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Color name
HEX #AB4825

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB4825 it is the complementary color #54B7DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB4825. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB4825 shade: #B04820, #C15A33, #D26C46, #E37E59 and #F4906C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB4825. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB4825 shade: #AB4825, #9A3612, #892400, #781200 and #670000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB4825 shade: #AB4825 and #AB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB4825 shade: #AB4825, #AB6C25, #AB9025, #A2AB25 and #7DAB25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB4825 shade matches the following richer shades: #AB4825, #BC4014 and #CD3803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB4825 shade: #AB4825, #9A5036, #895847, #786058 and #676869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB4825 shade: #AB254B, #AB2527, #AB4725, #AB6A25 and #AB8E25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB4825 shade: #672B16, #893A1E, #AB4825, #CD562D and #D7704B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB4825 shade: #AB4825, #6FAB25 and #2539AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB4825 shade: #AB4825, #25AB47 and #4725AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB4825 shade: #AB4825, #6FAB25, #258AAB and #6125AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB4825 shade: #AB4825, #47AB25, #258AAB and #8A25AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 78 / 33

HEX #AB4825

RGB 171 72 37

HSL 15.67, 0.64%, 0.41%

LAB 43.4, 38.59, 39.95

 

Complementary color

CMYK 61 / 16 / 0 / 15

HEX #54B7DA

RGB 84 183 218

HSL 195.67, 0.64%, 0.59%

LAB 70.05, -18.6, -26.26

 

CMYK 0 / 59 / 82 / 31

HEX #B04820

RGB 176 72 32

HSL 16.67, 0.69%, 0.41%

LAB 44.19, 40.33, 43.48

 

CMYK 0 / 53 / 74 / 24

HEX #C15A33

RGB 193 90 51

HSL 16.48, 0.58%, 0.48%

LAB 50.56, 38.71, 41.3

 

CMYK 0 / 49 / 67 / 18

HEX #D26C46

RGB 210 108 70

HSL 16.29, 0.61%, 0.55%

LAB 56.95, 37.16, 39.13

 

CMYK 0 / 44 / 61 / 11

HEX #E37E59

RGB 227 126 89

HSL 16.09, 0.71%, 0.62%

LAB 63.32, 35.71, 37.12

 

CMYK 0 / 41 / 56 / 4

HEX #F4906C

RGB 244 144 108

HSL 15.88, 0.86%, 0.69%

LAB 69.66, 34.39, 35.29

 

CMYK 0 / 58 / 78 / 33

HEX #AB4825

RGB 171 72 37

HSL 15.67, 0.64%, 0.41%

LAB 43.4, 38.59, 39.95

 

CMYK 0 / 65 / 88 / 40

HEX #9A3612

RGB 154 54 18

HSL 15.88, 0.79%, 0.34%

LAB 37.03, 40.16, 42.05

 

CMYK 0 / 74 / 100 / 46

HEX #892400

RGB 137 36 0

HSL 15.77, 1%, 0.27%

LAB 30.83, 41.41, 43.24

 

CMYK 0 / 85 / 100 / 53

HEX #781200

RGB 120 18 0

HSL 9, 1%, 0.24%

LAB 25.03, 41.92, 36.94

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 58 / 78 / 33

HEX #AB4825

RGB 171 72 37

HSL 15.67, 0.64%, 0.41%

LAB 43.4, 38.59, 39.95

 

CMYK 0 / 78 / 78 / 33

HEX #AB2525

RGB 171 37 37

HSL 0, 0.64%, 0.41%

LAB 38.05, 53.05, 34.4

 

CMYK 0 / 58 / 78 / 33

HEX #AB4825

RGB 171 72 37

HSL 15.67, 0.64%, 0.41%

LAB 43.4, 38.59, 39.95

 

CMYK 0 / 37 / 78 / 33

HEX #AB6C25

RGB 171 108 37

HSL 31.79, 0.64%, 0.41%

LAB 51.29, 19.24, 47.73

 

CMYK 0 / 16 / 78 / 33

HEX #AB9025

RGB 171 144 37

HSL 47.91, 0.64%, 0.41%

LAB 60.55, -0.86, 56.43

 

CMYK 5 / 0 / 78 / 33

HEX #A2AB25

RGB 162 171 37

HSL 64.03, 0.64%, 0.41%

LAB 67.23, -19.1, 62.22

 

CMYK 27 / 0 / 78 / 33

HEX #7DAB25

RGB 125 171 37

HSL 80.6, 0.64%, 0.41%

LAB 64.66, -34.5, 58.91

 

CMYK 0 / 58 / 78 / 33

HEX #AB4825

RGB 171 72 37

HSL 15.67, 0.64%, 0.41%

LAB 43.4, 38.59, 39.95

 

CMYK 0 / 66 / 89 / 26

HEX #BC4014

RGB 188 64 20

HSL 15.71, 0.81%, 0.41%

LAB 44.81, 48.08, 50

 

CMYK 0 / 73 / 99 / 20

HEX #CD3803

RGB 205 56 3

HSL 15.74, 0.97%, 0.41%

LAB 46.73, 56.7, 57.81

 

CMYK 0 / 58 / 78 / 33

HEX #AB4825

RGB 171 72 37

HSL 15.67, 0.64%, 0.41%

LAB 43.4, 38.59, 39.95

 

CMYK 0 / 48 / 65 / 40

HEX #9A5036

RGB 154 80 54

HSL 15.6, 0.48%, 0.41%

LAB 42.57, 28.48, 28.96

 

