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Color name
HEX #AB539A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB539A it is the complementary color #54AC65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB539A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB539A shade: #B05395, #C165A8, #D277BB, #E389CE and #F49BE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB539A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB539A shade: #AB539A, #9A4187, #892F74, #781D61 and #670B4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB539A shade: #AC529A, #AC5282, #AC526A and #AC5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB539A shade: #AC529A, #A552AC, #8D52AC, #7552AC and #5D52AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB539A shade matches the following richer shades: #AC529A, #C03EA7, #D529B4, #EA14C0 and #FE00CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB539A shade: #AC529A, #97678E, #827C81, #6E9074 and #59A568

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB539A shade: #8C52AC, #A452AC, #AC529B, #AC5283 and #AC526C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB539A shade: #743868, #904581, #AC529A, #B96EAB and #C68ABB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB539A shade: #AB539A, #AC7552 and #52AC98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB539A shade: #AB539A, #9BAC52 and #529BAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB539A shade: #AB539A, #AC7552, #52AC63 and #5289AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB539A shade: #AB539A, #AC8F52, #52AC63 and #526FAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 10 / 33

HEX #AB539A

RGB 171 83 154

HSL 311.59, 0.35%, 0.5%

LAB 48.48, 45.46, -22.53

 

Complementary color

CMYK 51 / 0 / 41 / 33

HEX #54AC65

RGB 84 172 101

HSL 131.59, 0.35%, 0.5%

LAB 63.61, -42.06, 28.61

 

CMYK 0 / 53 / 15 / 31

HEX #B05395

RGB 176 83 149

HSL 317.42, 0.37%, 0.51%

LAB 48.99, 46.19, -18.72

 

CMYK 0 / 48 / 13 / 24

HEX #C165A8

RGB 193 101 168

HSL 316.3, 0.43%, 0.58%

LAB 55.56, 45.51, -19.63

 

CMYK 0 / 43 / 11 / 18

HEX #D277BB

RGB 210 119 187

HSL 315.16, 0.5%, 0.65%

LAB 62.07, 44.77, -20.39

 

CMYK 0 / 40 / 9 / 11

HEX #E389CE

RGB 227 137 206

HSL 314, 0.62%, 0.71%

LAB 68.52, 44.02, -21.05

 

CMYK 0 / 36 / 8 / 4

HEX #F49BE1

RGB 244 155 225

HSL 312.81, 0.8%, 0.78%

LAB 74.9, 43.28, -21.64

 

CMYK 0 / 51 / 10 / 33

HEX #AB539A

RGB 171 83 154

HSL 311.59, 0.35%, 0.5%

LAB 48.48, 45.46, -22.53

 

CMYK 0 / 58 / 12 / 40

HEX #9A4187

RGB 154 65 135

HSL 312.81, 0.41%, 0.43%

LAB 41.84, 46.02, -21.55

 

CMYK 0 / 66 / 15 / 46

HEX #892F74

RGB 137 47 116

HSL 314, 0.49%, 0.36%

LAB 35.23, 46.27, -20.26

 

CMYK 0 / 76 / 19 / 53

HEX #781D61

RGB 120 29 97

HSL 315.16, 0.61%, 0.29%

LAB 28.73, 45.89, -18.42

 

CMYK 0 / 89 / 24 / 60

HEX #670B4E

RGB 103 11 78

HSL 316.3, 0.81%, 0.22%

LAB 22.56, 44.26, -15.66

 

CMYK 0 / 52 / 10 / 33

HEX #AC529A

RGB 172 82 154

HSL 312, 0.35%, 0.5%

LAB 48.43, 46.27, -22.59

 

CMYK 0 / 52 / 24 / 33

HEX #AC5282

RGB 172 82 130

HSL 328, 0.35%, 0.5%

LAB 47.52, 42.51, -9.63

 

CMYK 0 / 52 / 38 / 33

HEX #AC526A

RGB 172 82 106

HSL 344, 0.35%, 0.5%

LAB 46.77, 39.34, 3.79

 

