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Color name
HEX #AB5B02

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB5B02 it is the complementary color #54A4FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB5B02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB5B02 shade: #B05B00, #C16D10, #D27F23, #E39136 and #F4A349

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB5B02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB5B02 shade: #AB5B02, #9A4900, #893700, #782500 and #671300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB5B02 shade: #AB5B01, #AB2D01 and #AB0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB5B02 shade: #AB5B01, #AB8901, #A0AB01, #72AB01 and #44AB01

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB5B02 shade matches the following richer shades: #AB5B01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB5B02 shade: #AB5B01, #9D5A0F, #8F591D, #81582B and #735839

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB5B02 shade: #AB0104, #AB2C01, #AB5901, #AB8601 and #A3AB01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB5B02 shade: #592F00, #824501, #AB5B01, #D47002 and #FC8603

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB5B02 shade: #AB5B02, #31AB01 and #1501AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB5B02 shade: #AB5B02, #01AB59 and #5901AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB5B02 shade: #AB5B02, #31AB01, #0153AB and #7B01AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB5B02 shade: #AB5B02, #01AB04, #0153AB and #AB01A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 99 / 33

HEX #AB5B02

RGB 171 91 2

HSL 31.6, 0.98%, 0.34%

LAB 47.16, 27.82, 55.35

 

Complementary color

CMYK 67 / 35 / 0 / 1

HEX #54A4FD

RGB 84 164 253

HSL 211.6, 0.98%, 0.66%

LAB 66.16, 3.1, -51.42

 

CMYK 0 / 48 / 100 / 31

HEX #B05B00

RGB 176 91 0

HSL 31.02, 1%, 0.35%

LAB 47.9, 29.93, 56.66

 

CMYK 0 / 44 / 92 / 24

HEX #C16D10

RGB 193 109 16

HSL 31.53, 0.85%, 0.41%

LAB 54.36, 27.66, 58.67

 

CMYK 0 / 40 / 83 / 18

HEX #D27F23

RGB 210 127 35

HSL 31.54, 0.71%, 0.48%

LAB 60.78, 25.61, 59.03

 

CMYK 0 / 36 / 76 / 11

HEX #E39136

RGB 227 145 54

HSL 31.56, 0.76%, 0.55%

LAB 67.16, 23.79, 58.37

 

CMYK 0 / 33 / 70 / 4

HEX #F4A349

RGB 244 163 73

HSL 31.58, 0.89%, 0.62%

LAB 73.49, 22.19, 57.23

 

CMYK 0 / 47 / 99 / 33

HEX #AB5B02

RGB 171 91 2

HSL 31.6, 0.98%, 0.34%

LAB 47.16, 27.82, 55.35

 

CMYK 0 / 53 / 100 / 40

HEX #9A4900

RGB 154 73 0

HSL 28.44, 1%, 0.3%

LAB 40.63, 30.3, 50.59

 

CMYK 0 / 60 / 100 / 46

HEX #893700

RGB 137 55 0

HSL 24.09, 1%, 0.27%

LAB 34.09, 32.7, 45.35

 

CMYK 0 / 69 / 100 / 53

HEX #782500

RGB 120 37 0

HSL 18.5, 1%, 0.24%

LAB 27.62, 34.77, 39.28

 

CMYK 0 / 82 / 100 / 60

HEX #671300

RGB 103 19 0

HSL 11.07, 1%, 0.2%

LAB 21.39, 35.98, 32.03

 

CMYK 0 / 47 / 99 / 33

HEX #AB5B01

RGB 171 91 1

HSL 31.76, 0.99%, 0.34%

LAB 47.16, 27.81, 55.59

 

CMYK 0 / 74 / 99 / 33

HEX #AB2D01

RGB 171 45 1

HSL 15.53, 0.99%, 0.34%

LAB 38.79, 49.57, 50.87

 

CMYK 0 / 99 / 99 / 33

HEX #AB0101

RGB 171 1 1

HSL 0, 0.99%, 0.34%

LAB 35.36, 59.27, 49.27

 

CMYK 0 / 47 / 99 / 33

HEX #AB5B01

RGB 171 91 1

HSL 31.76, 0.99%, 0.34%

LAB 47.16, 27.81, 55.59

 

CMYK 0 / 20 / 99 / 33

HEX #AB8901

RGB 171 137 1

HSL 48, 0.99%, 0.34%

LAB 58.56, 2.15, 63.21

 

CMYK 6 / 0 / 99 / 33

HEX #A0AB01

RGB 160 171 1

HSL 63.88, 0.99%, 0.34%

LAB 66.98, -20.8, 68.86

 

CMYK 33 / 0 / 99 / 33

HEX #72AB01

RGB 114 171 1

HSL 80.12, 0.99%, 0.34%

LAB 63.92, -39.8, 65.2

 

CMYK 60 / 0 / 99 / 33

HEX #44AB01

RGB 68 171 1

HSL 96.35, 0.99%, 0.34%

LAB 61.96, -54.59, 62.82

 

CMYK 0 / 47 / 99 / 33

HEX #AB5B01

RGB 171 91 1

HSL 31.76, 0.99%, 0.34%

LAB 47.16, 27.81, 55.59

 

CMYK 0 / 47 / 99 / 33

HEX #AB5B01

RGB 171 91 1

HSL 31.76, 0.99%, 0.34%

LAB 47.16, 27.81, 55.59

 

CMYK 0 / 43 / 90 / 38

HEX #9D5A0F

RGB 157 90 15

HSL 31.69, 0.83%, 0.34%

LAB 44.96, 22.47, 49.63

 

