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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB6D7C it is the complementary color #549283. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB6D7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB6D7C shade: #B06D77, #C17F8A, #D2919D, #E3A3B0 and #F4B5C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB6D7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB6D7C shade: #AB6D7C, #9A5B69, #894956, #783743 and #672530

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB6D7C shade: #AB6D7C and #AB6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB6D7C shade: #AB6D7C, #AB6D8C, #AB6D9D, #A86DAB and #976DAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB6D7C shade matches the following richer shades: #AB6D7C, #BD5A72, #D04869, #E2355F and #F52355

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB6D7C shade: #AB6D7C, #987F85, #86928F, #73A499 and #60B7A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB6D7C shade: #AB6D9D, #AB6D8D, #AB6D7C, #AB6E6D and #AB7E6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB6D7C shade: #7D4855, #975766, #AB6D7C, #BA8793 and #C9A1AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB6D7C shade: #AB6D7C, #ABA86D and #6D95AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB6D7C shade: #AB6D7C, #7CAB6D and #6D7CAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB6D7C shade: #AB6D7C, #ABA86D, #6DAB9B and #6D70AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB6D7C shade: #AB6D7C, #9BAB6D, #6DAB9B and #7C6DAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 27 / 33

HEX #AB6D7C

RGB 171 109 124

HSL 345.48, 0.27%, 0.55%

LAB 53, 26.73, 2.03

 

Complementary color

CMYK 42 / 0 / 10 / 43

HEX #549283

RGB 84 146 131

HSL 165.48, 0.27%, 0.45%

LAB 56.17, -23.77, 1.68

 

CMYK 0 / 38 / 32 / 31

HEX #B06D77

RGB 176 109 119

HSL 351.04, 0.3%, 0.56%

LAB 53.49, 27.94, 5.76

 

CMYK 0 / 34 / 28 / 24

HEX #C17F8A

RGB 193 127 138

HSL 350, 0.35%, 0.63%

LAB 60.2, 27.06, 4.64

 

CMYK 0 / 31 / 25 / 18

HEX #D2919D

RGB 210 145 157

HSL 348.92, 0.42%, 0.7%

LAB 66.81, 26.25, 3.64

 

CMYK 0 / 28 / 22 / 11

HEX #E3A3B0

RGB 227 163 176

HSL 347.81, 0.53%, 0.76%

LAB 73.32, 25.52, 2.73

 

CMYK 0 / 26 / 20 / 4

HEX #F4B5C3

RGB 244 181 195

HSL 346.67, 0.74%, 0.83%

LAB 79.74, 24.85, 1.9

 

CMYK 0 / 36 / 27 / 33

HEX #AB6D7C

RGB 171 109 124

HSL 345.48, 0.27%, 0.55%

LAB 53, 26.73, 2.03

 

CMYK 0 / 41 / 32 / 40

HEX #9A5B69

RGB 154 91 105

HSL 346.67, 0.26%, 0.48%

LAB 46.14, 27.64, 3.16

 

CMYK 0 / 47 / 37 / 46

HEX #894956

RGB 137 73 86

HSL 347.81, 0.3%, 0.41%

LAB 39.17, 28.64, 4.51

 

CMYK 0 / 54 / 44 / 53

HEX #783743

RGB 120 55 67

HSL 348.92, 0.37%, 0.34%

LAB 32.1, 29.68, 6.19

 

CMYK 0 / 64 / 53 / 60

HEX #672530

RGB 103 37 48

HSL 350, 0.47%, 0.27%

LAB 25.01, 30.67, 8.41

 

CMYK 0 / 36 / 27 / 33

HEX #AB6D7C

RGB 171 109 124

HSL 345.48, 0.27%, 0.55%

LAB 53, 26.73, 2.03

 

CMYK 0 / 36 / 36 / 33

HEX #AB6D6D

RGB 171 109 109

HSL 0, 0.27%, 0.55%

LAB 52.62, 24.69, 10.31

 