CMYK 0 / 52 / 52 / 33

HEX #AC5252

RGB 172 82 82

HSL 0, 0.35%, 0.5%

LAB 46.2, 36.82, 17.54

 

CMYK 0 / 52 / 10 / 33

HEX #AC529A

RGB 172 82 154

HSL 312, 0.35%, 0.5%

LAB 48.43, 46.27, -22.59

 

CMYK 4 / 52 / 0 / 33

HEX #A552AC

RGB 165 82 172

HSL 295.33, 0.35%, 0.5%

LAB 48.28, 47.44, -33.54

 

CMYK 18 / 52 / 0 / 33

HEX #8D52AC

RGB 141 82 172

HSL 279.33, 0.35%, 0.5%

LAB 45.19, 40.67, -38.61

 

CMYK 32 / 52 / 0 / 33

HEX #7552AC

RGB 117 82 172

HSL 263.33, 0.35%, 0.5%

LAB 42.45, 34.11, -43.13

 

CMYK 46 / 52 / 0 / 33

HEX #5D52AC

RGB 93 82 172

HSL 247.33, 0.35%, 0.5%

LAB 40.15, 28.05, -46.94

 

CMYK 0 / 52 / 10 / 33

HEX #AC529A

RGB 172 82 154

HSL 312, 0.35%, 0.5%

LAB 48.43, 46.27, -22.59

 

CMYK 0 / 68 / 13 / 25

HEX #C03EA7

RGB 192 62 167

HSL 311.54, 0.51%, 0.5%

LAB 48.81, 62.71, -29.46

 

CMYK 0 / 81 / 15 / 16

HEX #D529B4

RGB 213 41 180

HSL 311.51, 0.68%, 0.5%

LAB 50.72, 75.75, -33.87

 

CMYK 0 / 91 / 18 / 8

HEX #EA14C0

RGB 234 20 192

HSL 311.78, 0.84%, 0.5%

LAB 53.81, 84.98, -35.74

 

CMYK 0 / 100 / 19 / 0

HEX #FE00CD

RGB 254 0 205

HSL 311.57, 1%, 0.5%

LAB 57.54, 91.68, -37.12

 

CMYK 0 / 52 / 10 / 33

HEX #AC529A

RGB 172 82 154

HSL 312, 0.35%, 0.5%

LAB 48.43, 46.27, -22.59

 

CMYK 0 / 32 / 6 / 41

HEX #97678E

RGB 151 103 142

HSL 311.25, 0.19%, 0.5%

LAB 49.78, 25.76, -13.66

 

CMYK 0 / 5 / 1 / 49

HEX #827C81

RGB 130 124 129

HSL 310, 0.02%, 0.5%

LAB 52.67, 3.25, -1.91

 

CMYK 24 / 0 / 19 / 44

HEX #6E9074

RGB 110 144 116

HSL 130.59, 0.13%, 0.5%

LAB 56.61, -17.78, 11.07

 

CMYK 46 / 0 / 37 / 35

HEX #59A568

RGB 89 165 104

HSL 131.84, 0.3%, 0.5%

LAB 61.68, -37.08, 24.51

 

CMYK 19 / 52 / 0 / 33

HEX #8C52AC

RGB 140 82 172

HSL 278.67, 0.35%, 0.5%

LAB 45.07, 40.39, -38.81

 

CMYK 5 / 52 / 0 / 33

HEX #A452AC

RGB 164 82 172

HSL 294.67, 0.35%, 0.5%

LAB 48.14, 47.16, -33.76

 

CMYK 0 / 52 / 10 / 33

HEX #AC529B

RGB 172 82 155

HSL 311.33, 0.35%, 0.5%

LAB 48.48, 46.44, -23.12

 

CMYK 0 / 52 / 24 / 33

HEX #AC5283

RGB 172 82 131

HSL 327.33, 0.35%, 0.5%

LAB 47.55, 42.66, -10.18

 

