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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB6B01 it is the complementary color #5494FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB6B01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB6B01 shade: #B06B00, #C17D0F, #D28F22, #E3A135 and #F4B348

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB6B01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB6B01 shade: #AB6B01, #9A5900, #894700, #783500 and #672300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB6B01 shade: #AC6B00, #AC3D00, #AC0F00 and #AC0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB6B01 shade: #AC6B00, #AC9A00, #90AC00, #62AC00 and #33AC00

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB6B01 shade matches the following richer shades: #AC6B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB6B01 shade: #AC6B00, #9E680E, #90641C, #82612A and #745E38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB6B01 shade: #AC0F00, #AC3C00, #AC6A00, #AC9800 and #92AC00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB6B01 shade: #5A3800, #835200, #AC6B00, #D58501 and #FD9F02

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB6B01 shade: #AB6B01, #20AC00 and #2600AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB6B01 shade: #AB6B01, #00AC6A and #6A00AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB6B01 shade: #AB6B01, #20AC00, #0042AC and #8D00AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB6B01 shade: #AB6B01, #00AC14, #0042AC and #AC0098

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 99 / 33

HEX #AB6B01

RGB 171 107 1

HSL 37.41, 0.99%, 0.34%

LAB 50.89, 18.94, 57.98

 

Complementary color

CMYK 67 / 42 / 0 / 0

HEX #5494FE

RGB 84 148 254

HSL 217.41, 0.99%, 0.66%

LAB 61.84, 12.79, -58.83

 

CMYK 0 / 39 / 100 / 31

HEX #B06B00

RGB 176 107 0

HSL 36.48, 1%, 0.35%

LAB 51.55, 21.15, 58.94

 

CMYK 0 / 35 / 92 / 24

HEX #C17D0F

RGB 193 125 15

HSL 37.08, 0.86%, 0.41%

LAB 58.07, 18.91, 61.63

 

CMYK 0 / 32 / 84 / 18

HEX #D28F22

RGB 210 143 34

HSL 37.16, 0.72%, 0.48%

LAB 64.53, 16.93, 62.58

 

CMYK 0 / 29 / 77 / 11

HEX #E3A135

RGB 227 161 53

HSL 37.24, 0.76%, 0.55%

LAB 70.92, 15.21, 62.38

 

CMYK 0 / 27 / 70 / 4

HEX #F4B348

RGB 244 179 72

HSL 37.33, 0.89%, 0.62%

LAB 77.25, 13.72, 61.59

 

CMYK 0 / 37 / 99 / 33

HEX #AB6B01

RGB 171 107 1

HSL 37.41, 0.99%, 0.34%

LAB 50.89, 18.94, 57.98

 

CMYK 0 / 42 / 100 / 40

HEX #9A5900

RGB 154 89 0

HSL 34.68, 1%, 0.3%

LAB 44.25, 21.44, 52.8

 

CMYK 0 / 48 / 100 / 46

HEX #894700

RGB 137 71 0

HSL 31.09, 1%, 0.27%

LAB 37.53, 24.03, 47.36

 

CMYK 0 / 56 / 100 / 53

HEX #783500

RGB 120 53 0

HSL 26.5, 1%, 0.24%

LAB 30.73, 26.62, 41.74

 

CMYK 0 / 66 / 100 / 60

HEX #672300

RGB 103 35 0

HSL 20.39, 1%, 0.2%

LAB 23.95, 29.01, 34.69

 

CMYK 0 / 38 / 100 / 33

HEX #AC6B00

RGB 172 107 0

HSL 37.33, 1%, 0.34%

LAB 51.02, 19.37, 58.34

 

CMYK 0 / 65 / 100 / 33

HEX #AC3D00

RGB 172 61 0

HSL 21.28, 1%, 0.34%

LAB 41.39, 43.35, 52.63

 

CMYK 0 / 91 / 100 / 33

HEX #AC0F00

RGB 172 15 0

HSL 5.23, 1%, 0.34%

LAB 36.2, 57.73, 50.21

 

CMYK 0 / 100 / 100 / 33

HEX #AC0000

RGB 172 0 0

HSL 0, 1%, 0.34%

LAB 35.54, 59.64, 49.89

HEX #AC0000

CMYK 0 / 38 / 100 / 33

HEX #AC6B00

RGB 172 107 0

HSL 37.33, 1%, 0.34%

LAB 51.02, 19.37, 58.34

 

CMYK 0 / 10 / 100 / 33

HEX #AC9A00

RGB 172 154 0

HSL 53.72, 1%, 0.34%

LAB 63.25, -6.64, 66.73

 

CMYK 16 / 0 / 100 / 33

HEX #90AC00

RGB 144 172 0

HSL 69.77, 1%, 0.34%

LAB 66.09, -28.19, 67.79

 

CMYK 43 / 0 / 100 / 33

HEX #62AC00

RGB 98 172 0

HSL 85.81, 1%, 0.34%

LAB 63.43, -46.01, 64.6

 

CMYK 70 / 0 / 100 / 33

HEX #33AC00

RGB 51 172 0

HSL 102.21, 1%, 0.34%

LAB 61.83, -58.74, 62.67

 

CMYK 0 / 38 / 100 / 33

HEX #AC6B00

RGB 172 107 0

HSL 37.33, 1%, 0.34%

LAB 51.02, 19.37, 58.34

 

CMYK 0 / 38 / 100 / 33

HEX #AC6B00

RGB 172 107 0

HSL 37.33, 1%, 0.34%

LAB 51.02, 19.37, 58.34

 

