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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7149 it is the complementary color #548EB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7149 shade: #B07144, #C18357, #D2956A, #E3A77D and #F4B990

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7149 shade: #AB7149, #9A5F36, #894D23, #783B10 and #672900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7149 shade: #AB7149, #AB5749 and #AB4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7149 shade: #AB7149, #AB8B49, #ABA649, #96AB49 and #7BAB49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7149 shade matches the following richer shades: #AB7149, #BF6D35, #D26A21 and #E6660E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7149 shade: #AB7149, #97755D, #837871, #6F7C84 and #5C7F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7149 shade: #AB4956, #AB5649, #AB7049, #AB8A49 and #ABA449

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7149 shade: #714B30, #8E5E3D, #AB7149, #BB8662 and #C89C7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7149 shade: #AB7149, #70AB49 and #4949AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7149 shade: #AB7149, #49AB70 and #7049AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7149 shade: #AB7149, #70AB49, #4984AB and #8449AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7149 shade: #AB7149, #53AB49, #4984AB and #A149AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 57 / 33

HEX #AB7149

RGB 171 113 73

HSL 24.49, 0.4%, 0.48%

LAB 52.89, 18.64, 31.38

 

Complementary color

CMYK 54 / 22 / 0 / 29

HEX #548EB6

RGB 84 142 182

HSL 204.49, 0.4%, 0.52%

LAB 56.69, -7.39, -26.73

 

CMYK 0 / 36 / 61 / 31

HEX #B07144

RGB 176 113 68

HSL 25, 0.44%, 0.48%

LAB 53.45, 20.39, 34.93

 

CMYK 0 / 32 / 55 / 24

HEX #C18357

RGB 193 131 87

HSL 24.91, 0.46%, 0.55%

LAB 60.12, 19.11, 33.29

 

CMYK 0 / 29 / 50 / 18

HEX #D2956A

RGB 210 149 106

HSL 24.81, 0.54%, 0.62%

LAB 66.7, 18, 31.76

 

CMYK 0 / 26 / 45 / 11

HEX #E3A77D

RGB 227 167 125

HSL 24.71, 0.65%, 0.69%

LAB 73.19, 17.04, 30.36

 

CMYK 0 / 24 / 41 / 4

HEX #F4B990

RGB 244 185 144

HSL 24.6, 0.82%, 0.76%

LAB 79.58, 16.19, 29.06

 

CMYK 0 / 34 / 57 / 33

HEX #AB7149

RGB 171 113 73

HSL 24.49, 0.4%, 0.48%

LAB 52.89, 18.64, 31.38

 

CMYK 0 / 38 / 65 / 40

HEX #9A5F36

RGB 154 95 54

HSL 24.6, 0.48%, 0.41%

LAB 46.07, 20.04, 33.11

 

CMYK 0 / 44 / 74 / 46

HEX #894D23

RGB 137 77 35

HSL 24.71, 0.59%, 0.34%

LAB 39.15, 21.69, 34.92

 

CMYK 0 / 51 / 87 / 53

HEX #783B10

RGB 120 59 16

HSL 24.81, 0.76%, 0.27%

LAB 32.16, 23.64, 36.45

 

CMYK 0 / 60 / 100 / 60

HEX #672900

RGB 103 41 0

HSL 23.88, 1%, 0.2%

LAB 25.17, 25.83, 35.87

 

CMYK 0 / 34 / 57 / 33

HEX #AB7149

RGB 171 113 73

HSL 24.49, 0.4%, 0.48%

LAB 52.89, 18.64, 31.38

 

CMYK 0 / 49 / 57 / 33

HEX #AB5749

RGB 171 87 73

HSL 8.57, 0.4%, 0.48%

LAB 46.92, 33.01, 23.83

 

CMYK 0 / 57 / 57 / 33

HEX #AB4949

RGB 171 73 73

HSL 0, 0.4%, 0.48%

LAB 44.1, 40.24, 20.15

 

CMYK 0 / 34 / 57 / 33

HEX #AB7149

RGB 171 113 73

HSL 24.49, 0.4%, 0.48%

LAB 52.89, 18.64, 31.38

 

CMYK 0 / 19 / 57 / 33

HEX #AB8B49

RGB 171 139 73

HSL 40.41, 0.4%, 0.48%

LAB 59.53, 4.06, 39.4

 

CMYK 0 / 3 / 57 / 33

HEX #ABA649

RGB 171 166 73

HSL 56.94, 0.4%, 0.48%

LAB 66.83, -10.54, 47.83

 

CMYK 12 / 0 / 57 / 33

HEX #96AB49

RGB 150 171 73

HSL 72.86, 0.4%, 0.48%

LAB 66.59, -21.94, 47.11

 

CMYK 28 / 0 / 57 / 33

HEX #7BAB49

RGB 123 171 73

HSL 89.39, 0.4%, 0.48%

LAB 64.82, -32.61, 44.61

 

CMYK 0 / 34 / 57 / 33

HEX #AB7149

RGB 171 113 73

HSL 24.49, 0.4%, 0.48%

LAB 52.89, 18.64, 31.38

 

CMYK 0 / 43 / 72 / 25

HEX #BF6D35

RGB 191 109 53

HSL 24.35, 0.57%, 0.48%

LAB 54.31, 28.02, 44.23

 

CMYK 0 / 50 / 84 / 18

HEX #D26A21

RGB 210 106 33

HSL 24.75, 0.73%, 0.48%

LAB 56.21, 36.62, 55.82

 

CMYK 0 / 56 / 94 / 10

HEX #E6660E

RGB 230 102 14

HSL 24.44, 0.89%, 0.48%

LAB 58.37, 46.02, 64.47

 