CMYK 0 / 52 / 37 / 33

HEX #AC526C

RGB 172 82 108

HSL 342.67, 0.35%, 0.5%

LAB 46.83, 39.58, 2.66

 

CMYK 0 / 52 / 10 / 55

HEX #743868

RGB 116 56 104

HSL 312, 0.35%, 0.34%

LAB 33.01, 33.27, -16.37

 

CMYK 0 / 52 / 10 / 44

HEX #904581

RGB 144 69 129

HSL 312, 0.35%, 0.42%

LAB 40.85, 39.91, -19.55

 

CMYK 0 / 52 / 10 / 33

HEX #AC529A

RGB 172 82 154

HSL 312, 0.35%, 0.5%

LAB 48.43, 46.27, -22.59

 

CMYK 0 / 41 / 8 / 27

HEX #B96EAB

RGB 185 110 171

HSL 311.2, 0.35%, 0.58%

LAB 56.49, 38.72, -20.02

 

CMYK 0 / 30 / 6 / 22

HEX #C68ABB

RGB 198 138 187

HSL 311, 0.34%, 0.66%

LAB 64.78, 30.66, -16.4

 

CMYK 0 / 51 / 10 / 33

HEX #AB539A

RGB 171 83 154

HSL 311.59, 0.35%, 0.5%

LAB 48.48, 45.46, -22.53

 

CMYK 0 / 32 / 52 / 33

HEX #AC7552

RGB 172 117 82

HSL 23.33, 0.35%, 0.5%

LAB 54.14, 17.61, 27.95

 

CMYK 52 / 0 / 12 / 33

HEX #52AC98

RGB 82 172 152

HSL 166.67, 0.35%, 0.5%

LAB 64.62, -31.9, 2.09

 

CMYK 0 / 51 / 10 / 33

HEX #AB539A

RGB 171 83 154

HSL 311.59, 0.35%, 0.5%

LAB 48.48, 45.46, -22.53

 

CMYK 10 / 0 / 52 / 33

HEX #9BAC52

RGB 155 172 82

HSL 71.33, 0.35%, 0.5%

LAB 67.34, -19.57, 43.79

 

CMYK 52 / 10 / 0 / 33

HEX #529BAC

RGB 82 155 172

HSL 191.33, 0.35%, 0.5%

LAB 60.08, -17.96, -15.88

 

CMYK 0 / 51 / 10 / 33

HEX #AB539A

RGB 171 83 154

HSL 311.59, 0.35%, 0.5%

LAB 48.48, 45.46, -22.53

 

CMYK 0 / 32 / 52 / 33

HEX #AC7552

RGB 172 117 82

HSL 23.33, 0.35%, 0.5%

LAB 54.14, 17.61, 27.95

 

CMYK 52 / 0 / 42 / 33

HEX #52AC63

RGB 82 172 99

HSL 131.33, 0.35%, 0.5%

LAB 63.51, -42.93, 29.51

 

CMYK 52 / 20 / 0 / 33

HEX #5289AC

RGB 82 137 172

HSL 203.33, 0.35%, 0.5%

LAB 54.72, -8.09, -24.06

 

CMYK 0 / 51 / 10 / 33

HEX #AB539A

RGB 171 83 154

HSL 311.59, 0.35%, 0.5%

LAB 48.48, 45.46, -22.53

 

CMYK 0 / 17 / 52 / 33

HEX #AC8F52

RGB 172 143 82

HSL 40.67, 0.35%, 0.5%

LAB 60.8, 3.06, 36.29

 

CMYK 52 / 0 / 42 / 33

HEX #52AC63

RGB 82 172 99

HSL 131.33, 0.35%, 0.5%

LAB 63.51, -42.93, 29.51

 

CMYK 52 / 35 / 0 / 33

HEX #526FAC

RGB 82 111 172

HSL 220.67, 0.35%, 0.5%

LAB 47.16, 7.31, -35.84

 

Description

Color code: HEX #AB539A | qconv.com Color code: HEX #AB539A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 83 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 83 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 10 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 10% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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