CMYK 0 / 36 / 27 / 33

HEX #AB6D7C

RGB 171 109 124

HSL 345.48, 0.27%, 0.55%

LAB 53, 26.73, 2.03

 

CMYK 0 / 36 / 18 / 33

HEX #AB6D8C

RGB 171 109 140

HSL 330, 0.27%, 0.55%

LAB 53.48, 29.19, -6.68

 

CMYK 0 / 36 / 8 / 33

HEX #AB6D9D

RGB 171 109 157

HSL 313.55, 0.27%, 0.55%

LAB 54.06, 32.09, -15.76

 

CMYK 2 / 36 / 0 / 33

HEX #A86DAB

RGB 168 109 171

HSL 297.1, 0.27%, 0.55%

LAB 54.24, 33.72, -23.65

 

CMYK 12 / 36 / 0 / 33

HEX #976DAB

RGB 151 109 171

HSL 280.65, 0.27%, 0.55%

LAB 52.35, 28.21, -26.73

 

CMYK 0 / 36 / 27 / 33

HEX #AB6D7C

RGB 171 109 124

HSL 345.48, 0.27%, 0.55%

LAB 53, 26.73, 2.03

 

CMYK 0 / 52 / 40 / 26

HEX #BD5A72

RGB 189 90 114

HSL 345.45, 0.43%, 0.55%

LAB 51.09, 42.24, 5.51

 

CMYK 0 / 65 / 50 / 18

HEX #D04869

RGB 208 72 105

HSL 345.44, 0.59%, 0.55%

LAB 50.76, 55.96, 10.87

 

CMYK 0 / 77 / 58 / 11

HEX #E2355F

RGB 226 53 95

HSL 345.43, 0.75%, 0.55%

LAB 51.31, 67.22, 18.16

 

CMYK 0 / 86 / 65 / 4

HEX #F52355

RGB 245 35 85

HSL 345.71, 0.91%, 0.55%

LAB 53.24, 75.91, 27.39

 

CMYK 0 / 36 / 27 / 33

HEX #AB6D7C

RGB 171 109 124

HSL 345.48, 0.27%, 0.55%

LAB 53, 26.73, 2.03

 

CMYK 0 / 16 / 13 / 40

HEX #987F85

RGB 152 127 133

HSL 345.6, 0.11%, 0.55%

LAB 55.63, 10.62, 0.34

 

CMYK 8 / 0 / 2 / 43

HEX #86928F

RGB 134 146 143

HSL 165, 0.05%, 0.55%

LAB 59.53, -4.93, 0.1

 

CMYK 30 / 0 / 7 / 36

HEX #73A499

RGB 115 164 153

HSL 166.53, 0.21%, 0.55%

LAB 63.75, -18.78, 0.45

 

CMYK 48 / 0 / 11 / 28

HEX #60B7A2

RGB 96 183 162

HSL 165.52, 0.38%, 0.55%

LAB 68.72, -31.4, 2.58

 

CMYK 0 / 36 / 8 / 33

HEX #AB6D9D

RGB 171 109 157

HSL 313.55, 0.27%, 0.55%

LAB 54.06, 32.09, -15.76

 

CMYK 0 / 36 / 18 / 33

HEX #AB6D8D

RGB 171 109 141

HSL 329.03, 0.27%, 0.55%

LAB 53.51, 29.35, -7.22

 

CMYK 0 / 36 / 27 / 33

HEX #AB6D7C

RGB 171 109 124

HSL 345.48, 0.27%, 0.55%

LAB 53, 26.73, 2.03

 

CMYK 0 / 36 / 36 / 33

HEX #AB6E6D

RGB 171 110 109

HSL 0.97, 0.27%, 0.55%

LAB 52.86, 24.13, 10.64

 

CMYK 0 / 26 / 36 / 33

HEX #AB7E6D

RGB 171 126 109

HSL 16.45, 0.27%, 0.55%

LAB 56.77, 15.1, 16.08

 

