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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB734E it is the complementary color #548CB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB734E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB734E shade: #B07349, #C1855C, #D2976F, #E3A982 and #F4BB95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB734E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB734E shade: #AB734E, #9A613B, #894F28, #783D15 and #672B02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB734E shade: #AB734E, #AB5A4E and #AB4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB734E shade: #AB734E, #AB8C4E, #ABA54E, #98AB4E and #7FAB4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB734E shade matches the following richer shades: #AB734E, #BF6F3A, #D36B26 and #E76712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB734E shade: #AB734E, #967762, #827B77, #6E7F8B and #5A849F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB734E shade: #AB4E5C, #AB594E, #AB724E, #AB8A4E and #ABA34E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB734E shade: #724D34, #8E6041, #AB734E, #BA8969 and #C79F85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB734E shade: #AB734E, #75AB4E and #4E50AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB734E shade: #AB734E, #4EAB72 and #724EAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB734E shade: #AB734E, #75AB4E, #4E87AB and #844EAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB734E shade: #AB734E, #59AB4E, #4E87AB and #A04EAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 54 / 33

HEX #AB734E

RGB 171 115 78

HSL 23.87, 0.37%, 0.49%

LAB 53.46, 17.95, 29.31

 

Complementary color

CMYK 53 / 21 / 0 / 31

HEX #548CB1

RGB 84 140 177

HSL 203.87, 0.37%, 0.51%

LAB 55.9, -7.8, -25.1

 

CMYK 0 / 35 / 59 / 31

HEX #B07349

RGB 176 115 73

HSL 24.47, 0.41%, 0.49%

LAB 54, 19.66, 32.88

 

CMYK 0 / 31 / 52 / 24

HEX #C1855C

RGB 193 133 92

HSL 24.36, 0.45%, 0.56%

LAB 60.68, 18.44, 31.27

 

CMYK 0 / 28 / 47 / 18

HEX #D2976F

RGB 210 151 111

HSL 24.24, 0.52%, 0.63%

LAB 67.26, 17.4, 29.79

 

CMYK 0 / 26 / 43 / 11

HEX #E3A982

RGB 227 169 130

HSL 24.12, 0.63%, 0.7%

LAB 73.75, 16.49, 28.43

 

CMYK 0 / 23 / 39 / 4

HEX #F4BB95

RGB 244 187 149

HSL 24, 0.81%, 0.77%

LAB 80.15, 15.68, 27.17

 

CMYK 0 / 33 / 54 / 33

HEX #AB734E

RGB 171 115 78

HSL 23.87, 0.37%, 0.49%

LAB 53.46, 17.95, 29.31

 

CMYK 0 / 37 / 62 / 40

HEX #9A613B

RGB 154 97 59

HSL 24, 0.45%, 0.42%

LAB 46.63, 19.26, 31.01

 

CMYK 0 / 42 / 71 / 46

HEX #894F28

RGB 137 79 40

HSL 24.12, 0.55%, 0.35%

LAB 39.69, 20.82, 32.84

 

CMYK 0 / 49 / 83 / 53

HEX #783D15

RGB 120 61 21

HSL 24.24, 0.7%, 0.28%

LAB 32.67, 22.67, 34.6

 

CMYK 0 / 58 / 98 / 60

HEX #672B02

RGB 103 43 2

HSL 24.36, 0.96%, 0.21%

LAB 25.61, 24.78, 35.47

 

CMYK 0 / 33 / 54 / 33

HEX #AB734E

RGB 171 115 78

HSL 23.87, 0.37%, 0.49%

LAB 53.46, 17.95, 29.31

 

CMYK 0 / 47 / 54 / 33

HEX #AB5A4E

RGB 171 90 78

HSL 7.74, 0.37%, 0.49%

LAB 47.65, 31.83, 21.83

 

