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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB446D it is the complementary color #54BB92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB446D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB446D shade: #B04468, #C1567B, #D2688E, #E37AA1 and #F48CB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB446D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB446D shade: #AB446D, #9A325A, #892047, #780E34 and #670021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB446D shade: #AB446D, #AB4451 and #AB4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB446D shade: #AB446D, #AB4489, #AB44A4, #9644AB and #7A44AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB446D shade matches the following richer shades: #AB446D, #BE3069, #D21D65 and #E50A61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB446D shade: #AB446D, #975771, #846B75, #717E79 and #5D917D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB446D shade: #AB44A4, #AB4489, #AB446D, #AB4452 and #AB5244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB446D shade: #702C47, #8D385A, #AB446D, #BD5B82 and #C97898

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB446D shade: #AB446D, #AB9644 and #4496AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB446D shade: #AB446D, #6DAB44 and #446DAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB446D shade: #AB446D, #AB9644, #44AB82 and #4458AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB446D shade: #AB446D, #A1AB44, #44AB82 and #4E44AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 36 / 33

HEX #AB446D

RGB 171 68 109

HSL 336.12, 0.43%, 0.47%

LAB 44.08, 46.24, -1.97

 

Complementary color

CMYK 55 / 0 / 22 / 27

HEX #54BB92

RGB 84 187 146

HSL 156.12, 0.43%, 0.53%

LAB 69.11, -39.75, 11.84

 

CMYK 0 / 61 / 41 / 31

HEX #B04468

RGB 176 68 104

HSL 340, 0.44%, 0.48%

LAB 44.75, 47.31, 2.18

 

CMYK 0 / 55 / 36 / 24

HEX #C1567B

RGB 193 86 123

HSL 339.25, 0.46%, 0.55%

LAB 51.18, 46.64, 0.34

 

CMYK 0 / 50 / 32 / 18

HEX #D2688E

RGB 210 104 142

HSL 338.49, 0.54%, 0.62%

LAB 57.61, 45.84, -1.17

 

CMYK 0 / 46 / 29 / 11

HEX #E37AA1

RGB 227 122 161

HSL 337.71, 0.65%, 0.68%

LAB 64.02, 45, -2.45

 

CMYK 0 / 43 / 26 / 4

HEX #F48CB4

RGB 244 140 180

HSL 336.92, 0.83%, 0.75%

LAB 70.37, 44.16, -3.56

 

CMYK 0 / 60 / 36 / 33

HEX #AB446D

RGB 171 68 109

HSL 336.12, 0.43%, 0.47%

LAB 44.08, 46.24, -1.97

 

CMYK 0 / 68 / 42 / 40

HEX #9A325A

RGB 154 50 90

HSL 336.92, 0.51%, 0.4%

LAB 37.64, 46.64, 0.13

 

CMYK 0 / 77 / 48 / 46

HEX #892047

RGB 137 32 71

HSL 337.71, 0.62%, 0.33%

LAB 31.36, 46.48, 2.92

 

CMYK 0 / 88 / 57 / 53

HEX #780E34

RGB 120 14 52

HSL 338.49, 0.79%, 0.26%

LAB 25.43, 45.23, 6.77

 

CMYK 0 / 100 / 68 / 60

HEX #670021

RGB 103 0 33

HSL 340.78, 1%, 0.2%

LAB 20.02, 42.37, 12.04

 

CMYK 0 / 60 / 36 / 33

HEX #AB446D

RGB 171 68 109

HSL 336.12, 0.43%, 0.47%

LAB 44.08, 46.24, -1.97

 

CMYK 0 / 60 / 53 / 33

HEX #AB4451

RGB 171 68 81

HSL 352.43, 0.43%, 0.47%

LAB 43.34, 43.33, 14.24

 

CMYK 0 / 60 / 60 / 33

HEX #AB4444

RGB 171 68 68

HSL 0, 0.43%, 0.47%

LAB 43.08, 42.28, 21.85

 

CMYK 0 / 60 / 36 / 33

HEX #AB446D

RGB 171 68 109

HSL 336.12, 0.43%, 0.47%

LAB 44.08, 46.24, -1.97

 

CMYK 0 / 60 / 20 / 33

HEX #AB4489

RGB 171 68 137

HSL 319.81, 0.43%, 0.47%

LAB 45.08, 50, -17.57

 

CMYK 0 / 60 / 4 / 33

HEX #AB44A4

RGB 171 68 164

HSL 304.08, 0.43%, 0.47%

LAB 46.27, 54.32, -31.89

 

CMYK 12 / 60 / 0 / 33

HEX #9644AB

RGB 150 68 171

HSL 287.77, 0.43%, 0.47%

LAB 43.59, 50.11, -40.48

 

CMYK 29 / 60 / 0 / 33

HEX #7A44AB

RGB 122 68 171

HSL 271.46, 0.43%, 0.47%

LAB 39.94, 43.04, -46.53

 

CMYK 0 / 60 / 36 / 33

HEX #AB446D

RGB 171 68 109

HSL 336.12, 0.43%, 0.47%

LAB 44.08, 46.24, -1.97

 

CMYK 0 / 75 / 45 / 25

HEX #BE3069

RGB 190 48 105

HSL 335.92, 0.6%, 0.47%

LAB 44.35, 59.56, 1.28

 

CMYK 0 / 86 / 52 / 18

HEX #D21D65

RGB 210 29 101

HSL 336.13, 0.76%, 0.47%

LAB 46.34, 69.32, 7.12

 

CMYK 0 / 96 / 58 / 10

HEX #E50A61

RGB 229 10 97

HSL 336.16, 0.92%, 0.47%

LAB 49.18, 76.01, 14.12

 

