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Color name
HEX #AB5E1F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB5E1F it is the complementary color #54A1E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB5E1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB5E1F shade: #B05E1A, #C1702D, #D28240, #E39453 and #F4A666

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB5E1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB5E1F shade: #AB5E1F, #9A4C0C, #893A00, #782800 and #671600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB5E1F shade: #AC5E1F, #AC391F and #AC1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB5E1F shade: #AC5E1F, #AC841F, #ACAA1F, #87AC1F and #61AC1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB5E1F shade matches the following richer shades: #AC5E1F and #BC5D0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB5E1F shade: #AC5E1F, #9B6030, #8B6240, #7A6351 and #6A6561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB5E1F shade: #AC1F2B, #AC391F, #AC5E1F, #AC841F and #ACAA1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB5E1F shade: #663812, #894B19, #AC5E1F, #CF7226 and #DC8742

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB5E1F shade: #AB5E1F, #50AC1F and #261FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB5E1F shade: #AB5E1F, #1FAC5E and #5E1FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB5E1F shade: #AB5E1F, #50AC1F, #1F6DAC and #7B1FAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB5E1F shade: #AB5E1F, #26AC1F, #1F6DAC and #A51FAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 82 / 33

HEX #AB5E1F

RGB 171 94 31

HSL 27, 0.69%, 0.4%

LAB 47.96, 26.8, 47.16

 

Complementary color

CMYK 63 / 28 / 0 / 12

HEX #54A1E0

RGB 84 161 224

HSL 207, 0.69%, 0.6%

LAB 63.96, -4.78, -38.97

 

CMYK 0 / 47 / 85 / 31

HEX #B05E1A

RGB 176 94 26

HSL 27.2, 0.74%, 0.4%

LAB 48.65, 28.77, 50.04

 

CMYK 0 / 42 / 77 / 24

HEX #C1702D

RGB 193 112 45

HSL 27.16, 0.62%, 0.47%

LAB 55.19, 26.86, 49.01

 

CMYK 0 / 38 / 70 / 18

HEX #D28240

RGB 210 130 64

HSL 27.12, 0.62%, 0.54%

LAB 61.69, 25.18, 47.54

HEX #D28240

CMYK 0 / 35 / 63 / 11

HEX #E39453

RGB 227 148 83

HSL 27.08, 0.72%, 0.61%

LAB 68.12, 23.7, 45.96

HEX #E39453

CMYK 0 / 32 / 58 / 4

HEX #F4A666

RGB 244 166 102

HSL 27.04, 0.87%, 0.68%

LAB 74.49, 22.4, 44.4

HEX #F4A666

CMYK 0 / 45 / 82 / 33

HEX #AB5E1F

RGB 171 94 31

HSL 27, 0.69%, 0.4%

LAB 47.96, 26.8, 47.16

 

CMYK 0 / 51 / 92 / 40

HEX #9A4C0C

RGB 154 76 12

HSL 27.04, 0.86%, 0.33%

LAB 41.32, 28.88, 47.55

 

CMYK 0 / 58 / 100 / 46

HEX #893A00

RGB 137 58 0

HSL 25.4, 1%, 0.27%

LAB 34.69, 31.15, 45.69

 

CMYK 0 / 67 / 100 / 53

HEX #782800

RGB 120 40 0

HSL 20, 1%, 0.24%

LAB 28.14, 33.37, 39.72

 

CMYK 0 / 79 / 100 / 60

HEX #671600

RGB 103 22 0

HSL 12.82, 1%, 0.2%

LAB 21.79, 34.87, 32.46

 

CMYK 0 / 45 / 82 / 33

HEX #AC5E1F

RGB 172 94 31

HSL 26.81, 0.69%, 0.4%

LAB 48.1, 27.23, 47.34

 

CMYK 0 / 67 / 82 / 33

HEX #AC391F

RGB 172 57 31

HSL 11.06, 0.69%, 0.4%

LAB 40.89, 45.71, 40.59

 

CMYK 0 / 82 / 82 / 33

HEX #AC1F1F

RGB 172 31 31

HSL 0, 0.69%, 0.4%

LAB 37.57, 54.89, 37.38

 

CMYK 0 / 45 / 82 / 33

HEX #AC5E1F

RGB 172 94 31

HSL 26.81, 0.69%, 0.4%

LAB 48.1, 27.23, 47.34

 

CMYK 0 / 23 / 82 / 33

HEX #AC841F

RGB 172 132 31

HSL 42.98, 0.69%, 0.4%

LAB 57.44, 6, 55.72

 

CMYK 0 / 1 / 82 / 33

HEX #ACAA1F

RGB 172 170 31

HSL 59.15, 0.69%, 0.4%

LAB 67.74, -14.43, 64.68

 

CMYK 22 / 0 / 82 / 33

HEX #87AC1F

RGB 135 172 31

HSL 75.74, 0.69%, 0.4%

LAB 65.56, -31.22, 61.71

 

CMYK 44 / 0 / 82 / 33

HEX #61AC1F

RGB 97 172 31

HSL 91.91, 0.69%, 0.4%

LAB 63.46, -45.47, 59.04

 

CMYK 0 / 45 / 82 / 33

HEX #AC5E1F

RGB 172 94 31

HSL 26.81, 0.69%, 0.4%

LAB 48.1, 27.23, 47.34

 

CMYK 0 / 51 / 92 / 26

HEX #BC5D0F

RGB 188 93 15

HSL 27.05, 0.85%, 0.4%

LAB 50.16, 34.06, 55.54

 

CMYK 0 / 45 / 82 / 33

HEX #AC5E1F

RGB 172 94 31

HSL 26.81, 0.69%, 0.4%

LAB 48.1, 27.23, 47.34

 