CMYK 0 / 54 / 54 / 33

HEX #AB4E4E

RGB 171 78 78

HSL 0, 0.37%, 0.49%

LAB 45.16, 38.14, 18.54

 

CMYK 0 / 33 / 54 / 33

HEX #AB734E

RGB 171 115 78

HSL 23.87, 0.37%, 0.49%

LAB 53.46, 17.95, 29.31

 

CMYK 0 / 18 / 54 / 33

HEX #AB8C4E

RGB 171 140 78

HSL 40, 0.37%, 0.49%

LAB 59.86, 3.93, 37.21

 

CMYK 0 / 4 / 54 / 33

HEX #ABA54E

RGB 171 165 78

HSL 56.13, 0.37%, 0.49%

LAB 66.61, -9.61, 45.2

 

CMYK 11 / 0 / 54 / 33

HEX #98AB4E

RGB 152 171 78

HSL 72.26, 0.37%, 0.49%

LAB 66.79, -20.67, 45.01

 

CMYK 26 / 0 / 54 / 33

HEX #7FAB4E

RGB 127 171 78

HSL 88.39, 0.37%, 0.49%

LAB 65.11, -30.59, 42.63

 

CMYK 0 / 33 / 54 / 33

HEX #AB734E

RGB 171 115 78

HSL 23.87, 0.37%, 0.49%

LAB 53.46, 17.95, 29.31

 

CMYK 0 / 42 / 70 / 25

HEX #BF6F3A

RGB 191 111 58

HSL 23.91, 0.53%, 0.49%

LAB 54.81, 27.2, 42.27

 

CMYK 0 / 49 / 82 / 17

HEX #D36B26

RGB 211 107 38

HSL 23.93, 0.69%, 0.49%

LAB 56.59, 36.65, 54.25

 

CMYK 0 / 55 / 92 / 9

HEX #E76712

RGB 231 103 18

HSL 23.94, 0.86%, 0.49%

LAB 58.73, 45.97, 63.86

 

CMYK 0 / 33 / 54 / 33

HEX #AB734E

RGB 171 115 78

HSL 23.87, 0.37%, 0.49%

LAB 53.46, 17.95, 29.31

 

CMYK 0 / 21 / 35 / 41

HEX #967762

RGB 150 119 98

HSL 24.23, 0.21%, 0.49%

LAB 52.46, 8.98, 16.15

 

CMYK 0 / 5 / 8 / 49

HEX #827B77

RGB 130 123 119

HSL 21.82, 0.04%, 0.49%

LAB 52.11, 1.91, 3.13

 

CMYK 21 / 9 / 0 / 45

HEX #6E7F8B

RGB 110 127 139

HSL 204.83, 0.12%, 0.49%

LAB 52.24, -3.43, -8.57

 

CMYK 43 / 17 / 0 / 38

HEX #5A849F

RGB 90 132 159

HSL 203.48, 0.28%, 0.49%

LAB 53.15, -7.1, -18.95

 

CMYK 0 / 54 / 46 / 33

HEX #AB4E5C

RGB 171 78 92

HSL 350.97, 0.37%, 0.49%

LAB 45.47, 39.47, 10.45

 

CMYK 0 / 48 / 54 / 33

HEX #AB594E

RGB 171 89 78

HSL 7.1, 0.37%, 0.49%

LAB 47.43, 32.37, 21.55

 

CMYK 0 / 33 / 54 / 33

HEX #AB724E

RGB 171 114 78

HSL 23.23, 0.37%, 0.49%

LAB 53.21, 18.51, 29

 

CMYK 0 / 19 / 54 / 33

HEX #AB8A4E

RGB 171 138 78

HSL 38.71, 0.37%, 0.49%

LAB 59.33, 5.03, 36.57

 

CMYK 0 / 5 / 54 / 33

HEX #ABA34E

RGB 171 163 78

HSL 54.84, 0.37%, 0.49%

LAB 66.06, -8.55, 44.56

 