CMYK 0 / 60 / 36 / 33

HEX #AB446D

RGB 171 68 109

HSL 336.12, 0.43%, 0.47%

LAB 44.08, 46.24, -1.97

 

CMYK 0 / 42 / 25 / 41

HEX #975771

RGB 151 87 113

HSL 335.63, 0.27%, 0.47%

LAB 45.06, 29.92, -3.31

 

CMYK 0 / 19 / 11 / 48

HEX #846B75

RGB 132 107 117

HSL 336, 0.1%, 0.47%

LAB 47.89, 11.68, -1.82

 

CMYK 10 / 0 / 4 / 51

HEX #717E79

RGB 113 126 121

HSL 156.92, 0.05%, 0.47%

LAB 51.63, -5.84, 1.08

 

CMYK 36 / 0 / 14 / 43

HEX #5D917D

RGB 93 145 125

HSL 156.92, 0.22%, 0.47%

LAB 56.15, -22.04, 5.14

 

CMYK 0 / 60 / 4 / 33

HEX #AB44A4

RGB 171 68 164

HSL 304.08, 0.43%, 0.47%

LAB 46.27, 54.32, -31.89

 

CMYK 0 / 60 / 20 / 33

HEX #AB4489

RGB 171 68 137

HSL 319.81, 0.43%, 0.47%

LAB 45.08, 50, -17.57

 

CMYK 0 / 60 / 36 / 33

HEX #AB446D

RGB 171 68 109

HSL 336.12, 0.43%, 0.47%

LAB 44.08, 46.24, -1.97

 

CMYK 0 / 60 / 52 / 33

HEX #AB4452

RGB 171 68 82

HSL 351.84, 0.43%, 0.47%

LAB 43.36, 43.42, 13.66

 

CMYK 0 / 52 / 60 / 33

HEX #AB5244

RGB 171 82 68

HSL 8.16, 0.43%, 0.47%

LAB 45.78, 35.26, 25.33

 

CMYK 0 / 61 / 37 / 56

HEX #702C47

RGB 112 44 71

HSL 336.18, 0.44%, 0.31%

LAB 28.65, 33.07, -1.6

 

CMYK 0 / 60 / 36 / 45

HEX #8D385A

RGB 141 56 90

HSL 336, 0.43%, 0.39%

LAB 36.42, 39.63, -1.92

 

CMYK 0 / 60 / 36 / 33

HEX #AB446D

RGB 171 68 109

HSL 336.12, 0.43%, 0.47%

LAB 44.08, 46.24, -1.97

 

CMYK 0 / 52 / 31 / 26

HEX #BD5B82

RGB 189 91 130

HSL 336.12, 0.43%, 0.55%

LAB 51.74, 43.69, -3.09

 

CMYK 0 / 40 / 24 / 21

HEX #C97898

RGB 201 120 152

HSL 336.3, 0.43%, 0.63%

LAB 59.99, 35.77, -3.6

 

CMYK 0 / 60 / 36 / 33

HEX #AB446D

RGB 171 68 109

HSL 336.12, 0.43%, 0.47%

LAB 44.08, 46.24, -1.97

 

CMYK 0 / 12 / 60 / 33

HEX #AB9644

RGB 171 150 68

HSL 47.77, 0.43%, 0.47%

LAB 62.41, -2.37, 45.21

 

CMYK 60 / 12 / 0 / 33

HEX #4496AB

RGB 68 150 171

HSL 192.23, 0.43%, 0.47%

LAB 58.02, -18.51, -18.49

 

CMYK 0 / 60 / 36 / 33

HEX #AB446D

RGB 171 68 109

HSL 336.12, 0.43%, 0.47%

LAB 44.08, 46.24, -1.97

 

CMYK 36 / 0 / 60 / 33

HEX #6DAB44

RGB 109 171 68

HSL 96.12, 0.43%, 0.47%

LAB 63.99, -38.21, 45.79

 

CMYK 60 / 36 / 0 / 33

HEX #446DAB

RGB 68 109 171

HSL 216.12, 0.43%, 0.47%

LAB 45.78, 5.12, -37.49

 

CMYK 0 / 60 / 36 / 33

HEX #AB446D

RGB 171 68 109

HSL 336.12, 0.43%, 0.47%

LAB 44.08, 46.24, -1.97

 

CMYK 0 / 12 / 60 / 33

HEX #AB9644

RGB 171 150 68

HSL 47.77, 0.43%, 0.47%

LAB 62.41, -2.37, 45.21

 

CMYK 60 / 0 / 24 / 33

HEX #44AB82

RGB 68 171 130

HSL 156.12, 0.43%, 0.47%

LAB 63.32, -39.72, 12.38

 

CMYK 60 / 49 / 0 / 33

HEX #4458AB

RGB 68 88 171

HSL 228.35, 0.43%, 0.47%

LAB 39.83, 18.44, -46.96

 

CMYK 0 / 60 / 36 / 33

HEX #AB446D

RGB 171 68 109

HSL 336.12, 0.43%, 0.47%

LAB 44.08, 46.24, -1.97

 

CMYK 6 / 0 / 60 / 33

HEX #A1AB44

RGB 161 171 68

HSL 65.83, 0.43%, 0.47%

LAB 67.37, -17.76, 50.49

 

CMYK 60 / 0 / 24 / 33

HEX #44AB82

RGB 68 171 130

HSL 156.12, 0.43%, 0.47%

LAB 63.32, -39.72, 12.38

 

CMYK 54 / 60 / 0 / 33

HEX #4E44AB

RGB 78 68 171

HSL 245.83, 0.43%, 0.47%

LAB 35.39, 33.17, -54.09

 

Description

Color code: HEX #AB446D | qconv.com Color code: HEX #AB446D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 68 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 68 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 36 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 36% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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