CMYK 0 / 38 / 69 / 39

HEX #9B6030

RGB 155 96 48

HSL 26.92, 0.53%, 0.4%

LAB 46.38, 19.51, 36.71

 

CMYK 0 / 29 / 54 / 45

HEX #8B6240

RGB 139 98 64

HSL 27.2, 0.37%, 0.4%

LAB 45.07, 12.49, 25.84

 

CMYK 0 / 19 / 34 / 52

HEX #7A6351

RGB 122 99 81

HSL 26.34, 0.2%, 0.4%

LAB 43.73, 6.41, 13.72

 

CMYK 0 / 5 / 8 / 58

HEX #6A6561

RGB 106 101 97

HSL 26.67, 0.04%, 0.4%

LAB 43.11, 1.18, 2.96

 

CMYK 0 / 82 / 75 / 33

HEX #AC1F2B

RGB 172 31 43

HSL 354.89, 0.69%, 0.4%

LAB 37.71, 55.31, 30.52

 

CMYK 0 / 67 / 82 / 33

HEX #AC391F

RGB 172 57 31

HSL 11.06, 0.69%, 0.4%

LAB 40.89, 45.71, 40.59

 

CMYK 0 / 45 / 82 / 33

HEX #AC5E1F

RGB 172 94 31

HSL 26.81, 0.69%, 0.4%

LAB 48.1, 27.23, 47.34

 

CMYK 0 / 23 / 82 / 33

HEX #AC841F

RGB 172 132 31

HSL 42.98, 0.69%, 0.4%

LAB 57.44, 6, 55.72

 

CMYK 0 / 1 / 82 / 33

HEX #ACAA1F

RGB 172 170 31

HSL 59.15, 0.69%, 0.4%

LAB 67.74, -14.43, 64.68

 

CMYK 0 / 45 / 82 / 60

HEX #663812

RGB 102 56 18

HSL 27.14, 0.7%, 0.24%

LAB 28.63, 17.22, 31.21

 

CMYK 0 / 45 / 82 / 46

HEX #894B19

RGB 137 75 25

HSL 26.79, 0.69%, 0.32%

LAB 38.59, 22.38, 39.27

 

CMYK 0 / 45 / 82 / 33

HEX #AC5E1F

RGB 172 94 31

HSL 26.81, 0.69%, 0.4%

LAB 48.1, 27.23, 47.34

 

CMYK 0 / 45 / 82 / 19

HEX #CF7226

RGB 207 114 38

HSL 26.98, 0.69%, 0.48%

LAB 57.5, 31.38, 54.86

 

CMYK 0 / 39 / 70 / 14

HEX #DC8742

RGB 220 135 66

HSL 26.88, 0.69%, 0.56%

LAB 64.11, 26.76, 49.58

 

CMYK 0 / 45 / 82 / 33

HEX #AB5E1F

RGB 171 94 31

HSL 27, 0.69%, 0.4%

LAB 47.96, 26.8, 47.16

 

CMYK 53 / 0 / 82 / 33

HEX #50AC1F

RGB 80 172 31

HSL 99.15, 0.69%, 0.4%

LAB 62.77, -50.76, 58.15

 

CMYK 78 / 82 / 0 / 33

HEX #261FAC

RGB 38 31 172

HSL 242.98, 0.69%, 0.4%

LAB 24.86, 49.52, -72.09

 

CMYK 0 / 45 / 82 / 33

HEX #AB5E1F

RGB 171 94 31

HSL 27, 0.69%, 0.4%

LAB 47.96, 26.8, 47.16

 

CMYK 82 / 0 / 45 / 33

HEX #1FAC5E

RGB 31 172 94

HSL 146.81, 0.69%, 0.4%

LAB 62.17, -53.38, 30.16

 

CMYK 45 / 82 / 0 / 33

HEX #5E1FAC

RGB 94 31 172

HSL 266.81, 0.69%, 0.4%

LAB 30.25, 55.27, -63.01

 

CMYK 0 / 45 / 82 / 33

HEX #AB5E1F

RGB 171 94 31

HSL 27, 0.69%, 0.4%

LAB 47.96, 26.8, 47.16

 

CMYK 53 / 0 / 82 / 33

HEX #50AC1F

RGB 80 172 31

HSL 99.15, 0.69%, 0.4%

LAB 62.77, -50.76, 58.15

 

CMYK 82 / 37 / 0 / 33

HEX #1F6DAC

RGB 31 109 172

HSL 206.81, 0.69%, 0.4%

LAB 44.53, -0.15, -40.14

 

CMYK 28 / 82 / 0 / 33

HEX #7B1FAC

RGB 123 31 172

HSL 279.15, 0.69%, 0.4%

LAB 34.33, 59.72, -56.17

 

CMYK 0 / 45 / 82 / 33

HEX #AB5E1F

RGB 171 94 31

HSL 27, 0.69%, 0.4%

LAB 47.96, 26.8, 47.16

 

CMYK 78 / 0 / 82 / 33

HEX #26AC1F

RGB 38 172 31

HSL 117.02, 0.69%, 0.4%

LAB 61.67, -59.86, 56.73

 

CMYK 82 / 37 / 0 / 33

HEX #1F6DAC

RGB 31 109 172

HSL 206.81, 0.69%, 0.4%

LAB 44.53, -0.15, -40.14

 

CMYK 4 / 82 / 0 / 33

HEX #A51FAC

RGB 165 31 172

HSL 297.02, 0.69%, 0.4%

LAB 41.15, 67.28, -44.83

 

Description

Color code: HEX #AB5E1F | qconv.com Color code: HEX #AB5E1F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 94 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 94 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 82 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 82% 33% C M Y K

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Provide designers and agencies with accurate color values.

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