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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB6874 it is the complementary color #54978B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB6874. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB6874 shade: #B0686F, #C17A82, #D28C95, #E39EA8 and #F4B0BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB6874. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB6874 shade: #AB6874, #9A5661, #89444E, #78323B and #672028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB6874 shade: #AB6773 and #AB6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB6874 shade: #AB6773, #AB6786, #AB6798, #AB67AA and #9A67AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB6874 shade matches the following richer shades: #AB6773, #BE5467, #D1415B, #E42E4F and #F71B43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB6874 shade: #AB6773, #987A80, #858D8C, #72A098 and #5FB3A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB6874 shade: #AB6798, #AB6786, #AB6774, #AB6D67 and #AB7F67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB6874 shade: #7C444E, #97535F, #AB6773, #BA828C and #C99CA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB6874 shade: #AB6874, #AAAB67 and #678FAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB6874 shade: #AB6874, #74AB67 and #6774AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB6874 shade: #AB6874, #AAAB67, #67AB9F and #6867AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB6874 shade: #AB6874, #96AB67, #67AB9F and #7D67AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 32 / 33

HEX #AB6874

RGB 171 104 116

HSL 349.25, 0.29%, 0.54%

LAB 51.63, 28.4, 4.77

 

Complementary color

CMYK 44 / 0 / 8 / 41

HEX #54978B

RGB 84 151 139

HSL 169.25, 0.29%, 0.46%

LAB 57.92, -24.34, -0.33

 

CMYK 0 / 41 / 37 / 31

HEX #B0686F

RGB 176 104 111

HSL 354.17, 0.31%, 0.55%

LAB 52.15, 29.67, 8.56

 

CMYK 0 / 37 / 33 / 24

HEX #C17A82

RGB 193 122 130

HSL 353.24, 0.36%, 0.62%

LAB 58.85, 28.72, 7.3

 

CMYK 0 / 33 / 29 / 18

HEX #D28C95

RGB 210 140 149

HSL 352.29, 0.44%, 0.69%

LAB 65.46, 27.85, 6.19

 

CMYK 0 / 30 / 26 / 11

HEX #E39EA8

RGB 227 158 168

HSL 351.3, 0.55%, 0.75%

LAB 71.97, 27.06, 5.19

 

CMYK 0 / 28 / 23 / 4

HEX #F4B0BB

RGB 244 176 187

HSL 350.29, 0.76%, 0.82%

LAB 78.39, 26.33, 4.28

 

CMYK 0 / 39 / 32 / 33

HEX #AB6874

RGB 171 104 116

HSL 349.25, 0.29%, 0.54%

LAB 51.63, 28.4, 4.77

 

CMYK 0 / 44 / 37 / 40

HEX #9A5661

RGB 154 86 97

HSL 350.29, 0.28%, 0.47%

LAB 44.79, 29.38, 6.08

 

CMYK 0 / 50 / 43 / 46

HEX #89444E

RGB 137 68 78

HSL 351.3, 0.34%, 0.4%

LAB 37.85, 30.43, 7.65

 

CMYK 0 / 58 / 51 / 53

HEX #78323B

RGB 120 50 59

HSL 352.29, 0.41%, 0.33%

LAB 30.85, 31.5, 9.65

 

CMYK 0 / 69 / 61 / 60

HEX #672028

RGB 103 32 40

HSL 353.24, 0.53%, 0.26%

LAB 23.9, 32.41, 12.33

 

CMYK 0 / 40 / 33 / 33

HEX #AB6773

RGB 171 103 115

HSL 349.41, 0.29%, 0.54%

LAB 51.38, 28.82, 5

 

CMYK 0 / 40 / 40 / 33

HEX #AB6767

RGB 171 103 103

HSL 0, 0.29%, 0.54%

LAB 51.08, 27.3, 11.69

 

CMYK 0 / 40 / 33 / 33

HEX #AB6773

RGB 171 103 115

HSL 349.41, 0.29%, 0.54%

LAB 51.38, 28.82, 5

 

CMYK 0 / 40 / 22 / 33

HEX #AB6786

RGB 171 103 134

HSL 332.65, 0.29%, 0.54%

LAB 51.93, 31.57, -5.45

 

CMYK 0 / 40 / 11 / 33

HEX #AB6798

RGB 171 103 152

HSL 316.76, 0.29%, 0.54%

LAB 52.54, 34.53, -15.15

 

CMYK 0 / 40 / 1 / 33

HEX #AB67AA

RGB 171 103 170

HSL 300.88, 0.29%, 0.54%

LAB 53.23, 37.8, -24.6

 

CMYK 10 / 40 / 0 / 33

HEX #9A67AB

RGB 154 103 171

HSL 285, 0.29%, 0.54%

LAB 51.28, 32.6, -28.36

 

CMYK 0 / 40 / 33 / 33

HEX #AB6773

RGB 171 103 115

HSL 349.41, 0.29%, 0.54%

LAB 51.38, 28.82, 5

 

CMYK 0 / 56 / 46 / 25

HEX #BE5467

RGB 190 84 103

HSL 349.25, 0.45%, 0.54%

LAB 49.82, 44.39, 10.32

 

CMYK 0 / 69 / 56 / 18

HEX #D1415B

RGB 209 65 91

HSL 349.17, 0.61%, 0.54%

LAB 49.61, 57.92, 17.75

 

CMYK 0 / 80 / 65 / 11

HEX #E42E4F

RGB 228 46 79

HSL 349.12, 0.77%, 0.54%

LAB 50.7, 68.76, 27.07

 

CMYK 0 / 89 / 73 / 3

HEX #F71B43

RGB 247 27 67

HSL 349.09, 0.93%, 0.54%

LAB 52.91, 76.93, 37.71

 

