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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB42CB it is the complementary color #54BD34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB42CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB42CB shade: #B042C6, #C154D9, #D266EC, #E378FF and #F48AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB42CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB42CB shade: #AB42CB, #9A30B8, #891EA5, #780C92 and #67007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB42CB shade: #AB42CB, #CB42C6, #CB42A1, #CB427C and #CB4257

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB42CB shade: #AB42CB, #8642CB, #6142CB and #4242CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB42CB shade matches the following richer shades: #AB42CB, #B52FDE and #C01CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB42CB shade: #AB42CB, #A156B8, #9669A4, #8C7D91 and #82907D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB42CB shade: #6042CB, #8442CB, #A942CB, #CB42C9 and #CB42A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB42CB shade: #7A2893, #9531B3, #AB42CB, #B963D4 and #C883DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB42CB shade: #AB42CB, #CB4249 and #42CB72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB42CB shade: #AB42CB, #CBA942 and #42CBA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB42CB shade: #AB42CB, #CB4249, #64CB42 and #42CBC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB42CB shade: #AB42CB, #CB6442, #64CB42 and #42A9CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 67 / 0 / 20

HEX #AB42CB

RGB 171 66 203

HSL 285.99, 0.57%, 0.53%

LAB 48.09, 62.36, -51.81

 

Complementary color

CMYK 56 / 0 / 72 / 26

HEX #54BD34

RGB 84 189 52

HSL 105.99, 0.57%, 0.47%

LAB 68.41, -54.64, 56.82

 

CMYK 11 / 67 / 0 / 22

HEX #B042C6

RGB 176 66 198

HSL 290, 0.54%, 0.52%

LAB 48.52, 62.52, -48.2

 

CMYK 11 / 61 / 0 / 15

HEX #C154D9

RGB 193 84 217

HSL 289.17, 0.64%, 0.59%

LAB 54.75, 62.37, -49

 

CMYK 11 / 57 / 0 / 7

HEX #D266EC

RGB 210 102 236

HSL 288.36, 0.78%, 0.66%

LAB 61.01, 61.95, -49.59

 

CMYK 11 / 53 / 0 / 0

HEX #E378FF

RGB 227 120 255

HSL 287.56, 1%, 0.74%

LAB 67.26, 61.37, -50.05

 

CMYK 4 / 46 / 0 / 0

HEX #F48AFF

RGB 244 138 255

HSL 294.36, 1%, 0.77%

LAB 72.65, 57.16, -41.45

 

CMYK 16 / 67 / 0 / 20

HEX #AB42CB

RGB 171 66 203

HSL 285.99, 0.57%, 0.53%

LAB 48.09, 62.36, -51.81

 

CMYK 16 / 74 / 0 / 28

HEX #9A30B8

RGB 154 48 184

HSL 286.76, 0.59%, 0.45%

LAB 41.91, 62.11, -50.8

 

CMYK 17 / 82 / 0 / 35

HEX #891EA5

RGB 137 30 165

HSL 287.56, 0.69%, 0.38%

LAB 35.91, 61.07, -49.3

 

CMYK 18 / 92 / 0 / 43

HEX #780C92

RGB 120 12 146

HSL 288.36, 0.85%, 0.31%

LAB 30.23, 58.77, -47.06

 

CMYK 19 / 100 / 0 / 50

HEX #67007F

RGB 103 0 127

HSL 288.66, 1%, 0.25%

LAB 25, 54.69, -43.81

 

CMYK 16 / 67 / 0 / 20

HEX #AB42CB

RGB 171 66 203

HSL 285.99, 0.57%, 0.53%

LAB 48.09, 62.36, -51.81

 

CMYK 0 / 67 / 2 / 20

HEX #CB42C6

RGB 203 66 198

HSL 302.19, 0.57%, 0.53%

LAB 52.59, 68.69, -41.49

 

