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Color name
HEX #AB6C53

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB6C53 it is the complementary color #5493AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB6C53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB6C53 shade: #B06C4E, #C17E61, #D29074, #E3A287 and #F4B49A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB6C53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB6C53 shade: #AB6C53, #9A5A40, #89482D, #78361A and #672407

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB6C53 shade: #AC6C52, #AC5452 and #AC5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB6C53 shade: #AC6C52, #AC8452, #AC9C52, #A3AC52 and #8BAC52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB6C53 shade matches the following richer shades: #AC6C52, #C0633E, #D55A29, #EA5114 and #FE4800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB6C53 shade: #AC6C52, #977567, #827E7C, #6E8690 and #598FA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB6C53 shade: #AC5269, #AC5452, #AC6C52, #AC8352 and #AC9B52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB6C53 shade: #744938, #905A45, #AC6C52, #B9836E and #C69B8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB6C53 shade: #AB6C53, #80AC52 and #525DAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB6C53 shade: #AB6C53, #52AC6C and #6C52AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB6C53 shade: #AB6C53, #80AC52, #5292AC and #7E52AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB6C53 shade: #AB6C53, #66AC52, #5292AC and #9852AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 51 / 33

HEX #AB6C53

RGB 171 108 83

HSL 17.05, 0.35%, 0.5%

LAB 51.85, 22.35, 24.41

 

Complementary color

CMYK 51 / 15 / 0 / 33

HEX #5493AC

RGB 84 147 172

HSL 197.05, 0.35%, 0.5%

LAB 57.78, -13.2, -19.37

 

CMYK 0 / 39 / 56 / 31

HEX #B06C4E

RGB 176 108 78

HSL 18.37, 0.39%, 0.5%

LAB 52.4, 23.98, 28.1

 

CMYK 0 / 35 / 50 / 24

HEX #C17E61

RGB 193 126 97

HSL 18.13, 0.44%, 0.57%

LAB 59.09, 22.77, 26.45

 

CMYK 0 / 31 / 45 / 18

HEX #D29074

RGB 210 144 116

HSL 17.87, 0.51%, 0.64%

LAB 65.68, 21.71, 24.96

 

CMYK 0 / 29 / 41 / 11

HEX #E3A287

RGB 227 162 135

HSL 17.61, 0.62%, 0.71%

LAB 72.18, 20.78, 23.62

 

CMYK 0 / 26 / 37 / 4

HEX #F4B49A

RGB 244 180 154

HSL 17.33, 0.8%, 0.78%

LAB 78.58, 19.95, 22.39

 

CMYK 0 / 37 / 51 / 33

HEX #AB6C53

RGB 171 108 83

HSL 17.05, 0.35%, 0.5%

LAB 51.85, 22.35, 24.41

 

CMYK 0 / 42 / 58 / 40

HEX #9A5A40

RGB 154 90 64

HSL 17.33, 0.41%, 0.43%

LAB 45.02, 23.65, 26.18

 

CMYK 0 / 47 / 67 / 46

HEX #89482D

RGB 137 72 45

HSL 17.61, 0.51%, 0.36%

LAB 38.1, 25.15, 28.2

 

CMYK 0 / 55 / 78 / 53

HEX #78361A

RGB 120 54 26

HSL 17.87, 0.64%, 0.29%

LAB 31.13, 26.86, 30.46

 

CMYK 0 / 65 / 93 / 60

HEX #672407

RGB 103 36 7

HSL 18.13, 0.87%, 0.22%

LAB 24.2, 28.69, 32.08

 

CMYK 0 / 37 / 52 / 33

HEX #AC6C52

RGB 172 108 82

HSL 17.33, 0.35%, 0.5%

LAB 51.96, 22.67, 25.15

 

CMYK 0 / 51 / 52 / 33

HEX #AC5452

RGB 172 84 82

HSL 1.33, 0.35%, 0.5%

LAB 46.61, 35.77, 18.09

 

