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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB444F it is the complementary color #54BBB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB444F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB444F shade: #B0444A, #C1565D, #D26870, #E37A83 and #F48C96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB444F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB444F shade: #AB444F, #9A323C, #892029, #780E16 and #670003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB444F shade: #AB444F and #AB4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB444F shade: #AB444F, #AB446B, #AB4486, #AB44A2 and #9844AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB444F shade matches the following richer shades: #AB444F, #BE3040, #D21D30 and #E50A21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB444F shade: #AB444F, #97575E, #846B6D, #717E7D and #5D918C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB444F shade: #AB4487, #AB446B, #AB4450, #AB5344 and #AB6F44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB444F shade: #702C34, #8D3841, #AB444F, #BD5B65 and #C97881

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB444F shade: #AB444F, #A2AB44 and #4479AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB444F shade: #AB444F, #50AB44 and #4450AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB444F shade: #AB444F, #A2AB44, #44AB9F and #4C44AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB444F shade: #AB444F, #83AB44, #44AB9F and #6B44AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

Complementary color

CMYK 55 / 0 / 6 / 27

HEX #54BBB0

RGB 84 187 176

HSL 173.59, 0.43%, 0.53%

LAB 69.87, -32.49, -3.49

 

CMYK 0 / 61 / 58 / 31

HEX #B0444A

RGB 176 68 74

HSL 356.67, 0.44%, 0.48%

LAB 44.03, 44.52, 19.61

 

CMYK 0 / 55 / 52 / 24

HEX #C1565D

RGB 193 86 93

HSL 356.07, 0.46%, 0.55%

LAB 50.43, 43.53, 17.23

 

CMYK 0 / 50 / 47 / 18

HEX #D26870

RGB 210 104 112

HSL 355.47, 0.54%, 0.62%

LAB 56.85, 42.49, 15.25

 

CMYK 0 / 46 / 42 / 11

HEX #E37A83

RGB 227 122 131

HSL 354.86, 0.65%, 0.68%

LAB 63.25, 41.45, 13.56

 

CMYK 0 / 43 / 39 / 4

HEX #F48C96

RGB 244 140 150

HSL 354.23, 0.83%, 0.75%

LAB 69.61, 40.45, 12.09

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 0 / 68 / 61 / 40

HEX #9A323C

RGB 154 50 60

HSL 354.23, 0.51%, 0.4%

LAB 36.89, 43.92, 18.17

 

CMYK 0 / 77 / 70 / 46

HEX #892029

RGB 137 32 41

HSL 354.86, 0.62%, 0.33%

LAB 30.67, 44.22, 21.69

 

CMYK 0 / 88 / 82 / 53

HEX #780E16

RGB 120 14 22

HSL 355.47, 0.79%, 0.26%

LAB 24.84, 43.51, 26.19

 

CMYK 0 / 100 / 97 / 60

HEX #670003

RGB 103 0 3

HSL 358.25, 1%, 0.2%

LAB 19.6, 41.23, 28.81

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 0 / 60 / 60 / 33

HEX #AB4444

RGB 171 68 68

HSL 0, 0.43%, 0.47%

LAB 43.08, 42.28, 21.85

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 0 / 60 / 37 / 33

HEX #AB446B

RGB 171 68 107

HSL 337.28, 0.43%, 0.47%

LAB 44.02, 46.01, -0.83

 

CMYK 0 / 60 / 22 / 33

HEX #AB4486

RGB 171 68 134

HSL 321.55, 0.43%, 0.47%

LAB 44.96, 49.56, -15.93

 

CMYK 0 / 60 / 5 / 33

HEX #AB44A2

RGB 171 68 162

HSL 305.24, 0.43%, 0.47%

LAB 46.18, 53.98, -30.86

 

CMYK 11 / 60 / 0 / 33

HEX #9844AB

RGB 152 68 171

HSL 288.93, 0.43%, 0.47%

LAB 43.87, 50.62, -40.02

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 0 / 75 / 66 / 25

HEX #BE3040

RGB 190 48 64

HSL 353.24, 0.6%, 0.47%

LAB 43.41, 56.5, 25.4

 

CMYK 0 / 86 / 77 / 18

HEX #D21D30

RGB 210 29 48

HSL 353.7, 0.76%, 0.47%

LAB 45.35, 66.46, 38.2

 

CMYK 0 / 96 / 86 / 10

HEX #E50A21

RGB 229 10 33

HSL 353.7, 0.92%, 0.47%

LAB 48.24, 73.44, 50.39

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 0 / 42 / 38 / 41

HEX #97575E

RGB 151 87 94

HSL 353.44, 0.27%, 0.47%

LAB 44.52, 27.27, 7.48

 

