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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB3388 it is the complementary color #54CC77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB3388. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB3388 shade: #B03383, #C14596, #D257A9, #E369BC and #F47BCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB3388. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB3388 shade: #AB3388, #9A2175, #890F62, #78004F and #67003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB3388 shade: #AC3389, #AC3368, #AC3348 and #AC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB3388 shade: #AC3389, #AC33AA, #8E33AC, #6E33AC and #4D33AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB3388 shade matches the following richer shades: #AC3389, #BE2191 and #D10F98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB3388 shade: #AC3389, #9A4581, #88577A, #766A72 and #647C6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB3388 shade: #8E33AC, #AC33AA, #AC338A, #AC336A and #AC3349

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB3388 shade: #6D2056, #8D2A70, #AC3389, #C642A0 and #D062B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB3388 shade: #AB3388, #AC6E33 and #33AC9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB3388 shade: #AB3388, #8AAC33 and #338AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB3388 shade: #AB3388, #AC6E33, #33AC55 and #3372AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB3388 shade: #AB3388, #AC9233, #33AC55 and #334DAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 20 / 33

HEX #AB3388

RGB 171 51 136

HSL 317.5, 0.54%, 0.44%

LAB 42.47, 56.94, -20.98

 

Complementary color

CMYK 59 / 0 / 42 / 20

HEX #54CC77

RGB 84 204 119

HSL 137.5, 0.54%, 0.56%

LAB 73.81, -52.13, 32.53

 

CMYK 0 / 71 / 26 / 31

HEX #B03383

RGB 176 51 131

HSL 321.6, 0.55%, 0.45%

LAB 43.12, 57.59, -16.85

 

CMYK 0 / 64 / 22 / 24

HEX #C14596

RGB 193 69 150

HSL 320.81, 0.5%, 0.51%

LAB 49.25, 57.77, -18.69

 

CMYK 0 / 59 / 20 / 18

HEX #D257A9

RGB 210 87 169

HSL 320, 0.58%, 0.58%

LAB 55.46, 57.53, -20.13

 

CMYK 0 / 54 / 17 / 11

HEX #E369BC

RGB 227 105 188

HSL 319.18, 0.69%, 0.65%

LAB 61.71, 57.06, -21.3

 

CMYK 0 / 50 / 15 / 4

HEX #F47BCF

RGB 244 123 207

HSL 318.35, 0.85%, 0.72%

LAB 67.95, 56.45, -22.28

 

CMYK 0 / 70 / 20 / 33

HEX #AB3388

RGB 171 51 136

HSL 317.5, 0.54%, 0.44%

LAB 42.47, 56.94, -20.98

 

CMYK 0 / 79 / 24 / 40

HEX #9A2175

RGB 154 33 117

HSL 318.35, 0.65%, 0.37%

LAB 36.45, 56.1, -18.76

 

CMYK 0 / 89 / 28 / 46

HEX #890F62

RGB 137 15 98

HSL 319.18, 0.8%, 0.3%

LAB 30.74, 54.1, -15.7

 

CMYK 0 / 100 / 34 / 53

HEX #78004F

RGB 120 0 79

HSL 320.5, 1%, 0.24%

LAB 25.44, 50.61, -11.6

 

CMYK 0 / 100 / 42 / 60

HEX #67003C

RGB 103 0 60

HSL 325.05, 1%, 0.2%

LAB 20.87, 44.61, -5.88

 

CMYK 0 / 70 / 20 / 33

HEX #AC3389

RGB 172 51 137

HSL 317.36, 0.54%, 0.44%

LAB 42.68, 57.35, -21.25

 

CMYK 0 / 70 / 40 / 33

HEX #AC3368

RGB 172 51 104

HSL 333.72, 0.54%, 0.44%

LAB 41.43, 53.24, -2.75

 

CMYK 0 / 70 / 58 / 33

HEX #AC3348

RGB 172 51 72

HSL 349.59, 0.54%, 0.44%

LAB 40.58, 50.33, 16.12

 

CMYK 0 / 70 / 70 / 33

HEX #AC3333

RGB 172 51 51

HSL 0, 0.54%, 0.44%

LAB 40.21, 49.02, 28.61

 

CMYK 0 / 70 / 20 / 33

HEX #AC3389

RGB 172 51 137

HSL 317.36, 0.54%, 0.44%

LAB 42.68, 57.35, -21.25

 

CMYK 0 / 70 / 1 / 33

HEX #AC33AA

RGB 172 51 170

HSL 300.99, 0.54%, 0.44%

LAB 44.29, 62.41, -38.57

 

CMYK 17 / 70 / 0 / 33

HEX #8E33AC

RGB 142 51 172

HSL 285.12, 0.54%, 0.44%

LAB 39.74, 56.06, -47.28

 

CMYK 36 / 70 / 0 / 33

HEX #6E33AC

RGB 110 51 172

HSL 269.26, 0.54%, 0.44%

LAB 35.32, 49.34, -54.64

 

CMYK 55 / 70 / 0 / 33

HEX #4D33AC

RGB 77 51 172

HSL 252.89, 0.54%, 0.44%

LAB 31.63, 43.34, -60.81

 

CMYK 0 / 70 / 20 / 33

HEX #AC3389

RGB 172 51 137

HSL 317.36, 0.54%, 0.44%

LAB 42.68, 57.35, -21.25

 

CMYK 0 / 83 / 24 / 25

HEX #BE2191

RGB 190 33 145

HSL 317.2, 0.7%, 0.44%

LAB 44.35, 68.12, -23.27

 

CMYK 0 / 93 / 27 / 18

HEX #D10F98

RGB 209 15 152

HSL 317.63, 0.87%, 0.44%

LAB 47.19, 75.95, -22.81

 