CMYK 0 / 52 / 52 / 33

HEX #AC5252

RGB 172 82 82

HSL 0, 0.35%, 0.5%

LAB 46.2, 36.82, 17.54

 

CMYK 0 / 37 / 52 / 33

HEX #AC6C52

RGB 172 108 82

HSL 17.33, 0.35%, 0.5%

LAB 51.96, 22.67, 25.15

 

CMYK 0 / 23 / 52 / 33

HEX #AC8452

RGB 172 132 82

HSL 33.33, 0.35%, 0.5%

LAB 57.93, 9.18, 32.74

 

CMYK 0 / 9 / 52 / 33

HEX #AC9C52

RGB 172 156 82

HSL 49.33, 0.35%, 0.5%

LAB 64.29, -4.04, 40.51

 

CMYK 5 / 0 / 52 / 33

HEX #A3AC52

RGB 163 172 82

HSL 66, 0.35%, 0.5%

LAB 67.95, -16.27, 44.65

 

CMYK 19 / 0 / 52 / 33

HEX #8BAC52

RGB 139 172 82

HSL 82, 0.35%, 0.5%

LAB 66.22, -26.01, 42.18

 

CMYK 0 / 37 / 52 / 33

HEX #AC6C52

RGB 172 108 82

HSL 17.33, 0.35%, 0.5%

LAB 51.96, 22.67, 25.15

 

CMYK 0 / 48 / 68 / 25

HEX #C0633E

RGB 192 99 62

HSL 17.08, 0.51%, 0.5%

LAB 52.37, 34.25, 37.45

 

CMYK 0 / 58 / 81 / 16

HEX #D55A29

RGB 213 90 41

HSL 17.09, 0.68%, 0.5%

LAB 53.62, 45.92, 50.32

 

CMYK 0 / 65 / 91 / 8

HEX #EA5114

RGB 234 81 20

HSL 17.1, 0.84%, 0.5%

LAB 55.51, 56.85, 61.36

 

CMYK 0 / 72 / 100 / 0

HEX #FE4800

RGB 254 72 0

HSL 17.01, 1%, 0.5%

LAB 57.76, 66.49, 68.95

 

CMYK 0 / 37 / 52 / 33

HEX #AC6C52

RGB 172 108 82

HSL 17.33, 0.35%, 0.5%

LAB 51.96, 22.67, 25.15

 

CMYK 0 / 23 / 32 / 41

HEX #977567

RGB 151 117 103

HSL 17.5, 0.19%, 0.5%

LAB 52.15, 11.23, 12.83

 

CMYK 0 / 3 / 5 / 49

HEX #827E7C

RGB 130 126 124

HSL 20, 0.02%, 0.5%

LAB 53.08, 1.12, 1.62

 

CMYK 24 / 7 / 0 / 44

HEX #6E8690

RGB 110 134 144

HSL 197.65, 0.13%, 0.5%

LAB 54.43, -6.22, -8.21

 

CMYK 46 / 13 / 0 / 35

HEX #598FA5

RGB 89 143 165

HSL 197.37, 0.3%, 0.5%

LAB 56.57, -11.82, -17.19

 

CMYK 0 / 52 / 39 / 33

HEX #AC5269

RGB 172 82 105

HSL 344.67, 0.35%, 0.5%

LAB 46.74, 39.22, 4.36

 

CMYK 0 / 51 / 52 / 33

HEX #AC5452

RGB 172 84 82

HSL 1.33, 0.35%, 0.5%

LAB 46.61, 35.77, 18.09

 

CMYK 0 / 37 / 52 / 33

HEX #AC6C52

RGB 172 108 82

HSL 17.33, 0.35%, 0.5%

LAB 51.96, 22.67, 25.15

 

CMYK 0 / 24 / 52 / 33

HEX #AC8352

RGB 172 131 82

HSL 32.67, 0.35%, 0.5%

LAB 57.67, 9.74, 32.41

 

CMYK 0 / 10 / 52 / 33

HEX #AC9B52

RGB 172 155 82

HSL 48.67, 0.35%, 0.5%

LAB 64.02, -3.5, 40.18

 

