2FAC48

RGB 47 172 72

HSL 132, 0.57%, 0.43%

LAB 62.15, -54.62, 41.22

 

CMYK 73 / 29 / 0 / 33

HEX #2F7AAC

RGB 47 122 172

HSL 204, 0.57%, 0.43%

LAB 48.89, -6.05, -33.24

 

CMYK 0 / 73 / 15 / 33

HEX #AB2F91

RGB 171 47 145

HSL 312.58, 0.57%, 0.43%

LAB 42.36, 59.67, -26.62

 

CMYK 0 / 22 / 73 / 33

HEX #AC862F

RGB 172 134 47

HSL 41.76, 0.57%, 0.43%

LAB 58.06, 5.56, 50.17

 

CMYK 73 / 0 / 58 / 33

HEX #2FAC48

RGB 47 172 72

HSL 132, 0.57%, 0.43%

LAB 62.15, -54.62, 41.22

 

CMYK 73 / 51 / 0 / 33

HEX #2F54AC

RGB 47 84 172

HSL 222.24, 0.57%, 0.43%

LAB 37.7, 17.87, -51.03

 

Description

Color code: HEX #AB2F91 | qconv.com Color code: HEX #AB2F91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 47 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 47 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 15 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 15% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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