CMYK 0 / 42 / 32 / 51

HEX #7D4855

RGB 125 72 85

HSL 345.28, 0.27%, 0.39%

LAB 37.21, 24.34, 2.1

 

CMYK 0 / 42 / 32 / 41

HEX #975766

RGB 151 87 102

HSL 345.94, 0.27%, 0.47%

LAB 44.74, 28.32, 2.91

 

CMYK 0 / 36 / 27 / 33

HEX #AB6D7C

RGB 171 109 124

HSL 345.48, 0.27%, 0.55%

LAB 53, 26.73, 2.03

 

CMYK 0 / 27 / 21 / 27

HEX #BA8793

RGB 186 135 147

HSL 345.88, 0.27%, 0.63%

LAB 61.55, 21.32, 1.33

 

CMYK 0 / 20 / 15 / 21

HEX #C9A1AB

RGB 201 161 171

HSL 345, 0.27%, 0.71%

LAB 70.07, 16.34, 0.44

 

CMYK 0 / 36 / 27 / 33

HEX #AB6D7C

RGB 171 109 124

HSL 345.48, 0.27%, 0.55%

LAB 53, 26.73, 2.03

 

CMYK 0 / 2 / 36 / 33

HEX #ABA86D

RGB 171 168 109

HSL 57.1, 0.27%, 0.55%

LAB 67.85, -8.03, 30.9

 

CMYK 36 / 13 / 0 / 33

HEX #6D95AB

RGB 109 149 171

HSL 201.29, 0.27%, 0.55%

LAB 59.6, -8.08, -15.91

 

CMYK 0 / 36 / 27 / 33

HEX #AB6D7C

RGB 171 109 124

HSL 345.48, 0.27%, 0.55%

LAB 53, 26.73, 2.03

 

CMYK 27 / 0 / 36 / 33

HEX #7CAB6D

RGB 124 171 109

HSL 105.48, 0.27%, 0.55%

LAB 65.37, -27.68, 27.02

 

CMYK 36 / 27 / 0 / 33

HEX #6D7CAB

RGB 109 124 171

HSL 225.48, 0.27%, 0.55%

LAB 52.52, 6.29, -26.77

 

CMYK 0 / 36 / 27 / 33

HEX #AB6D7C

RGB 171 109 124

HSL 345.48, 0.27%, 0.55%

LAB 53, 26.73, 2.03

 

CMYK 0 / 2 / 36 / 33

HEX #ABA86D

RGB 171 168 109

HSL 57.1, 0.27%, 0.55%

LAB 67.85, -8.03, 30.9

 

CMYK 36 / 0 / 9 / 33

HEX #6DAB9B

RGB 109 171 155

HSL 164.52, 0.27%, 0.55%

LAB 65.55, -23.69, 1.92

 

CMYK 36 / 35 / 0 / 33

HEX #6D70AB

RGB 109 112 171

HSL 237.1, 0.27%, 0.55%

LAB 49.23, 13.5, -31.88

 

CMYK 0 / 36 / 27 / 33

HEX #AB6D7C

RGB 171 109 124

HSL 345.48, 0.27%, 0.55%

LAB 53, 26.73, 2.03

 

CMYK 9 / 0 / 36 / 33

HEX #9BAB6D

RGB 155 171 109

HSL 75.48, 0.27%, 0.55%

LAB 67.43, -16.01, 30.11

 

CMYK 36 / 0 / 9 / 33

HEX #6DAB9B

RGB 109 171 155

HSL 164.52, 0.27%, 0.55%

LAB 65.55, -23.69, 1.92

 

CMYK 27 / 36 / 0 / 33

HEX #7C6DAB

RGB 124 109 171

HSL 254.52, 0.27%, 0.55%

LAB 49.69, 19.74, -31.07

 

Description

Color code: HEX #AB6D7C | qconv.com Color code: HEX #AB6D7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 109 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 109 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 27 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 27% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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