CMYK 0 / 37 / 52 / 55

HEX #744938

RGB 116 73 56

HSL 17, 0.35%, 0.34%

LAB 35.53, 16.28, 17.75

 

CMYK 0 / 38 / 52 / 44

HEX #905A45

RGB 144 90 69

HSL 16.8, 0.35%, 0.42%

LAB 43.76, 19.83, 21.36

 

CMYK 0 / 37 / 52 / 33

HEX #AC6C52

RGB 172 108 82

HSL 17.33, 0.35%, 0.5%

LAB 51.96, 22.67, 25.15

 

CMYK 0 / 29 / 41 / 27

HEX #B9836E

RGB 185 131 110

HSL 16.8, 0.35%, 0.58%

LAB 59.59, 18.12, 19.63

 

CMYK 0 / 22 / 30 / 22

HEX #C69B8A

RGB 198 155 138

HSL 17, 0.34%, 0.66%

LAB 67.49, 13.57, 15.04

 

CMYK 0 / 37 / 51 / 33

HEX #AB6C53

RGB 171 108 83

HSL 17.05, 0.35%, 0.5%

LAB 51.85, 22.35, 24.41

 

CMYK 26 / 0 / 52 / 33

HEX #80AC52

RGB 128 172 82

HSL 89.33, 0.35%, 0.5%

LAB 65.52, -30.25, 41.18

 

CMYK 52 / 46 / 0 / 33

HEX #525DAC

RGB 82 93 172

HSL 232.67, 0.35%, 0.5%

LAB 42.16, 18.57, -43.78

 

CMYK 0 / 37 / 51 / 33

HEX #AB6C53

RGB 171 108 83

HSL 17.05, 0.35%, 0.5%

LAB 51.85, 22.35, 24.41

 

CMYK 52 / 0 / 37 / 33

HEX #52AC6C

RGB 82 172 108

HSL 137.33, 0.35%, 0.5%

LAB 63.66, -41.37, 24.93

 

CMYK 37 / 52 / 0 / 33

HEX #6C52AC

RGB 108 82 172

HSL 257.33, 0.35%, 0.5%

LAB 41.53, 31.76, -44.65

 

CMYK 0 / 37 / 51 / 33

HEX #AB6C53

RGB 171 108 83

HSL 17.05, 0.35%, 0.5%

LAB 51.85, 22.35, 24.41

 

CMYK 26 / 0 / 52 / 33

HEX #80AC52

RGB 128 172 82

HSL 89.33, 0.35%, 0.5%

LAB 65.52, -30.25, 41.18

 

CMYK 52 / 15 / 0 / 33

HEX #5292AC

RGB 82 146 172

HSL 197.33, 0.35%, 0.5%

LAB 57.4, -13.11, -19.96

 

CMYK 27 / 52 / 0 / 33

HEX #7E52AC

RGB 126 82 172

HSL 269.33, 0.35%, 0.5%

LAB 43.43, 36.53, -41.51

 

CMYK 0 / 37 / 51 / 33

HEX #AB6C53

RGB 171 108 83

HSL 17.05, 0.35%, 0.5%

LAB 51.85, 22.35, 24.41

 

CMYK 41 / 0 / 52 / 33

HEX #66AC52

RGB 102 172 82

HSL 106.67, 0.35%, 0.5%

LAB 64.11, -39.46, 39.15

 

CMYK 52 / 15 / 0 / 33

HEX #5292AC

RGB 82 146 172

HSL 197.33, 0.35%, 0.5%

LAB 57.4, -13.11, -19.96

 

CMYK 12 / 52 / 0 / 33

HEX #9852AC

RGB 152 82 172

HSL 286.67, 0.35%, 0.5%

LAB 46.56, 43.76, -36.35

 

Description

Color code: HEX #AB6C53 | qconv.com Color code: HEX #AB6C53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 108 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 108 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 51 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 51% 33% C M Y K

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Provide designers and agencies with accurate color values.

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