CMYK 0 / 40 / 33 / 33

HEX #AB6773

RGB 171 103 115

HSL 349.41, 0.29%, 0.54%

LAB 51.38, 28.82, 5

 

CMYK 0 / 20 / 16 / 40

HEX #987A80

RGB 152 122 128

HSL 348, 0.13%, 0.54%

LAB 54.19, 12.63, 1.14

 

CMYK 6 / 0 / 1 / 45

HEX #858D8C

RGB 133 141 140

HSL 172.5, 0.03%, 0.54%

LAB 57.97, -3.11, -0.48

 

CMYK 29 / 0 / 5 / 37

HEX #72A098

RGB 114 160 152

HSL 169.57, 0.19%, 0.54%

LAB 62.5, -17.23, -0.83

 

CMYK 47 / 0 / 8 / 30

HEX #5FB3A4

RGB 95 179 164

HSL 169.29, 0.36%, 0.54%

LAB 67.54, -29.23, -0.25

 

CMYK 0 / 40 / 11 / 33

HEX #AB6798

RGB 171 103 152

HSL 316.76, 0.29%, 0.54%

LAB 52.54, 34.53, -15.15

 

CMYK 0 / 40 / 22 / 33

HEX #AB6786

RGB 171 103 134

HSL 332.65, 0.29%, 0.54%

LAB 51.93, 31.57, -5.45

 

CMYK 0 / 40 / 32 / 33

HEX #AB6774

RGB 171 103 116

HSL 348.53, 0.29%, 0.54%

LAB 51.4, 28.96, 4.45

 

CMYK 0 / 36 / 40 / 33

HEX #AB6D67

RGB 171 109 103

HSL 5.29, 0.29%, 0.54%

LAB 52.48, 23.95, 13.64

 

CMYK 0 / 26 / 40 / 33

HEX #AB7F67

RGB 171 127 103

HSL 21.18, 0.29%, 0.54%

LAB 56.9, 13.8, 19.69

 

CMYK 0 / 45 / 37 / 51

HEX #7C444E

RGB 124 68 78

HSL 349.29, 0.29%, 0.38%

LAB 35.93, 25.29, 4.66

 

CMYK 0 / 45 / 37 / 41

HEX #97535F

RGB 151 83 95

HSL 349.41, 0.29%, 0.46%

LAB 43.64, 29.63, 5.61

 

CMYK 0 / 40 / 33 / 33

HEX #AB6773

RGB 171 103 115

HSL 349.41, 0.29%, 0.54%

LAB 51.38, 28.82, 5

 

CMYK 0 / 30 / 25 / 27

HEX #BA828C

RGB 186 130 140

HSL 349.29, 0.29%, 0.62%

LAB 60.16, 23.04, 3.32

 

CMYK 0 / 22 / 18 / 21

HEX #C99CA4

RGB 201 156 164

HSL 349.33, 0.29%, 0.7%

LAB 68.66, 17.96, 2.28

 

CMYK 0 / 39 / 32 / 33

HEX #AB6874

RGB 171 104 116

HSL 349.25, 0.29%, 0.54%

LAB 51.63, 28.4, 4.77

 

CMYK 1 / 0 / 40 / 33

HEX #AAAB67

RGB 170 171 103

HSL 60.88, 0.29%, 0.54%

LAB 68.5, -10.72, 34.87

 

CMYK 40 / 16 / 0 / 33

HEX #678FAB

RGB 103 143 171

HSL 204.71, 0.29%, 0.54%

LAB 57.53, -6.42, -19.1

 

CMYK 0 / 39 / 32 / 33

HEX #AB6874

RGB 171 104 116

HSL 349.25, 0.29%, 0.54%

LAB 51.63, 28.4, 4.77

 

CMYK 32 / 0 / 40 / 33

HEX #74AB67

RGB 116 171 103

HSL 108.53, 0.29%, 0.54%

LAB 64.82, -31.39, 29.41

 

CMYK 40 / 32 / 0 / 33

HEX #6774AB

RGB 103 116 171

HSL 228.53, 0.29%, 0.54%

LAB 49.88, 9.38, -30.91

 

CMYK 0 / 39 / 32 / 33

HEX #AB6874

RGB 171 104 116

HSL 349.25, 0.29%, 0.54%

LAB 51.63, 28.4, 4.77

 

CMYK 1 / 0 / 40 / 33

HEX #AAAB67

RGB 170 171 103

HSL 60.88, 0.29%, 0.54%

LAB 68.5, -10.72, 34.87

 

CMYK 40 / 0 / 7 / 33

HEX #67AB9F

RGB 103 171 159

HSL 169.41, 0.29%, 0.54%

LAB 65.37, -24.43, -0.61

 

CMYK 39 / 40 / 0 / 33

HEX #6867AB

RGB 104 103 171

HSL 240.88, 0.29%, 0.54%

LAB 46.42, 17.58, -36.32

 

CMYK 0 / 39 / 32 / 33

HEX #AB6874

RGB 171 104 116

HSL 349.25, 0.29%, 0.54%

LAB 51.63, 28.4, 4.77

 

CMYK 12 / 0 / 40 / 33

HEX #96AB67

RGB 150 171 103

HSL 78.53, 0.29%, 0.54%

LAB 66.97, -18.75, 32.61

 

CMYK 40 / 0 / 7 / 33

HEX #67AB9F

RGB 103 171 159

HSL 169.41, 0.29%, 0.54%

LAB 65.37, -24.43, -0.61

 

CMYK 27 / 40 / 0 / 33

HEX #7D67AB

RGB 125 103 171

HSL 259.41, 0.29%, 0.54%

LAB 48.26, 23.64, -33.3

 

Description

Color code: HEX #AB6874 | qconv.com Color code: HEX #AB6874 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 104 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 104 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 32 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 32% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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