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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB4480 it is the complementary color #54BB7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB4480. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB4480 shade: #B0447B, #C1568E, #D268A1, #E37AB4 and #F48CC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB4480. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB4480 shade: #AB4480, #9A326D, #89205A, #780E47 and #670034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB4480 shade: #AB4480, #AB4464, #AB4448 and #AB4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB4480 shade: #AB4480, #AB449C, #9E44AB, #8344AB and #6744AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB4480 shade matches the following richer shades: #AB4480, #BE3083, #D21D86 and #E50A89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB4480 shade: #AB4480, #97577D, #846B79, #717E76 and #5D9173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB4480 shade: #9F44AB, #AB449B, #AB4480, #AB4464 and #AB4449

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB4480 shade: #702C54, #8D386A, #AB4480, #BD5B94 and #C978A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB4480 shade: #AB4480, #AB8344 and #44A9AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB4480 shade: #AB4480, #80AB44 and #4480AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB4480 shade: #AB4480, #AB8344, #44AB6F and #446BAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB4480 shade: #AB4480, #ABA244, #44AB6F and #444CAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

Complementary color

CMYK 55 / 0 / 32 / 27

HEX #54BB7F

RGB 84 187 127

HSL 145.05, 0.43%, 0.53%

LAB 68.72, -43.72, 21.57

 

CMYK 0 / 61 / 30 / 31

HEX #B0447B

RGB 176 68 123

HSL 329.44, 0.44%, 0.48%

LAB 45.35, 49.58, -8.58

 

CMYK 0 / 55 / 26 / 24

HEX #C1568E

RGB 193 86 142

HSL 328.6, 0.46%, 0.55%

LAB 51.78, 49.06, -10.1

 

CMYK 0 / 50 / 23 / 18

HEX #D268A1

RGB 210 104 161

HSL 327.74, 0.54%, 0.62%

LAB 58.2, 48.38, -11.34

 

CMYK 0 / 46 / 21 / 11

HEX #E37AB4

RGB 227 122 180

HSL 326.86, 0.65%, 0.68%

LAB 64.6, 47.63, -12.38

 

CMYK 0 / 43 / 18 / 4

HEX #F48CC7

RGB 244 140 199

HSL 325.96, 0.83%, 0.75%

LAB 70.95, 46.86, -13.29

 

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

CMYK 0 / 68 / 29 / 40

HEX #9A326D

RGB 154 50 109

HSL 325.96, 0.51%, 0.4%

LAB 38.3, 48.92, -10.9

 

CMYK 0 / 77 / 34 / 46

HEX #89205A

RGB 137 32 90

HSL 326.86, 0.62%, 0.33%

LAB 32.01, 48.53, -8.57

 

CMYK 0 / 88 / 41 / 53

HEX #780E47

RGB 120 14 71

HSL 327.74, 0.79%, 0.26%

LAB 26.05, 47, -5.29

 

CMYK 0 / 100 / 50 / 60

HEX #670034

RGB 103 0 52

HSL 329.71, 1%, 0.2%

LAB 20.56, 43.82, -0.71

 

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

CMYK 0 / 60 / 42 / 33

HEX #AB4464

RGB 171 68 100

HSL 341.36, 0.43%, 0.47%

LAB 43.82, 45.21, 3.19

 

CMYK 0 / 60 / 58 / 33

HEX #AB4448

RGB 171 68 72

HSL 357.67, 0.43%, 0.47%

LAB 43.15, 42.58, 19.52

 

CMYK 0 / 60 / 60 / 33

HEX #AB4444

RGB 171 68 68

HSL 0, 0.43%, 0.47%

LAB 43.08, 42.28, 21.85

 

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

CMYK 0 / 60 / 9 / 33

HEX #AB449C

RGB 171 68 156

HSL 308.74, 0.43%, 0.47%

LAB 45.9, 52.97, -27.73

 

CMYK 8 / 60 / 0 / 33

HEX #9E44AB

RGB 158 68 171

HSL 292.43, 0.43%, 0.47%

LAB 44.72, 52.17, -38.62

 

CMYK 23 / 60 / 0 / 33

HEX #8344AB

RGB 131 68 171

HSL 276.7, 0.43%, 0.47%

LAB 41.06, 45.28, -44.67

 

CMYK 40 / 60 / 0 / 33

HEX #6744AB

RGB 103 68 171

HSL 260.39, 0.43%, 0.47%

LAB 37.77, 38.51, -50.13

 

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

CMYK 0 / 75 / 31 / 25

HEX #BE3083

RGB 190 48 131

HSL 324.93, 0.6%, 0.47%

LAB 45.22, 62.31, -13.42

 

CMYK 0 / 86 / 36 / 18

HEX #D21D86

RGB 210 29 134

HSL 325.19, 0.76%, 0.47%

LAB 47.37, 72.22, -11.64

 

