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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB49D9 it is the complementary color #54B626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB49D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB49D9 shade: #B049D4, #C15BE7, #D26DFA, #E37FFF and #F491FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB49D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB49D9 shade: #AB49D9, #9A37C6, #8925B3, #7813A0 and #67018D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB49D9 shade: #AB4AD8, #D14AD8, #D84AB9, #D84A92 and #D84A6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB49D9 shade: #AB4AD8, #844AD8, #5E4AD8 and #4A4AD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB49D9 shade matches the following richer shades: #AB4AD8, #B138EA and #B726FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB49D9 shade: #AB4AD8, #A45BC6, #9E6DB5, #977FA3 and #919191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB49D9 shade: #5D4AD8, #834AD8, #A94AD8, #CF4AD8 and #D84ABC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB49D9 shade: #8024AB, #992BCD, #AB4AD8, #BA6CDF and #CA8EE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB49D9 shade: #AB49D9, #D84A5D and #4AD870

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB49D9 shade: #AB49D9, #D8A94A and #4AD8A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB49D9 shade: #AB49D9, #D84A5D, #79D84A and #4AD8C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB49D9 shade: #AB49D9, #D8614A, #79D84A and #4AC0D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 66 / 0 / 15

HEX #AB49D9

RGB 171 73 217

HSL 280.83, 0.65%, 0.57%

LAB 50.02, 62.2, -56.74

 

Complementary color

CMYK 54 / 0 / 79 / 29

HEX #54B626

RGB 84 182 38

HSL 100.83, 0.65%, 0.43%

LAB 66.12, -52.98, 59.28

 

CMYK 17 / 66 / 0 / 17

HEX #B049D4

RGB 176 73 212

HSL 284.46, 0.62%, 0.56%

LAB 50.39, 62.28, -53.25

 

CMYK 16 / 61 / 0 / 9

HEX #C15BE7

RGB 193 91 231

HSL 283.71, 0.74%, 0.63%

LAB 56.67, 61.94, -53.83

 

CMYK 16 / 56 / 0 / 2

HEX #D26DFA

RGB 210 109 250

HSL 282.98, 0.93%, 0.7%

LAB 62.96, 61.39, -54.25

 

CMYK 11 / 50 / 0 / 0

HEX #E37FFF

RGB 227 127 255

HSL 286.88, 1%, 0.75%

LAB 68.55, 57.97, -48.01

 

CMYK 4 / 43 / 0 / 0

HEX #F491FF

RGB 244 145 255

HSL 294, 1%, 0.78%

LAB 74, 53.67, -39.34

 

CMYK 21 / 66 / 0 / 15

HEX #AB49D9

RGB 171 73 217

HSL 280.83, 0.65%, 0.57%

LAB 50.02, 62.2, -56.74

 

CMYK 22 / 72 / 0 / 22

HEX #9A37C6

RGB 154 55 198

HSL 281.54, 0.57%, 0.5%

LAB 43.77, 62.24, -55.99

 

CMYK 23 / 79 / 0 / 30

HEX #8925B3

RGB 137 37 179

HSL 282.25, 0.66%, 0.42%

LAB 37.66, 61.67, -54.85

 

CMYK 25 / 88 / 0 / 37

HEX #7813A0

RGB 120 19 160

HSL 282.98, 0.79%, 0.35%

LAB 31.8, 60.04, -53.08

 

CMYK 27 / 99 / 0 / 45

HEX #67018D

RGB 103 1 141

HSL 283.71, 0.99%, 0.28%

LAB 26.24, 57.17, -50.58

 

CMYK 21 / 66 / 0 / 15

HEX #AB4AD8

RGB 171 74 216

HSL 280.99, 0.65%, 0.57%

LAB 50.11, 61.55, -56.02

 

CMYK 3 / 66 / 0 / 15

HEX #D14AD8

RGB 209 74 216

HSL 297.04, 0.65%, 0.57%

LAB 55.49, 70.06, -47.12

 