CMYK 0 / 34 / 91 / 38

HEX #9E680E

RGB 158 104 14

HSL 37.5, 0.84%, 0.34%

LAB 48.51, 14.95, 52.71

 

CMYK 0 / 31 / 81 / 44

HEX #90641C

RGB 144 100 28

HSL 37.24, 0.67%, 0.34%

LAB 45.81, 11.2, 45.1

 

CMYK 0 / 25 / 68 / 49

HEX #82612A

RGB 130 97 42

HSL 37.5, 0.51%, 0.34%

LAB 43.45, 7.16, 35.71

 

CMYK 0 / 19 / 52 / 55

HEX #745E38

RGB 116 94 56

HSL 38, 0.35%, 0.34%

LAB 41.22, 3.62, 25.04

 

CMYK 0 / 91 / 100 / 33

HEX #AC0F00

RGB 172 15 0

HSL 5.23, 1%, 0.34%

LAB 36.2, 57.73, 50.21

 

CMYK 0 / 65 / 100 / 33

HEX #AC3C00

RGB 172 60 0

HSL 20.93, 1%, 0.34%

LAB 41.22, 43.8, 52.54

 

CMYK 0 / 38 / 100 / 33

HEX #AC6A00

RGB 172 106 0

HSL 36.98, 1%, 0.34%

LAB 50.78, 19.93, 58.18

 

CMYK 0 / 12 / 100 / 33

HEX #AC9800

RGB 172 152 0

HSL 53.02, 1%, 0.34%

LAB 62.7, -5.57, 66.34

 

CMYK 15 / 0 / 100 / 33

HEX #92AC00

RGB 146 172 0

HSL 69.07, 1%, 0.34%

LAB 66.23, -27.34, 67.96

 

CMYK 0 / 38 / 100 / 65

HEX #5A3800

RGB 90 56 0

HSL 37.33, 1%, 0.18%

LAB 26.74, 10.69, 36.54

 

CMYK 0 / 37 / 100 / 49

HEX #835200

RGB 131 82 0

HSL 37.56, 1%, 0.26%

LAB 39.34, 14.89, 48.08

 

CMYK 0 / 38 / 100 / 33

HEX #AC6B00

RGB 172 107 0

HSL 37.33, 1%, 0.34%

LAB 51.02, 19.37, 58.34

 

CMYK 0 / 38 / 100 / 16

HEX #D58501

RGB 213 133 1

HSL 37.36, 0.99%, 0.42%

LAB 62.44, 23.09, 68.16

 

CMYK 0 / 37 / 99 / 1

HEX #FD9F02

RGB 253 159 2

HSL 37.53, 0.98%, 0.5%

LAB 73.34, 26.24, 77.56

 

CMYK 0 / 37 / 99 / 33

HEX #AB6B01

RGB 171 107 1

HSL 37.41, 0.99%, 0.34%

LAB 50.89, 18.94, 57.98

 

CMYK 81 / 0 / 100 / 33

HEX #20AC00

RGB 32 172 0

HSL 108.84, 1%, 0.34%

LAB 61.49, -61.74, 62.25

 

CMYK 78 / 100 / 0 / 33

HEX #2600AC

RGB 38 0 172

HSL 253.26, 1%, 0.34%

LAB 21.54, 59.51, -77.61

 

CMYK 0 / 37 / 99 / 33

HEX #AB6B01

RGB 171 107 1

HSL 37.41, 0.99%, 0.34%

LAB 50.89, 18.94, 57.98

 

CMYK 100 / 0 / 38 / 33

HEX #00AC6A

RGB 0 172 106

HSL 156.98, 1%, 0.34%

LAB 62.12, -53.08, 23.69

 

CMYK 38 / 100 / 0 / 33

HEX #6A00AC

RGB 106 0 172

HSL 276.98, 1%, 0.34%

LAB 29.52, 63.96, -64.15

 

CMYK 0 / 37 / 99 / 33

HEX #AB6B01

RGB 171 107 1

HSL 37.41, 0.99%, 0.34%

LAB 50.89, 18.94, 57.98

 

CMYK 81 / 0 / 100 / 33

HEX #20AC00

RGB 32 172 0

HSL 108.84, 1%, 0.34%

LAB 61.49, -61.74, 62.25

 

CMYK 100 / 62 / 0 / 33

HEX #0042AC

RGB 0 66 172

HSL 216.98, 1%, 0.34%

LAB 31.52, 26.35, -61.14

 

CMYK 18 / 100 / 0 / 33

HEX #8D00AC

RGB 141 0 172

HSL 289.19, 1%, 0.34%

LAB 35.28, 68.35, -54.49

 

CMYK 0 / 37 / 99 / 33

HEX #AB6B01

RGB 171 107 1

HSL 37.41, 0.99%, 0.34%

LAB 50.89, 18.94, 57.98

 

CMYK 100 / 0 / 88 / 33

HEX #00AC14

RGB 0 172 20

HSL 126.98, 1%, 0.34%

LAB 61.27, -63.58, 58.92

 

CMYK 100 / 62 / 0 / 33

HEX #0042AC

RGB 0 66 172

HSL 216.98, 1%, 0.34%

LAB 31.52, 26.35, -61.14

 

CMYK 0 / 100 / 12 / 33

HEX #AC0098

RGB 172 0 152

HSL 306.98, 1%, 0.34%

LAB 39.64, 70.29, -35.12

 

Description

Color code: HEX #AB6B01 | qconv.com Color code: HEX #AB6B01 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 107 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 107 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 99 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 99% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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