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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB5963 it is the complementary color #54A69C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB5963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB5963 shade: #B0595E, #C16B71, #D27D84, #E38F97 and #F4A1AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB5963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB5963 shade: #AB5963, #9A4750, #89353D, #78232A and #671117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB5963 shade: #AB5862 and #AB5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB5963 shade: #AB5862, #AB5879, #AB588F, #AB58A5 and #9A58AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB5963 shade matches the following richer shades: #AB5862, #BF4453, #D33044, #E71C35 and #FC0725

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB5963 shade: #AB5862, #976D72, #828181, #6E9590 and #5AA9A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB5963 shade: #AB588F, #AB5879, #AB5863, #AB6358 and #AB7958

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB5963 shade: #763B42, #914952, #AB5862, #B9747C and #C68F96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB5963 shade: #AB5963, #A5AB58 and #5884AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB5963 shade: #AB5963, #63AB58 and #5863AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB5963 shade: #AB5963, #A5AB58, #58ABA0 and #5E58AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB5963 shade: #AB5963, #8DAB58, #58ABA0 and #7758AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 42 / 33

HEX #AB5963

RGB 171 89 99

HSL 352.68, 0.33%, 0.51%

LAB 47.88, 34.48, 9.59

 

Complementary color

CMYK 49 / 0 / 6 / 35

HEX #54A69C

RGB 84 166 156

HSL 172.68, 0.33%, 0.49%

LAB 62.98, -27.52, -2.54

 

CMYK 0 / 49 / 47 / 31

HEX #B0595E

RGB 176 89 94

HSL 356.55, 0.36%, 0.52%

LAB 48.49, 35.83, 13.55

 

CMYK 0 / 45 / 41 / 24

HEX #C16B71

RGB 193 107 113

HSL 355.81, 0.41%, 0.59%

LAB 55.12, 34.76, 11.89

 

CMYK 0 / 40 / 37 / 18

HEX #D27D84

RGB 210 125 132

HSL 355.06, 0.49%, 0.66%

LAB 61.68, 33.74, 10.47

 

CMYK 0 / 37 / 33 / 11

HEX #E38F97

RGB 227 143 151

HSL 354.29, 0.6%, 0.73%

LAB 68.18, 32.81, 9.22

 

CMYK 0 / 34 / 30 / 4

HEX #F4A1AA

RGB 244 161 170

HSL 353.49, 0.79%, 0.79%

LAB 74.59, 31.94, 8.1

 

CMYK 0 / 48 / 42 / 33

HEX #AB5963

RGB 171 89 99

HSL 352.68, 0.33%, 0.51%

LAB 47.88, 34.48, 9.59

 

CMYK 0 / 54 / 48 / 40

HEX #9A4750

RGB 154 71 80

HSL 353.49, 0.37%, 0.44%

LAB 41.15, 35.55, 11.41

 

CMYK 0 / 61 / 55 / 46

HEX #89353D

RGB 137 53 61

HSL 354.29, 0.44%, 0.37%

LAB 34.4, 36.57, 13.67

 

CMYK 0 / 71 / 65 / 53

HEX #78232A

RGB 120 35 42

HSL 355.06, 0.55%, 0.3%

LAB 27.74, 37.35, 16.64

 

CMYK 0 / 83 / 78 / 60

HEX #671117

RGB 103 17 23

HSL 355.81, 0.72%, 0.24%

LAB 21.38, 37.39, 20.66

 

CMYK 0 / 49 / 43 / 33

HEX #AB5862

RGB 171 88 98

HSL 352.77, 0.33%, 0.51%

LAB 47.65, 34.91, 9.87

 

CMYK 0 / 49 / 49 / 33

HEX #AB5858

RGB 171 88 88

HSL 0, 0.33%, 0.51%

LAB 47.42, 33.85, 15.57

 

CMYK 0 / 49 / 43 / 33

HEX #AB5862

RGB 171 88 98

HSL 352.77, 0.33%, 0.51%

LAB 47.65, 34.91, 9.87

 

CMYK 0 / 49 / 29 / 33

HEX #AB5879

RGB 171 88 121

HSL 336.14, 0.33%, 0.51%

LAB 48.28, 37.78, -3.09

 

CMYK 0 / 49 / 16 / 33

HEX #AB588F

RGB 171 88 143

HSL 320.24, 0.33%, 0.51%

LAB 49.03, 41.08, -15.14

 

CMYK 0 / 49 / 4 / 33

HEX #AB58A5

RGB 171 88 165

HSL 304.34, 0.33%, 0.51%

LAB 49.92, 44.84, -26.8

 

CMYK 10 / 49 / 0 / 33

HEX #9A58AB

RGB 154 88 171

HSL 287.71, 0.33%, 0.51%

LAB 47.99, 40.92, -33.49

 

CMYK 0 / 49 / 43 / 33

HEX #AB5862

RGB 171 88 98

HSL 352.77, 0.33%, 0.51%

LAB 47.65, 34.91, 9.87

 

CMYK 0 / 64 / 57 / 25

HEX #BF4453

RGB 191 68 83

HSL 352.68, 0.49%, 0.51%

LAB 46.76, 50.34, 18.22

 

CMYK 0 / 77 / 68 / 17

HEX #D33044

RGB 211 48 68

HSL 352.64, 0.65%, 0.51%

LAB 47.47, 62.89, 28.91

 

CMYK 0 / 88 / 77 / 9

HEX #E71C35

RGB 231 28 53

HSL 352.61, 0.81%, 0.51%

LAB 49.59, 72.27, 41.16

 

CMYK 0 / 97 / 85 / 1

HEX #FC0725

RGB 252 7 37

HSL 352.65, 0.98%, 0.51%

LAB 52.93, 79.31, 54.28

 