CMYK 0 / 34 / 57 / 33

HEX #AB7149

RGB 171 113 73

HSL 24.49, 0.4%, 0.48%

LAB 52.89, 18.64, 31.38

 

CMYK 0 / 23 / 38 / 41

HEX #97755D

RGB 151 117 93

HSL 24.83, 0.24%, 0.48%

LAB 51.94, 9.9, 18.35

 

CMYK 0 / 8 / 14 / 49

HEX #837871

RGB 131 120 113

HSL 23.33, 0.07%, 0.48%

LAB 51.21, 2.95, 5.36

 

CMYK 16 / 6 / 0 / 48

HEX #6F7C84

RGB 111 124 132

HSL 202.86, 0.09%, 0.48%

LAB 51.22, -3, -5.98

 

CMYK 39 / 16 / 0 / 40

HEX #5C7F98

RGB 92 127 152

HSL 205, 0.25%, 0.48%

LAB 51.52, -5.67, -17.36

 

CMYK 0 / 57 / 50 / 33

HEX #AB4956

RGB 171 73 86

HSL 352.04, 0.4%, 0.48%

LAB 44.37, 41.37, 12.59

 

CMYK 0 / 50 / 57 / 33

HEX #AB5649

RGB 171 86 73

HSL 7.96, 0.4%, 0.48%

LAB 46.7, 33.55, 23.55

 

CMYK 0 / 35 / 57 / 33

HEX #AB7049

RGB 171 112 73

HSL 23.88, 0.4%, 0.48%

LAB 52.65, 19.21, 31.08

 

CMYK 0 / 19 / 57 / 33

HEX #AB8A49

RGB 171 138 73

HSL 39.8, 0.4%, 0.48%

LAB 59.27, 4.61, 39.09

 

CMYK 0 / 4 / 57 / 33

HEX #ABA449

RGB 171 164 73

HSL 55.71, 0.4%, 0.48%

LAB 66.28, -9.49, 47.21

 

CMYK 0 / 34 / 58 / 56

HEX #714B30

RGB 113 75 48

HSL 24.92, 0.4%, 0.32%

LAB 35.51, 12.9, 22.51

 

CMYK 0 / 34 / 57 / 44

HEX #8E5E3D

RGB 142 94 61

HSL 24.44, 0.4%, 0.4%

LAB 44.37, 15.88, 26.76

 

CMYK 0 / 34 / 57 / 33

HEX #AB7149

RGB 171 113 73

HSL 24.49, 0.4%, 0.48%

LAB 52.89, 18.64, 31.38

 

CMYK 0 / 28 / 48 / 27

HEX #BB8662

RGB 187 134 98

HSL 24.27, 0.4%, 0.56%

LAB 60.33, 15.97, 27.39

 

CMYK 0 / 22 / 37 / 22

HEX #C89C7F

RGB 200 156 127

HSL 23.84, 0.4%, 0.64%

LAB 67.72, 12.4, 21.46

 

CMYK 0 / 34 / 57 / 33

HEX #AB7149

RGB 171 113 73

HSL 24.49, 0.4%, 0.48%

LAB 52.89, 18.64, 31.38

 

CMYK 35 / 0 / 57 / 33

HEX #70AB49

RGB 112 171 73

HSL 96.12, 0.4%, 0.48%

LAB 64.2, -36.64, 43.74

 

CMYK 57 / 57 / 0 / 33

HEX #4949AB

RGB 73 73 171

HSL 240, 0.4%, 0.48%

LAB 36.22, 29.06, -52.77

 

CMYK 0 / 34 / 57 / 33

HEX #AB7149

RGB 171 113 73

HSL 24.49, 0.4%, 0.48%

LAB 52.89, 18.64, 31.38

 

CMYK 57 / 0 / 35 / 33

HEX #49AB70

RGB 73 171 112

HSL 143.88, 0.4%, 0.48%

LAB 63.1, -42.41, 21.97

 

CMYK 35 / 57 / 0 / 33

HEX #7049AB

RGB 112 73 171

HSL 263.88, 0.4%, 0.48%

LAB 39.83, 37.79, -46.76

 

CMYK 0 / 34 / 57 / 33

HEX #AB7149

RGB 171 113 73

HSL 24.49, 0.4%, 0.48%

LAB 52.89, 18.64, 31.38

 

CMYK 35 / 0 / 57 / 33

HEX #70AB49

RGB 112 171 73

HSL 96.12, 0.4%, 0.48%

LAB 64.2, -36.64, 43.74

 

CMYK 57 / 23 / 0 / 33

HEX #4984AB

RGB 73 132 171

HSL 203.88, 0.4%, 0.48%

LAB 52.8, -7.55, -26.5

 

CMYK 23 / 57 / 0 / 33

HEX #8449AB

RGB 132 73 171

HSL 276.12, 0.4%, 0.48%

LAB 42.17, 42.89, -42.88

 

CMYK 0 / 34 / 57 / 33

HEX #AB7149

RGB 171 113 73

HSL 24.49, 0.4%, 0.48%

LAB 52.89, 18.64, 31.38

 

CMYK 51 / 0 / 57 / 33

HEX #53AB49

RGB 83 171 73

HSL 113.88, 0.4%, 0.48%

LAB 62.88, -45.96, 41.87

 

CMYK 57 / 23 / 0 / 33

HEX #4984AB

RGB 73 132 171

HSL 203.88, 0.4%, 0.48%

LAB 52.8, -7.55, -26.5

 

CMYK 6 / 57 / 0 / 33

HEX #A149AB

RGB 161 73 171

HSL 293.88, 0.4%, 0.48%

LAB 46.02, 50.59, -36.54

 

Description

Color code: HEX #AB7149 | qconv.com Color code: HEX #AB7149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 113 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 113 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 57 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 57% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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