CMYK 0 / 38 / 80 / 44

HEX #8F591D

RGB 143 89 29

HSL 31.58, 0.66%, 0.34%

LAB 42.87, 17.17, 41.86

 

CMYK 0 / 32 / 67 / 49

HEX #81582B

RGB 129 88 43

HSL 31.4, 0.5%, 0.34%

LAB 40.93, 12.09, 32.32

 

CMYK 0 / 23 / 50 / 55

HEX #735839

RGB 115 88 57

HSL 32.07, 0.34%, 0.34%

LAB 39.44, 6.86, 22.19

 

CMYK 0 / 99 / 98 / 33

HEX #AB0104

RGB 171 1 4

HSL 358.94, 0.99%, 0.34%

LAB 35.38, 59.3, 48.05

 

CMYK 0 / 74 / 99 / 33

HEX #AB2C01

RGB 171 44 1

HSL 15.18, 0.99%, 0.34%

LAB 38.66, 49.94, 50.81

 

CMYK 0 / 48 / 99 / 33

HEX #AB5901

RGB 171 89 1

HSL 31.06, 0.99%, 0.34%

LAB 46.72, 28.9, 55.31

 

CMYK 0 / 22 / 99 / 33

HEX #AB8601

RGB 171 134 1

HSL 46.94, 0.99%, 0.34%

LAB 57.76, 3.81, 62.65

 

CMYK 5 / 0 / 99 / 33

HEX #A3AB01

RGB 163 171 1

HSL 62.82, 0.99%, 0.34%

LAB 67.21, -19.49, 69.14

 

CMYK 0 / 47 / 100 / 65

HEX #592F00

RGB 89 47 0

HSL 31.69, 1%, 0.17%

LAB 24.18, 15.83, 34.09

 

CMYK 0 / 47 / 99 / 49

HEX #824501

RGB 130 69 1

HSL 31.63, 0.98%, 0.26%

LAB 35.99, 22.04, 45.52

 

CMYK 0 / 47 / 99 / 33

HEX #AB5B01

RGB 171 91 1

HSL 31.76, 0.99%, 0.34%

LAB 47.16, 27.81, 55.59

 

CMYK 0 / 47 / 99 / 17

HEX #D47002

RGB 212 112 2

HSL 31.43, 0.98%, 0.42%

LAB 57.65, 33.83, 64.87

 

CMYK 0 / 47 / 99 / 1

HEX #FC8603

RGB 252 134 3

HSL 31.57, 0.98%, 0.5%

LAB 67.84, 38.69, 73.86

 

CMYK 0 / 47 / 99 / 33

HEX #AB5B02

RGB 171 91 2

HSL 31.6, 0.98%, 0.34%

LAB 47.16, 27.82, 55.35

 

CMYK 71 / 0 / 99 / 33

HEX #31AB01

RGB 49 171 1

HSL 103.06, 0.99%, 0.34%

LAB 61.46, -58.77, 62.22

 

CMYK 88 / 99 / 0 / 33

HEX #1501AB

RGB 21 1 171

HSL 247.06, 0.99%, 0.34%

LAB 20.52, 58.64, -78.73

 

CMYK 0 / 47 / 99 / 33

HEX #AB5B02

RGB 171 91 2

HSL 31.6, 0.98%, 0.34%

LAB 47.16, 27.82, 55.35

 

CMYK 99 / 0 / 48 / 33

HEX #01AB59

RGB 1 171 89

HSL 151.06, 0.99%, 0.34%

LAB 61.53, -55.93, 31.89

 

CMYK 48 / 99 / 0 / 33

HEX #5901AB

RGB 89 1 171

HSL 271.06, 0.99%, 0.34%

LAB 26.98, 61.92, -67.82

 

CMYK 0 / 47 / 99 / 33

HEX #AB5B02

RGB 171 91 2

HSL 31.6, 0.98%, 0.34%

LAB 47.16, 27.82, 55.35

 

CMYK 71 / 0 / 99 / 33

HEX #31AB01

RGB 49 171 1

HSL 103.06, 0.99%, 0.34%

LAB 61.46, -58.77, 62.22

 

CMYK 99 / 51 / 0 / 33

HEX #0153AB

RGB 1 83 171

HSL 211.06, 0.99%, 0.34%

LAB 36.24, 14.41, -52.86

 

CMYK 28 / 99 / 0 / 33

HEX #7B01AB

RGB 123 1 171

HSL 283.06, 0.99%, 0.34%

LAB 32.2, 65.6, -59.05

 

CMYK 0 / 47 / 99 / 33

HEX #AB5B02

RGB 171 91 2

HSL 31.6, 0.98%, 0.34%

LAB 47.16, 27.82, 55.35

 

CMYK 99 / 0 / 98 / 33

HEX #01AB04

RGB 1 171 4

HSL 121.06, 0.99%, 0.34%

LAB 60.91, -63.73, 61.12

 

CMYK 99 / 51 / 0 / 33

HEX #0153AB

RGB 1 83 171

HSL 211.06, 0.99%, 0.34%

LAB 36.24, 14.41, -52.86

 

CMYK 0 / 99 / 2 / 33

HEX #AB01A8

RGB 171 1 168

HSL 301.06, 0.99%, 0.34%

LAB 40.42, 72.28, -43.54

 

Description

Color code: HEX #AB5B02 | qconv.com Color code: HEX #AB5B02 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 91 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 91 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 99 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 99% 33% C M Y K

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