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Color name
HEX #AB4025

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB4025 it is the complementary color #54BFDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB4025. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB4025 shade: #B04020, #C15233, #D26446, #E37659 and #F4886C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB4025. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB4025 shade: #AB4025, #9A2E12, #891C00, #780A00 and #670000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB4025 shade: #AB4025 and #AB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB4025 shade: #AB4025, #AB6425, #AB8825, #AAAB25 and #85AB25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB4025 shade matches the following richer shades: #AB4025, #BC3614 and #CD2C03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB4025 shade: #AB4025, #9A4A36, #895447, #785E58 and #676869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB4025 shade: #AB2552, #AB252E, #AB4025, #AB6425 and #AB8725

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB4025 shade: #672716, #89331E, #AB4025, #CD4D2D and #D7684B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB4025 shade: #AB4025, #75AB25 and #2540AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB4025 shade: #AB4025, #25AB40 and #4025AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB4025 shade: #AB4025, #75AB25, #2590AB and #5B25AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB4025 shade: #AB4025, #4DAB25, #2590AB and #8325AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 78 / 33

HEX #AB4025

RGB 171 64 37

HSL 12.09, 0.64%, 0.41%

LAB 41.94, 42.44, 38.46

 

Complementary color

CMYK 61 / 12 / 0 / 15

HEX #54BFDA

RGB 84 191 218

HSL 192.09, 0.64%, 0.59%

LAB 72.37, -22.71, -22.7

 

CMYK 0 / 64 / 82 / 31

HEX #B04020

RGB 176 64 32

HSL 13.33, 0.69%, 0.41%

LAB 42.77, 44.09, 42.13

 

CMYK 0 / 58 / 74 / 24

HEX #C15233

RGB 193 82 51

HSL 13.1, 0.58%, 0.48%

LAB 49.02, 42.67, 39.63

 

CMYK 0 / 52 / 67 / 18

HEX #D26446

RGB 210 100 70

HSL 12.86, 0.61%, 0.55%

LAB 55.34, 41.22, 37.24

 

CMYK 0 / 48 / 61 / 11

HEX #E37659

RGB 227 118 89

HSL 12.61, 0.71%, 0.62%

LAB 61.66, 39.82, 35.07

 

CMYK 0 / 44 / 56 / 4

HEX #F4886C

RGB 244 136 108

HSL 12.35, 0.86%, 0.69%

LAB 67.96, 38.51, 33.13

 

CMYK 0 / 63 / 78 / 33

HEX #AB4025

RGB 171 64 37

HSL 12.09, 0.64%, 0.41%

LAB 41.94, 42.44, 38.46

 

CMYK 0 / 70 / 88 / 40

HEX #9A2E12

RGB 154 46 18

HSL 12.35, 0.79%, 0.34%

LAB 35.73, 43.66, 40.98

 

CMYK 0 / 80 / 100 / 46

HEX #891C00

RGB 137 28 0

HSL 12.26, 1%, 0.27%

LAB 29.78, 44.32, 42.47

 

CMYK 0 / 92 / 100 / 53

HEX #780A00

RGB 120 10 0

HSL 5, 1%, 0.24%

LAB 24.35, 43.84, 36.29

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 63 / 78 / 33

HEX #AB4025

RGB 171 64 37

HSL 12.09, 0.64%, 0.41%

LAB 41.94, 42.44, 38.46

 

CMYK 0 / 78 / 78 / 33

HEX #AB2525

RGB 171 37 37

HSL 0, 0.64%, 0.41%

LAB 38.05, 53.05, 34.4

 

CMYK 0 / 63 / 78 / 33

HEX #AB4025

RGB 171 64 37

HSL 12.09, 0.64%, 0.41%

LAB 41.94, 42.44, 38.46

 

CMYK 0 / 42 / 78 / 33

HEX #AB6425

RGB 171 100 37

HSL 28.21, 0.64%, 0.41%

LAB 49.38, 23.71, 45.89

 

CMYK 0 / 20 / 78 / 33

HEX #AB8825

RGB 171 136 37

HSL 44.33, 0.64%, 0.41%

LAB 58.41, 3.54, 54.46

 

CMYK 1 / 0 / 78 / 33

HEX #AAAB25

RGB 170 171 37

HSL 60.45, 0.64%, 0.41%

LAB 67.88, -15.62, 63.04

 

CMYK 22 / 0 / 78 / 33

HEX #85AB25

RGB 133 171 37

HSL 77.01, 0.64%, 0.41%

LAB 65.16, -31.31, 59.56

 

CMYK 0 / 63 / 78 / 33

HEX #AB4025

RGB 171 64 37

HSL 12.09, 0.64%, 0.41%

LAB 41.94, 42.44, 38.46

 

CMYK 0 / 71 / 89 / 26

HEX #BC3614

RGB 188 54 20

HSL 12.14, 0.81%, 0.41%

LAB 43.33, 52.12, 48.87

 

CMYK 0 / 79 / 99 / 20

HEX #CD2C03

RGB 205 44 3

HSL 12.18, 0.97%, 0.41%

LAB 45.34, 60.56, 57.13

 

CMYK 0 / 63 / 78 / 33

HEX #AB4025

RGB 171 64 37

HSL 12.09, 0.64%, 0.41%

LAB 41.94, 42.44, 38.46

 

CMYK 0 / 52 / 65 / 40

HEX #9A4A36

RGB 154 74 54

HSL 12, 0.48%, 0.41%

LAB 41.27, 31.74, 27.38

 