CMYK 0 / 67 / 21 / 20

HEX #CB42A1

RGB 203 66 161

HSL 318.39, 0.57%, 0.53%

LAB 50.88, 63.18, -22.57

 

CMYK 0 / 67 / 39 / 20

HEX #CB427C

RGB 203 66 124

HSL 334.6, 0.57%, 0.53%

LAB 49.55, 58.68, -2.45

 

CMYK 0 / 67 / 57 / 20

HEX #CB4257

RGB 203 66 87

HSL 350.8, 0.57%, 0.53%

LAB 48.61, 55.36, 18.65

 

CMYK 16 / 67 / 0 / 20

HEX #AB42CB

RGB 171 66 203

HSL 285.99, 0.57%, 0.53%

LAB 48.09, 62.36, -51.81

 

CMYK 34 / 67 / 0 / 20

HEX #8642CB

RGB 134 66 203

HSL 269.78, 0.57%, 0.53%

LAB 43.18, 54.5, -59.98

 

CMYK 52 / 67 / 0 / 20

HEX #6142CB

RGB 97 66 203

HSL 253.58, 0.57%, 0.53%

LAB 39.16, 47.56, -66.7

 

CMYK 67 / 67 / 0 / 20

HEX #4242CB

RGB 66 66 203

HSL 240, 0.57%, 0.53%

LAB 36.68, 42.98, -70.85

 

CMYK 16 / 67 / 0 / 20

HEX #AB42CB

RGB 171 66 203

HSL 285.99, 0.57%, 0.53%

LAB 48.09, 62.36, -51.81

 

CMYK 18 / 79 / 0 / 13

HEX #B52FDE

RGB 181 47 222

HSL 285.94, 0.73%, 0.53%

LAB 48.42, 74.64, -62.08

 

CMYK 21 / 88 / 0 / 5

HEX #C01CF2

RGB 192 28 242

HSL 285.98, 0.89%, 0.53%

LAB 50.03, 84.29, -70.7

 

CMYK 16 / 67 / 0 / 20

HEX #AB42CB

RGB 171 66 203

HSL 285.99, 0.57%, 0.53%

LAB 48.09, 62.36, -51.81

 

CMYK 13 / 53 / 0 / 28

HEX #A156B8

RGB 161 86 184

HSL 285.92, 0.41%, 0.53%

LAB 49.12, 46.67, -39.25

 

CMYK 9 / 36 / 0 / 36

HEX #9669A4

RGB 150 105 164

HSL 285.76, 0.24%, 0.53%

LAB 51, 28.68, -24.75

 

CMYK 3 / 14 / 0 / 43

HEX #8C7D91

RGB 140 125 145

HSL 285, 0.08%, 0.53%

LAB 54.33, 9.6, -8.69

 

CMYK 10 / 0 / 13 / 44

HEX #82907D

RGB 130 144 125

HSL 104.21, 0.08%, 0.53%

LAB 58.2, -8.79, 8.39

 

CMYK 53 / 67 / 0 / 20

HEX #6042CB

RGB 96 66 203

HSL 253.14, 0.57%, 0.53%

LAB 39.06, 47.39, -66.85

 

CMYK 35 / 67 / 0 / 20

HEX #8442CB

RGB 132 66 203

HSL 268.91, 0.57%, 0.53%

LAB 42.93, 54.1, -60.38

 

CMYK 17 / 67 / 0 / 20

HEX #A942CB

RGB 169 66 203

HSL 285.11, 0.57%, 0.53%

LAB 47.81, 61.92, -52.28

 

CMYK 0 / 67 / 1 / 20

HEX #CB42C9

RGB 203 66 201

HSL 300.88, 0.57%, 0.53%

LAB 52.74, 69.18, -42.97

 

CMYK 0 / 67 / 19 / 20

HEX #CB42A4

RGB 203 66 164

HSL 317.08, 0.57%, 0.53%

LAB 51.01, 63.59, -24.15

 

