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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB3963 it is the complementary color #54C69C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB3963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB3963 shade: #B0395E, #C14B71, #D25D84, #E36F97 and #F481AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB3963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB3963 shade: #AB3963, #9A2750, #89153D, #78032A and #670017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB3963 shade: #AC3963, #AC3944 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB3963 shade: #AC3963, #AC3982, #AC39A1, #9739AC and #7839AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB3963 shade matches the following richer shades: #AC3963, #BE265E, #D11459 and #E30155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB3963 shade: #AC3963, #994B68, #865E6D, #747172 and #618377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB3963 shade: #AC39A2, #AC3983, #AC3965, #AC3946 and #AC4A39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB3963 shade: #6E243F, #8D2F51, #AC3963, #C34B77 and #CD6A8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB3963 shade: #AB3963, #AC9739 and #3993AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB3963 shade: #AB3963, #65AC39 and #3965AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB3963 shade: #AB3963, #AC9739, #39AC80 and #394EAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB3963 shade: #AB3963, #9EAC39, #39AC80 and #4639AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 42 / 33

HEX #AB3963

RGB 171 57 99

HSL 337.89, 0.5%, 0.45%

LAB 41.98, 50, 1.14

 

Complementary color

CMYK 58 / 0 / 21 / 22

HEX #54C69C

RGB 84 198 156

HSL 157.89, 0.5%, 0.55%

LAB 72.68, -42.36, 11.46

 

CMYK 0 / 68 / 47 / 31

HEX #B0395E

RGB 176 57 94

HSL 341.34, 0.51%, 0.46%

LAB 42.71, 51.06, 5.43

 

CMYK 0 / 61 / 41 / 24

HEX #C14B71

RGB 193 75 113

HSL 340.68, 0.49%, 0.53%

LAB 48.96, 50.66, 3.13

 

CMYK 0 / 56 / 37 / 18

HEX #D25D84

RGB 210 93 132

HSL 340, 0.57%, 0.59%

LAB 55.27, 49.99, 1.27

 

CMYK 0 / 51 / 33 / 11

HEX #E36F97

RGB 227 111 151

HSL 339.31, 0.67%, 0.66%

LAB 61.6, 49.21, -0.27

 

CMYK 0 / 47 / 30 / 4

HEX #F481AA

RGB 244 129 170

HSL 338.61, 0.84%, 0.73%

LAB 67.9, 48.39, -1.59

 

CMYK 0 / 67 / 42 / 33

HEX #AB3963

RGB 171 57 99

HSL 337.89, 0.5%, 0.45%

LAB 41.98, 50, 1.14

 

CMYK 0 / 75 / 48 / 40

HEX #9A2750

RGB 154 39 80

HSL 338.61, 0.6%, 0.38%

LAB 35.79, 49.93, 3.85

 

CMYK 0 / 85 / 55 / 46

HEX #89153D

RGB 137 21 61

HSL 339.31, 0.73%, 0.31%

LAB 29.89, 48.97, 7.47

 

CMYK 0 / 98 / 65 / 53

HEX #78032A

RGB 120 3 42

HSL 340, 0.95%, 0.24%

LAB 24.4, 46.75, 12.26

 

CMYK 0 / 100 / 78 / 60

HEX #670017

RGB 103 0 23

HSL 346.6, 1%, 0.2%

LAB 19.82, 41.85, 18.84

 

CMYK 0 / 67 / 42 / 33

HEX #AC3963

RGB 172 57 99

HSL 338.09, 0.5%, 0.45%

LAB 42.15, 50.31, 1.42

 

CMYK 0 / 67 / 60 / 33

HEX #AC3944

RGB 172 57 68

HSL 354.26, 0.5%, 0.45%

LAB 41.4, 47.59, 19.7

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 67 / 42 / 33

HEX #AC3963

RGB 172 57 99

HSL 338.09, 0.5%, 0.45%

LAB 42.15, 50.31, 1.42

 

CMYK 0 / 67 / 24 / 33

HEX #AC3982

RGB 172 57 130

HSL 321.91, 0.5%, 0.45%

LAB 43.22, 54.05, -16.13

 

CMYK 0 / 67 / 6 / 33

HEX #AC39A1

RGB 172 57 161

HSL 305.74, 0.5%, 0.45%

LAB 44.62, 58.69, -32.7

 

CMYK 12 / 67 / 0 / 33

HEX #9739AC

RGB 151 57 172

HSL 289.04, 0.5%, 0.45%

LAB 41.98, 55.57, -43.64

 

CMYK 30 / 67 / 0 / 33

HEX #7839AC

RGB 120 57 172

HSL 272.87, 0.5%, 0.45%

LAB 37.66, 48.51, -50.8

 

CMYK 0 / 67 / 42 / 33

HEX #AC3963

RGB 172 57 99

HSL 338.09, 0.5%, 0.45%

LAB 42.15, 50.31, 1.42

 

CMYK 0 / 80 / 51 / 25

HEX #BE265E

RGB 190 38 94

HSL 337.89, 0.67%, 0.45%

LAB 42.98, 61.6, 6.16

 

CMYK 0 / 90 / 57 / 18

HEX #D11459

RGB 209 20 89

HSL 338.1, 0.83%, 0.45%

LAB 45.33, 69.72, 13.13

 

CMYK 0 / 100 / 63 / 11

HEX #E30155

RGB 227 1 85

HSL 337.7, 0.99%, 0.45%

LAB 48.27, 75.56, 20.21

 

CMYK 0 / 67 / 42 / 33

HEX #AC3963

RGB 172 57 99

HSL 338.09, 0.5%, 0.45%

LAB 42.15, 50.31, 1.42

 