CMYK 0 / 39 / 48 / 46

HEX #895447

RGB 137 84 71

HSL 11.82, 0.32%, 0.41%

LAB 41.4, 20.53, 16.87

 

CMYK 0 / 22 / 27 / 53

HEX #785E58

RGB 120 94 88

HSL 11.25, 0.15%, 0.41%

LAB 42.31, 9.59, 7.47

 

CMYK 2 / 1 / 0 / 59

HEX #676869

RGB 103 104 105

HSL 210, 0.01%, 0.41%

LAB 43.95, -0.18, -0.7

 

CMYK 0 / 78 / 52 / 33

HEX #AB2552

RGB 171 37 82

HSL 339.85, 0.64%, 0.41%

LAB 38.88, 55.69, 7.42

 

CMYK 0 / 78 / 73 / 33

HEX #AB252E

RGB 171 37 46

HSL 355.97, 0.64%, 0.41%

LAB 38.16, 53.41, 29.17

 

CMYK 0 / 63 / 78 / 33

HEX #AB4025

RGB 171 64 37

HSL 12.09, 0.64%, 0.41%

LAB 41.94, 42.44, 38.46

 

CMYK 0 / 42 / 78 / 33

HEX #AB6425

RGB 171 100 37

HSL 28.21, 0.64%, 0.41%

LAB 49.38, 23.71, 45.89

 

CMYK 0 / 21 / 78 / 33

HEX #AB8725

RGB 171 135 37

HSL 43.88, 0.64%, 0.41%

LAB 58.15, 4.1, 54.22

 

CMYK 0 / 62 / 79 / 60

HEX #672716

RGB 103 39 22

HSL 12.59, 0.65%, 0.25%

LAB 24.93, 27.67, 25.26

 

CMYK 0 / 63 / 78 / 46

HEX #89331E

RGB 137 51 30

HSL 11.78, 0.64%, 0.33%

LAB 33.52, 35.52, 31.65

 

CMYK 0 / 63 / 78 / 33

HEX #AB4025

RGB 171 64 37

HSL 12.09, 0.64%, 0.41%

LAB 41.94, 42.44, 38.46

 

CMYK 0 / 62 / 78 / 20

HEX #CD4D2D

RGB 205 77 45

HSL 12, 0.64%, 0.49%

LAB 50.07, 49.11, 44.47

 

CMYK 0 / 52 / 65 / 16

HEX #D7684B

RGB 215 104 75

HSL 12.43, 0.64%, 0.57%

LAB 56.93, 41.41, 36.58

 

CMYK 0 / 63 / 78 / 33

HEX #AB4025

RGB 171 64 37

HSL 12.09, 0.64%, 0.41%

LAB 41.94, 42.44, 38.46

 

CMYK 32 / 0 / 78 / 33

HEX #75AB25

RGB 117 171 37

HSL 84.18, 0.64%, 0.41%

LAB 64.19, -37.59, 58.31

 

CMYK 78 / 63 / 0 / 33

HEX #2540AB

RGB 37 64 171

HSL 227.91, 0.64%, 0.41%

LAB 31.81, 29.56, -60.04

 

CMYK 0 / 63 / 78 / 33

HEX #AB4025

RGB 171 64 37

HSL 12.09, 0.64%, 0.41%

LAB 41.94, 42.44, 38.46

 

CMYK 78 / 0 / 63 / 33

HEX #25AB40

RGB 37 171 64

HSL 132.09, 0.64%, 0.41%

LAB 61.56, -56.79, 44.2

 

CMYK 63 / 78 / 0 / 33

HEX #4025AB

RGB 64 37 171

HSL 252.09, 0.64%, 0.41%

LAB 27.72, 48.59, -66.69

 

CMYK 0 / 63 / 78 / 33

HEX #AB4025

RGB 171 64 37

HSL 12.09, 0.64%, 0.41%

LAB 41.94, 42.44, 38.46

 

CMYK 32 / 0 / 78 / 33

HEX #75AB25

RGB 117 171 37

HSL 84.18, 0.64%, 0.41%

LAB 64.19, -37.59, 58.31

 

CMYK 78 / 16 / 0 / 33

HEX #2590AB

RGB 37 144 171

HSL 192.09, 0.64%, 0.41%

LAB 55.36, -19.99, -22.63

 

CMYK 47 / 78 / 0 / 33

HEX #5B25AB

RGB 91 37 171

HSL 264.18, 0.64%, 0.41%

LAB 30.61, 52.18, -61.83

 

CMYK 0 / 63 / 78 / 33

HEX #AB4025

RGB 171 64 37

HSL 12.09, 0.64%, 0.41%

LAB 41.94, 42.44, 38.46

 

CMYK 55 / 0 / 78 / 33

HEX #4DAB25

RGB 77 171 37

HSL 102.09, 0.64%, 0.41%

LAB 62.37, -50.9, 55.94

 

CMYK 78 / 16 / 0 / 33

HEX #2590AB

RGB 37 144 171

HSL 192.09, 0.64%, 0.41%

LAB 55.36, -19.99, -22.63

 

CMYK 23 / 78 / 0 / 33

HEX #8325AB

RGB 131 37 171

HSL 282.09, 0.64%, 0.41%

LAB 36.15, 58.95, -52.56

 

Description

Color code: HEX #AB4025 | qconv.com Color code: HEX #AB4025 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 64 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 64 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 78 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 78% 33% C M Y K

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Provide designers and agencies with accurate color values.

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