CMYK 0 / 49 / 43 / 33

HEX #AB5862

RGB 171 88 98

HSL 352.77, 0.33%, 0.51%

LAB 47.65, 34.91, 9.87

 

CMYK 0 / 28 / 25 / 41

HEX #976D72

RGB 151 109 114

HSL 352.86, 0.17%, 0.51%

LAB 50.37, 17.47, 3.83

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 26 / 0 / 3 / 42

HEX #6E9590

RGB 110 149 144

HSL 172.31, 0.16%, 0.51%

LAB 58.81, -14.48, -1.72

 

CMYK 47 / 0 / 5 / 34

HEX #5AA9A0

RGB 90 169 160

HSL 173.16, 0.31%, 0.51%

LAB 64.23, -26.54, -2.9

 

CMYK 0 / 49 / 16 / 33

HEX #AB588F

RGB 171 88 143

HSL 320.24, 0.33%, 0.51%

LAB 49.03, 41.08, -15.14

 

CMYK 0 / 49 / 29 / 33

HEX #AB5879

RGB 171 88 121

HSL 336.14, 0.33%, 0.51%

LAB 48.28, 37.78, -3.09

 

CMYK 0 / 49 / 42 / 33

HEX #AB5863

RGB 171 88 99

HSL 352.05, 0.33%, 0.51%

LAB 47.67, 35.02, 9.3

 

CMYK 0 / 42 / 49 / 33

HEX #AB6358

RGB 171 99 88

HSL 7.95, 0.33%, 0.51%

LAB 49.84, 27.86, 18.85

 

CMYK 0 / 29 / 49 / 33

HEX #AB7958

RGB 171 121 88

HSL 23.86, 0.33%, 0.51%

LAB 55.11, 15.52, 25.82

 

CMYK 0 / 50 / 44 / 54

HEX #763B42

RGB 118 59 66

HSL 352.88, 0.33%, 0.35%

LAB 32.64, 26.53, 7.55

 

CMYK 0 / 50 / 43 / 43

HEX #914952

RGB 145 73 82

HSL 352.5, 0.33%, 0.43%

LAB 40.24, 31.26, 8.69

 

CMYK 0 / 49 / 43 / 33

HEX #AB5862

RGB 171 88 98

HSL 352.77, 0.33%, 0.51%

LAB 47.65, 34.91, 9.87

 

CMYK 0 / 37 / 33 / 27

HEX #B9747C

RGB 185 116 124

HSL 353.04, 0.33%, 0.59%

LAB 56.35, 28.18, 7.07

 

CMYK 0 / 28 / 24 / 22

HEX #C68F96

RGB 198 143 150

HSL 352.36, 0.33%, 0.67%

LAB 64.85, 21.85, 4.57

 

CMYK 0 / 48 / 42 / 33

HEX #AB5963

RGB 171 89 99

HSL 352.68, 0.33%, 0.51%

LAB 47.88, 34.48, 9.59

 

CMYK 4 / 0 / 49 / 33

HEX #A5AB58

RGB 165 171 88

HSL 64.34, 0.33%, 0.51%

LAB 67.89, -14.36, 41.68

 

CMYK 49 / 23 / 0 / 33

HEX #5884AB

RGB 88 132 171

HSL 208.19, 0.33%, 0.51%

LAB 53.51, -4.09, -25.33

 

CMYK 0 / 48 / 42 / 33

HEX #AB5963

RGB 171 89 99

HSL 352.68, 0.33%, 0.51%

LAB 47.88, 34.48, 9.59

 

CMYK 42 / 0 / 49 / 33

HEX #63AB58

RGB 99 171 88

HSL 112.05, 0.33%, 0.51%

LAB 63.74, -39.2, 35.65

 

CMYK 49 / 42 / 0 / 33

HEX #5863AB

RGB 88 99 171

HSL 232.05, 0.33%, 0.51%

LAB 44.14, 15.89, -40

 

CMYK 0 / 48 / 42 / 33

HEX #AB5963

RGB 171 89 99

HSL 352.68, 0.33%, 0.51%

LAB 47.88, 34.48, 9.59

 

CMYK 4 / 0 / 49 / 33

HEX #A5AB58

RGB 165 171 88

HSL 64.34, 0.33%, 0.51%

LAB 67.89, -14.36, 41.68

 

CMYK 49 / 0 / 6 / 33

HEX #58ABA0

RGB 88 171 160

HSL 172.05, 0.33%, 0.51%

LAB 64.75, -28.01, -2.14

 

CMYK 45 / 49 / 0 / 33

HEX #5E58AB

RGB 94 88 171

HSL 244.34, 0.33%, 0.51%

LAB 41.69, 24.26, -43.88

 

CMYK 0 / 48 / 42 / 33

HEX #AB5963

RGB 171 89 99

HSL 352.68, 0.33%, 0.51%

LAB 47.88, 34.48, 9.59

 

CMYK 18 / 0 / 49 / 33

HEX #8DAB58

RGB 141 171 88

HSL 81.69, 0.33%, 0.51%

LAB 66.13, -24.08, 39.13

 

CMYK 49 / 0 / 6 / 33

HEX #58ABA0

RGB 88 171 160

HSL 172.05, 0.33%, 0.51%

LAB 64.75, -28.01, -2.14

 

CMYK 30 / 49 / 0 / 33

HEX #7758AB

RGB 119 88 171

HSL 262.41, 0.33%, 0.51%

LAB 44, 30.85, -40.05

 

Description

Color code: HEX #AB5963 | qconv.com Color code: HEX #AB5963 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 89 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 89 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 42 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 42% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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