CMYK 0 / 51 / 32 / 40

HEX #994B68

RGB 153 75 104

HSL 337.69, 0.34%, 0.45%

LAB 42.47, 35.93, -1.59

 

CMYK 0 / 30 / 19 / 47

HEX #865E6D

RGB 134 94 109

HSL 337.5, 0.18%, 0.45%

LAB 44.49, 18.74, -1.97

 

CMYK 0 / 3 / 2 / 55

HEX #747172

RGB 116 113 114

HSL 340, 0.01%, 0.45%

LAB 47.93, 1.35, -0.15

 

CMYK 26 / 0 / 9 / 49

HEX #618377

RGB 97 131 119

HSL 158.82, 0.15%, 0.45%

LAB 51.96, -14.69, 2.59

 

CMYK 0 / 67 / 6 / 33

HEX #AC39A2

RGB 172 57 162

HSL 305.22, 0.5%, 0.45%

LAB 44.67, 58.85, -33.22

 

CMYK 0 / 67 / 24 / 33

HEX #AC3983

RGB 172 57 131

HSL 321.39, 0.5%, 0.45%

LAB 43.26, 54.19, -16.68

 

CMYK 0 / 67 / 41 / 33

HEX #AC3965

RGB 172 57 101

HSL 337.04, 0.5%, 0.45%

LAB 42.21, 50.52, 0.26

 

CMYK 0 / 67 / 59 / 33

HEX #AC3946

RGB 172 57 70

HSL 353.22, 0.5%, 0.45%

LAB 41.44, 47.74, 18.51

 

CMYK 0 / 57 / 67 / 33

HEX #AC4A39

RGB 172 74 57

HSL 8.87, 0.5%, 0.45%

LAB 44.18, 38.99, 29.82

 

CMYK 0 / 67 / 43 / 57

HEX #6E243F

RGB 110 36 63

HSL 338.11, 0.51%, 0.29%

LAB 26.55, 35.34, 0.63

 

CMYK 0 / 67 / 43 / 45

HEX #8D2F51

RGB 141 47 81

HSL 338.3, 0.5%, 0.37%

LAB 34.58, 42.77, 1.15

 

CMYK 0 / 67 / 42 / 33

HEX #AC3963

RGB 172 57 99

HSL 338.09, 0.5%, 0.45%

LAB 42.15, 50.31, 1.42

 

CMYK 0 / 62 / 39 / 24

HEX #C34B77

RGB 195 75 119

HSL 338, 0.5%, 0.53%

LAB 49.46, 51.95, 0.26

 

CMYK 0 / 48 / 31 / 20

HEX #CD6A8E

RGB 205 106 142

HSL 338.18, 0.5%, 0.61%

LAB 57.31, 43.12, -1.7

 

CMYK 0 / 67 / 42 / 33

HEX #AB3963

RGB 171 57 99

HSL 337.89, 0.5%, 0.45%

LAB 41.98, 50, 1.14

 

CMYK 0 / 12 / 67 / 33

HEX #AC9739

RGB 172 151 57

HSL 49.04, 0.5%, 0.45%

LAB 62.68, -3.22, 50.59

 

CMYK 67 / 15 / 0 / 33

HEX #3993AC

RGB 57 147 172

HSL 193.04, 0.5%, 0.45%

LAB 56.8, -18.55, -20.96

 

CMYK 0 / 67 / 42 / 33

HEX #AB3963

RGB 171 57 99

HSL 337.89, 0.5%, 0.45%

LAB 41.98, 50, 1.14

 

CMYK 41 / 0 / 67 / 33

HEX #65AC39

RGB 101 172 57

HSL 97.04, 0.5%, 0.45%

LAB 63.81, -42.42, 50.29

 

CMYK 67 / 41 / 0 / 33

HEX #3965AC

RGB 57 101 172

HSL 217.04, 0.5%, 0.45%

LAB 43, 8.42, -42.52

 

CMYK 0 / 67 / 42 / 33

HEX #AB3963

RGB 171 57 99

HSL 337.89, 0.5%, 0.45%

LAB 41.98, 50, 1.14

 

CMYK 0 / 12 / 67 / 33

HEX #AC9739

RGB 172 151 57

HSL 49.04, 0.5%, 0.45%

LAB 62.68, -3.22, 50.59

 

CMYK 67 / 0 / 26 / 33

HEX #39AC80

RGB 57 172 128

HSL 157.04, 0.5%, 0.45%

LAB 63.29, -42.71, 13.4

 

CMYK 67 / 55 / 0 / 33

HEX #394EAC

RGB 57 78 172

HSL 229.04, 0.5%, 0.45%

LAB 36.55, 23.33, -52.87

 

CMYK 0 / 67 / 42 / 33

HEX #AB3963

RGB 171 57 99

HSL 337.89, 0.5%, 0.45%

LAB 41.98, 50, 1.14

 

CMYK 8 / 0 / 67 / 33

HEX #9EAC39

RGB 158 172 57

HSL 67.3, 0.5%, 0.45%

LAB 67.33, -20.3, 55.07

 

CMYK 67 / 0 / 26 / 33

HEX #39AC80

RGB 57 172 128

HSL 157.04, 0.5%, 0.45%

LAB 63.29, -42.71, 13.4

 

CMYK 59 / 67 / 0 / 33

HEX #4639AC

RGB 70 57 172

HSL 246.78, 0.5%, 0.45%

LAB 32.27, 38.76, -59.79

 

Description

Color code: HEX #AB3963 | qconv.com Color code: HEX #AB3963 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 57 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 57 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 42 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 42% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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