CMYK 0 / 32 / 54 / 55

HEX #724D34

RGB 114 77 52

HSL 24.19, 0.37%, 0.33%

LAB 36.24, 12.54, 21.06

 

CMYK 0 / 32 / 54 / 44

HEX #8E6041

RGB 142 96 65

HSL 24.16, 0.37%, 0.41%

LAB 44.94, 15.08, 25.17

 

CMYK 0 / 33 / 54 / 33

HEX #AB734E

RGB 171 115 78

HSL 23.87, 0.37%, 0.49%

LAB 53.46, 17.95, 29.31

 

CMYK 0 / 26 / 44 / 27

HEX #BA8969

RGB 186 137 105

HSL 23.7, 0.37%, 0.57%

LAB 61.09, 14.63, 24.47

 

CMYK 0 / 20 / 33 / 22

HEX #C79F85

RGB 199 159 133

HSL 23.64, 0.37%, 0.65%

LAB 68.48, 11.12, 19.2

 

CMYK 0 / 33 / 54 / 33

HEX #AB734E

RGB 171 115 78

HSL 23.87, 0.37%, 0.49%

LAB 53.46, 17.95, 29.31

 

CMYK 32 / 0 / 54 / 33

HEX #75AB4E

RGB 117 171 78

HSL 94.84, 0.37%, 0.49%

LAB 64.53, -34.3, 41.8

 

CMYK 54 / 53 / 0 / 33

HEX #4E50AB

RGB 78 80 171

HSL 238.71, 0.37%, 0.49%

LAB 38.37, 25.62, -49.27

 

CMYK 0 / 33 / 54 / 33

HEX #AB734E

RGB 171 115 78

HSL 23.87, 0.37%, 0.49%

LAB 53.46, 17.95, 29.31

 

CMYK 54 / 0 / 33 / 33

HEX #4EAB72

RGB 78 171 114

HSL 143.23, 0.37%, 0.49%

LAB 63.31, -40.83, 21.2

 

CMYK 33 / 54 / 0 / 33

HEX #724EAB

RGB 114 78 171

HSL 263.23, 0.37%, 0.49%

LAB 41.16, 35.4, -44.61

 

CMYK 0 / 33 / 54 / 33

HEX #AB734E

RGB 171 115 78

HSL 23.87, 0.37%, 0.49%

LAB 53.46, 17.95, 29.31

 

CMYK 32 / 0 / 54 / 33

HEX #75AB4E

RGB 117 171 78

HSL 94.84, 0.37%, 0.49%

LAB 64.53, -34.3, 41.8

 

CMYK 54 / 21 / 0 / 33

HEX #4E87AB

RGB 78 135 171

HSL 203.23, 0.37%, 0.49%

LAB 53.91, -8.17, -24.76

 

CMYK 23 / 54 / 0 / 33

HEX #844EAB

RGB 132 78 171

HSL 274.84, 0.37%, 0.49%

LAB 43.2, 40.16, -41.24

 

CMYK 0 / 33 / 54 / 33

HEX #AB734E

RGB 171 115 78

HSL 23.87, 0.37%, 0.49%

LAB 53.46, 17.95, 29.31

 

CMYK 48 / 0 / 54 / 33

HEX #59AB4E

RGB 89 171 78

HSL 112.9, 0.37%, 0.49%

LAB 63.18, -43.6, 39.86

 

CMYK 54 / 21 / 0 / 33

HEX #4E87AB

RGB 78 135 171

HSL 203.23, 0.37%, 0.49%

LAB 53.91, -8.17, -24.76

 

CMYK 6 / 54 / 0 / 33

HEX #A04EAB

RGB 160 78 171

HSL 292.9, 0.37%, 0.49%

LAB 46.79, 47.86, -35.33

 

Description

Color code: HEX #AB734E | qconv.com Color code: HEX #AB734E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 115 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 115 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 54 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 54% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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