CMYK 0 / 19 / 17 / 48

HEX #846B6D

RGB 132 107 109

HSL 355.2, 0.1%, 0.47%

LAB 47.66, 10.25, 2.62

 

CMYK 10 / 0 / 1 / 51

HEX #717E7D

RGB 113 126 125

HSL 175.38, 0.05%, 0.47%

LAB 51.74, -4.99, -1.1

 

CMYK 36 / 0 / 3 / 43

HEX #5D918C

RGB 93 145 140

HSL 174.23, 0.22%, 0.47%

LAB 56.56, -18.49, -2.86

 

CMYK 0 / 60 / 21 / 33

HEX #AB4487

RGB 171 68 135

HSL 320.97, 0.43%, 0.47%

LAB 45, 49.71, -16.48

 

CMYK 0 / 60 / 37 / 33

HEX #AB446B

RGB 171 68 107

HSL 337.28, 0.43%, 0.47%

LAB 44.02, 46.01, -0.83

 

CMYK 0 / 60 / 53 / 33

HEX #AB4450

RGB 171 68 80

HSL 353.01, 0.43%, 0.47%

LAB 43.32, 43.24, 14.83

 

CMYK 0 / 51 / 60 / 33

HEX #AB5344

RGB 171 83 68

HSL 8.74, 0.43%, 0.47%

LAB 45.99, 34.74, 25.59

 

CMYK 0 / 35 / 60 / 33

HEX #AB6F44

RGB 171 111 68

HSL 25.05, 0.43%, 0.47%

LAB 52.34, 19.37, 33.45

 

CMYK 0 / 61 / 54 / 56

HEX #702C34

RGB 112 44 52

HSL 352.94, 0.44%, 0.31%

LAB 28.1, 30.88, 10.23

 

CMYK 0 / 60 / 54 / 45

HEX #8D3841

RGB 141 56 65

HSL 353.65, 0.43%, 0.39%

LAB 35.74, 36.92, 13.05

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 0 / 52 / 47 / 26

HEX #BD5B65

RGB 189 91 101

HSL 353.88, 0.43%, 0.55%

LAB 50.97, 40.34, 13.1

 

CMYK 0 / 40 / 36 / 21

HEX #C97881

RGB 201 120 129

HSL 353.33, 0.43%, 0.63%

LAB 59.38, 32.69, 8.76

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 5 / 0 / 60 / 33

HEX #A2AB44

RGB 162 171 68

HSL 65.24, 0.43%, 0.47%

LAB 67.45, -17.34, 50.59

 

CMYK 60 / 29 / 0 / 33

HEX #4479AB

RGB 68 121 171

HSL 209.13, 0.43%, 0.47%

LAB 49.31, -2.16, -31.94

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 53 / 0 / 60 / 33

HEX #50AB44

RGB 80 171 68

HSL 113.01, 0.43%, 0.47%

LAB 62.72, -47.38, 43.99

 

CMYK 60 / 53 / 0 / 33

HEX #4450AB

RGB 68 80 171

HSL 233.01, 0.43%, 0.47%

LAB 37.67, 23.61, -50.43

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 5 / 0 / 60 / 33

HEX #A2AB44

RGB 162 171 68

HSL 65.24, 0.43%, 0.47%

LAB 67.45, -17.34, 50.59

 

CMYK 60 / 0 / 7 / 33

HEX #44AB9F

RGB 68 171 159

HSL 173.01, 0.43%, 0.47%

LAB 64.05, -32.52, -2.7

 

CMYK 56 / 60 / 0 / 33

HEX #4C44AB

RGB 76 68 171

HSL 244.66, 0.43%, 0.47%

LAB 35.22, 32.78, -54.37

 

CMYK 0 / 60 / 54 / 33

HEX #AB444F

RGB 171 68 79

HSL 353.59, 0.43%, 0.47%

LAB 43.3, 43.16, 15.41

 

CMYK 23 / 0 / 60 / 33

HEX #83AB44

RGB 131 171 68

HSL 83.3, 0.43%, 0.47%

LAB 65.25, -30.02, 47.55

 

CMYK 60 / 0 / 7 / 33

HEX #44AB9F

RGB 68 171 159

HSL 173.01, 0.43%, 0.47%

LAB 64.05, -32.52, -2.7

 

CMYK 37 / 60 / 0 / 33

HEX #6B44AB

RGB 107 68 171

HSL 262.72, 0.43%, 0.47%

LAB 38.2, 39.44, -49.41

 

Description

Color code: HEX #AB444F | qconv.com Color code: HEX #AB444F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 68 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 68 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 54 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 54% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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