CMYK 0 / 66 / 14 / 15

HEX #D84AB9

RGB 216 74 185

HSL 313.1, 0.65%, 0.57%

LAB 55.07, 66.86, -29.95

 

CMYK 0 / 66 / 32 / 15

HEX #D84A92

RGB 216 74 146

HSL 329.58, 0.65%, 0.57%

LAB 53.57, 61.75, -9.41

 

CMYK 0 / 66 / 50 / 15

HEX #D84A6C

RGB 216 74 108

HSL 345.63, 0.65%, 0.57%

LAB 52.49, 57.9, 11.68

 

CMYK 21 / 66 / 0 / 15

HEX #AB4AD8

RGB 171 74 216

HSL 280.99, 0.65%, 0.57%

LAB 50.11, 61.55, -56.02

 

CMYK 39 / 66 / 0 / 15

HEX #844AD8

RGB 132 74 216

HSL 264.51, 0.65%, 0.57%

LAB 45.31, 53.35, -64.02

 

CMYK 56 / 66 / 0 / 15

HEX #5E4AD8

RGB 94 74 216

HSL 248.45, 0.65%, 0.57%

LAB 41.59, 46.47, -70.23

 

CMYK 66 / 66 / 0 / 15

HEX #4A4AD8

RGB 74 74 216

HSL 240, 0.65%, 0.57%

LAB 40.1, 43.54, -72.72

 

CMYK 21 / 66 / 0 / 15

HEX #AB4AD8

RGB 171 74 216

HSL 280.99, 0.65%, 0.57%

LAB 50.11, 61.55, -56.02

 

CMYK 24 / 76 / 0 / 8

HEX #B138EA

RGB 177 56 234

HSL 280.79, 0.81%, 0.57%

LAB 49.64, 73.4, -66.95

 

CMYK 27 / 85 / 0 / 1

HEX #B726FC

RGB 183 38 252

HSL 280.65, 0.97%, 0.57%

LAB 50.08, 82.86, -76.29

 

CMYK 21 / 66 / 0 / 15

HEX #AB4AD8

RGB 171 74 216

HSL 280.99, 0.65%, 0.57%

LAB 50.11, 61.55, -56.02

 

CMYK 17 / 54 / 0 / 22

HEX #A45BC6

RGB 164 91 198

HSL 280.93, 0.48%, 0.57%

LAB 51.21, 47.84, -44.01

 

CMYK 13 / 40 / 0 / 29

HEX #9E6DB5

RGB 158 109 181

HSL 280.83, 0.33%, 0.57%

LAB 53.54, 32.6, -30.61

 

CMYK 7 / 22 / 0 / 36

HEX #977FA3

RGB 151 127 163

HSL 280, 0.16%, 0.57%

LAB 56.49, 16.08, -15.76

 

CMYK 0 / 0 / 0 / 43

HEX #919191

RGB 145 145 145

HSL 0, 0%, 0.57%

LAB 60.17, 0, -0.01

 

CMYK 57 / 66 / 0 / 15

HEX #5D4AD8

RGB 93 74 216

HSL 248.03, 0.65%, 0.57%

LAB 41.5, 46.31, -70.37

 

CMYK 39 / 66 / 0 / 15

HEX #834AD8

RGB 131 74 216

HSL 264.08, 0.65%, 0.57%

LAB 45.19, 53.15, -64.2

 

CMYK 22 / 66 / 0 / 15

HEX #A94AD8

RGB 169 74 216

HSL 280.14, 0.65%, 0.57%

LAB 49.85, 61.11, -56.46

 

CMYK 4 / 66 / 0 / 15

HEX #CF4AD8

RGB 207 74 216

HSL 296.2, 0.65%, 0.57%

LAB 55.2, 69.6, -47.6

 

CMYK 0 / 66 / 13 / 15

HEX #D84ABC

RGB 216 74 188

HSL 311.83, 0.65%, 0.57%

LAB 55.2, 67.3, -31.48

 