CMYK 0 / 36 / 48 / 46

HEX #895847

RGB 137 88 71

HSL 15.45, 0.32%, 0.41%

LAB 42.39, 18.19, 18.2

 

CMYK 0 / 20 / 27 / 53

HEX #786058

RGB 120 96 88

HSL 15, 0.15%, 0.41%

LAB 42.86, 8.39, 8.24

 

CMYK 2 / 1 / 0 / 59

HEX #676869

RGB 103 104 105

HSL 210, 0.01%, 0.41%

LAB 43.95, -0.18, -0.7

 

CMYK 0 / 78 / 56 / 33

HEX #AB254B

RGB 171 37 75

HSL 342.99, 0.64%, 0.41%

LAB 38.71, 55.14, 11.64

 

CMYK 0 / 78 / 77 / 33

HEX #AB2527

RGB 171 37 39

HSL 359.1, 0.64%, 0.41%

LAB 38.07, 53.12, 33.26

 

CMYK 0 / 58 / 78 / 33

HEX #AB4725

RGB 171 71 37

HSL 15.22, 0.64%, 0.41%

LAB 43.21, 39.09, 39.76

 

CMYK 0 / 38 / 78 / 33

HEX #AB6A25

RGB 171 106 37

HSL 30.9, 0.64%, 0.41%

LAB 50.8, 20.36, 47.27

 

CMYK 0 / 17 / 78 / 33

HEX #AB8E25

RGB 171 142 37

HSL 47.01, 0.64%, 0.41%

LAB 60.01, 0.24, 55.94

 

CMYK 0 / 58 / 79 / 60

HEX #672B16

RGB 103 43 22

HSL 15.56, 0.65%, 0.25%

LAB 25.77, 25.49, 26.16

 

CMYK 0 / 58 / 78 / 46

HEX #893A1E

RGB 137 58 30

HSL 15.7, 0.64%, 0.33%

LAB 34.88, 31.97, 33.08

 

CMYK 0 / 58 / 78 / 33

HEX #AB4825

RGB 171 72 37

HSL 15.67, 0.64%, 0.41%

LAB 43.4, 38.59, 39.95

 

CMYK 0 / 58 / 78 / 20

HEX #CD562D

RGB 205 86 45

HSL 15.38, 0.64%, 0.49%

LAB 51.64, 44.98, 46.05

 

CMYK 0 / 48 / 65 / 16

HEX #D7704B

RGB 215 112 75

HSL 15.86, 0.64%, 0.57%

LAB 58.55, 37.35, 38.51

 

CMYK 0 / 58 / 78 / 33

HEX #AB4825

RGB 171 72 37

HSL 15.67, 0.64%, 0.41%

LAB 43.4, 38.59, 39.95

 

CMYK 35 / 0 / 78 / 33

HEX #6FAB25

RGB 111 171 37

HSL 86.87, 0.64%, 0.41%

LAB 63.87, -39.83, 57.89

 

CMYK 78 / 67 / 0 / 33

HEX #2539AB

RGB 37 57 171

HSL 231.04, 0.64%, 0.41%

LAB 30.06, 34.14, -62.9

 

CMYK 0 / 58 / 78 / 33

HEX #AB4825

RGB 171 72 37

HSL 15.67, 0.64%, 0.41%

LAB 43.4, 38.59, 39.95

 

CMYK 78 / 0 / 58 / 33

HEX #25AB47

RGB 37 171 71

HSL 135.22, 0.64%, 0.41%

LAB 61.63, -55.9, 41.04

 

CMYK 58 / 78 / 0 / 33

HEX #4725AB

RGB 71 37 171

HSL 255.22, 0.64%, 0.41%

LAB 28.39, 49.43, -65.57

 

CMYK 0 / 58 / 78 / 33

HEX #AB4825

RGB 171 72 37

HSL 15.67, 0.64%, 0.41%

LAB 43.4, 38.59, 39.95

 

CMYK 35 / 0 / 78 / 33

HEX #6FAB25

RGB 111 171 37

HSL 86.87, 0.64%, 0.41%

LAB 63.87, -39.83, 57.89

 

CMYK 78 / 19 / 0 / 33

HEX #258AAB

RGB 37 138 171

HSL 194.78, 0.64%, 0.41%

LAB 53.5, -16.76, -25.49

 

CMYK 43 / 78 / 0 / 33

HEX #6125AB

RGB 97 37 171

HSL 266.87, 0.64%, 0.41%

LAB 31.36, 53.1, -60.58

 

CMYK 0 / 58 / 78 / 33

HEX #AB4825

RGB 171 72 37

HSL 15.67, 0.64%, 0.41%

LAB 43.4, 38.59, 39.95

 

CMYK 58 / 0 / 78 / 33

HEX #47AB25

RGB 71 171 37

HSL 104.78, 0.64%, 0.41%

LAB 62.17, -52.51, 55.68

 

CMYK 78 / 19 / 0 / 33

HEX #258AAB

RGB 37 138 171

HSL 194.78, 0.64%, 0.41%

LAB 53.5, -16.76, -25.49

 

CMYK 19 / 78 / 0 / 33

HEX #8A25AB

RGB 138 37 171

HSL 285.22, 0.64%, 0.41%

LAB 37.24, 60.26, -50.75

 

Description

Color code: HEX #AB4825 | qconv.com Color code: HEX #AB4825 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 72 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 72 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 78 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 78% 33% C M Y K

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Provide designers and agencies with accurate color values.

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