CMYK 0 / 96 / 40 / 10

HEX #E50A89

RGB 229 10 137

HSL 325.21, 0.92%, 0.47%

LAB 50.31, 79.05, -8.67

 

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

CMYK 0 / 42 / 17 / 41

HEX #97577D

RGB 151 87 125

HSL 324.38, 0.27%, 0.47%

LAB 45.46, 31.83, -9.99

 

CMYK 0 / 19 / 8 / 48

HEX #846B79

RGB 132 107 121

HSL 326.4, 0.1%, 0.47%

LAB 48.01, 12.42, -4.03

 

CMYK 10 / 0 / 6 / 51

HEX #717E76

RGB 113 126 118

HSL 143.08, 0.05%, 0.47%

LAB 51.54, -6.46, 2.72

 

CMYK 36 / 0 / 21 / 43

HEX #5D9173

RGB 93 145 115

HSL 145.38, 0.22%, 0.47%

LAB 55.9, -24.22, 10.51

 

CMYK 7 / 60 / 0 / 33

HEX #9F44AB

RGB 159 68 171

HSL 293.01, 0.43%, 0.47%

LAB 44.87, 52.43, -38.38

 

CMYK 0 / 60 / 9 / 33

HEX #AB449B

RGB 171 68 155

HSL 309.32, 0.43%, 0.47%

LAB 45.85, 52.81, -27.2

 

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

CMYK 0 / 60 / 42 / 33

HEX #AB4464

RGB 171 68 100

HSL 341.36, 0.43%, 0.47%

LAB 43.82, 45.21, 3.19

 

CMYK 0 / 60 / 57 / 33

HEX #AB4449

RGB 171 68 73

HSL 357.09, 0.43%, 0.47%

LAB 43.17, 42.66, 18.93

 

CMYK 0 / 61 / 25 / 56

HEX #702C54

RGB 112 44 84

HSL 324.71, 0.44%, 0.31%

LAB 29.12, 34.93, -9.45

 

CMYK 0 / 60 / 25 / 45

HEX #8D386A

RGB 141 56 106

HSL 324.71, 0.43%, 0.39%

LAB 36.99, 41.8, -11.21

 

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

CMYK 0 / 52 / 22 / 26

HEX #BD5B94

RGB 189 91 148

HSL 325.1, 0.43%, 0.55%

LAB 52.33, 46.18, -12.87

 

CMYK 0 / 40 / 17 / 21

HEX #C978A7

RGB 201 120 167

HSL 325.19, 0.43%, 0.63%

LAB 60.46, 38.04, -11.52

 

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

CMYK 0 / 23 / 60 / 33

HEX #AB8344

RGB 171 131 68

HSL 36.7, 0.43%, 0.47%

LAB 57.37, 8.12, 39.43

 

CMYK 60 / 1 / 0 / 33

HEX #44A9AB

RGB 68 169 171

HSL 181.17, 0.43%, 0.47%

LAB 63.79, -28.24, -9.79

 

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

CMYK 25 / 0 / 60 / 33

HEX #80AB44

RGB 128 171 68

HSL 85.05, 0.43%, 0.47%

LAB 65.07, -31.18, 47.29

 

CMYK 60 / 25 / 0 / 33

HEX #4480AB

RGB 68 128 171

HSL 205.05, 0.43%, 0.47%

LAB 51.39, -6.28, -28.69

 

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

CMYK 0 / 23 / 60 / 33

HEX #AB8344

RGB 171 131 68

HSL 36.7, 0.43%, 0.47%

LAB 57.37, 8.12, 39.43

 

CMYK 60 / 0 / 35 / 33

HEX #44AB6F

RGB 68 171 111

HSL 145.05, 0.43%, 0.47%

LAB 62.93, -43.73, 22.25

 

CMYK 60 / 37 / 0 / 33

HEX #446BAB

RGB 68 107 171

HSL 217.28, 0.43%, 0.47%

LAB 45.2, 6.37, -38.4

 

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

CMYK 0 / 5 / 60 / 33

HEX #ABA244

RGB 171 162 68

HSL 54.76, 0.43%, 0.47%

LAB 65.68, -8.81, 48.87

 

CMYK 60 / 0 / 35 / 33

HEX #44AB6F

RGB 68 171 111

HSL 145.05, 0.43%, 0.47%

LAB 62.93, -43.73, 22.25

 

CMYK 60 / 56 / 0 / 33

HEX #444CAB

RGB 68 76 171

HSL 235.34, 0.43%, 0.47%

LAB 36.63, 26.19, -52.12

 

Description

Color code: HEX #AB4480 | qconv.com Color code: HEX #AB4480 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 68 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 68 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 25 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 25% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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