CMYK 17 / 73 / 0 / 42

HEX #7A2893

RGB 122 40 147

HSL 285.98, 0.57%, 0.37%

LAB 33.48, 51.1, -42.41

 

CMYK 17 / 73 / 0 / 30

HEX #9531B3

RGB 149 49 179

HSL 286.15, 0.57%, 0.45%

LAB 40.96, 59.74, -49.42

 

CMYK 16 / 67 / 0 / 20

HEX #AB42CB

RGB 171 66 203

HSL 285.99, 0.57%, 0.53%

LAB 48.09, 62.36, -51.81

 

CMYK 13 / 53 / 0 / 17

HEX #B963D4

RGB 185 99 212

HSL 285.66, 0.57%, 0.61%

LAB 56.08, 52.26, -44.13

 

CMYK 10 / 41 / 0 / 13

HEX #C883DD

RGB 200 131 221

HSL 286, 0.57%, 0.69%

LAB 64.75, 41.6, -35.46

 

CMYK 16 / 67 / 0 / 20

HEX #AB42CB

RGB 171 66 203

HSL 285.99, 0.57%, 0.53%

LAB 48.09, 62.36, -51.81

 

CMYK 0 / 67 / 64 / 20

HEX #CB4249

RGB 203 66 73

HSL 356.93, 0.57%, 0.53%

LAB 48.35, 54.43, 26.72

 

CMYK 67 / 0 / 44 / 20

HEX #42CB72

RGB 66 203 114

HSL 141.02, 0.57%, 0.53%

LAB 72.95, -56.18, 33.87

 

CMYK 16 / 67 / 0 / 20

HEX #AB42CB

RGB 171 66 203

HSL 285.99, 0.57%, 0.53%

LAB 48.09, 62.36, -51.81

 

CMYK 0 / 17 / 67 / 20

HEX #CBA942

RGB 203 169 66

HSL 45.11, 0.57%, 0.53%

LAB 70.5, 1.22, 55.82

 

CMYK 67 / 0 / 17 / 20

HEX #42CBA9

RGB 66 203 169

HSL 165.11, 0.57%, 0.53%

LAB 74.02, -44.72, 6.3

 

CMYK 16 / 67 / 0 / 20

HEX #AB42CB

RGB 171 66 203

HSL 285.99, 0.57%, 0.53%

LAB 48.09, 62.36, -51.81

 

CMYK 0 / 67 / 64 / 20

HEX #CB4249

RGB 203 66 73

HSL 356.93, 0.57%, 0.53%

LAB 48.35, 54.43, 26.72

 

CMYK 51 / 0 / 67 / 20

HEX #64CB42

RGB 100 203 66

HSL 105.11, 0.57%, 0.53%

LAB 73.43, -54.37, 56.87

 

CMYK 67 / 0 / 3 / 20

HEX #42CBC4

RGB 66 203 196

HSL 176.93, 0.57%, 0.53%

LAB 74.73, -37.67, -7.25

 

CMYK 16 / 67 / 0 / 20

HEX #AB42CB

RGB 171 66 203

HSL 285.99, 0.57%, 0.53%

LAB 48.09, 62.36, -51.81

 

CMYK 0 / 51 / 67 / 20

HEX #CB6442

RGB 203 100 66

HSL 14.89, 0.57%, 0.53%

LAB 54.24, 38.3, 37.87

 

CMYK 51 / 0 / 67 / 20

HEX #64CB42

RGB 100 203 66

HSL 105.11, 0.57%, 0.53%

LAB 73.43, -54.37, 56.87

 

CMYK 67 / 17 / 0 / 20

HEX #42A9CB

RGB 66 169 203

HSL 194.89, 0.57%, 0.53%

LAB 64.84, -18.9, -26.03

 

Description

Color code: HEX #AB42CB | qconv.com Color code: HEX #AB42CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 66 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 66 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 67 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 67% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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