CMYK 0 / 70 / 20 / 33

HEX #AC3389

RGB 172 51 137

HSL 317.36, 0.54%, 0.44%

LAB 42.68, 57.35, -21.25

 

CMYK 0 / 55 / 16 / 40

HEX #9A4581

RGB 154 69 129

HSL 317.65, 0.38%, 0.44%

LAB 42.32, 43.08, -17.15

 

CMYK 0 / 36 / 10 / 47

HEX #88577A

RGB 136 87 122

HSL 317.14, 0.22%, 0.44%

LAB 43.44, 25.91, -11.41

 

CMYK 0 / 10 / 3 / 54

HEX #766A72

RGB 118 106 114

HSL 320, 0.05%, 0.44%

LAB 46.14, 6.26, -2.75

 

CMYK 19 / 0 / 14 / 51

HEX #647C6B

RGB 100 124 107

HSL 137.5, 0.11%, 0.44%

LAB 49.72, -12.38, 6.42

 

CMYK 17 / 70 / 0 / 33

HEX #8E33AC

RGB 142 51 172

HSL 285.12, 0.54%, 0.44%

LAB 39.74, 56.06, -47.28

 

CMYK 0 / 70 / 1 / 33

HEX #AC33AA

RGB 172 51 170

HSL 300.99, 0.54%, 0.44%

LAB 44.29, 62.41, -38.57

 

CMYK 0 / 70 / 20 / 33

HEX #AC338A

RGB 172 51 138

HSL 316.86, 0.54%, 0.44%

LAB 42.72, 57.49, -21.79

 

CMYK 0 / 70 / 38 / 33

HEX #AC336A

RGB 172 51 106

HSL 332.73, 0.54%, 0.44%

LAB 41.5, 53.46, -3.9

 

CMYK 0 / 70 / 58 / 33

HEX #AC3349

RGB 172 51 73

HSL 349.09, 0.54%, 0.44%

LAB 40.6, 50.4, 15.52

 

CMYK 0 / 71 / 21 / 57

HEX #6D2056

RGB 109 32 86

HSL 317.92, 0.55%, 0.28%

LAB 26.61, 39.96, -14.65

 

CMYK 0 / 70 / 21 / 45

HEX #8D2A70

RGB 141 42 112

HSL 317.58, 0.54%, 0.36%

LAB 34.98, 48.87, -18.06

 

CMYK 0 / 70 / 20 / 33

HEX #AC3389

RGB 172 51 137

HSL 317.36, 0.54%, 0.44%

LAB 42.68, 57.35, -21.25

 

CMYK 0 / 67 / 19 / 22

HEX #C642A0

RGB 198 66 160

HSL 317.27, 0.54%, 0.52%

LAB 50.03, 61.72, -23.36

 

CMYK 0 / 53 / 15 / 18

HEX #D062B0

RGB 208 98 176

HSL 317.45, 0.54%, 0.6%

LAB 57.35, 52.89, -21.34

 

CMYK 0 / 70 / 20 / 33

HEX #AB3388

RGB 171 51 136

HSL 317.5, 0.54%, 0.44%

LAB 42.47, 56.94, -20.98

 

CMYK 0 / 36 / 70 / 33

HEX #AC6E33

RGB 172 110 51

HSL 29.26, 0.54%, 0.44%

LAB 52.02, 19.23, 42.02

 

CMYK 70 / 0 / 8 / 33

HEX #33AC9E

RGB 51 172 158

HSL 173.06, 0.54%, 0.44%

LAB 63.9, -36.06, -2.41

 

CMYK 0 / 70 / 20 / 33

HEX #AB3388

RGB 171 51 136

HSL 317.5, 0.54%, 0.44%

LAB 42.47, 56.94, -20.98

 

CMYK 20 / 0 / 70 / 33

HEX #8AAC33

RGB 138 172 51

HSL 76.86, 0.54%, 0.44%

LAB 65.86, -28.99, 55.48

 

CMYK 70 / 20 / 0 / 33

HEX #338AAC

RGB 51 138 172

HSL 196.86, 0.54%, 0.44%

LAB 53.88, -14.6, -25.46

 

CMYK 0 / 70 / 20 / 33

HEX #AB3388

RGB 171 51 136

HSL 317.5, 0.54%, 0.44%

LAB 42.47, 56.94, -20.98

 

CMYK 0 / 36 / 70 / 33

HEX #AC6E33

RGB 172 110 51

HSL 29.26, 0.54%, 0.44%

LAB 52.02, 19.23, 42.02

 

CMYK 70 / 0 / 51 / 33

HEX #33AC55

RGB 51 172 85

HSL 136.86, 0.54%, 0.44%

LAB 62.39, -52.07, 35.15

 

CMYK 70 / 34 / 0 / 33

HEX #3372AC

RGB 51 114 172

HSL 208.76, 0.54%, 0.44%

LAB 46.6, -0.66, -36.82

 

CMYK 0 / 70 / 20 / 33

HEX #AB3388

RGB 171 51 136

HSL 317.5, 0.54%, 0.44%

LAB 42.47, 56.94, -20.98

 

CMYK 0 / 15 / 70 / 33

HEX #AC9233

RGB 172 146 51

HSL 47.11, 0.54%, 0.44%

LAB 61.28, -0.84, 51.74

 

CMYK 70 / 0 / 51 / 33

HEX #33AC55

RGB 51 172 85

HSL 136.86, 0.54%, 0.44%

LAB 62.39, -52.07, 35.15

 

CMYK 70 / 55 / 0 / 33

HEX #334DAC

RGB 51 77 172

HSL 227.11, 0.54%, 0.44%

LAB 35.97, 23.06, -53.84

 

Description

Color code: HEX #AB3388 | qconv.com Color code: HEX #AB3388 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 51 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 51 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 20 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 20% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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