CMYK 25 / 79 / 0 / 33

HEX #8024AB

RGB 128 36 171

HSL 280.89, 0.65%, 0.41%

LAB 35.58, 58.74, -53.51

 

CMYK 25 / 79 / 0 / 20

HEX #992BCD

RGB 153 43 205

HSL 280.74, 0.65%, 0.49%

LAB 42.62, 67.76, -61.91

 

CMYK 21 / 66 / 0 / 15

HEX #AB4AD8

RGB 171 74 216

HSL 280.99, 0.65%, 0.57%

LAB 50.11, 61.55, -56.02

 

CMYK 17 / 52 / 0 / 13

HEX #BA6CDF

RGB 186 108 223

HSL 280.7, 0.64%, 0.65%

LAB 58.5, 50.2, -46.49

 

CMYK 13 / 39 / 0 / 9

HEX #CA8EE7

RGB 202 142 231

HSL 280.45, 0.65%, 0.73%

LAB 67.78, 38.31, -36.26

 

CMYK 21 / 66 / 0 / 15

HEX #AB49D9

RGB 171 73 217

HSL 280.83, 0.65%, 0.57%

LAB 50.02, 62.2, -56.74

 

CMYK 0 / 66 / 57 / 15

HEX #D84A5D

RGB 216 74 93

HSL 351.97, 0.65%, 0.57%

LAB 52.16, 56.72, 20.2

 

CMYK 66 / 0 / 48 / 15

HEX #4AD870

RGB 74 216 112

HSL 136.06, 0.65%, 0.57%

LAB 77.12, -59.81, 40.22

 

CMYK 21 / 66 / 0 / 15

HEX #AB49D9

RGB 171 73 217

HSL 280.83, 0.65%, 0.57%

LAB 50.02, 62.2, -56.74

 

CMYK 0 / 22 / 66 / 15

HEX #D8A94A

RGB 216 169 74

HSL 40.14, 0.65%, 0.57%

LAB 71.87, 7.27, 54.14

 

CMYK 66 / 0 / 22 / 15

HEX #4AD8A9

RGB 74 216 169

HSL 160.14, 0.65%, 0.57%

LAB 78.13, -48.92, 12.19

 

CMYK 21 / 66 / 0 / 15

HEX #AB49D9

RGB 171 73 217

HSL 280.83, 0.65%, 0.57%

LAB 50.02, 62.2, -56.74

 

CMYK 0 / 66 / 57 / 15

HEX #D84A5D

RGB 216 74 93

HSL 351.97, 0.65%, 0.57%

LAB 52.16, 56.72, 20.2

 

CMYK 44 / 0 / 66 / 15

HEX #79D84A

RGB 121 216 74

HSL 100.14, 0.65%, 0.57%

LAB 78.27, -52.53, 59.1

 

CMYK 66 / 0 / 9 / 15

HEX #4AD8C5

RGB 74 216 197

HSL 171.97, 0.65%, 0.57%

LAB 78.81, -42.08, -1.76

 

CMYK 21 / 66 / 0 / 15

HEX #AB49D9

RGB 171 73 217

HSL 280.83, 0.65%, 0.57%

LAB 50.02, 62.2, -56.74

 

CMYK 0 / 55 / 66 / 15

HEX #D8614A

RGB 216 97 74

HSL 9.72, 0.65%, 0.57%

LAB 55.73, 45.17, 35.72

 

CMYK 44 / 0 / 66 / 15

HEX #79D84A

RGB 121 216 74

HSL 100.14, 0.65%, 0.57%

LAB 78.27, -52.53, 59.1

 

CMYK 66 / 11 / 0 / 15

HEX #4AC0D8

RGB 74 192 216

HSL 190.14, 0.65%, 0.57%

LAB 72.3, -25.45, -21.74

 

Description

Color code: HEX #AB49D9 | qconv.com Color code: HEX #AB49D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 73 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 73 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 66 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 66% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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